The antependia, realized in polychrome marbles during the Baroque period in two Christian churches of Apulia (Southern Italy), were on-site petrographically investigated by the naked eye to obtain information regarding the types of used rocks; the precision in the making of the marble tesserae was also assessed. Most of the polychrome marbles recognized were taken from buildings and monuments realized during the Roman imperial period; other marbles quarried during the Baroque period, mainly from Italian geological outcrops, were also identified. The precision in the execution of the tesserae is generally very high and depends not only on the skill of the marble worker but also on the lithotype.
{"title":"Polychrome Marbles in Christian Churches: Examples from the Antependium of Baroque Altars in Apulia (Southern Italy)","authors":"Pasquale Acquafredda, F. Micheletti, G. Fioretti","doi":"10.3390/heritage7060147","DOIUrl":"https://doi.org/10.3390/heritage7060147","url":null,"abstract":"The antependia, realized in polychrome marbles during the Baroque period in two Christian churches of Apulia (Southern Italy), were on-site petrographically investigated by the naked eye to obtain information regarding the types of used rocks; the precision in the making of the marble tesserae was also assessed. Most of the polychrome marbles recognized were taken from buildings and monuments realized during the Roman imperial period; other marbles quarried during the Baroque period, mainly from Italian geological outcrops, were also identified. The precision in the execution of the tesserae is generally very high and depends not only on the skill of the marble worker but also on the lithotype.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141375367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
J. Schröter, Miriam Truffa Giachet, L. Cuvillier, Edith Joseph, L. Brambilla
Lacquered brass objects are widely present in scientific and technical heritage collections. Localized atmospheric corrosion occurs on the metal when the coating fails to play its protective role. Although lacquered brass objects are not necessarily endangered by this phenomenon, the presence of dark, unpleasant corrosion spots alters the surface appearance, affecting the readability of the objects. Conservators are therefore frequently asked to clean these surfaces. We hereby present the results of a study conducted in the framework of the CleanLaB (Cleaning of Lacquered Brass) project at the Haute Ecole Arc of Neuchâtel for the cleaning of lacquered brass. This work investigates the effects of several gelled cleaning systems applied on artificially aged, lacquered brass samples to remove the corrosion products without affecting the integrity of the coating. The performance of complexing agents commonly used in conservation was compared on lacquered brass mock-ups coated with shellac resin by means of multiple non-invasive characterization and imaging techniques. The tests included conventional complexing agents like sodium citrate and disodium ethylenediaminetetraacetic acid, as well as a bio-originated system based on deferoxamine, a microbial metal chelator investigated as a green alternative in cleaning formulations.
涂漆黄铜器物广泛存在于科学和技术遗产收藏中。当涂层无法发挥保护作用时，金属上就会出现局部大气腐蚀。虽然黄铜漆器不一定会受到这种现象的危害，但深色、令人不悦的腐蚀斑点会改变表面外观，影响器物的可读性。因此，保护人员经常被要求清洁这些表面。我们在此介绍纳沙泰尔高等弧形学院（Haute Ecole Arc of Neuchâtel）CleanLaB（漆面黄铜的清洁）项目框架内进行的一项关于漆面黄铜清洁的研究结果。这项研究调查了几种胶状清洁系统对人工老化漆面黄铜样品的效果，以去除腐蚀产物，同时不影响涂层的完整性。通过多种非侵入式表征和成像技术，在涂有虫胶树脂的漆黄铜模型上比较了保护领域常用络合剂的性能。测试包括柠檬酸钠和乙二胺四乙酸二钠等传统络合剂，以及一种基于脱氧胺的生物络合剂，脱氧胺是一种微生物金属螯合剂，是清洁配方中的绿色替代品。
{"title":"The Cleaning of Corroded Lacquered Brass with Complexing Agents: A Comparative Study","authors":"J. Schröter, Miriam Truffa Giachet, L. Cuvillier, Edith Joseph, L. Brambilla","doi":"10.3390/heritage7060148","DOIUrl":"https://doi.org/10.3390/heritage7060148","url":null,"abstract":"Lacquered brass objects are widely present in scientific and technical heritage collections. Localized atmospheric corrosion occurs on the metal when the coating fails to play its protective role. Although lacquered brass objects are not necessarily endangered by this phenomenon, the presence of dark, unpleasant corrosion spots alters the surface appearance, affecting the readability of the objects. Conservators are therefore frequently asked to clean these surfaces. We hereby present the results of a study conducted in the framework of the CleanLaB (Cleaning of Lacquered Brass) project at the Haute Ecole Arc of Neuchâtel for the cleaning of lacquered brass. This work investigates the effects of several gelled cleaning systems applied on artificially aged, lacquered brass samples to remove the corrosion products without affecting the integrity of the coating. The performance of complexing agents commonly used in conservation was compared on lacquered brass mock-ups coated with shellac resin by means of multiple non-invasive characterization and imaging techniques. The tests included conventional complexing agents like sodium citrate and disodium ethylenediaminetetraacetic acid, as well as a bio-originated system based on deferoxamine, a microbial metal chelator investigated as a green alternative in cleaning formulations.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141370867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
E. Palamara, Stelios Kesidis, L. T. Cifuentes, P. P. Das, Stavros Nicolopoulos, Nikolaos Zacharias
The combined application of Cathodoluminescence (CL) with Scanning Electron Microscopy (SEM) on paintings and painted surfaces has the potential to identify both organic and inorganic pigments on a micrometre or even nanometre scale. Additionally, the combination with Energy-Dispersive Spectrometry (EDS) allows for a more holistic, elemental, and mineralogical characterization of pigments. In addressing the need for the creation of a robust, open access database of characteristic CL spectra of pigments, a large project has been undertaken, focusing primarily on common organic and inorganic pigments. The present paper focuses on the CL characterization of 10 significant blue pigments in pure powder form: cerulean blue, Egyptian blue, Han blue, indigo, lapis lazuli, Maya blue, phthalo blue, vivianite, ultramarine blue, and zirconium blue. The CL spectra present characteristic bands for most of the pigments, allowing their secure identification, especially when combining the results with the EDS analyses. The effect of binding media and of the mixture of different pigments was also studied, via the analysis of mixtures of pigments with oil painted over canvas. Overall, both the binding medium and the mixture of pigments do not appear to create significant differences in the occurring spectra, thus allowing the identification of individual pigments. EDS and RAMAN spectra are included in order to facilitate comparison with other databases.
{"title":"The Application of Cathodoluminescence (CL) for the Characterization of Blue Pigments","authors":"E. Palamara, Stelios Kesidis, L. T. Cifuentes, P. P. Das, Stavros Nicolopoulos, Nikolaos Zacharias","doi":"10.3390/heritage7060143","DOIUrl":"https://doi.org/10.3390/heritage7060143","url":null,"abstract":"The combined application of Cathodoluminescence (CL) with Scanning Electron Microscopy (SEM) on paintings and painted surfaces has the potential to identify both organic and inorganic pigments on a micrometre or even nanometre scale. Additionally, the combination with Energy-Dispersive Spectrometry (EDS) allows for a more holistic, elemental, and mineralogical characterization of pigments. In addressing the need for the creation of a robust, open access database of characteristic CL spectra of pigments, a large project has been undertaken, focusing primarily on common organic and inorganic pigments. The present paper focuses on the CL characterization of 10 significant blue pigments in pure powder form: cerulean blue, Egyptian blue, Han blue, indigo, lapis lazuli, Maya blue, phthalo blue, vivianite, ultramarine blue, and zirconium blue. The CL spectra present characteristic bands for most of the pigments, allowing their secure identification, especially when combining the results with the EDS analyses. The effect of binding media and of the mixture of different pigments was also studied, via the analysis of mixtures of pigments with oil painted over canvas. Overall, both the binding medium and the mixture of pigments do not appear to create significant differences in the occurring spectra, thus allowing the identification of individual pigments. EDS and RAMAN spectra are included in order to facilitate comparison with other databases.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"48 32","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141384627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jordi de Gispert Hernández, Sandra Moliner Nuño, Alberto Sánchez Riera, Isabel Crespo Cabillo, Carles Pàmies
The Sansalvador villa, the first project exclusively designed by Josep Maria Jujol in Barcelona, is a unique architectural complex that piques curiosity about its origins and conception. Its incomplete state, limited documentation, and blend of modernist and organic elements contribute to its exceptional nature. This article delves into its history and conceptualization by examining original documents and conducting a detailed photogrammetric survey of the built architectural complex as it is today. By overlaying new planimetry derived from fieldwork onto the original plans, certain peculiarities, discrepancies, and unforeseen changes emerge, shedding light on Jujol’s creative process. The Sansalvador villa reveals the profound connection between the project and its surroundings, showcasing Jujol’s keen awareness of the site’s pre-existing conditions. His architecture is defined by a critical approach to these conditions, integrating them as essential elements in defining the project’s character.
Sansalvador 别墅是 Josep Maria Jujol 在巴塞罗那专门设计的第一个项目，它是一个独特的建筑群，引起了人们对其起源和构思的好奇。它的不完整状态、有限的文献资料以及现代主义和有机元素的融合，都是其与众不同之处。本文通过研究原始文件，并对建筑群的现状进行详细的摄影测量，对其历史和构思进行了深入探讨。通过将实地考察获得的新平面图与原始平面图相叠加，某些特殊性、差异和不可预见的变化显现出来，揭示了胡约尔的创作过程。Sansalvador 别墅揭示了项目与周围环境之间的深刻联系，展示了 Jujol 对场地原有条件的敏锐认识。他的建筑以批判的态度对待这些条件，将其作为定义项目特征的重要元素。
{"title":"Discovering the Sansalvador Villa through the Superposition of Photogrammetric Point Cloud Surveys and Original Jujol Plans","authors":"Jordi de Gispert Hernández, Sandra Moliner Nuño, Alberto Sánchez Riera, Isabel Crespo Cabillo, Carles Pàmies","doi":"10.3390/heritage7060144","DOIUrl":"https://doi.org/10.3390/heritage7060144","url":null,"abstract":"The Sansalvador villa, the first project exclusively designed by Josep Maria Jujol in Barcelona, is a unique architectural complex that piques curiosity about its origins and conception. Its incomplete state, limited documentation, and blend of modernist and organic elements contribute to its exceptional nature. This article delves into its history and conceptualization by examining original documents and conducting a detailed photogrammetric survey of the built architectural complex as it is today. By overlaying new planimetry derived from fieldwork onto the original plans, certain peculiarities, discrepancies, and unforeseen changes emerge, shedding light on Jujol’s creative process. The Sansalvador villa reveals the profound connection between the project and its surroundings, showcasing Jujol’s keen awareness of the site’s pre-existing conditions. His architecture is defined by a critical approach to these conditions, integrating them as essential elements in defining the project’s character.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"80 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141385412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
R. Montanari, Philippe Colomban, M. Alberghina, S. Schiavone, Claudia Pelosi
Japanese art tradition, contrary to the case of China, is characterized by an efficient and continued, although mostly undocumented, use of smalt from the late 16th century onward. Recent studies have successfully identified this pigment, the cobalt-colored glass that spread throughout the Old Continent during the Renaissance period, as the coloring agent employed for overglaze-blue enameling on Japanese porcelains produced at the kilns of Arita (the porcelain production center of Japan) from the early 1640s until the 20th century. Fragmentary evidence of the use of smalt in Japanese sacred art has also been reported, yet its earliest incorporation into such a type of traditional art form could not be identified. In order to resolve this crucial issue, portable EDXRF was employed for the non-destructive analyses of Japanese porcelains and sacred images bearing blue decoration. Scientific analysis allowed, for the first time ever, to establish a clear timeline of smalt use. Furthermore, this evidence and the literature data both agree, leading to the identification of the origin of the blue material used on both art productions.
{"title":"European Smalt in 17th-Century Japan: Porcelain Decoration and Sacred Art","authors":"R. Montanari, Philippe Colomban, M. Alberghina, S. Schiavone, Claudia Pelosi","doi":"10.3390/heritage7060145","DOIUrl":"https://doi.org/10.3390/heritage7060145","url":null,"abstract":"Japanese art tradition, contrary to the case of China, is characterized by an efficient and continued, although mostly undocumented, use of smalt from the late 16th century onward. Recent studies have successfully identified this pigment, the cobalt-colored glass that spread throughout the Old Continent during the Renaissance period, as the coloring agent employed for overglaze-blue enameling on Japanese porcelains produced at the kilns of Arita (the porcelain production center of Japan) from the early 1640s until the 20th century. Fragmentary evidence of the use of smalt in Japanese sacred art has also been reported, yet its earliest incorporation into such a type of traditional art form could not be identified. In order to resolve this crucial issue, portable EDXRF was employed for the non-destructive analyses of Japanese porcelains and sacred images bearing blue decoration. Scientific analysis allowed, for the first time ever, to establish a clear timeline of smalt use. Furthermore, this evidence and the literature data both agree, leading to the identification of the origin of the blue material used on both art productions.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"35 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141382941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Dimara, Sotirios Tsakiridis, Doukas Psarros, Alexios Papaioannou, D. Varsamis, Christos-Nikolaos Anagnostopoulos, S. Krinidis
The field of archaeological excavation has seen enormous developments as a result of the quick development of digital technologies. It is critical to acknowledge the long-term benefits of new approaches. In this regard, this study intends to suggest a system that provides archaeologists with digital tools that allow them to fully and effectively document their excavations in real time while in the field, which is specifically designed for classical and Byzantine archaeology. The system not only facilitates traditional documentation practices but also integrates advanced geospatial technologies and augmented reality, enhancing the accuracy and depth of archaeological research and preservation. This dual functionality enables both the efficient recording of excavation data as experienced by excavators on-site and the detailed documentation processed by researchers post-excavation. The objective of the application is to generate a sophisticated system that will enable the excavation data and experience that the excavator gains on the site of work to be recorded in real time, as well as the documentation that is subsequently processed and accomplished by the researcher or by other researchers. The system saves detailed images and 3D models of artifacts and excavation sites. This ensures that every detail is recorded while preserving the data for future analysis and reference. Lastly, the application was tested in realistic use case scenarios and real-world settings, which increased the system’s credibility and demonstrated its capability to enhance the procedures involved in archaeological excavation and documentation.
{"title":"An Innovative System for Enhancing Archaeological In Situ Excavation through Geospatial Integration","authors":"A. Dimara, Sotirios Tsakiridis, Doukas Psarros, Alexios Papaioannou, D. Varsamis, Christos-Nikolaos Anagnostopoulos, S. Krinidis","doi":"10.3390/heritage7050124","DOIUrl":"https://doi.org/10.3390/heritage7050124","url":null,"abstract":"The field of archaeological excavation has seen enormous developments as a result of the quick development of digital technologies. It is critical to acknowledge the long-term benefits of new approaches. In this regard, this study intends to suggest a system that provides archaeologists with digital tools that allow them to fully and effectively document their excavations in real time while in the field, which is specifically designed for classical and Byzantine archaeology. The system not only facilitates traditional documentation practices but also integrates advanced geospatial technologies and augmented reality, enhancing the accuracy and depth of archaeological research and preservation. This dual functionality enables both the efficient recording of excavation data as experienced by excavators on-site and the detailed documentation processed by researchers post-excavation. The objective of the application is to generate a sophisticated system that will enable the excavation data and experience that the excavator gains on the site of work to be recorded in real time, as well as the documentation that is subsequently processed and accomplished by the researcher or by other researchers. The system saves detailed images and 3D models of artifacts and excavation sites. This ensures that every detail is recorded while preserving the data for future analysis and reference. Lastly, the application was tested in realistic use case scenarios and real-world settings, which increased the system’s credibility and demonstrated its capability to enhance the procedures involved in archaeological excavation and documentation.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"25 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140963123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The heritage science sector is facing a critical need for accessible and comprehensive data resources to facilitate research, preservation efforts, and interdisciplinary collaboration. The concept of FAIR data management involves embracing principles and practices that ensure that data are Findable, Accessible, Interoperable, and Reusable. This work presents an overview of the latest updates on the INFRA-ART Spectral Library, an open access spectral database of cultural-heritage-related materials that was designed as a digital support tool for heritage research specialists that work with (portable) non- or minimally invasive spectroscopic techniques such as X-ray fluorescence (XRF), attenuated total reflectance–Fourier transform infrared (ATR-FTIR) spectroscopy, or Raman spectroscopy, among others. The database is an ongoing compilation of high-quality curated data that currently incorporates primary ATR-FTIR and XRF spectra and a preliminary dataset of Raman and short-wave infrared (SWIR) reflectance spectra on over 900 different materials typically found in painted works of art. For increased and sustainable accessibility, the database follows the European Commission’s recommendations on access to scientific information, as well as the FAIR guiding principles on research data that result from publicly funded research. The INFRA-ART Spectral Library is registered as a resource within the Open Science Cloud (EOSC) Portal and is among the services offered by the Romanian hub within E-RIHS (European Research Infrastructure for Heritage Science) DIGILAB.
{"title":"Towards FAIR Data Management in Heritage Science Research: Updates and Progress on the INFRA-ART Spectral Library","authors":"Ioana Maria Cortea","doi":"10.3390/heritage7050123","DOIUrl":"https://doi.org/10.3390/heritage7050123","url":null,"abstract":"The heritage science sector is facing a critical need for accessible and comprehensive data resources to facilitate research, preservation efforts, and interdisciplinary collaboration. The concept of FAIR data management involves embracing principles and practices that ensure that data are Findable, Accessible, Interoperable, and Reusable. This work presents an overview of the latest updates on the INFRA-ART Spectral Library, an open access spectral database of cultural-heritage-related materials that was designed as a digital support tool for heritage research specialists that work with (portable) non- or minimally invasive spectroscopic techniques such as X-ray fluorescence (XRF), attenuated total reflectance–Fourier transform infrared (ATR-FTIR) spectroscopy, or Raman spectroscopy, among others. The database is an ongoing compilation of high-quality curated data that currently incorporates primary ATR-FTIR and XRF spectra and a preliminary dataset of Raman and short-wave infrared (SWIR) reflectance spectra on over 900 different materials typically found in painted works of art. For increased and sustainable accessibility, the database follows the European Commission’s recommendations on access to scientific information, as well as the FAIR guiding principles on research data that result from publicly funded research. The INFRA-ART Spectral Library is registered as a resource within the Open Science Cloud (EOSC) Portal and is among the services offered by the Romanian hub within E-RIHS (European Research Infrastructure for Heritage Science) DIGILAB.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"19 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140967695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Brandon Mason, James Finch, Sarah Paynter, Heather Anderson, Lauren Nagler
The Industrial Metrology Business Unit of Nikon Corporation, on behalf of ScottishPower Renewables and Maritime Archaeology (MA), Southampton, UK, has employed X-ray CT (computed tomography) to visualise the internal structure of an anchor found in the North Sea. The non-destructive method of internal inspection and measurement has helped to determine approximately when it was made. The results indicate that the artefact, initially thought to be potentially Roman, is probably more recent, likely dating to between the late 16th and early 17th centuries CE. This paper presents the discovery, recovery, analysis and interpretation of a significant find from a UK offshore wind farm and underscores the valuable role that non-destructive X-ray CT played in the investigation.
尼康公司的工业计量事业部代表苏格兰电力可再生能源公司和英国南安普敦的海事考古（MA）公司，采用 X 射线 CT（计算机断层扫描）技术对在北海发现的一个锚的内部结构进行了可视化分析。这种非破坏性的内部检查和测量方法有助于确定锚的制作时间。结果表明，该文物最初被认为可能是罗马文物，但很可能是较新的文物，年代可能在公元 16 世纪末至 17 世纪初之间。本文介绍了英国近海风电场的一项重要发现的发现、复原、分析和解释，并强调了无损 X 射线 CT 在调查中发挥的宝贵作用。
{"title":"Curved Linear Diode Array Imaging of a Historic Anchor Recovered from East Anglia ONE Offshore Wind Farm","authors":"Brandon Mason, James Finch, Sarah Paynter, Heather Anderson, Lauren Nagler","doi":"10.3390/heritage7050122","DOIUrl":"https://doi.org/10.3390/heritage7050122","url":null,"abstract":"The Industrial Metrology Business Unit of Nikon Corporation, on behalf of ScottishPower Renewables and Maritime Archaeology (MA), Southampton, UK, has employed X-ray CT (computed tomography) to visualise the internal structure of an anchor found in the North Sea. The non-destructive method of internal inspection and measurement has helped to determine approximately when it was made. The results indicate that the artefact, initially thought to be potentially Roman, is probably more recent, likely dating to between the late 16th and early 17th centuries CE. This paper presents the discovery, recovery, analysis and interpretation of a significant find from a UK offshore wind farm and underscores the valuable role that non-destructive X-ray CT played in the investigation.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"35 24","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140969750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sofia Schiattone, C. Martini, Marco Malagodi, Giacomo Fiocco, Eleonora Rocconi, Maria Morisco, Cristina Chiavari
This work reports the study of metal fragments from Roman pipes excavated from the archaeological site of Pompeii and currently preserved in the deposits of the National Archaeological Museum of Naples (MANN). The Roman pipe, called the tibia, is a reed wind musical instrument similar to the Greek aulos. It can be made of wood, bone, and/or metal. Materials consisting of metal Cu-based alloys were excavated from archaeological burial environments. This research aims to identify the composition of the alloys, characterize the corrosion patinas, and identify any ancient surface treatments on the fragments. Non-invasive and micro-invasive techniques were used to achieve this aim, i.e., optical microscopy, Raman spectroscopy, attenuated total reflectance Fourier-transform infrared spectrophotometry, scanning electron microscopy, and energy dispersive spectrometry. This research contributes to a deeper understanding of the materials and manufacturing techniques used for these instruments, as well as the degradation processes occurring over the centuries.
{"title":"Metal Fragments of Roman Pipes from Pompeii: Investigations on Copper-Based Alloys, Corrosion Products, and Surface Treatments","authors":"Sofia Schiattone, C. Martini, Marco Malagodi, Giacomo Fiocco, Eleonora Rocconi, Maria Morisco, Cristina Chiavari","doi":"10.3390/heritage7050121","DOIUrl":"https://doi.org/10.3390/heritage7050121","url":null,"abstract":"This work reports the study of metal fragments from Roman pipes excavated from the archaeological site of Pompeii and currently preserved in the deposits of the National Archaeological Museum of Naples (MANN). The Roman pipe, called the tibia, is a reed wind musical instrument similar to the Greek aulos. It can be made of wood, bone, and/or metal. Materials consisting of metal Cu-based alloys were excavated from archaeological burial environments. This research aims to identify the composition of the alloys, characterize the corrosion patinas, and identify any ancient surface treatments on the fragments. Non-invasive and micro-invasive techniques were used to achieve this aim, i.e., optical microscopy, Raman spectroscopy, attenuated total reflectance Fourier-transform infrared spectrophotometry, scanning electron microscopy, and energy dispersive spectrometry. This research contributes to a deeper understanding of the materials and manufacturing techniques used for these instruments, as well as the degradation processes occurring over the centuries.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"24 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140980352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study assessed the impact of counter-mapping on university students’ perception and knowledge of their cities, focusing on cultural diversity, urban dynamics, and social challenges. Using a quasi-experimental design with pretests and posttests in the province of Alicante, Spain, changes in the understanding of urban geography, everyday life, and cultural diversity were analyzed among 54 Geography Didactics students. Likert scale surveys and open-ended questions were employed, complemented by statistical and qualitative analyses, to measure knowledge and perceptions before and after the counter-mapping project. The results indicate that although quantitative correlations did not show statistically significant significance, qualitative analysis revealed significant and profound learning. Participants uncovered the hidden layers of their urban environments and gained a better understanding of the complexities and challenges of their cities. The project promoted the development of critical skills such as analytical thinking, active research, and effective communication, proving to be a valuable pedagogical tool that surpasses the limitations of traditional teaching methods and encourages active and committed citizenship. This inclusive and multidimensional approach enriches the diversity of experiences and knowledge, significantly contributing to the teaching of urban subjects, community engagement, and social responsibility and laying the groundwork for the proper tourist, cultural, social, or urban planning of city spaces.
{"title":"Counter-Mapping in Geographic Education: A Novel Approach to Understanding Urban and Cultural Dynamics in Cities","authors":"Seila Soler, Pablo Rosser","doi":"10.3390/heritage7050120","DOIUrl":"https://doi.org/10.3390/heritage7050120","url":null,"abstract":"This study assessed the impact of counter-mapping on university students’ perception and knowledge of their cities, focusing on cultural diversity, urban dynamics, and social challenges. Using a quasi-experimental design with pretests and posttests in the province of Alicante, Spain, changes in the understanding of urban geography, everyday life, and cultural diversity were analyzed among 54 Geography Didactics students. Likert scale surveys and open-ended questions were employed, complemented by statistical and qualitative analyses, to measure knowledge and perceptions before and after the counter-mapping project. The results indicate that although quantitative correlations did not show statistically significant significance, qualitative analysis revealed significant and profound learning. Participants uncovered the hidden layers of their urban environments and gained a better understanding of the complexities and challenges of their cities. The project promoted the development of critical skills such as analytical thinking, active research, and effective communication, proving to be a valuable pedagogical tool that surpasses the limitations of traditional teaching methods and encourages active and committed citizenship. This inclusive and multidimensional approach enriches the diversity of experiences and knowledge, significantly contributing to the teaching of urban subjects, community engagement, and social responsibility and laying the groundwork for the proper tourist, cultural, social, or urban planning of city spaces.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"57 25","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140983537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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