Andrew Iain Fraser, Jürgen Landauer, Vincent Gaffney, Elizabeth Zieschang
The value of artificial intelligence and machine learning applications for use in heritage research is increasingly appreciated. In specific areas, notably remote sensing, datasets have increased in extent and resolution to the point that manual interpretation is problematic and the availability of skilled interpreters to undertake such work is limited. Interpretation of the geophysical datasets associated with prehistoric submerged landscapes is particularly challenging. Following the Last Glacial Maximum, sea levels rose by 120 m globally, and vast, habitable landscapes were lost to the sea. These landscapes were inaccessible until extensive remote sensing datasets were provided by the offshore energy sector. In this paper, we provide the results of a research programme centred on AI applications using data from the southern North Sea. Here, an area of c. 188,000 km2 of habitable terrestrial land was inundated between c. 20,000 BP and 7000 BP, along with the cultural heritage it contained. As part of this project, machine learning tools were applied to detect and interpret features with potential archaeological significance from shallow seismic data. The output provides a proof-of-concept model demonstrating verifiable results and the potential for a further, more complex, leveraging of AI interpretation for the study of submarine palaeolandscapes.
{"title":"Artificial Interpretation: An Investigation into the Feasibility of Archaeologically Focused Seismic Interpretation via Machine Learning","authors":"Andrew Iain Fraser, Jürgen Landauer, Vincent Gaffney, Elizabeth Zieschang","doi":"10.3390/heritage7050119","DOIUrl":"https://doi.org/10.3390/heritage7050119","url":null,"abstract":"The value of artificial intelligence and machine learning applications for use in heritage research is increasingly appreciated. In specific areas, notably remote sensing, datasets have increased in extent and resolution to the point that manual interpretation is problematic and the availability of skilled interpreters to undertake such work is limited. Interpretation of the geophysical datasets associated with prehistoric submerged landscapes is particularly challenging. Following the Last Glacial Maximum, sea levels rose by 120 m globally, and vast, habitable landscapes were lost to the sea. These landscapes were inaccessible until extensive remote sensing datasets were provided by the offshore energy sector. In this paper, we provide the results of a research programme centred on AI applications using data from the southern North Sea. Here, an area of c. 188,000 km2 of habitable terrestrial land was inundated between c. 20,000 BP and 7000 BP, along with the cultural heritage it contained. As part of this project, machine learning tools were applied to detect and interpret features with potential archaeological significance from shallow seismic data. The output provides a proof-of-concept model demonstrating verifiable results and the potential for a further, more complex, leveraging of AI interpretation for the study of submarine palaeolandscapes.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 93","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140991052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cecile Meier, J. L. Saorín, Silvia Díaz Parrilla, Alejandro Bonnet de León, Dámari Melián Díaz
Virtual tours with 360 photos present a quick, easy and accessible way to create immersive experiences. The visualization on diverse devices provides a user experience that can be different. A virtual tour with 360 photos of the Chapel of Dolores (Tenerife) has been created. Access is limited to specific days, so the creation of a virtual tour allows you to visit it at any time; in addition, a pilot test has been carried out with students of the degree of restoration and conservation of cultural heritage in order to measure the user experience of the virtual tour, depending on the device used. The participants took a virtual tour of the Dolores Chapel, first with a cell phone and then with the virtual reality headset, and then completed a user experience questionnaire. The results obtained comparing both visualization technologies are detailed, highlighting the fact that when using the virtual reality headset no better results are obtained on the immersion subscale; in addition, the visualization on a smartphone is more comfortable and obtains better results for consequences such as dizziness and vertigo. Therefore, it may be an interesting strategy to have simple versions that work quickly on cell phones.
{"title":"User Experience of Virtual Heritage Tours with 360° Photos: A Study of the Chapel of Dolores in Icod de los Vinos","authors":"Cecile Meier, J. L. Saorín, Silvia Díaz Parrilla, Alejandro Bonnet de León, Dámari Melián Díaz","doi":"10.3390/heritage7050118","DOIUrl":"https://doi.org/10.3390/heritage7050118","url":null,"abstract":"Virtual tours with 360 photos present a quick, easy and accessible way to create immersive experiences. The visualization on diverse devices provides a user experience that can be different. A virtual tour with 360 photos of the Chapel of Dolores (Tenerife) has been created. Access is limited to specific days, so the creation of a virtual tour allows you to visit it at any time; in addition, a pilot test has been carried out with students of the degree of restoration and conservation of cultural heritage in order to measure the user experience of the virtual tour, depending on the device used. The participants took a virtual tour of the Dolores Chapel, first with a cell phone and then with the virtual reality headset, and then completed a user experience questionnaire. The results obtained comparing both visualization technologies are detailed, highlighting the fact that when using the virtual reality headset no better results are obtained on the immersion subscale; in addition, the visualization on a smartphone is more comfortable and obtains better results for consequences such as dizziness and vertigo. Therefore, it may be an interesting strategy to have simple versions that work quickly on cell phones.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 100","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140993356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper presents a historical analysis of a rare dyer’s manuscript, preserved within the Museum of Industry in Ghent, Belgium. The manuscript, originating from a dyer in late 18th-century Antwerp, includes an extensive collection of recipes. The study will enable researchers to better grasp the practices of traditional dyeing techniques and materials in the region during that time. The manuscript focuses primarily on the dyeing of woolen fabrics. Approximately 90 of the 132 recipes utilize red dyes. Recipes for dying orange, brown, black, blue, and green colors are also described. The document mentions the use of madder, brazilwood, redwood, and cochineal. To create a variety of red shades, the dyer describes how fabrics were treated with different mordanting compounds, with alum and tin as the main ingredients, and how the dyeing solutions were prepared. The resulting colors include ‘madder red’, ‘formal red’, ‘crimson’, ‘scarlet’, ‘Turkish red’, ‘fire color’ and ‘flesh color’. In addition to the dyeing recipes, the manuscript contains various accounting documents and correspondences between the dyer, customers, and suppliers. Lastly, over 100 original, colored samples are attached to the described recipes. In this paper, the artifact’s contents will be disclosed, comprising recipes with attached samples and correspondence. Findings resulting from archive research will be included, contextualizing and placing the dyer in their urban and social context. The paper concludes by discussing its potential limitations and provides avenues for possible future research.
{"title":"An Unknown 18th-Century Flemish Dyers Manuscript from Antwerp (1778–1802)","authors":"Emile Lupatini, Natalia Ortega Saez","doi":"10.3390/heritage7050117","DOIUrl":"https://doi.org/10.3390/heritage7050117","url":null,"abstract":"This paper presents a historical analysis of a rare dyer’s manuscript, preserved within the Museum of Industry in Ghent, Belgium. The manuscript, originating from a dyer in late 18th-century Antwerp, includes an extensive collection of recipes. The study will enable researchers to better grasp the practices of traditional dyeing techniques and materials in the region during that time. The manuscript focuses primarily on the dyeing of woolen fabrics. Approximately 90 of the 132 recipes utilize red dyes. Recipes for dying orange, brown, black, blue, and green colors are also described. The document mentions the use of madder, brazilwood, redwood, and cochineal. To create a variety of red shades, the dyer describes how fabrics were treated with different mordanting compounds, with alum and tin as the main ingredients, and how the dyeing solutions were prepared. The resulting colors include ‘madder red’, ‘formal red’, ‘crimson’, ‘scarlet’, ‘Turkish red’, ‘fire color’ and ‘flesh color’. In addition to the dyeing recipes, the manuscript contains various accounting documents and correspondences between the dyer, customers, and suppliers. Lastly, over 100 original, colored samples are attached to the described recipes. In this paper, the artifact’s contents will be disclosed, comprising recipes with attached samples and correspondence. Findings resulting from archive research will be included, contextualizing and placing the dyer in their urban and social context. The paper concludes by discussing its potential limitations and provides avenues for possible future research.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140997707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study explores the synergistic integration of remote sensing (RS) and Historical Landscape Characterisation (HLC) methodology as an innovative, multi-scalar and holistic approach to enhance archaeological planning. The goal is to maximize the effectiveness of the investigations, optimizing data collection and improving the contextual understanding of the sites. In fact, these methodologies can significantly contribute to the documentation, conservation, planning and valorisation of archaeological areas. By integrating RS data with features detected by HLC, a complete picture is obtained that facilitates a deeper understanding of the landscape and historical dynamics. This article will explain the combined approach of RS and HLC, presenting some methodologies key to improving the precision and effectiveness of archaeological planning. This integration facilitates the sustainable preservation of archaeological resources and contributes to the conscious management of cultural heritage in the context of contemporary development. The paper demonstrates, through a case study, how the application of the two methodologies (RS and HLC) in an integrated form can provide an exhaustive interpretation of the territory in which the archaeological area is located, which can represent an exhaustive knowledge base on which to set up effective processes for the strategic territorial planning of archaeological areas.
{"title":"Integrated Approach of Historical Landscape Characterisation Techniques and Remote Sensing for the Definition of Predictive Models and Scenario Analysis in the Planning of Archaeological Areas","authors":"Giuliana Quattrone","doi":"10.3390/heritage7050116","DOIUrl":"https://doi.org/10.3390/heritage7050116","url":null,"abstract":"This study explores the synergistic integration of remote sensing (RS) and Historical Landscape Characterisation (HLC) methodology as an innovative, multi-scalar and holistic approach to enhance archaeological planning. The goal is to maximize the effectiveness of the investigations, optimizing data collection and improving the contextual understanding of the sites. In fact, these methodologies can significantly contribute to the documentation, conservation, planning and valorisation of archaeological areas. By integrating RS data with features detected by HLC, a complete picture is obtained that facilitates a deeper understanding of the landscape and historical dynamics. This article will explain the combined approach of RS and HLC, presenting some methodologies key to improving the precision and effectiveness of archaeological planning. This integration facilitates the sustainable preservation of archaeological resources and contributes to the conscious management of cultural heritage in the context of contemporary development. The paper demonstrates, through a case study, how the application of the two methodologies (RS and HLC) in an integrated form can provide an exhaustive interpretation of the territory in which the archaeological area is located, which can represent an exhaustive knowledge base on which to set up effective processes for the strategic territorial planning of archaeological areas.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140997879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
F. A. Pisu, C. M. Carbonaro, P. Ricci, S. Porcu, D. Chiriu
The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a barrier against harmful atmospheric agents like moisture and oxygen, which contribute to the degradation of pigments including cadmium yellow. Additionally, linseed oil reduces direct light exposure, thereby lowering the risk of fading and color alteration. In this study, we explored the degradation of cadmium pigments mixed with oil and applied on canvas. We elucidated how the use of a binder prevents the direct oxidation of the pigment, inducing artificial degradation by irradiating samples with UVA (365 nm) and UVC (250 nm) sources. By employing various spectroscopic techniques such as three-dimensional fluorescence mapping (PLE) and Raman, along with colorimetric analysis, we gained a comprehensive understanding of the degradation process, particularly when linseed oil serves as a protective layer.
{"title":"Cadmium Yellow Pigments in Oil Paintings: Optical Degradation Studies Utilizing 3D Fluorescence Mapping Supported by Raman Spectroscopy and Colorimetry","authors":"F. A. Pisu, C. M. Carbonaro, P. Ricci, S. Porcu, D. Chiriu","doi":"10.3390/heritage7050115","DOIUrl":"https://doi.org/10.3390/heritage7050115","url":null,"abstract":"The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a barrier against harmful atmospheric agents like moisture and oxygen, which contribute to the degradation of pigments including cadmium yellow. Additionally, linseed oil reduces direct light exposure, thereby lowering the risk of fading and color alteration. In this study, we explored the degradation of cadmium pigments mixed with oil and applied on canvas. We elucidated how the use of a binder prevents the direct oxidation of the pigment, inducing artificial degradation by irradiating samples with UVA (365 nm) and UVC (250 nm) sources. By employing various spectroscopic techniques such as three-dimensional fluorescence mapping (PLE) and Raman, along with colorimetric analysis, we gained a comprehensive understanding of the degradation process, particularly when linseed oil serves as a protective layer.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"6 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141022316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural routes are a composite set of heritage sites that refer to historical routes of human communication. As key products of cultural tourism, they provide visitors with rich cultural experiences across regions. We systematically review reports and studies related to the tourism development of 38 cultural route cases worldwide, with a special focus on their distribution, typology, planning patterns, and tools for cultural tourism. We summarized eight tools and found some differences in how often these eight tools are used by the different types of routes and different planning patterns for route tourism. This study also developed an evaluation system based on the conservation principles of cultural routes to determine how different tourism tools affect the conservation and development of historical regions. Although tourism decision-makers have made numerous efforts to protect and develop cultural routes, there are still many problems and challenges in the process of tourism development along cultural routes. We conclude the paper by making recommendations for decision-makers and researchers concerning future route tourism planning and study.
{"title":"Cultural Routes as Cultural Tourism Products for Heritage Conservation and Regional Development: A Systematic Review","authors":"Xinyue Lin, Zhenjiang Shen, X. Teng, Qizhi Mao","doi":"10.3390/heritage7050114","DOIUrl":"https://doi.org/10.3390/heritage7050114","url":null,"abstract":"Cultural routes are a composite set of heritage sites that refer to historical routes of human communication. As key products of cultural tourism, they provide visitors with rich cultural experiences across regions. We systematically review reports and studies related to the tourism development of 38 cultural route cases worldwide, with a special focus on their distribution, typology, planning patterns, and tools for cultural tourism. We summarized eight tools and found some differences in how often these eight tools are used by the different types of routes and different planning patterns for route tourism. This study also developed an evaluation system based on the conservation principles of cultural routes to determine how different tourism tools affect the conservation and development of historical regions. Although tourism decision-makers have made numerous efforts to protect and develop cultural routes, there are still many problems and challenges in the process of tourism development along cultural routes. We conclude the paper by making recommendations for decision-makers and researchers concerning future route tourism planning and study.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"3 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141019059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Rudny Altai is a western segment of the Altai orogenic belt. Its geological richness makes its geoheritage exploration an urgent matter. Investigations in the Loktevsky District (Altai Region, Russian Federation) have led to the finding of three notable localities, which are proposed as geosites. Field investigations and both qualitative and semi-quantitative (scoring by criteria) studies were carried out to characterize and value the geoheritage properties of these localities. The Neverovsky palaeoreef is a relatively large geosite, representing a Frasnian reef developed on a volcanic edifice. The Zolotukha section and the Razdolnoe section are smaller geosites representing deep-marine facies of the Giventian–Frasnian transition and the late Frasnian, respectively. Seven geoheritage types are established in the Neverovsky palaeoreef, and four geoheritage types are established in the other two geosites. Examination of rarity, accessibility, vulnerability, and other properties allows the ranking of the Neverovsky palaeoreef globally and the other two geosites regionally. The three proposed geosites need special geoconservation measures (especially regarding their rich fossil content). The palaeoreef can be used for the promotion of local tourism.
{"title":"Neverovsky Palaeoreef and Associated Deep-Marine Facies: High-Value Late Devonian Geoheritage from the Rudny Altai","authors":"Jaroslav M. Gutak, D. Ruban","doi":"10.3390/heritage7050113","DOIUrl":"https://doi.org/10.3390/heritage7050113","url":null,"abstract":"The Rudny Altai is a western segment of the Altai orogenic belt. Its geological richness makes its geoheritage exploration an urgent matter. Investigations in the Loktevsky District (Altai Region, Russian Federation) have led to the finding of three notable localities, which are proposed as geosites. Field investigations and both qualitative and semi-quantitative (scoring by criteria) studies were carried out to characterize and value the geoheritage properties of these localities. The Neverovsky palaeoreef is a relatively large geosite, representing a Frasnian reef developed on a volcanic edifice. The Zolotukha section and the Razdolnoe section are smaller geosites representing deep-marine facies of the Giventian–Frasnian transition and the late Frasnian, respectively. Seven geoheritage types are established in the Neverovsky palaeoreef, and four geoheritage types are established in the other two geosites. Examination of rarity, accessibility, vulnerability, and other properties allows the ranking of the Neverovsky palaeoreef globally and the other two geosites regionally. The three proposed geosites need special geoconservation measures (especially regarding their rich fossil content). The palaeoreef can be used for the promotion of local tourism.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"90 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141045865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ángel Cordero Ampuero, Manuela Gil Manso, Marta Muñoz
Caño Roto (Madrid) is one of the most relevant Spanish post-war architectures. Its typological contributions have already been studied within the framework of the so-called “Led Settlements”. This paper proposes a systematic analysis of the evolution of the neighborhood townscape, its most singular characteristic as a critical approach to the CIAM city project. It starts with the photographic documentation, studied through the methodology established by Gordon Cullen and developed, in a systematic way, by Nigel Taylor. The comparative study includes the original published photographs, a sample of photographs from the 2010s, and the shots taken in a new exhaustive documentation campaign. The comparison yields relevant results on the evolution of urban space definers: building volumes, facade composition, pavements or vegetation, and the presence of people in public areas. Several paths are studied to allow an understanding of the overall landscape structure. As a result, the key elements of the townscape of the settlement are identified and valued. The aim of this paper is to provide tools for the preservation of both the architectural and landscape heritage of Caño Roto. In short, thorough knowledge will help residents to become aware of the heritage value of their neighborhood.
{"title":"A Townscape in Evolution: Caño Roto Modern Heritage, 1957–2023","authors":"Ángel Cordero Ampuero, Manuela Gil Manso, Marta Muñoz","doi":"10.3390/heritage7050111","DOIUrl":"https://doi.org/10.3390/heritage7050111","url":null,"abstract":"Caño Roto (Madrid) is one of the most relevant Spanish post-war architectures. Its typological contributions have already been studied within the framework of the so-called “Led Settlements”. This paper proposes a systematic analysis of the evolution of the neighborhood townscape, its most singular characteristic as a critical approach to the CIAM city project. It starts with the photographic documentation, studied through the methodology established by Gordon Cullen and developed, in a systematic way, by Nigel Taylor. The comparative study includes the original published photographs, a sample of photographs from the 2010s, and the shots taken in a new exhaustive documentation campaign. The comparison yields relevant results on the evolution of urban space definers: building volumes, facade composition, pavements or vegetation, and the presence of people in public areas. Several paths are studied to allow an understanding of the overall landscape structure. As a result, the key elements of the townscape of the settlement are identified and valued. The aim of this paper is to provide tools for the preservation of both the architectural and landscape heritage of Caño Roto. In short, thorough knowledge will help residents to become aware of the heritage value of their neighborhood.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"6 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141058142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rachel M. Lackner, S. Ferron, J. Boustie, F. Le devehat, H. Lumbsch, Nobuko Shibayama
As part of a long-term campaign to document, study, and conserve the Heroes tapestries from The Cloisters collection at The Metropolitan Museum of Art, organic colorant analysis of Julius Caesar (accession number 47.101.3) was performed. Analysis with liquid chromatography–quadrupole time-of-flight mass spectrometry (LC-qToF-MS) revealed the presence of several multiply chlorinated xanthones produced only by certain species of lichen. Various lichen dye sources have been documented in the literature for centuries and are classified as either ammonia fermentation method (AFM) or boiling water method (BWM) dyes based on their method of production. However, none of these known sources produce the distinctive metabolites present in the tapestry. LC-qToF-MS was also used to compare the chemical composition of the dyes in the tapestry with that of several species of crustose lichen. Lichen metabolites, including thiophanic acid and arthothelin, were definitively identified in the tapestry based on comparison with lichen xanthone standards and a reference of Lecanora sulphurata, confirming the presence of a lichen source. This finding marks the first time that lichen xanthones have been identified in a historic object and the first evidence that BWM lichen dyes may have been used prior to the eighteenth century.
{"title":"Unraveling a Historical Mystery: Identification of a Lichen Dye Source in a Fifteenth Century Medieval Tapestry","authors":"Rachel M. Lackner, S. Ferron, J. Boustie, F. Le devehat, H. Lumbsch, Nobuko Shibayama","doi":"10.3390/heritage7050112","DOIUrl":"https://doi.org/10.3390/heritage7050112","url":null,"abstract":"As part of a long-term campaign to document, study, and conserve the Heroes tapestries from The Cloisters collection at The Metropolitan Museum of Art, organic colorant analysis of Julius Caesar (accession number 47.101.3) was performed. Analysis with liquid chromatography–quadrupole time-of-flight mass spectrometry (LC-qToF-MS) revealed the presence of several multiply chlorinated xanthones produced only by certain species of lichen. Various lichen dye sources have been documented in the literature for centuries and are classified as either ammonia fermentation method (AFM) or boiling water method (BWM) dyes based on their method of production. However, none of these known sources produce the distinctive metabolites present in the tapestry. LC-qToF-MS was also used to compare the chemical composition of the dyes in the tapestry with that of several species of crustose lichen. Lichen metabolites, including thiophanic acid and arthothelin, were definitively identified in the tapestry based on comparison with lichen xanthone standards and a reference of Lecanora sulphurata, confirming the presence of a lichen source. This finding marks the first time that lichen xanthones have been identified in a historic object and the first evidence that BWM lichen dyes may have been used prior to the eighteenth century.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"13 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141029014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sara Sampieri, Abdellah Saoualih, Larbi Safaa, Fernando Martinez de Carnero Calzada, Marco Ramazzotti, Agustín Martínez-Peláez
This study explores the perception of a “sense of place” among tourists visiting Hegra, an archaeological site in northern Saudi Arabia, through reviews on TripAdvisor. The 267 reviews on TripAdvisor between 2020 and 2023 were analyzed using the VADER sentiment polarity analysis tool and object modeling using the NMF machine learning algorithm. The results highlight positive factors linked to the history and uniqueness of the place while showing some critical issues related to isolation, cost, privatization, and competitiveness. The originality of the research lies in the type of case study chosen, an archaeological site of a country that has recently opened its doors to tourism, and in the pragmatic nature of the investigation, oriented towards the search for possible solutions to be adopted in terms of heritage management based on the feedback received for the development of the tourist destination.
{"title":"Tourism Development through the Sense of UNESCO World Heritage: The Case of Hegra, Saudi Arabia","authors":"Sara Sampieri, Abdellah Saoualih, Larbi Safaa, Fernando Martinez de Carnero Calzada, Marco Ramazzotti, Agustín Martínez-Peláez","doi":"10.3390/heritage7040104","DOIUrl":"https://doi.org/10.3390/heritage7040104","url":null,"abstract":"This study explores the perception of a “sense of place” among tourists visiting Hegra, an archaeological site in northern Saudi Arabia, through reviews on TripAdvisor. The 267 reviews on TripAdvisor between 2020 and 2023 were analyzed using the VADER sentiment polarity analysis tool and object modeling using the NMF machine learning algorithm. The results highlight positive factors linked to the history and uniqueness of the place while showing some critical issues related to isolation, cost, privatization, and competitiveness. The originality of the research lies in the type of case study chosen, an archaeological site of a country that has recently opened its doors to tourism, and in the pragmatic nature of the investigation, oriented towards the search for possible solutions to be adopted in terms of heritage management based on the feedback received for the development of the tourist destination.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"8 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140672900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：