Implementing digital technologies, such as augmented reality and 3D modeling, to various cultural sectors is an ongoing procedure, especially favorable after the COVID-19 pandemic. Even though such technologies are common to museums, galleries and archaeological places all over the world, little research or practical cases have been developed when it comes to theaters and theatrical costumes. The proposed research article describes the methodology of both reference material collection and application development, while an analysis of functions and aesthetic results are described, especially when it comes to 3D modeling. This paper’s aim is to reveal that theatrical operations (as part of the cultural sector) as well as structured parts (such as acts, performances and costumes) can be preserved and served to larger audiences via technological means, such as an augmented reality application.
{"title":"Developing a Multitasking Augmented Reality Application for Theatrical and Cultural Content","authors":"Irene Mamakou, Georgios Karafotias, Gabriel Gkourdoglou, Georgios Loumos, Antonios Kargas, Dimitrios Varoutas","doi":"10.3390/heritage7070169","DOIUrl":"https://doi.org/10.3390/heritage7070169","url":null,"abstract":"Implementing digital technologies, such as augmented reality and 3D modeling, to various cultural sectors is an ongoing procedure, especially favorable after the COVID-19 pandemic. Even though such technologies are common to museums, galleries and archaeological places all over the world, little research or practical cases have been developed when it comes to theaters and theatrical costumes. The proposed research article describes the methodology of both reference material collection and application development, while an analysis of functions and aesthetic results are described, especially when it comes to 3D modeling. This paper’s aim is to reveal that theatrical operations (as part of the cultural sector) as well as structured parts (such as acts, performances and costumes) can be preserved and served to larger audiences via technological means, such as an augmented reality application.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141676546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The debate about how to conduct energy interventions in built heritage remains open. At present, the various European and national regulations allow the absence of energy intervention in cases where the character of a building with recognized heritage value would be jeopardized. This situation means that heritage preservation and energy improvement are divided into two airtight and unconnected blocs. It is possible and necessary to break that dichotomy by taking steps that enable both blocs to interrelate. Based on a methodology previously proposed by the authors to regulate changes in the urban landscape due to the rehabilitation of residential building façades, as a novel aspect, this article proposes taking a further step in the methodological process. Several criteria to balance the level of energy intervention for all buildings are thus introduced, according to the urban and architectural characteristics of each building, irrespective of their use and degree of protection. It is concluded that such a balance is possible when certain indicators are used and when determined action criteria are applied. However, one of the architectural characteristics more susceptible to being affected when undertaking an energy intervention on a building’s thermal enclosure is the materiality, which becomes especially important in the case of brutalist architecture with reinforced concrete, one of its most identifying features, giving it a specific personality. That architectural movement was therefore chosen for a case study, applying the proposed methodology to three brutalist buildings in the area of San Sebastián, Spain.
{"title":"Methodological Proposal to Resolve the Dichotomy between Improving Energy Efficiency and Preserving Heritage. Case Study: Brutalist Built Heritage","authors":"E. J. Uranga, Iñigo Lizundia, Leire Azcona","doi":"10.3390/heritage7070167","DOIUrl":"https://doi.org/10.3390/heritage7070167","url":null,"abstract":"The debate about how to conduct energy interventions in built heritage remains open. At present, the various European and national regulations allow the absence of energy intervention in cases where the character of a building with recognized heritage value would be jeopardized. This situation means that heritage preservation and energy improvement are divided into two airtight and unconnected blocs. It is possible and necessary to break that dichotomy by taking steps that enable both blocs to interrelate. Based on a methodology previously proposed by the authors to regulate changes in the urban landscape due to the rehabilitation of residential building façades, as a novel aspect, this article proposes taking a further step in the methodological process. Several criteria to balance the level of energy intervention for all buildings are thus introduced, according to the urban and architectural characteristics of each building, irrespective of their use and degree of protection. It is concluded that such a balance is possible when certain indicators are used and when determined action criteria are applied. However, one of the architectural characteristics more susceptible to being affected when undertaking an energy intervention on a building’s thermal enclosure is the materiality, which becomes especially important in the case of brutalist architecture with reinforced concrete, one of its most identifying features, giving it a specific personality. That architectural movement was therefore chosen for a case study, applying the proposed methodology to three brutalist buildings in the area of San Sebastián, Spain.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"36 1‐2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141682140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Many aspects of intangible cultural heritage have associated objects of material culture that augment or enable aspects of intangible heritage to be exercised or emphasized. Christmas markets have been publicized as the quintessential event in Germany leading up to Christmas, with the over 2000 locations attracting large numbers of local, domestic, and international visitors. From their origins as mercantile venues during the medieval period, Christmas markets have evolved into multisensory social and experiential events, where the acquisition of Christmas decorations or gifts has been supplanted by the consumption of mulled wine in a social setting. Christmas markets represent intangible cultural heritage staged in ephemeral surroundings. While the abundance of material culture in Christmas markets is widely understood, this focuses on the objects offered for sale at the markets, rather than the objects that characterize a Christmas market and enable its functioning. This paper provides the first comprehensive assessment of the portable material culture associated with the German Christmas markets, covering objects as diverse as payment tokens, lapel pins, special postmarks, beer mats, and commemorative cups issued for the consumption of mulled wine. These objects, as well as numerous other manifestations of material culture, are discussed in the wider framing of the materiality of the markets, examining their ontological qualities within the multiple spheres in which these objects attain meaning (i.e., personal, event, social, and public spheres). It demonstrates that the wide range of alienable material culture associated with German Christmas markets has different manifestations of materiality, depending on the viewpoint of the user (i.e., participant, vendor, organizer), and these manifestations have different expressions of representativeness. On this foundation, this paper examines the various groups of portable and alienable material culture and discusses them in terms of their authenticity and to what extent these are representative of German Christmas markets. While all items have a connection with Christmas markets and function as symbolic shorthand souvenirs, commemorative cups issued for the consumption of hot drinks as well as the deposit tokens associated with these are both genuine and authentic and are also representative of the conceptual, social, and experiential dimensions of the event.
{"title":"Intangible Heritage and Its Associative Objects as Exemplified by the Materiality of the Portable Material Culture of German Christmas Markets","authors":"D. Spennemann","doi":"10.3390/heritage7070166","DOIUrl":"https://doi.org/10.3390/heritage7070166","url":null,"abstract":"Many aspects of intangible cultural heritage have associated objects of material culture that augment or enable aspects of intangible heritage to be exercised or emphasized. Christmas markets have been publicized as the quintessential event in Germany leading up to Christmas, with the over 2000 locations attracting large numbers of local, domestic, and international visitors. From their origins as mercantile venues during the medieval period, Christmas markets have evolved into multisensory social and experiential events, where the acquisition of Christmas decorations or gifts has been supplanted by the consumption of mulled wine in a social setting. Christmas markets represent intangible cultural heritage staged in ephemeral surroundings. While the abundance of material culture in Christmas markets is widely understood, this focuses on the objects offered for sale at the markets, rather than the objects that characterize a Christmas market and enable its functioning. This paper provides the first comprehensive assessment of the portable material culture associated with the German Christmas markets, covering objects as diverse as payment tokens, lapel pins, special postmarks, beer mats, and commemorative cups issued for the consumption of mulled wine. These objects, as well as numerous other manifestations of material culture, are discussed in the wider framing of the materiality of the markets, examining their ontological qualities within the multiple spheres in which these objects attain meaning (i.e., personal, event, social, and public spheres). It demonstrates that the wide range of alienable material culture associated with German Christmas markets has different manifestations of materiality, depending on the viewpoint of the user (i.e., participant, vendor, organizer), and these manifestations have different expressions of representativeness. On this foundation, this paper examines the various groups of portable and alienable material culture and discusses them in terms of their authenticity and to what extent these are representative of German Christmas markets. While all items have a connection with Christmas markets and function as symbolic shorthand souvenirs, commemorative cups issued for the consumption of hot drinks as well as the deposit tokens associated with these are both genuine and authentic and are also representative of the conceptual, social, and experiential dimensions of the event.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"23 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141685552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hurraira Hashim, Luís Dias, Sérgio Martins, Vera Pires, Mafalda Costa, P. Barrulas
Natural stone has been used worldwide in the construction of archaeological and historical heritage. However, its preservation continues to be threatened by weathering and degradation phenomena. Water is widely recognized as the most threatening external component that contributes to stone deterioration, increasing the need for the development of protective hydrophobic coatings to eliminate water penetration. This study intends to contribute to the better understanding of natural stone treatment strategies to prevent water penetration and subsequent stone alteration by studying the effect of coating and stone substrate temperatures, and the number of coating applications, on the effectiveness, compatibility, and durability of commercial hydrophobic coatings. The results obtained revealed that while more than one application increases coating hydrophobic effectiveness, it frequently leads to changes in the aesthetic appearance of natural stone, including whitening and darkening of the substrate’s original hues. Improved hydrophobic effectiveness (maximum gain of ≈ 9%) is also achieved when applying the commercial coatings at 4 °C to natural stone substrates maintained at room temperature, conditions that are feasible to be used in real life. Additionally, the commercial coating composed of silane/siloxane with modified fluorinated additives was found to be the most effective and durable hydrophobic solution.
{"title":"Optimization of the Application of Commercial Hydrophobic Coatings for Natural Stone Protection and Preservation","authors":"Hurraira Hashim, Luís Dias, Sérgio Martins, Vera Pires, Mafalda Costa, P. Barrulas","doi":"10.3390/heritage7070165","DOIUrl":"https://doi.org/10.3390/heritage7070165","url":null,"abstract":"Natural stone has been used worldwide in the construction of archaeological and historical heritage. However, its preservation continues to be threatened by weathering and degradation phenomena. Water is widely recognized as the most threatening external component that contributes to stone deterioration, increasing the need for the development of protective hydrophobic coatings to eliminate water penetration. This study intends to contribute to the better understanding of natural stone treatment strategies to prevent water penetration and subsequent stone alteration by studying the effect of coating and stone substrate temperatures, and the number of coating applications, on the effectiveness, compatibility, and durability of commercial hydrophobic coatings. The results obtained revealed that while more than one application increases coating hydrophobic effectiveness, it frequently leads to changes in the aesthetic appearance of natural stone, including whitening and darkening of the substrate’s original hues. Improved hydrophobic effectiveness (maximum gain of ≈ 9%) is also achieved when applying the commercial coatings at 4 °C to natural stone substrates maintained at room temperature, conditions that are feasible to be used in real life. Additionally, the commercial coating composed of silane/siloxane with modified fluorinated additives was found to be the most effective and durable hydrophobic solution.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"34 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141709658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this paper is to understand the long-COVID impact on cultural heritage organisations, and future research needed. COVID-19 was disruptive to cultural heritage socioeconomic activities across the world during 2020 and 2021. Whilst government intervention and changes from physical to digital engagement generally prevailed, the long-COVID impact on cultural heritage organisations, their people and users, buildings, and collections remains unknown. The extent, also, to which financing, curating, visiting, and volunteering patterns have changed is uncertain. Following the pandemic closures and associated support, cultural heritage organisations are facing continuing economic, social, political, environmental, technological, and organisational culture pressures. This research examines the existing academic literature, sector publications, annual reports and associated visitor information to understand whether cultural heritage organisations have long-COVID, whether they can survive another pandemic, and what further research is needed to be better prepared. Four case studies from the UK look at the visitor and financial impacts of COVID-19 on the British Library, the London Transport Museum, The Theatre Royal Drury Lane, and Kensington Palace. This paper contributes to heritage research by providing a deeper understanding of the impact that COVID-19 had on heritage, and how to proactively plan for similar future disruptions. The impact themes show that change did not result in a new normal but in the need for a new space, consisting of blended space (physical and digital), mixed space (indoors and outdoors), and community of practice space (isolated or cross-sector networking space). The literature highlights the significance of the sector coming together during the pandemic to share knowledge and provide support through its networks. It also highlights how important it is for such unity not to be lost but to be harnessed to support ongoing organisational sustainability and better preparedness for future crises. Finally, future research suggestions are proposed grouped into social, digital, financial, and operational research themes.
{"title":"Assessing the Long-COVID Impact on Heritage Organisations","authors":"Ari Volanakis, Colin Seymour, K. Fouseki","doi":"10.3390/heritage7060152","DOIUrl":"https://doi.org/10.3390/heritage7060152","url":null,"abstract":"The aim of this paper is to understand the long-COVID impact on cultural heritage organisations, and future research needed. COVID-19 was disruptive to cultural heritage socioeconomic activities across the world during 2020 and 2021. Whilst government intervention and changes from physical to digital engagement generally prevailed, the long-COVID impact on cultural heritage organisations, their people and users, buildings, and collections remains unknown. The extent, also, to which financing, curating, visiting, and volunteering patterns have changed is uncertain. Following the pandemic closures and associated support, cultural heritage organisations are facing continuing economic, social, political, environmental, technological, and organisational culture pressures. This research examines the existing academic literature, sector publications, annual reports and associated visitor information to understand whether cultural heritage organisations have long-COVID, whether they can survive another pandemic, and what further research is needed to be better prepared. Four case studies from the UK look at the visitor and financial impacts of COVID-19 on the British Library, the London Transport Museum, The Theatre Royal Drury Lane, and Kensington Palace. This paper contributes to heritage research by providing a deeper understanding of the impact that COVID-19 had on heritage, and how to proactively plan for similar future disruptions. The impact themes show that change did not result in a new normal but in the need for a new space, consisting of blended space (physical and digital), mixed space (indoors and outdoors), and community of practice space (isolated or cross-sector networking space). The literature highlights the significance of the sector coming together during the pandemic to share knowledge and provide support through its networks. It also highlights how important it is for such unity not to be lost but to be harnessed to support ongoing organisational sustainability and better preparedness for future crises. Finally, future research suggestions are proposed grouped into social, digital, financial, and operational research themes.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"15 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141357318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
I. Petroviciu, Emanuela Cernea, Iolanda Turcu, Silvana Vasilca, I. Vanden Berghe
The medieval textiles collection of the National Museum of Art of Romania (MNAR) has been in place since 1865 and nowadays preserves about 1000 medieval and pre-modern weavings and embroideries. These extremely valuable objects, dated between the 14th and the 19th centuries, are mainly religious embroidered garments and veils with special significance in the Byzantine li-turgy. Ecclesiastical embroideries of Byzantine tradition are characterized by a complex technique: metallic threads with a silk core, metallic wires and coloured silk threads are couched over padding on layers of silk and cellulosic supports so as to create relief through light reflection. The silk sup-ports and the sewing threads are coloured, mainly in red, blue, green and yellow hues, and analytical investigations of the dyes used in embroideries preserved in the MNAR, in the Putna and Sucevița Monasteries, have been released in previous studies by the corresponding author. The present work continues the approach with research into dyes in about 25 aëres and epitaphioi from the MNAR collection. Considering their privileged function in the liturgical ritual, these luxurious pieces embroidered with silver, gilded silver or coloured silk threads and decorated with pearls, sequins or semi-precious stones are the most faithful description of the stylistic and technological evolution of the art of post-Byzantine embroidery in the Romanian provinces. The data resulting from the present research will improve the knowledge regarding this topic. Dye analysis was performed by liquid chromatography with diode array detection, while fibres were characterized by infrared spectroscopy (with attenuated total reflectance) and optical microscopy. The biological sources identified—carminic acid-based dyes, redwood, dyer’s broom, weld, indigo-based dyes––will be discussed in correspondence with their use in the embroidery technique: support, lining and embroidery threads, together with other sources previously reported on Byzantine embroideries in Romanian collections, and in similar objects preserved at Holy Mount Athos.
{"title":"Natural Dyes in Embroideries of Byzantine Tradition, the Collection of Embroidered Aëres and Epitaphioi in the National Museum of Art of Romania","authors":"I. Petroviciu, Emanuela Cernea, Iolanda Turcu, Silvana Vasilca, I. Vanden Berghe","doi":"10.3390/heritage7060153","DOIUrl":"https://doi.org/10.3390/heritage7060153","url":null,"abstract":"The medieval textiles collection of the National Museum of Art of Romania (MNAR) has been in place since 1865 and nowadays preserves about 1000 medieval and pre-modern weavings and embroideries. These extremely valuable objects, dated between the 14th and the 19th centuries, are mainly religious embroidered garments and veils with special significance in the Byzantine li-turgy. Ecclesiastical embroideries of Byzantine tradition are characterized by a complex technique: metallic threads with a silk core, metallic wires and coloured silk threads are couched over padding on layers of silk and cellulosic supports so as to create relief through light reflection. The silk sup-ports and the sewing threads are coloured, mainly in red, blue, green and yellow hues, and analytical investigations of the dyes used in embroideries preserved in the MNAR, in the Putna and Sucevița Monasteries, have been released in previous studies by the corresponding author. The present work continues the approach with research into dyes in about 25 aëres and epitaphioi from the MNAR collection. Considering their privileged function in the liturgical ritual, these luxurious pieces embroidered with silver, gilded silver or coloured silk threads and decorated with pearls, sequins or semi-precious stones are the most faithful description of the stylistic and technological evolution of the art of post-Byzantine embroidery in the Romanian provinces. The data resulting from the present research will improve the knowledge regarding this topic. Dye analysis was performed by liquid chromatography with diode array detection, while fibres were characterized by infrared spectroscopy (with attenuated total reflectance) and optical microscopy. The biological sources identified—carminic acid-based dyes, redwood, dyer’s broom, weld, indigo-based dyes––will be discussed in correspondence with their use in the embroidery technique: support, lining and embroidery threads, together with other sources previously reported on Byzantine embroideries in Romanian collections, and in similar objects preserved at Holy Mount Athos.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"6 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141357663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Andrés Arce, Alejandro Jiménez Rios, Igor Tomic, David Biggs
The sympathetic restoration and conservation of built cultural heritage play a significant role in the management and preparedness for future climate scenarios by facilitating adaptive reuse, enhancing cultural resilience, preserving traditional knowledge, and boosting tourism. The importance of restoring damaged heritage sites after an earthquake drew international attention to Nepal after the 2015 Gorka Earthquake. UNESCO established an office in Kathmandu to promote the restoration of tangible and intangible heritage in the area. This included developing structural analyses of buildings with historical and cultural value that, due to their nature, cannot be intervened with the same methodology as modern buildings. In this paper, the case study of the earthquake-damaged Gopinath temple is discussed. First, an initial visual inspection phase and the following diagnosis of the structure are discussed. Then, the results from a series of static and dynamic structural analyses performed to determine the safety level of the structure, together with a sensitivity analysis, are presented. A sympathetic intervention proposal capable of increasing the temple’s safety level, and based on the addition of timber plates, has resulted in substantial improvements in the lateral behavior of the structure. The proposed intervention is deemed sustainable and able to increase the resilience of the temple in the face of future hazards.
{"title":"Structural Analysis of the Sympathetic Restoration and Conservation of the Gopinath Temple, Kathmandu, Nepal","authors":"Andrés Arce, Alejandro Jiménez Rios, Igor Tomic, David Biggs","doi":"10.3390/heritage7060151","DOIUrl":"https://doi.org/10.3390/heritage7060151","url":null,"abstract":"The sympathetic restoration and conservation of built cultural heritage play a significant role in the management and preparedness for future climate scenarios by facilitating adaptive reuse, enhancing cultural resilience, preserving traditional knowledge, and boosting tourism. The importance of restoring damaged heritage sites after an earthquake drew international attention to Nepal after the 2015 Gorka Earthquake. UNESCO established an office in Kathmandu to promote the restoration of tangible and intangible heritage in the area. This included developing structural analyses of buildings with historical and cultural value that, due to their nature, cannot be intervened with the same methodology as modern buildings. In this paper, the case study of the earthquake-damaged Gopinath temple is discussed. First, an initial visual inspection phase and the following diagnosis of the structure are discussed. Then, the results from a series of static and dynamic structural analyses performed to determine the safety level of the structure, together with a sensitivity analysis, are presented. A sympathetic intervention proposal capable of increasing the temple’s safety level, and based on the addition of timber plates, has resulted in substantial improvements in the lateral behavior of the structure. The proposed intervention is deemed sustainable and able to increase the resilience of the temple in the face of future hazards.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"11 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141356229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper introduces a recently restored late-medieval tower house called the Dobbins, located in the historic town of Carrickfergus, Northern Ireland. The restoration process transformed what appeared visually as a Georgian house into a medieval-esque tower house. Despite considerable historical and archaeological research prior to the restoration, the responses from the local community were mixed. This ignited a discussion surrounding whether or not the Dobbins is authentic. Multiple understandings of authenticity are used to analyse the restoration results and evaluate whether a desire for authenticity can be detected. It is clear that authenticity is a myriad of complexities and contradictions comprising tangible, intangible, stable and dynamic elements, and when this is a motivation for restoration the complexity is embedded in the result. This is deconstructed to find that tourism and local identities underpinned the motivation for authenticity and their role in influencing the hierarchy of narratives retold through the restored Dobbins will be discussed. By exploring the authenticity craze through the prism of the Dobbins, this paper allows a deeper understanding of the term to be generated.
{"title":"The Battle for ‘Authentic’ Heritage: The Case of the Dobbins Restoration","authors":"Sarah Kerr, Laura Patrick","doi":"10.3390/heritage7060149","DOIUrl":"https://doi.org/10.3390/heritage7060149","url":null,"abstract":"This paper introduces a recently restored late-medieval tower house called the Dobbins, located in the historic town of Carrickfergus, Northern Ireland. The restoration process transformed what appeared visually as a Georgian house into a medieval-esque tower house. Despite considerable historical and archaeological research prior to the restoration, the responses from the local community were mixed. This ignited a discussion surrounding whether or not the Dobbins is authentic. Multiple understandings of authenticity are used to analyse the restoration results and evaluate whether a desire for authenticity can be detected. It is clear that authenticity is a myriad of complexities and contradictions comprising tangible, intangible, stable and dynamic elements, and when this is a motivation for restoration the complexity is embedded in the result. This is deconstructed to find that tourism and local identities underpinned the motivation for authenticity and their role in influencing the hierarchy of narratives retold through the restored Dobbins will be discussed. By exploring the authenticity craze through the prism of the Dobbins, this paper allows a deeper understanding of the term to be generated.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":"115 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141360842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Céline Rémazeilles, M. C. Zuluaga, Haizea Portillo-Blanco, Egle Conforto, Abdelali Oudriss, L. Ortega, A. Alonso‐Olazabal, J. Cepeda-Ocampo
Iron palaeometallurgy was carried out on three artefacts, classified as nails and excavated from the archaeological site of Loiola (La Arboleda, Biscay, northern Spain), to investigate Roman manufacturing techniques. Energy Dispersive Spectroscopy (EDS) coupled with Environmental Scanning Electron Microscopy (ESEM) and micro-Raman spectroscopy were used to obtain elemental composition and structural characterization of mineral phases. Metallurgical properties and crystallographic texture were studied by combining microscopic methods such as optical microscopy (OM), Electron Backscatter Diffraction realized in environmental mode (EBSD) and measurements of local Vickers microhardness. The three artefacts had different microstructures, distinguished by a large gradient of carbon content, although important segregations (inclusions) were observed in all of them. Two pearlite-rich artefacts showed a high density of structural defects (geometrically necessary dislocations and large crystallographic orientation gradients in pearlitic ferrite, curved pearlitic cementite) resulting from a high level of plastic deformation that occurred during the manufacturing process. The third artefact consisted of pure ferrite without structural defects. This one was clearly manufactured differently from the two others, so it probably had another functionality.
对从 Loiola 考古遗址（西班牙北部比斯开省 La Arboleda）出土的三件被归类为铁钉的文物进行了古冶金学研究，以调查罗马制造技术。能量色散光谱法（EDS）与环境扫描电子显微镜（ESEM）和微拉曼光谱法相结合，用于获得元素组成和矿物相的结构特征。通过结合光学显微镜（OM）、环境模式下实现的电子背散射衍射（EBSD）和局部维氏硬度测量等显微方法，研究了冶金特性和晶体纹理。这三种人工制品具有不同的微观结构，碳含量梯度较大，但在所有人工制品中都观察到了重要的偏析（夹杂物）。两个富含珠光体的人工制品显示出高密度的结构缺陷（珠光体铁素体中的几何必要位错和较大的晶体学取向梯度、弯曲的珠光体雪明碳铁素体），这是在制造过程中发生的高度塑性变形造成的。第三个人工制品由无结构缺陷的纯铁素体组成。这件文物的制造工艺明显不同于其他两件，因此很可能具有其他功能。
{"title":"Contribution of EBSD for the Microstructural Study of Archaeological Iron Alloy Artefacts from the Archaeological Site of Loiola (Biscay, Northern Spain)","authors":"Céline Rémazeilles, M. C. Zuluaga, Haizea Portillo-Blanco, Egle Conforto, Abdelali Oudriss, L. Ortega, A. Alonso‐Olazabal, J. Cepeda-Ocampo","doi":"10.3390/heritage7060150","DOIUrl":"https://doi.org/10.3390/heritage7060150","url":null,"abstract":"Iron palaeometallurgy was carried out on three artefacts, classified as nails and excavated from the archaeological site of Loiola (La Arboleda, Biscay, northern Spain), to investigate Roman manufacturing techniques. Energy Dispersive Spectroscopy (EDS) coupled with Environmental Scanning Electron Microscopy (ESEM) and micro-Raman spectroscopy were used to obtain elemental composition and structural characterization of mineral phases. Metallurgical properties and crystallographic texture were studied by combining microscopic methods such as optical microscopy (OM), Electron Backscatter Diffraction realized in environmental mode (EBSD) and measurements of local Vickers microhardness. The three artefacts had different microstructures, distinguished by a large gradient of carbon content, although important segregations (inclusions) were observed in all of them. Two pearlite-rich artefacts showed a high density of structural defects (geometrically necessary dislocations and large crystallographic orientation gradients in pearlitic ferrite, curved pearlitic cementite) resulting from a high level of plastic deformation that occurred during the manufacturing process. The third artefact consisted of pure ferrite without structural defects. This one was clearly manufactured differently from the two others, so it probably had another functionality.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141366501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Gianmarco Alberti, R. Grima, Nicholas C. Vella, Kurt Xerri, David E. Zammit
Landscapes have been shaped and reshaped by humans to meet the changing needs of shifting subsistence strategies and demographic patterns. In the Mediterranean region, a widespread subsistence strategy that has left a major imprint is pastoralism, often tied with transhumance. Pastoralism and the associated tensions between pastoralists and settled agriculturalists have political and legal dimensions which are sometimes overlooked in mainstream accounts of national “patrimony”. The rapid transformations of subsistence strategies witnessed in the twentieth century have changed pastoral landscapes in diverse ways. This paper focusses on the central Mediterranean archipelago of Malta to explore how the values and management of such landscapes require holistic assessment, taking into account the intangible practices and embedded legal rights and obligations that maintained these systems. While in Malta pastoralism has practically disappeared, its physical imprint persists in the form of a network of droveways, which was once a carefully regulated form of commons. Burgeoning demographic growth is erasing large tracts of the historic environment. Against this backdrop of contestation, this paper draws on interdisciplinary approaches to interrogate the shifting legal and historical narratives through which pastoral landscapes have been managed, in the process revealing how dominant epistemological and legal frameworks are also implicated in the erasure of these landscapes.
{"title":"A Historical Landscape under Threat: Contestation and Preservation of Malta’s Pastoral Droveways","authors":"Gianmarco Alberti, R. Grima, Nicholas C. Vella, Kurt Xerri, David E. Zammit","doi":"10.3390/heritage7060146","DOIUrl":"https://doi.org/10.3390/heritage7060146","url":null,"abstract":"Landscapes have been shaped and reshaped by humans to meet the changing needs of shifting subsistence strategies and demographic patterns. In the Mediterranean region, a widespread subsistence strategy that has left a major imprint is pastoralism, often tied with transhumance. Pastoralism and the associated tensions between pastoralists and settled agriculturalists have political and legal dimensions which are sometimes overlooked in mainstream accounts of national “patrimony”. The rapid transformations of subsistence strategies witnessed in the twentieth century have changed pastoral landscapes in diverse ways. This paper focusses on the central Mediterranean archipelago of Malta to explore how the values and management of such landscapes require holistic assessment, taking into account the intangible practices and embedded legal rights and obligations that maintained these systems. While in Malta pastoralism has practically disappeared, its physical imprint persists in the form of a network of droveways, which was once a carefully regulated form of commons. Burgeoning demographic growth is erasing large tracts of the historic environment. Against this backdrop of contestation, this paper draws on interdisciplinary approaches to interrogate the shifting legal and historical narratives through which pastoral landscapes have been managed, in the process revealing how dominant epistemological and legal frameworks are also implicated in the erasure of these landscapes.","PeriodicalId":507444,"journal":{"name":"Heritage","volume":" 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141371676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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