The article is devoted to the analysis of the novel by A. N. Tolstoy "The Viper" (1928). The purpose of the study is to reveal the features of the chronotope of the boundary of the work. The scientific novelty of this work lies in the fact that despite the focus on the story, which was explored through the heroic events of the civil war and hagiographic elements, there were aspects that were not fully explored from a gender perspective and through the theme of love. In particular, the authors have identified for the first time the types of chronotope boundaries in this work. The results showed that chronotopic values of various degrees and volumes, such as existential, social, personal and gender boundaries, become the most striking and important. The heroine of the story overcomes these thresholds, going through the initiation process and making sacrifices associated with the loss of home, parents, love, freedom, self-identity, human essence. The writer identifies the opposition of the "I" – "Other", associating it with the opposition of the human – animal and demonstrating the dominance of the second principle at a crucial moment for the country of the destruction of the old order and the formation of a new one. The main functions of the chronotope of the boundaries of this work are plot-forming, spatial, psychological and integrating.
{"title":"Chronotope of the border in the story of A. N. Tolstoy \"The Viper\"","authors":"A. N. Anisimova, Yulia Ivanovna Efremova","doi":"10.30853/phil20240343","DOIUrl":"https://doi.org/10.30853/phil20240343","url":null,"abstract":"The article is devoted to the analysis of the novel by A. N. Tolstoy \"The Viper\" (1928). The purpose of the study is to reveal the features of the chronotope of the boundary of the work. The scientific novelty of this work lies in the fact that despite the focus on the story, which was explored through the heroic events of the civil war and hagiographic elements, there were aspects that were not fully explored from a gender perspective and through the theme of love. In particular, the authors have identified for the first time the types of chronotope boundaries in this work. The results showed that chronotopic values of various degrees and volumes, such as existential, social, personal and gender boundaries, become the most striking and important. The heroine of the story overcomes these thresholds, going through the initiation process and making sacrifices associated with the loss of home, parents, love, freedom, self-identity, human essence. The writer identifies the opposition of the \"I\" – \"Other\", associating it with the opposition of the human – animal and demonstrating the dominance of the second principle at a crucial moment for the country of the destruction of the old order and the formation of a new one. The main functions of the chronotope of the boundaries of this work are plot-forming, spatial, psychological and integrating.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"13 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141804220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The reviewed monograph presents the author's views on the linguistic semiotic analysis of Russian artistic discourse. In the first part of the monograph, the linguistic semantic, linguistic stylistic and quantitative aspects are considered, in the second the texts of the writers and their diary entries are compared. The monograph may be of interest to a wide range of specialists in the linguistic analysis of a literary text.
{"title":"Scientific review of the academic publication: Zevakhina T. S. Linguosemiotic analysis of Russian artistic discourse. Moscow: MAKS Press, 2023. 72 p.","authors":"A. Izotov, Anna Alexandrovna Izotova","doi":"10.30853/phil20240341","DOIUrl":"https://doi.org/10.30853/phil20240341","url":null,"abstract":"The reviewed monograph presents the author's views on the linguistic semiotic analysis of Russian artistic discourse. In the first part of the monograph, the linguistic semantic, linguistic stylistic and quantitative aspects are considered, in the second the texts of the writers and their diary entries are compared. The monograph may be of interest to a wide range of specialists in the linguistic analysis of a literary text.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"46 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141803943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Snezhana Vasilyevna Yerzheninova, Olga Alexandrovna Tolokonnikova
The purpose of this study is to identify the linguistic and cultural components that are part of the semantic structure of the SOLDIER concept in the Russian and Chinese linguistic worldviews. The scientific novelty of the study is that the article for the first time considers the components of the SOLDIER concept in Russian, as well as Chinese linguistic worldviews at the linguistic and cultural level in a comparative aspect. Within the framework of this study, an etymological analysis of the SOLDIER concept was carried out, its core zone was distinguished on the basis of studied dictionary entries of Russian and Chinese languages, the periphery was determined by analyzing stable expressions, phraseological locutions, proverbs, sayings, extracts of literature and the mass media. In the course of the study, it was possible to establish that the core zones of the SOLDIER concept almost completely coincide in the Russian and Chinese linguistic worldviews, the difference can be traced in the peripheral zone. It was revealed that for the Russian people the image of a SOLDIER is associated with bravery, dedication, courage, protection, for the Chinese, the image is associated not only with courage, but also with sacrifice, as well as with cooperation. The results made it possible to reveal a great degree of similarity between the Russian and Chinese linguistic worldviews in the field of the SOLDIER concept.
{"title":"Concept SOLDIER in Russian and Chinese linguistic worldviews","authors":"Snezhana Vasilyevna Yerzheninova, Olga Alexandrovna Tolokonnikova","doi":"10.30853/phil20240342","DOIUrl":"https://doi.org/10.30853/phil20240342","url":null,"abstract":"The purpose of this study is to identify the linguistic and cultural components that are part of the semantic structure of the SOLDIER concept in the Russian and Chinese linguistic worldviews. The scientific novelty of the study is that the article for the first time considers the components of the SOLDIER concept in Russian, as well as Chinese linguistic worldviews at the linguistic and cultural level in a comparative aspect. Within the framework of this study, an etymological analysis of the SOLDIER concept was carried out, its core zone was distinguished on the basis of studied dictionary entries of Russian and Chinese languages, the periphery was determined by analyzing stable expressions, phraseological locutions, proverbs, sayings, extracts of literature and the mass media. In the course of the study, it was possible to establish that the core zones of the SOLDIER concept almost completely coincide in the Russian and Chinese linguistic worldviews, the difference can be traced in the peripheral zone. It was revealed that for the Russian people the image of a SOLDIER is associated with bravery, dedication, courage, protection, for the Chinese, the image is associated not only with courage, but also with sacrifice, as well as with cooperation. The results made it possible to reveal a great degree of similarity between the Russian and Chinese linguistic worldviews in the field of the SOLDIER concept.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"36 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141805986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to find out the role of musical ecphrasis in the early stories of A. I. Kuprin (works of 1889-1896). The scientific novelty of the work lies in the fact that for the first time a detailed sequential analysis of the precedents of musical citation and references to musical sources is given, their role in the narrative structure is analyzed. The identification and analysis of cases of verbal representation of musical works in Kuprin's texts gives an idea of the writer's search and formation of his own unique artistic handwriting. The significance of this research is generally associated with the little-studied phenomenon of the game poetics of Kuprin's early prose, especially the earliest stories, which for a long time were considered as learnedly immature, therefore not deserving any serious literary attention. As a result of the study, it was shown that the innovation of the young Kuprin consisted in a bold experimental attempt to combine fiction with related art forms, for example, musical opera, romance, to create precedents for "musical citation" as a complex genre symbiosis. Such syncretism is explained by the desire of the young writer to develop his "corporate" style by creating centonic texts in which musical allusions and quotations take on the role of a complex language of allegory and form new semantic connections. Musical ecphrasis in the analyzed works serves as a tool for encoding meanings, sets the axial points of the unfolding of the plot, programs the fate of the characters, motivates their behavior.
{"title":"The role of musical ecphrasis in the works of A. I. Kuprin in the late 80s - early 90s of the 19th century","authors":"Natalia Alexandrovna Darenskaya","doi":"10.30853/phil20240344","DOIUrl":"https://doi.org/10.30853/phil20240344","url":null,"abstract":"The purpose of the study is to find out the role of musical ecphrasis in the early stories of A. I. Kuprin (works of 1889-1896). The scientific novelty of the work lies in the fact that for the first time a detailed sequential analysis of the precedents of musical citation and references to musical sources is given, their role in the narrative structure is analyzed. The identification and analysis of cases of verbal representation of musical works in Kuprin's texts gives an idea of the writer's search and formation of his own unique artistic handwriting. The significance of this research is generally associated with the little-studied phenomenon of the game poetics of Kuprin's early prose, especially the earliest stories, which for a long time were considered as learnedly immature, therefore not deserving any serious literary attention. As a result of the study, it was shown that the innovation of the young Kuprin consisted in a bold experimental attempt to combine fiction with related art forms, for example, musical opera, romance, to create precedents for \"musical citation\" as a complex genre symbiosis. Such syncretism is explained by the desire of the young writer to develop his \"corporate\" style by creating centonic texts in which musical allusions and quotations take on the role of a complex language of allegory and form new semantic connections. Musical ecphrasis in the analyzed works serves as a tool for encoding meanings, sets the axial points of the unfolding of the plot, programs the fate of the characters, motivates their behavior.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"20 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141804093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to establish the concept of the image of Don Juan in the works of N. S. Gumilev through the prism of affirming and clarifying the aesthetics of acmeism and the dynamics of the poet's axiology and ontology. The scientific novelty of this research lies in two main aspects: firstly, we identify the image of Don Juan in N. S. Gumilev's work and place it in the context of various interpretations of the eternal image; secondly, we apply the methodology of level analysis of a poem, which was proposed by Gumilev himself in his article "Anatomy of a Poem," to our interpretation of the eternal image in the sonnet "Don Juan." This approach serves as a starting point for further readings of the image in other forms of literature, such as lyrics, drama (in the case of "Don Juan in Egypt"), and journalism (as seen in "The Reader"). The mythological genesis of the image of Don Juan actualizes the diachronic decoding of archaic meanings in the interpretation of N. S. Gumilev, which are harmoniously embedded in the architecture of the classical sonnet. At the same time, Don Juan, in accordance with the role concept of the collection "Pearls", acts as one of the hypostases of a person in general, which dictates the need for an ethical assessment of the hero's life path. As a result of the study, it was found that the grammatical structure and poetic language of the sonnet "Don Juan" form the concept of an image polemically opposed to both the romantic rehabilitation of Don Juan and his acmeistic interpretation in the one-act drama in verse "Don Juan in Egypt".
本研究的目的是通过肯定和澄清阿克梅主义美学以及诗人公理和本体论动态的棱镜，在尼-斯-古米列夫的作品中确立唐璜形象的概念。本研究的科学新颖性主要体现在两个方面：首先，我们确定了 N. S. 古米列夫作品中的 "唐璜 "形象，并将其置于对永恒形象的各种解释的背景中；其次，我们将古米列夫本人在其文章 "诗歌解剖 "中提出的诗歌层次分析方法应用于我们对十四行诗 "唐璜 "中永恒形象的解释。这种方法是进一步解读其他文学形式中的形象的起点，如歌词、戏剧（如《唐璜在埃及》）和新闻（如《读者》）。唐璜形象的神话起源在 N. S. Gumilev 的阐释中实现了古义的非同步解码，这些古义和谐地嵌入了古典十四行诗的架构中。同时，根据《珍珠》一书中的角色概念，《唐璜》是一般人的假面之一，这就决定了需要对主人公的人生道路进行伦理评估。研究结果发现，十四行诗 "唐璜 "的语法结构和诗歌语言构成了一个形象概念，与诗体独幕剧 "唐璜在埃及 "中对唐璜的浪漫主义改造和尖刻主义诠释形成了对立。
{"title":"Anatomy of the sonnet \"Don Juan\" by N. S. Gumilev","authors":"Y. Pogrebnaya","doi":"10.30853/phil20240345","DOIUrl":"https://doi.org/10.30853/phil20240345","url":null,"abstract":"The purpose of the study is to establish the concept of the image of Don Juan in the works of N. S. Gumilev through the prism of affirming and clarifying the aesthetics of acmeism and the dynamics of the poet's axiology and ontology. The scientific novelty of this research lies in two main aspects: firstly, we identify the image of Don Juan in N. S. Gumilev's work and place it in the context of various interpretations of the eternal image; secondly, we apply the methodology of level analysis of a poem, which was proposed by Gumilev himself in his article \"Anatomy of a Poem,\" to our interpretation of the eternal image in the sonnet \"Don Juan.\" This approach serves as a starting point for further readings of the image in other forms of literature, such as lyrics, drama (in the case of \"Don Juan in Egypt\"), and journalism (as seen in \"The Reader\"). The mythological genesis of the image of Don Juan actualizes the diachronic decoding of archaic meanings in the interpretation of N. S. Gumilev, which are harmoniously embedded in the architecture of the classical sonnet. At the same time, Don Juan, in accordance with the role concept of the collection \"Pearls\", acts as one of the hypostases of a person in general, which dictates the need for an ethical assessment of the hero's life path. As a result of the study, it was found that the grammatical structure and poetic language of the sonnet \"Don Juan\" form the concept of an image polemically opposed to both the romantic rehabilitation of Don Juan and his acmeistic interpretation in the one-act drama in verse \"Don Juan in Egypt\".","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"56 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141802391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper aims to present a review of modern linguistic situation with Pashto and the progress in examining the Ghilji dialect phonetic level based on previous studies of the researchers from different countries. The focus is on problematic aspects and contradictions related to the manifestation of the nine factors of language viability proposed by UNESCO. This is the first attempt to perform the assessment based on these factors. As a result, a number of tendencies working in opposite directions were demonstrated: increased status, successful implementation of standards, wide use in computer and Internet technologies vs huge dialect variance and the possibility of attrition of the mother language and the native dialect; long history of the writing system vs its dialect and even individual variance accompanied by complicated relations between orthography and phonology. High dialect fragmentation was found to result in variance of phonemic models of words including differences in vowels, consonants and the number of phonemes in one word used in different dialects. Phonetic data on the Alsatian dialect are practically not presented, which makes it imperative to accumulate and systematize acoustic information on this dialect.
{"title":"Modern Pashto – linguistic situation and the extent of study: Theoretical review","authors":"Noor Ahmad Aail, S. V. Androsova","doi":"10.30853/phil20240331","DOIUrl":"https://doi.org/10.30853/phil20240331","url":null,"abstract":"The paper aims to present a review of modern linguistic situation with Pashto and the progress in examining the Ghilji dialect phonetic level based on previous studies of the researchers from different countries. The focus is on problematic aspects and contradictions related to the manifestation of the nine factors of language viability proposed by UNESCO. This is the first attempt to perform the assessment based on these factors. As a result, a number of tendencies working in opposite directions were demonstrated: increased status, successful implementation of standards, wide use in computer and Internet technologies vs huge dialect variance and the possibility of attrition of the mother language and the native dialect; long history of the writing system vs its dialect and even individual variance accompanied by complicated relations between orthography and phonology. High dialect fragmentation was found to result in variance of phonemic models of words including differences in vowels, consonants and the number of phonemes in one word used in different dialects. Phonetic data on the Alsatian dialect are practically not presented, which makes it imperative to accumulate and systematize acoustic information on this dialect.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"43 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141807753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to identify trends in cross-cultural recoding of the architectonics of textual landscape models in Bronte’s “Jane Eyre” by means of translation transfer. The scientific novelty of the research consists in: replenishing the thesaurus of text linguistics with the new term “informative map of textual landscape models”, identifying trends in cross-cultural translation transfer of the informative map of textual landscape models in Ch. Bronte’s “Jane Eyre” by means of the Russian language, the development of an algorithm for the study of the translation transfer of the landscape segment of literary text for revealing trends in cross-cultural transcoding of textual landscape models. As a result of the conducted research, it is shown that the compilation of a map of landscape models as an informative matrix of the architecture of the landscape segment of the novel contributes to the visualization of the author’s text construction, which, combined with the use of code formulas of landscape units as part of landscape models, provides a new interpretative approach to cross-cultural transcoding of the original text by means of the translation language. The development and implementation of an algorithm for the study of the translation transfer of the landscape segment of literary text helps to identify trends in cross-cultural transcoding of text landscape models in Ch. Bronte’s “Jane Eyre” in Russian.
{"title":"Transcoding of an informative map of textual landscape models in Ch. Bronte’s Jane Eyre in English and Russian","authors":"Elena Anatolievna Ogneva, V. D. Pupynina","doi":"10.30853/phil20240337","DOIUrl":"https://doi.org/10.30853/phil20240337","url":null,"abstract":"The purpose of the study is to identify trends in cross-cultural recoding of the architectonics of textual landscape models in Bronte’s “Jane Eyre” by means of translation transfer. The scientific novelty of the research consists in: replenishing the thesaurus of text linguistics with the new term “informative map of textual landscape models”, identifying trends in cross-cultural translation transfer of the informative map of textual landscape models in Ch. Bronte’s “Jane Eyre” by means of the Russian language, the development of an algorithm for the study of the translation transfer of the landscape segment of literary text for revealing trends in cross-cultural transcoding of textual landscape models. As a result of the conducted research, it is shown that the compilation of a map of landscape models as an informative matrix of the architecture of the landscape segment of the novel contributes to the visualization of the author’s text construction, which, combined with the use of code formulas of landscape units as part of landscape models, provides a new interpretative approach to cross-cultural transcoding of the original text by means of the translation language. The development and implementation of an algorithm for the study of the translation transfer of the landscape segment of literary text helps to identify trends in cross-cultural transcoding of text landscape models in Ch. Bronte’s “Jane Eyre” in Russian.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"54 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141808852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the research is to reveal the specific features of the epistemic category of seemingness functioning in an English novel of a science fiction genre. The article undertakes a versatile approach to the phenomenon of seemingness viewed from different angles, namely, a logic-philosophical, psychological and linguistic ones. Linguistic criteria identifying the category of seemingness have been clarified. Scientific originality of the research lies in describing the peculiarities of the category of seemingness as represented in H. G. Wells’s novel. The research findings reveal a diversity of lexico-syntactic denominations of seemingness constituting the corresponding semantic field thus forming its centre or periphery. The modus of seemingness embraces various types of perception, those of a visual, aural, tactile, olfactory and kinaesthetic ones. The results of the research indicate that seemingness in the novel tends to interact with the category of evaluation. As the study shows, the modus of seemingness in the novel is inseparable from the first-person narration describing the incredible events in the world of fantastic future as seemingly indefinite, unverified and illusory.
研究的目的是揭示科幻体裁英语小说中 "貌似 "这一认识论范畴的具体特征。文章从逻辑哲学、心理学和语言学等不同角度对 "似乎性 "现象进行了多角度的研究。文章阐明了确定 "貌似 "类别的语言学标准。该研究的科学独创性在于描述了 H. G. 威尔斯小说中 "貌似 "类别的特殊性。研究结果揭示了 "貌似 "的词汇-句法名称的多样性，它们构成了相应的语义场，从而形成了其中心或外围。貌似的方式包括各种感知类型，如视觉、听觉、触觉、嗅觉和动觉。研究结果表明，小说中的 "似乎 "往往与 "评价 "范畴相互作用。研究结果表明，小说中的 "似乎 "模式与第一人称叙事密不可分，第一人称叙事将奇幻未来世界中发生的不可思议的事件描述为似乎是不确定的、未经证实的和虚幻的。
{"title":"The category of seemingness and its functioning in Herbert G. Wells’s novel “The Time Machine”","authors":"T. P. Karpukhina","doi":"10.30853/phil20240328","DOIUrl":"https://doi.org/10.30853/phil20240328","url":null,"abstract":"The aim of the research is to reveal the specific features of the epistemic category of seemingness functioning in an English novel of a science fiction genre. The article undertakes a versatile approach to the phenomenon of seemingness viewed from different angles, namely, a logic-philosophical, psychological and linguistic ones. Linguistic criteria identifying the category of seemingness have been clarified. Scientific originality of the research lies in describing the peculiarities of the category of seemingness as represented in H. G. Wells’s novel. The research findings reveal a diversity of lexico-syntactic denominations of seemingness constituting the corresponding semantic field thus forming its centre or periphery. The modus of seemingness embraces various types of perception, those of a visual, aural, tactile, olfactory and kinaesthetic ones. The results of the research indicate that seemingness in the novel tends to interact with the category of evaluation. As the study shows, the modus of seemingness in the novel is inseparable from the first-person narration describing the incredible events in the world of fantastic future as seemingly indefinite, unverified and illusory.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"49 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141808249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this study is to identify figurative zoonyms in the German media in Germany, Austria and German–speaking Switzerland in 2020-2024, which serve as a means of implementing a manipulative nominative strategy. The scientific novelty of the work lies in the fact that for the first time it examines the issues of connoted figurative designation of current realities in German-speaking countries through zoonyms in order to manipulate mass consciousness. The results showed that the main ways of figurative designation of realities when setting a manipulative goal are the correlation of a known zoonym with a new referent and the creation of new figurative zoonyms through word formation. Nominations implicitly comparing humans with animals have a manipulative character. In the German-speaking cultural sphere between 2020 and 2024, zoomorphisms and zoonym-symbols play a crucial role in shaping the meaning of words for manipulative purposes. These figurative human designations and symbolic animal names have a special significance in conveying messages and influencing people. The animalistic language code is characterized by linguistic and cultural peculiarities of its manipulation, which is associated with the norms of behavior in force during the epidemiological and environmental crisis.
{"title":"The manipulative potential of zoonyms as explicators of the animalistic code of culture (based on the material of the German language 2020-2024)","authors":"L. Nefedova","doi":"10.30853/phil20240325","DOIUrl":"https://doi.org/10.30853/phil20240325","url":null,"abstract":"The purpose of this study is to identify figurative zoonyms in the German media in Germany, Austria and German–speaking Switzerland in 2020-2024, which serve as a means of implementing a manipulative nominative strategy. The scientific novelty of the work lies in the fact that for the first time it examines the issues of connoted figurative designation of current realities in German-speaking countries through zoonyms in order to manipulate mass consciousness. The results showed that the main ways of figurative designation of realities when setting a manipulative goal are the correlation of a known zoonym with a new referent and the creation of new figurative zoonyms through word formation. Nominations implicitly comparing humans with animals have a manipulative character. In the German-speaking cultural sphere between 2020 and 2024, zoomorphisms and zoonym-symbols play a crucial role in shaping the meaning of words for manipulative purposes. These figurative human designations and symbolic animal names have a special significance in conveying messages and influencing people. The animalistic language code is characterized by linguistic and cultural peculiarities of its manipulation, which is associated with the norms of behavior in force during the epidemiological and environmental crisis.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"30 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141808414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to identify lexical-stylistic and grammatical methods of linguistic representation of myth-creating in the poem “Orphic” by the British poet D. Constantine. The research novelty consists in the fact that the following linguistic means of expressing myth- creating as a method of artistic cognition have been established: metaphors; augmented allusion, based on cultural and historical precedents that receive new characteristics; stylistic eclecticism and impersonal myth, in which the author hints at well-known images with the help of recognizable characteristics of the characters, without naming the heroes. As a result, myth-creating is defined as a special cognitive practice that has a unique linguistic expression, which consists in the use of author's linguistic means as well as an innovative mixture of styles that allows you to fit a classic myth into a modern context and gives it a new artistic meaning.
本研究的目的是确定英国诗人 D. 康斯坦丁的诗歌《奥菲克》中神话创造的语言表现的词汇风格和语法方法。该研究的新颖之处在于，作为一种艺术认知方法，已经确定了以下表达创造神话的语言手段：隐喻；增强典故，基于文化和历史先例，具有新的特点；文体折衷主义和非个人神话，其中作者借助可识别的人物特征暗示了众所周知的形象，但没有说出主人公的名字。因此，神话创作被定义为一种特殊的认知实践，它具有独特的语言表达方式，包括使用作者的语言手段以及创新的混合风格，从而将经典神话融入现代语境，并赋予其新的艺术含义。
{"title":"Representation of myth-creating in the form of author’s language cognition in the poem of D. Constantine “Orphic”","authors":"S. I. Linnichenko","doi":"10.30853/phil20240333","DOIUrl":"https://doi.org/10.30853/phil20240333","url":null,"abstract":"The purpose of the study is to identify lexical-stylistic and grammatical methods of linguistic representation of myth-creating in the poem “Orphic” by the British poet D. Constantine. The research novelty consists in the fact that the following linguistic means of expressing myth- creating as a method of artistic cognition have been established: metaphors; augmented allusion, based on cultural and historical precedents that receive new characteristics; stylistic eclecticism and impersonal myth, in which the author hints at well-known images with the help of recognizable characteristics of the characters, without naming the heroes. As a result, myth-creating is defined as a special cognitive practice that has a unique linguistic expression, which consists in the use of author's linguistic means as well as an innovative mixture of styles that allows you to fit a classic myth into a modern context and gives it a new artistic meaning.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141809087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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