Pub Date : 2024-06-01DOI: 10.25136/2409-8698.2024.6.70890
Christina Petrovna Zhikulina, Viktoriya Vladimirovna Kostromina
This article deals with the polymodal space in the field of computational creativity in neural networks. The object of research is a polymodal environment that integrates a series of heterogeneous codes to express a common idea, and the subject is the possibility of creating polymodal digital art using text and voice prompts in the generative network Midjourney. The aim of the study is to prove that computational creativity can be detected and described based on the results of iterations in the process of creating images, which in turn will allow us to talk about a complex polymodal system as a separate digital category of polymodality. We used the continuous sampling method when collecting linguistic units as they occur in the analysis process; contextual analysis for the systematic identification and description of the verbal and non-verbal contexts. It was necessary to conduct an experiment with the generative network Midjourney to identify patterns in the creation of a graphic space through text and voice data input, and then compare and contrast the results of iterations with the original image. The scientific novelty consists in the lack of research on the polymodal space in the context of neural networks and their generative ability. During the experiment, we obtained the following results: the term ‘polymodality’ in the context of the generative network Midjourney and its ‘digital art’ is due to the presence of three channels: verbal, visual and voice; tests have shown that the ability of the neural network to create images through prompt is at a high level, however, there are rough technical errors that do not allow users to fully approach the desired result when they generate an image; the summarization of the data allows us to talk about the presence of features of computational creativity in generative networks.
{"title":"Computational creativity of neural network Midjourney in a polymodal space","authors":"Christina Petrovna Zhikulina, Viktoriya Vladimirovna Kostromina","doi":"10.25136/2409-8698.2024.6.70890","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.6.70890","url":null,"abstract":"\u0000 This article deals with the polymodal space in the field of computational creativity in neural networks. The object of research is a polymodal environment that integrates a series of heterogeneous codes to express a common idea, and the subject is the possibility of creating polymodal digital art using text and voice prompts in the generative network Midjourney. The aim of the study is to prove that computational creativity can be detected and described based on the results of iterations in the process of creating images, which in turn will allow us to talk about a complex polymodal system as a separate digital category of polymodality. We used the continuous sampling method when collecting linguistic units as they occur in the analysis process; contextual analysis for the systematic identification and description of the verbal and non-verbal contexts. It was necessary to conduct an experiment with the generative network Midjourney to identify patterns in the creation of a graphic space through text and voice data input, and then compare and contrast the results of iterations with the original image. The scientific novelty consists in the lack of research on the polymodal space in the context of neural networks and their generative ability. During the experiment, we obtained the following results: the term ‘polymodality’ in the context of the generative network Midjourney and its ‘digital art’ is due to the presence of three channels: verbal, visual and voice; tests have shown that the ability of the neural network to create images through prompt is at a high level, however, there are rough technical errors that do not allow users to fully approach the desired result when they generate an image; the summarization of the data allows us to talk about the presence of features of computational creativity in generative networks.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141275187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70416
B. A. Bulgarova, Fenglan Chen, Yang Ju, Tamara Yurievna Chinennaya
The subject of this study is the era of smart media, which will have a significant impact on the news media ecosystem. It will lead to another industrial transformation and change in the news industry. The convergence of traditional and new media is made possible by 5G technology, cloud computing and big data technologies. The COVID-19 pandemic has accelerated the pace of media analytics, digitisation and platformisation. In addition, recent years have seen a surge in the development of artificial intelligence, which has been applied to various fields such as military, healthcare, retirement, etc. The development of ChatGPT has been an important signal of intelligent change in the media industry. The news media industry is undergoing a transformation that is already well underway. The research methodology is comprehensive and includes: descriptive method, comparative data analysis, statistical analysis and content analysis. The novelty of the research is the analysis of intellectual media paradigms in China and Russia. The nature of media interaction between the two countries, as well as the trajectory of global innovative technologies are investigated. Trends related to the development of digitalisation and AI in the following areas are described in detail: digitalisation of operations, news production, development of media platforms and AI technologies, and media content digitalisation processes. A prospective analysis is made of the need for international specialists with both humanitarian and technical competences. The digital and intellectual transformation of news media can take the cooperation between the two countries to a new historical level. In addition, media cooperation between China and Russia can help stabilise the world situation and provide a favourable ecological environment for international media.
{"title":"Research on the transformation of news media industries in China and Russia in the era of intelligent media","authors":"B. A. Bulgarova, Fenglan Chen, Yang Ju, Tamara Yurievna Chinennaya","doi":"10.25136/2409-8698.2024.5.70416","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70416","url":null,"abstract":"\u0000 The subject of this study is the era of smart media, which will have a significant impact on the news media ecosystem. It will lead to another industrial transformation and change in the news industry. The convergence of traditional and new media is made possible by 5G technology, cloud computing and big data technologies. The COVID-19 pandemic has accelerated the pace of media analytics, digitisation and platformisation. In addition, recent years have seen a surge in the development of artificial intelligence, which has been applied to various fields such as military, healthcare, retirement, etc. The development of ChatGPT has been an important signal of intelligent change in the media industry. The news media industry is undergoing a transformation that is already well underway. The research methodology is comprehensive and includes: descriptive method, comparative data analysis, statistical analysis and content analysis. The novelty of the research is the analysis of intellectual media paradigms in China and Russia. The nature of media interaction between the two countries, as well as the trajectory of global innovative technologies are investigated. Trends related to the development of digitalisation and AI in the following areas are described in detail: digitalisation of operations, news production, development of media platforms and AI technologies, and media content digitalisation processes. A prospective analysis is made of the need for international specialists with both humanitarian and technical competences. The digital and intellectual transformation of news media can take the cooperation between the two countries to a new historical level. In addition, media cooperation between China and Russia can help stabilise the world situation and provide a favourable ecological environment for international media.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141045971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70700
Aleksander Aleksandrovich Voronovsky, Liudmila Viktorovna Reznik
The article is devoted to the history of the relationship between two outstanding German writers Thomas Mann and Gerhart Hauptmann. The relationship between them developed as a rivalry, reflected not only in their work, but also in their correspondence. At different periods of their acquaintance, Hauptmann and Mann experienced the most contradictory feelings towards each other — from enthusiastic recognition to categorical denial. The publication in 1925 of Mann's novel "The Magic Mountain" became the first harbinger of the beginning of mutual estrangement after many years of friendship. The image of Mynheer Peperkorn sensitively hurt Hauptmann's ego. In addition, there was a rivalry between the writers related to the imitation of Goethe and the struggle for the right to be considered the national poet of Germany. In 1929, with the support of Hauptmann, Mann received the Nobel Prize in Literature. However, the latter's reaction provoked hostile rejection from an older contemporary. In 1933, the rupture of contacts between Mann and Hauptmann occurred for political reasons, and communication was never resumed, despite an attempt at reconciliation on Hauptmann's part.The methodological basis of the article is a historical and literary approach, in which the biographies, correspondence and diaries of Mann and Hauptmann are analyzed, as well as the interaction between writers reflected in their artistic work is studied. The scientific novelty of this article is determined by the lack of domestic research on the relationship between Thomas Mann and Gerhart Hauptmann. This work introduces for the first time into Russian literary criticism a number of relevant texts: letters and diary entries of Mann and Hauptmann, in which they express their attitude to each other and raise a wide range of issues of literary creativity and culture. The difficult relationship between the two writers, who defended completely different literary and ideological positions, is not only reflected in their correspondence and in their artistic work, but also largely reflects the experience of creative self-reflection of each. The main issue turned out to be the relationship between art and life, the possibility of creativity autonomy. If Mann insisted on the inevitable invasion of "life" into the sphere of the artist's activity, then Hauptmann saw in art the poet's salvation from his unworthy vanity.
{"title":"Friendship-rivalry between G. Hauptmann and T. Mann in creativity and correspondence","authors":"Aleksander Aleksandrovich Voronovsky, Liudmila Viktorovna Reznik","doi":"10.25136/2409-8698.2024.5.70700","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70700","url":null,"abstract":"\u0000 The article is devoted to the history of the relationship between two outstanding German writers Thomas Mann and Gerhart Hauptmann. The relationship between them developed as a rivalry, reflected not only in their work, but also in their correspondence. At different periods of their acquaintance, Hauptmann and Mann experienced the most contradictory feelings towards each other — from enthusiastic recognition to categorical denial. The publication in 1925 of Mann's novel \"The Magic Mountain\" became the first harbinger of the beginning of mutual estrangement after many years of friendship. The image of Mynheer Peperkorn sensitively hurt Hauptmann's ego. In addition, there was a rivalry between the writers related to the imitation of Goethe and the struggle for the right to be considered the national poet of Germany. In 1929, with the support of Hauptmann, Mann received the Nobel Prize in Literature. However, the latter's reaction provoked hostile rejection from an older contemporary. In 1933, the rupture of contacts between Mann and Hauptmann occurred for political reasons, and communication was never resumed, despite an attempt at reconciliation on Hauptmann's part.The methodological basis of the article is a historical and literary approach, in which the biographies, correspondence and diaries of Mann and Hauptmann are analyzed, as well as the interaction between writers reflected in their artistic work is studied. The scientific novelty of this article is determined by the lack of domestic research on the relationship between Thomas Mann and Gerhart Hauptmann. This work introduces for the first time into Russian literary criticism a number of relevant texts: letters and diary entries of Mann and Hauptmann, in which they express their attitude to each other and raise a wide range of issues of literary creativity and culture. The difficult relationship between the two writers, who defended completely different literary and ideological positions, is not only reflected in their correspondence and in their artistic work, but also largely reflects the experience of creative self-reflection of each. The main issue turned out to be the relationship between art and life, the possibility of creativity autonomy. If Mann insisted on the inevitable invasion of \"life\" into the sphere of the artist's activity, then Hauptmann saw in art the poet's salvation from his unworthy vanity.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141053396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70512
Alwan Hassan Albulanee
The concept of "dreams" as the core of American literature is recognized by most literary critics. The affirmation and apologetics of the "American dream", which is associated with the traditions of critical realism, remains the subject of discussion by both foreign and Russian researchers. Literary studies of the concept of the "American dream" encourage us to critically analyze the beliefs, experiences and aspirations underlying it, as well as its broader implications for society. The subject of this article is the concept of the "American dream", analyzed on the basis of Norman Mailer's novel "The American Dream" and the travelogue “O'key, an American Novel” by Boris Pilnyak. Using descriptive, hermeneutical, comparative, historical-literary and historical-cultural methods, the author examines the details of this concept that were not affected in previously published scientific works. The sources and prerequisites for the emergence of the phenomenon of the “American dream” in American literature are presented and its complex quintessences presented in the works of Mailer and Pilniak through the prism of different cultural contexts are revealed. The study showed that the failure of the American Dream project leads to its restructuring, which confirms its self-stabilizing nature and fundamental role in the process of personal self-determination of the character. Mailer, deeply rooted in American culture, criticizes the American dream from the inside, emphasizing individualism, social pressure and the pursuit of success. On the contrary, Pilniak offers us a different view of the "American dream". This is the view of a Soviet writer who emphasizes the relationship of the American dream with capitalism, democracy and social transformation. Conclusions. Despite the revealed differences in views, both authors encourage readers to take a critical look at the promises and pitfalls of the American dream, enriching our understanding of its universal appeal and enduring relevance.
{"title":"“The American Dream” in Norman Mailer's novel and travelogue “O'key, an American Novel” by B. Pilnyak: Shattered Illusions and Rethought Dreams","authors":"Alwan Hassan Albulanee","doi":"10.25136/2409-8698.2024.5.70512","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70512","url":null,"abstract":"\u0000 The concept of \"dreams\" as the core of American literature is recognized by most literary critics. The affirmation and apologetics of the \"American dream\", which is associated with the traditions of critical realism, remains the subject of discussion by both foreign and Russian researchers. Literary studies of the concept of the \"American dream\" encourage us to critically analyze the beliefs, experiences and aspirations underlying it, as well as its broader implications for society. The subject of this article is the concept of the \"American dream\", analyzed on the basis of Norman Mailer's novel \"The American Dream\" and the travelogue “O'key, an American Novel” by Boris Pilnyak. Using descriptive, hermeneutical, comparative, historical-literary and historical-cultural methods, the author examines the details of this concept that were not affected in previously published scientific works. The sources and prerequisites for the emergence of the phenomenon of the “American dream” in American literature are presented and its complex quintessences presented in the works of Mailer and Pilniak through the prism of different cultural contexts are revealed. The study showed that the failure of the American Dream project leads to its restructuring, which confirms its self-stabilizing nature and fundamental role in the process of personal self-determination of the character. Mailer, deeply rooted in American culture, criticizes the American dream from the inside, emphasizing individualism, social pressure and the pursuit of success. On the contrary, Pilniak offers us a different view of the \"American dream\". This is the view of a Soviet writer who emphasizes the relationship of the American dream with capitalism, democracy and social transformation. Conclusions. Despite the revealed differences in views, both authors encourage readers to take a critical look at the promises and pitfalls of the American dream, enriching our understanding of its universal appeal and enduring relevance.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141038353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70691
Boris Borisovich Ilyin
The purpose of the work is to describe the semantics of words nominating parts of the landscape in hagiographic texts that existed in Ancient Russia. The object of the study is words with spatial semantics denoting objects of nature. The subject of the study is the semantics of these lexical units. The material chosen for the analysis is the hagiographic texts included in the Assumption collection. To systematize the material, a classification of landscape vocabulary by semantic groups is proposed. The theoretical part of the work is an analysis of the already available methods of thematic ideography of landscape vocabulary, on the basis of which a classification of landscape vocabulary for the considered language material is proposed. The practical part of the article is devoted to the description of the meanings of words that represent a group of landscape vocabulary. Attention is drawn to the meaning of the word, the frequency of its use, and the connection with the event semantics of texts. The lexical material was obtained by the continuous sampling method. Lexicographic, contextual, and quantitative analyses were used to identify semantics. The article describes the words with their basic meanings that characterize the landscape in the lives of the Assumption collection: elevations: mountain, hill; flat spaces — coincide with open spaces; depressions: deep, ditch, pit, cave (pechera); overgrown areas: boron, lѣs, squabble; open areas: field, deserts; water spaces and land areas next to it: source, rѣka, sea, mouth, brѣg, island. It is noted that the group of landscape vocabulary is few and infrequent in use. The author comes to the conclusion that the semantics of landscape naming in the considered hagiographies includes elements of various linguistic Slavic systems. It is emphasized that the formation of metaphorical meanings in landscape vocabulary occurs under the influence of biblical contexts. The novelty of the research lies in the chosen source of linguistic facts: the hagiographic texts of the Assumption Collection did not become the subject of systematic lexical and semantic analysis. It can also be noted that the analysis of spatial vocabulary based on the material of texts that existed in Ancient Russia was not carried out. The work can be useful in studies of the category of locativity in the Old Russian language, as well as in the study of images of space in Slavic hagiographic texts.
{"title":"The semantics of landscape vocabulary in the Lives of the Assumption Collection","authors":"Boris Borisovich Ilyin","doi":"10.25136/2409-8698.2024.5.70691","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70691","url":null,"abstract":"\u0000 The purpose of the work is to describe the semantics of words nominating parts of the landscape in hagiographic texts that existed in Ancient Russia. The object of the study is words with spatial semantics denoting objects of nature. The subject of the study is the semantics of these lexical units. The material chosen for the analysis is the hagiographic texts included in the Assumption collection. To systematize the material, a classification of landscape vocabulary by semantic groups is proposed. The theoretical part of the work is an analysis of the already available methods of thematic ideography of landscape vocabulary, on the basis of which a classification of landscape vocabulary for the considered language material is proposed. The practical part of the article is devoted to the description of the meanings of words that represent a group of landscape vocabulary. Attention is drawn to the meaning of the word, the frequency of its use, and the connection with the event semantics of texts. The lexical material was obtained by the continuous sampling method. Lexicographic, contextual, and quantitative analyses were used to identify semantics. The article describes the words with their basic meanings that characterize the landscape in the lives of the Assumption collection: elevations: mountain, hill; flat spaces — coincide with open spaces; depressions: deep, ditch, pit, cave (pechera); overgrown areas: boron, lѣs, squabble; open areas: field, deserts; water spaces and land areas next to it: source, rѣka, sea, mouth, brѣg, island. It is noted that the group of landscape vocabulary is few and infrequent in use. The author comes to the conclusion that the semantics of landscape naming in the considered hagiographies includes elements of various linguistic Slavic systems. It is emphasized that the formation of metaphorical meanings in landscape vocabulary occurs under the influence of biblical contexts. The novelty of the research lies in the chosen source of linguistic facts: the hagiographic texts of the Assumption Collection did not become the subject of systematic lexical and semantic analysis. It can also be noted that the analysis of spatial vocabulary based on the material of texts that existed in Ancient Russia was not carried out. The work can be useful in studies of the category of locativity in the Old Russian language, as well as in the study of images of space in Slavic hagiographic texts.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141044147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70690
Sergey Borisovich Nikonov, YUi-CHien' E, Anna Vitalievna Baichik, Nikolai Sergeevich Labush
The relevance of this research is due to the growing commercialization and integration of "virtual reality" (VR) technology into everyday life and science, which requires understanding its impact on the user's experience and the construction of human subjectivity, as well as the potential for modifying human interaction with the outside world. Scientists are discussing the potential of VR and expressing the need for it to open the doors to a new era for humanity as soon as possible. In this context, critical analysis and philosophical reflection on the development of virtual reality technology and the possible impact on human life become extremely relevant and topical. The subject of the study is the content and transformation of the subject of reality in the virtual space through mediatization. The object of the study is virtual reality The work is based on the deconstruction method based on the principles of interpreting what is read without distorting the meaning. With his help, the most significant and appropriate fragments were selected for scientific understanding and research of the phenomenon. As a result of the study, it was found that the informatization of the subject in the process of interaction with the virtual reality environment, a person as a subject is no longer an isolated substance, but expresses his existence through informatization.The concept of "virtual personal presence" provides a person with a framework for ontological expansion in the virtual dimension, therefore, the activity of virtual reality has a profound influence on the subjective construction of a person, characterized by posthumanistic features. Along with this, such influence at the level of ontology is mainly manifested in the virtualization and informatization of the subject. Virtualization of the subject not only shows the expansion of subjectivity in the virtual dimension, but also expresses that it always retains an ever-changing, plastic potential; informatization of the subject implies that in the activity of virtual reality, the subject represents his existence in the form of a specific information structure.
{"title":"Posthumanistic transformation of the subject in the \"virtual personal presence\" at the ontological level","authors":"Sergey Borisovich Nikonov, YUi-CHien' E, Anna Vitalievna Baichik, Nikolai Sergeevich Labush","doi":"10.25136/2409-8698.2024.5.70690","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70690","url":null,"abstract":"\u0000 The relevance of this research is due to the growing commercialization and integration of \"virtual reality\" (VR) technology into everyday life and science, which requires understanding its impact on the user's experience and the construction of human subjectivity, as well as the potential for modifying human interaction with the outside world. Scientists are discussing the potential of VR and expressing the need for it to open the doors to a new era for humanity as soon as possible. In this context, critical analysis and philosophical reflection on the development of virtual reality technology and the possible impact on human life become extremely relevant and topical. The subject of the study is the content and transformation of the subject of reality in the virtual space through mediatization. The object of the study is virtual reality The work is based on the deconstruction method based on the principles of interpreting what is read without distorting the meaning. With his help, the most significant and appropriate fragments were selected for scientific understanding and research of the phenomenon. As a result of the study, it was found that the informatization of the subject in the process of interaction with the virtual reality environment, a person as a subject is no longer an isolated substance, but expresses his existence through informatization.The concept of \"virtual personal presence\" provides a person with a framework for ontological expansion in the virtual dimension, therefore, the activity of virtual reality has a profound influence on the subjective construction of a person, characterized by posthumanistic features. Along with this, such influence at the level of ontology is mainly manifested in the virtualization and informatization of the subject. Virtualization of the subject not only shows the expansion of subjectivity in the virtual dimension, but also expresses that it always retains an ever-changing, plastic potential; informatization of the subject implies that in the activity of virtual reality, the subject represents his existence in the form of a specific information structure.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141034188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70807
Natalya Mikhailovna Dmitrieva, Anna Aleksandrovna Korobeynikova, O.M. Malahova
The subject of the study – the concept «Fate–Promysel» and its lexical-semantic field in diachrony. The relevance is due to the key position of the idea of fate in Russian culture, the frequency of use of verbalizers of the concept. The concept is analyzed from the point of view of its lexical and semantic representation in different eras: the period of the spread of Old Church Slavonic writing – modern times. The purpose of the article is to determine the original semantic parts of the main verbalizers of the concept, study their constancy and changeability in diachrony. The methods of semantic analysis and of semantic experiment were used. Conclusions: 1) the main semantic parts of the concept in the Old Church Slavonic / Church Slavonic languages are designated as primordial, 2) changes in verbalizers and their meanings are traced: the predominance of verbalizers with the semes «random», «share», «fate» in the 19th century, the disappearance of the verbalizer «providence» and the rarity of fixation in the semantic field of dictionary definitions of the meaning «care of God about man» in the 20th century, 3) the semantic experiment made it possible to determine that the verbalizer «fate» is fixed by the participants mainly in the meaning of «destiny», while the idea of the randomness of events, their independence from the will of a person is inferior among modern native speakers to the understanding of fate as a set of cause-and-effect relationships, personal choices and influence of external circumstances that can be predicted and influenced by humans. There is a significant semantic shift in the lexical-semantic field of the concept «Fate–Promysel» from the main seme «Divine care for man» to the seme «coincidence of circumstances» (controlled or not by a person).
{"title":"Lexical and semantic features of the verbalization of the Russian concept of «Fate–Promysel» in diachrony","authors":"Natalya Mikhailovna Dmitrieva, Anna Aleksandrovna Korobeynikova, O.M. Malahova","doi":"10.25136/2409-8698.2024.5.70807","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70807","url":null,"abstract":"\u0000 The subject of the study – the concept «Fate–Promysel» and its lexical-semantic field in diachrony. The relevance is due to the key position of the idea of fate in Russian culture, the frequency of use of verbalizers of the concept. The concept is analyzed from the point of view of its lexical and semantic representation in different eras: the period of the spread of Old Church Slavonic writing – modern times. The purpose of the article is to determine the original semantic parts of the main verbalizers of the concept, study their constancy and changeability in diachrony. The methods of semantic analysis and of semantic experiment were used. Conclusions: 1) the main semantic parts of the concept in the Old Church Slavonic / Church Slavonic languages are designated as primordial, 2) changes in verbalizers and their meanings are traced: the predominance of verbalizers with the semes «random», «share», «fate» in the 19th century, the disappearance of the verbalizer «providence» and the rarity of fixation in the semantic field of dictionary definitions of the meaning «care of God about man» in the 20th century, 3) the semantic experiment made it possible to determine that the verbalizer «fate» is fixed by the participants mainly in the meaning of «destiny», while the idea of the randomness of events, their independence from the will of a person is inferior among modern native speakers to the understanding of fate as a set of cause-and-effect relationships, personal choices and influence of external circumstances that can be predicted and influenced by humans. There is a significant semantic shift in the lexical-semantic field of the concept «Fate–Promysel» from the main seme «Divine care for man» to the seme «coincidence of circumstances» (controlled or not by a person).\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141142187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70684
Shuoying Wang
The object of this study is the lexemes vozrast and vozrastnoy; the subject of the study is the euphemistic uses of these lexemes and their semantic derivation in modern Russian and in media discourse. The author examines the definitions of lexemes in the main explanatory dictionaries of the Russian language, analyzing their semantic structure. The use of these lexemes in modern journalistic discourse as euphemisms is analyzed on the basis of the National Corpus of the Russian language. The corpus study confirms a significant number of euphemistic names of age in modern Russian, as well as the assumption that in modern journalistic discourse the lexeme vozrast can be used in the meaning of ‘old age’, and vozrastnoy — in the meaning of ‘elderly’. The research was conducted using general scientific methods of component and contextual analysis, corpus research, functional-semantic method, elements of quantitative method, etc. The scientific novelty of the study consists in identifying the features of the functioning of the lexemes vozrast and vozrastnoy, acting as euphemisms, in modern Russian speech (based on the material of media discourse), namely, in the high use of euphemistic uses. Contexts with such uses usually report that the psychological age does not coincide with the physical one, about the desire of people to look younger than their years (more often about women), to hide their real (physical) age, about worries about the past youth. The euphemization reflects the cultural notion of old age as an abnormal age. It is concluded that the euphemistic meanings of the lexemes vozrast and vozrastnoy have become entrenched in the language, have become widely used and stylistically neutral. Thanks to the euphemistic meaning, the lexemes have expanded their use.
{"title":"Lexemes vozrast (age) and vozrastnoy (age) as euphemisms in modern media discourse","authors":"Shuoying Wang","doi":"10.25136/2409-8698.2024.5.70684","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70684","url":null,"abstract":"\u0000 The object of this study is the lexemes vozrast and vozrastnoy; the subject of the study is the euphemistic uses of these lexemes and their semantic derivation in modern Russian and in media discourse. The author examines the definitions of lexemes in the main explanatory dictionaries of the Russian language, analyzing their semantic structure. The use of these lexemes in modern journalistic discourse as euphemisms is analyzed on the basis of the National Corpus of the Russian language. The corpus study confirms a significant number of euphemistic names of age in modern Russian, as well as the assumption that in modern journalistic discourse the lexeme vozrast can be used in the meaning of ‘old age’, and vozrastnoy — in the meaning of ‘elderly’. The research was conducted using general scientific methods of component and contextual analysis, corpus research, functional-semantic method, elements of quantitative method, etc. The scientific novelty of the study consists in identifying the features of the functioning of the lexemes vozrast and vozrastnoy, acting as euphemisms, in modern Russian speech (based on the material of media discourse), namely, in the high use of euphemistic uses. Contexts with such uses usually report that the psychological age does not coincide with the physical one, about the desire of people to look younger than their years (more often about women), to hide their real (physical) age, about worries about the past youth. The euphemization reflects the cultural notion of old age as an abnormal age. It is concluded that the euphemistic meanings of the lexemes vozrast and vozrastnoy have become entrenched in the language, have become widely used and stylistically neutral. Thanks to the euphemistic meaning, the lexemes have expanded their use.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141056148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.40846
K. S. Romanova, Aleksei Yur'evich Ovcharenko
The article discusses the travelogues of Turkey by E. Lanceray and P. Pavlenko. If, until 1917, the Russian literature had described Turkey from the ethnographical and geographic perspectives or had made it a part of modernist vision, in the 1920s, the authors wrote mainly about its political, social and cultural changes. The aim of the article is to analyze Turkey’s image in the parent state literature of the 1920s, close the lacuna in its Asian text and form a more complete understanding of the Russian literary process of that period. The article uses the descriptive, biographical and culture-historical methods of research. It concludes that so different writers as Lanceray and Pavlenko representing the unlike generations and artistic worlds and making different accents in their writings – on ethnography and the formation of a new statehood, respectively – are prone to interpret the revolutionary changes taking place in Turkey optimistically. Therefore, the Turkish motive and thematic vector should be viewed as a relevant stage of forming the ideology and aesthetics of a new artistic method, which is to be known as socialist realism subsequently.
文章讨论了 E. 兰塞雷和 P. 帕夫连科的土耳其游记。如果说在 1917 年之前，俄罗斯文学从人种学和地理学的角度描述了土耳其，或将其作为现代主义视野的一部分，那么在 20 世纪 20 年代，作者们则主要描写了土耳其的政治、社会和文化变迁。文章旨在分析土耳其在 20 世纪 20 年代母国文学中的形象，填补其亚洲文本中的空白，并形成对该时期俄罗斯文学进程的更完整的理解。文章采用了描述性、传记性和文化史研究方法。文章得出结论认为，像兰塞雷和帕夫连科这样代表不同时代和艺术世界的不同作家，在他们的作品中--分别关于民族学和新国家的形成--做出了不同的强调，容易对土耳其发生的革命性变化做出乐观的解释。因此，土耳其的动机和主题矢量应被视为一种新艺术方法的意识形态和美学形成的相关阶段，这种新艺术方法随后将被称为社会主义现实主义。
{"title":"The ideological and artistic features of the travelogues about Turkey in the Russian parent state literature of the 1920s (based on Summer in Angora by E. Lanceray and Istanbul and Turkey by P. Pavlenko)","authors":"K. S. Romanova, Aleksei Yur'evich Ovcharenko","doi":"10.25136/2409-8698.2024.5.40846","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.40846","url":null,"abstract":"\u0000 The article discusses the travelogues of Turkey by E. Lanceray and P. Pavlenko. If, until 1917, the Russian literature had described Turkey from the ethnographical and geographic perspectives or had made it a part of modernist vision, in the 1920s, the authors wrote mainly about its political, social and cultural changes. The aim of the article is to analyze Turkey’s image in the parent state literature of the 1920s, close the lacuna in its Asian text and form a more complete understanding of the Russian literary process of that period. The article uses the descriptive, biographical and culture-historical methods of research. It concludes that so different writers as Lanceray and Pavlenko representing the unlike generations and artistic worlds and making different accents in their writings – on ethnography and the formation of a new statehood, respectively – are prone to interpret the revolutionary changes taking place in Turkey optimistically. Therefore, the Turkish motive and thematic vector should be viewed as a relevant stage of forming the ideology and aesthetics of a new artistic method, which is to be known as socialist realism subsequently.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141034820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-01DOI: 10.25136/2409-8698.2024.5.70692
Qizheng Li
The article examines the representation in the language of modern media of the image of China as a component of Russian linguistic consciousness. It is noted that in the language of the media, the image of China that has developed in the Russian linguistic consciousness is simultaneously realized, and this image is constructed and supplemented in its modern implementation. The media have a significant impact on the image of China, what it will be like in the future, and also on how Russians perceive it. The analysis was based on the consideration of the functioning in the media of lexemes and phraseological units expressing Chinese semantics: China, Chinese, Chinaman, Celestial Empire, hieroglyphs, etc. Observation showed that the image of China is frequent. The research was carried out on the basis of traditional methods of observation, description, analysis, synthesis, and generalization. One of the main ones was the method of corpus linguistics. The method of linguocultural interpretation, structural-semantic method were used. It has been revealed that the most important part of the image of China, implemented in the media, is the idea of this country as a strong state with developed industry, economy and social sphere, as a strategic partner of the Russian Federation and a global antagonist of the United States. Attention is focused on the fact that the brightest means of representing the image of China in the Russian linguistic consciousness are comparative constructions, metaphors, phraseological units, through which such features of China as ancient history, rich and difficult to understand culture, and deep philosophy are actualized. A Chinese in the Russian linguistic consciousness is a hardworking, enterprising, intelligent, cunning, wise, independent person. The conclusion is made about the dynamic image of China, to the change of which the Russian media make a significant contribution.
{"title":"The image of China in modern Russian media (based on materials from the National Corpus of the Russian Language)","authors":"Qizheng Li","doi":"10.25136/2409-8698.2024.5.70692","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.5.70692","url":null,"abstract":"\u0000 The article examines the representation in the language of modern media of the image of China as a component of Russian linguistic consciousness. It is noted that in the language of the media, the image of China that has developed in the Russian linguistic consciousness is simultaneously realized, and this image is constructed and supplemented in its modern implementation. The media have a significant impact on the image of China, what it will be like in the future, and also on how Russians perceive it. The analysis was based on the consideration of the functioning in the media of lexemes and phraseological units expressing Chinese semantics: China, Chinese, Chinaman, Celestial Empire, hieroglyphs, etc. Observation showed that the image of China is frequent. The research was carried out on the basis of traditional methods of observation, description, analysis, synthesis, and generalization. One of the main ones was the method of corpus linguistics. The method of linguocultural interpretation, structural-semantic method were used. It has been revealed that the most important part of the image of China, implemented in the media, is the idea of this country as a strong state with developed industry, economy and social sphere, as a strategic partner of the Russian Federation and a global antagonist of the United States. Attention is focused on the fact that the brightest means of representing the image of China in the Russian linguistic consciousness are comparative constructions, metaphors, phraseological units, through which such features of China as ancient history, rich and difficult to understand culture, and deep philosophy are actualized. A Chinese in the Russian linguistic consciousness is a hardworking, enterprising, intelligent, cunning, wise, independent person. The conclusion is made about the dynamic image of China, to the change of which the Russian media make a significant contribution.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141055610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：