The aim of the research is to establish the traditional perceptions of the dog in Russian linguaculture, using the material from V. I. Dal's ‘Proverbs of the Russian People’. The article identifies various characteristics of the animal (appearance, behavioral traits, human-dog relationships, comparison of dogs with other animals, etc.) that served as sources for folk sayings about dogs. It conducts a lexical-semantic and quantitative analysis of animal nominations, interprets the literal and metaphorical meanings of proverbs. The scientific novelty of the work lies in the reconstruction of the mid-19th-century image of the dog based on proverbial texts, including previously unstudied riddles, reflecting the perception of the animal in the collective consciousness of the Russian people. Dog features are classified into three aspects: 1) the dog as a domestic animal; 2) the dog and humans; 3) the dog and other animals. Proverbial units are interpreted as cognitive structures containing condensed information about the phenomenon of reality. The study proves that the linguo-cognitive interpretation of folklore texts of small genres allows for the reconstruction of a relatively complete image of the dog as a specific fragment of the Russian linguistic worldview.
研究的目的是利用 V. I. Dal 的《俄罗斯人民的谚语》中的材料，确定俄罗斯语言文化中对狗的传统看法。文章确定了动物的各种特征（外貌、行为特征、人狗关系、狗与其他动物的比较等），这些都是关于狗的民间谚语的来源。文章对动物名称进行了词汇-语义和定量分析，解释了谚语的字面和隐喻含义。这部作品的科学新颖性在于根据谚语文本，包括以前未曾研究过的谜语，重建了 19 世纪中期狗的形象，反映了俄罗斯人集体意识中对动物的看法。狗的特征分为三个方面：1) 作为家畜的狗；2) 狗与人类；3) 狗与其他动物。谚语单元被解释为包含现实现象浓缩信息的认知结构。研究证明，通过对小体裁民俗文本的语言认知阐释，可以重建狗作为俄罗斯语言世界观特定片段的相对完整的形象。
{"title":"Traditional perception of the dog according to Russian paremiology","authors":"Yuliya Aleksandrovna Cheremnykh, V. I. Shenkman","doi":"10.30853/phil20240107","DOIUrl":"https://doi.org/10.30853/phil20240107","url":null,"abstract":"The aim of the research is to establish the traditional perceptions of the dog in Russian linguaculture, using the material from V. I. Dal's ‘Proverbs of the Russian People’. The article identifies various characteristics of the animal (appearance, behavioral traits, human-dog relationships, comparison of dogs with other animals, etc.) that served as sources for folk sayings about dogs. It conducts a lexical-semantic and quantitative analysis of animal nominations, interprets the literal and metaphorical meanings of proverbs. The scientific novelty of the work lies in the reconstruction of the mid-19th-century image of the dog based on proverbial texts, including previously unstudied riddles, reflecting the perception of the animal in the collective consciousness of the Russian people. Dog features are classified into three aspects: 1) the dog as a domestic animal; 2) the dog and humans; 3) the dog and other animals. Proverbial units are interpreted as cognitive structures containing condensed information about the phenomenon of reality. The study proves that the linguo-cognitive interpretation of folklore texts of small genres allows for the reconstruction of a relatively complete image of the dog as a specific fragment of the Russian linguistic worldview.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140246056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the study is to identify the regularities of verbal realization of patriotic rhetoric as a macro-strategy in Chinese media in the English language. The paper examines ways of expressing patriotic rhetoric taking into account the multi-variant and multilingual nature of the audience of English-language media information. The scientific novelty of the study is related to posing a problem potentially significant for comparative rhetoric when contrasting the PRC’s patriotic rhetoric in Chinese and in English. The results show that patriotic rhetoric in Chinese media in the English language differs in axiological, conceptual, and cultural specificity. The axiology of argumentative rhetoric is based on historically conditioned civilizational axioms and contemporary ideological concepts of China. The specificity of rhetorical strategies reflects deep civilizational values of collectivism, cyclical time perception, justice as a result of historical changes. The verbal realization of the macro-strategy in English-language Chinese media is influenced by historical and cultural traditions of speech behavior and features of Chinese communicative style. Explicit and implicit rhetorical formulas are realized through linguistic and discursive-pragmatic means.
{"title":"Patriotic rhetoric as a macro-strategy in Chinese mass media discourse in the English language","authors":"O. V. Nikolaeva","doi":"10.30853/phil20240106","DOIUrl":"https://doi.org/10.30853/phil20240106","url":null,"abstract":"The aim of the study is to identify the regularities of verbal realization of patriotic rhetoric as a macro-strategy in Chinese media in the English language. The paper examines ways of expressing patriotic rhetoric taking into account the multi-variant and multilingual nature of the audience of English-language media information. The scientific novelty of the study is related to posing a problem potentially significant for comparative rhetoric when contrasting the PRC’s patriotic rhetoric in Chinese and in English. The results show that patriotic rhetoric in Chinese media in the English language differs in axiological, conceptual, and cultural specificity. The axiology of argumentative rhetoric is based on historically conditioned civilizational axioms and contemporary ideological concepts of China. The specificity of rhetorical strategies reflects deep civilizational values of collectivism, cyclical time perception, justice as a result of historical changes. The verbal realization of the macro-strategy in English-language Chinese media is influenced by historical and cultural traditions of speech behavior and features of Chinese communicative style. Explicit and implicit rhetorical formulas are realized through linguistic and discursive-pragmatic means.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"1975 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140246664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the study is to identify the principles of categorization of kinship in different languacultures – Russian, Kabardian and English. The scientific novelty of the study lies in the fact that for the first time, with the involvement of the Kabardian language, a comparative analysis of the conceptualization of kinship and kinship relations in the worldviews of the languages under consideration was carried out. As a result of the study, similarities and differences were identified in the principles of understanding kinship created on the basis of the presence of common immediate ancestors (kinship by blood), as well as established as a result of marital family relations (kinship by marriage). It was revealed that in the Russian and English linguistic consciousness, kinship is conceptualized broadly, according to which the general terms designating this category (cf. ‘родство’ и ‘kinship’) simultaneously serve to nominate kinship by blood and marriage. Moreover, it was found that in the Kabardian language, there is no general term that conceptually correlates with Russian and English units, both as scientific and everyday terms. Instead, the Kabardian language has two specific terms denoting kinship by blood and marriage, respectively.
研究的目的是确定不同语言文化--俄语、卡巴尔语和英语--中亲属关系的分类原则。本研究的科学新颖性在于，在卡巴尔语的参与下，首次对所研究语言的世界观中的亲缘概念化和亲缘关系进行了比较分析。研究结果表明，在理解以共同直系祖先为基础建立的亲属关系（血缘亲属关系）和以婚姻家庭关系为基础建立的亲属关系（姻亲关系）的原则方面存在异同。研究表明，在俄语和英语的语言意识中，亲属关系的概念是广义的，据此，指定这一类别的一般术语（参见'родство' и 'kinship'）同时用于指定血缘亲属关系和姻亲关系。此外，研究还发现，在卡巴尔语中，无论是作为科学术语还是日常用语，都没有与俄语和英语单位在概念上相关的通用术语。取而代之的是，卡巴尔语中有两个分别表示血缘和姻亲关系的特定术语。
{"title":"Types of kinship and their categorization in different languacultures (based on the Russian, Kabardian and English languages)","authors":"Milana Yurievna Murzakanova","doi":"10.30853/phil20240104","DOIUrl":"https://doi.org/10.30853/phil20240104","url":null,"abstract":"The aim of the study is to identify the principles of categorization of kinship in different languacultures – Russian, Kabardian and English. The scientific novelty of the study lies in the fact that for the first time, with the involvement of the Kabardian language, a comparative analysis of the conceptualization of kinship and kinship relations in the worldviews of the languages under consideration was carried out. As a result of the study, similarities and differences were identified in the principles of understanding kinship created on the basis of the presence of common immediate ancestors (kinship by blood), as well as established as a result of marital family relations (kinship by marriage). It was revealed that in the Russian and English linguistic consciousness, kinship is conceptualized broadly, according to which the general terms designating this category (cf. ‘родство’ и ‘kinship’) simultaneously serve to nominate kinship by blood and marriage. Moreover, it was found that in the Kabardian language, there is no general term that conceptually correlates with Russian and English units, both as scientific and everyday terms. Instead, the Kabardian language has two specific terms denoting kinship by blood and marriage, respectively.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140252780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the study is to justify the concept of the world-modeling strategy of V. Nabokov as a novelist during the Berlin period of his creative development. The paper proceeds from the obvious fact that the Russian writer utilized narratives widely used in the preceding literary practice, which the author elaborates to create his world picture enriched with new content. The first two of his novels, “Mary” and “King, Queen, Knave”, are constructed this way: one can easily recognize plots based on the motifs of unrequited love and adultery. However, regarding the subsequent novel “The Luzhin Defense”, a similar connection with the preceding literary tradition is not established. The proposed concept of the genre identity of this novel, coupled with its narrative features, adds some clarifications to its understanding. The study is original in that it is the first to reveal the causal and semantic correlation of V. Nabokov’s third novel with the European Bildungsroman. The underlying world model proved historically exceptionally productive. It is this model that the first-wave Russian émigré writer builds on. The result of the study amounts to the identification of the principles of artistic world-modeling underlying the literary strategy of V. Nabokov as a novelist during the Berlin period of his creative evolution.
{"title":"“The Luzhin Defense” by V. Nabokov in the context of Bildungsroman traditions","authors":"Nikolay Ippolitovich Nikolaev, S. Dulova","doi":"10.30853/phil20240103","DOIUrl":"https://doi.org/10.30853/phil20240103","url":null,"abstract":"The aim of the study is to justify the concept of the world-modeling strategy of V. Nabokov as a novelist during the Berlin period of his creative development. The paper proceeds from the obvious fact that the Russian writer utilized narratives widely used in the preceding literary practice, which the author elaborates to create his world picture enriched with new content. The first two of his novels, “Mary” and “King, Queen, Knave”, are constructed this way: one can easily recognize plots based on the motifs of unrequited love and adultery. However, regarding the subsequent novel “The Luzhin Defense”, a similar connection with the preceding literary tradition is not established. The proposed concept of the genre identity of this novel, coupled with its narrative features, adds some clarifications to its understanding. The study is original in that it is the first to reveal the causal and semantic correlation of V. Nabokov’s third novel with the European Bildungsroman. The underlying world model proved historically exceptionally productive. It is this model that the first-wave Russian émigré writer builds on. The result of the study amounts to the identification of the principles of artistic world-modeling underlying the literary strategy of V. Nabokov as a novelist during the Berlin period of his creative evolution.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"4 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140252946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Alexander Glebovich Levitan, Polina Vasilyevna Nechaeva, Daria Nikolaevna Soldatova
The research aims to identify the essential features of horizontal links between elements of the system of skaldic kennings. The paper discusses the structure and lexical-semantic content of skaldic kennings and the peculiarities of their usage, comparing them with existing tropes such as metaphor, metonymy, and phraseological units. Additionally, focusing on the lexico-semantic group “Fire”, the authors examine the origin and principles of building horizontal links in the system of kennings. The scientific novelty lies in introducing a new approach to describing kennings within the theory of phraseology, offering a fresh perspective on horizontal links in the system of kennings. This has led to the following findings: 1) kennings can be considered within the phraseological paradigm using theoretical models of phraseology; 2) there are complex horizontal links in the system of kennings, primarily consisting of skaldic heiti, combining both two-word kennings and kennings with multiple elements.
{"title":"Structural-semantic links of skaldic kennings compared with phraseological units using the lexico-semantic group “Fire”","authors":"Alexander Glebovich Levitan, Polina Vasilyevna Nechaeva, Daria Nikolaevna Soldatova","doi":"10.30853/phil20240102","DOIUrl":"https://doi.org/10.30853/phil20240102","url":null,"abstract":"The research aims to identify the essential features of horizontal links between elements of the system of skaldic kennings. The paper discusses the structure and lexical-semantic content of skaldic kennings and the peculiarities of their usage, comparing them with existing tropes such as metaphor, metonymy, and phraseological units. Additionally, focusing on the lexico-semantic group “Fire”, the authors examine the origin and principles of building horizontal links in the system of kennings. The scientific novelty lies in introducing a new approach to describing kennings within the theory of phraseology, offering a fresh perspective on horizontal links in the system of kennings. This has led to the following findings: 1) kennings can be considered within the phraseological paradigm using theoretical models of phraseology; 2) there are complex horizontal links in the system of kennings, primarily consisting of skaldic heiti, combining both two-word kennings and kennings with multiple elements.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"31 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140260533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research aims to demonstrate how textmental categories (sacral-religious analysis and sacral-religious interpretation) manifest themselves in the text of the Gospel parable. The paper examines the functioning characteristics of the textmental categories of sacral-religious analysis and sacral-religious interpretation. The scientific novelty of the research lies in identifying the expression features of sacral-religious analysis and sacral-religious interpretation processes in a comparative aspect within the text of the Gospel parable using the material in German and Russian. The research findings indicate that sacral-religious analysis, being the explication of the understanding process through referential multiplication, reveals the images and symbols of the Gospel parable drawn from everyday life, which are perceived as doctrinal truths and wise teachings. Sacral-religious interpretation through metaxyvization specifies the distinctive perspective images in the text of the Gospel parable generated by points of view as its spiritual idea. Serving as an embodiment of reflective contemplation (theatation), sacral-religious interpretation of the Gospel parable transcends the framework of the presented worldly vision and translates it to a transcendental level.
{"title":"Textmental categories of the Gospel parable (based on German and Russian)","authors":"Yelena Mikhailovna Alekseeva","doi":"10.30853/phil20240101","DOIUrl":"https://doi.org/10.30853/phil20240101","url":null,"abstract":"The research aims to demonstrate how textmental categories (sacral-religious analysis and sacral-religious interpretation) manifest themselves in the text of the Gospel parable. The paper examines the functioning characteristics of the textmental categories of sacral-religious analysis and sacral-religious interpretation. The scientific novelty of the research lies in identifying the expression features of sacral-religious analysis and sacral-religious interpretation processes in a comparative aspect within the text of the Gospel parable using the material in German and Russian. The research findings indicate that sacral-religious analysis, being the explication of the understanding process through referential multiplication, reveals the images and symbols of the Gospel parable drawn from everyday life, which are perceived as doctrinal truths and wise teachings. Sacral-religious interpretation through metaxyvization specifies the distinctive perspective images in the text of the Gospel parable generated by points of view as its spiritual idea. Serving as an embodiment of reflective contemplation (theatation), sacral-religious interpretation of the Gospel parable transcends the framework of the presented worldly vision and translates it to a transcendental level.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"4 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140261055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article analyzes the system of temporal images in the travel texts of “mass sentimentalism” (using the works by V. V. Izmailov, P. I. Shalikov and P. I. Sumarokov as an example) in the context of the paradigm “social – cultural – artistic time”. The aim of the research is to substantiate the thesis about the image of time as a characteristic of the way the subject perceives a certain event / chain of events in quasi-historical retrospect, in connection with which three levels of perceptual time (time of the subject / personal time; historical time, idyllic time) were identified and defined. The scientific novelty lies in determining the ways of expressing these components in the travelogues of “mass sentimentalism”, which have not been studied in this aspect before, adding to the ideas about the specifics of the literary process in Russia at the turn of the 18th and 19th centuries, including the explication of temporal representations in travel prose. It is concluded that the image of the epoch in the travels of “mass sentimentalism” is reconstructed on the basis of spatial impressions. The core of the temporal-image structure is personal time (in the dynamics of private impressions, including accurately recorded ones), while the system of images of various historical epochs (from Kievan Rus’ to the 18th century) and variant idyllic constructions form the periphery.
{"title":"Temporal images in the travels of “mass sentimentalism”: From personal to idyllic","authors":"O. V. Kublitskaya","doi":"10.30853/phil20240100","DOIUrl":"https://doi.org/10.30853/phil20240100","url":null,"abstract":"The article analyzes the system of temporal images in the travel texts of “mass sentimentalism” (using the works by V. V. Izmailov, P. I. Shalikov and P. I. Sumarokov as an example) in the context of the paradigm “social – cultural – artistic time”. The aim of the research is to substantiate the thesis about the image of time as a characteristic of the way the subject perceives a certain event / chain of events in quasi-historical retrospect, in connection with which three levels of perceptual time (time of the subject / personal time; historical time, idyllic time) were identified and defined. The scientific novelty lies in determining the ways of expressing these components in the travelogues of “mass sentimentalism”, which have not been studied in this aspect before, adding to the ideas about the specifics of the literary process in Russia at the turn of the 18th and 19th centuries, including the explication of temporal representations in travel prose. It is concluded that the image of the epoch in the travels of “mass sentimentalism” is reconstructed on the basis of spatial impressions. The core of the temporal-image structure is personal time (in the dynamics of private impressions, including accurately recorded ones), while the system of images of various historical epochs (from Kievan Rus’ to the 18th century) and variant idyllic constructions form the periphery.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"196 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140265361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the study is to identify the structural and semantic features of linguistic units serving as means of compressive word formation in English legal discourse. The article explores the notion of compression, focusing on the most common means of compression in the form of English compound words and abbreviations at the derivational level. The scientific novelty lies in the comprehensive analysis of means of compressive word formation in English legal discourse, which allowed for the identification and description of productive derivational patterns based on extensive linguistic material, defining the uniqueness of their structure and semantics. The analysis reveals that compound words are the most common means of compression, enabling linguistic economy. Predominant are compound words based on the ‘N + N’ asyntactic model; phrasal compounds with nominal and verbal stem components; derivative compounds created following the agentive model ‘N + V + -er’. Among abbreviations with highly compressive forms of expression, initialisms dominate, based on two-word and three-word nominal models of word formation, as well as syllabic abbreviations retaining the initial part of the original word and hybrid abbreviations formed by contraction.
本研究旨在确定英语法律话语中作为压缩组词手段的语言单位的结构和语义特征。文章探讨了 "压缩 "这一概念，重点研究了英语复合词和缩略词在派生层面上最常见的压缩手段。其科学新颖性在于对英语法律话语中的压缩词形成手段进行了全面分析，从而在大量语言材料的基础上识别和描述了生产性派生模式，确定了其结构和语义的独特性。分析表明，复合词是最常见的压缩手段，从而实现了语言的经济性。最主要的是基于 "N + N "非句法模式的复合词；带有名词和动词词干成分的短语复合词；根据 "N + V + -er "代理模式产生的派生复合词。在具有高度压缩表达形式的缩略语中，首字母缩略语占主导地位，这些缩略语基于两个词和三个词的名词构词模式，以及保留原词首字母部分的音节缩略语和通过收缩形成的混合缩略语。
{"title":"Compressive word formation in English legal discourse: Structural and semantic characteristics of linguistic units","authors":"O. V. Belyakova","doi":"10.30853/phil20240099","DOIUrl":"https://doi.org/10.30853/phil20240099","url":null,"abstract":"The aim of the study is to identify the structural and semantic features of linguistic units serving as means of compressive word formation in English legal discourse. The article explores the notion of compression, focusing on the most common means of compression in the form of English compound words and abbreviations at the derivational level. The scientific novelty lies in the comprehensive analysis of means of compressive word formation in English legal discourse, which allowed for the identification and description of productive derivational patterns based on extensive linguistic material, defining the uniqueness of their structure and semantics. The analysis reveals that compound words are the most common means of compression, enabling linguistic economy. Predominant are compound words based on the ‘N + N’ asyntactic model; phrasal compounds with nominal and verbal stem components; derivative compounds created following the agentive model ‘N + V + -er’. Among abbreviations with highly compressive forms of expression, initialisms dominate, based on two-word and three-word nominal models of word formation, as well as syllabic abbreviations retaining the initial part of the original word and hybrid abbreviations formed by contraction.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"17 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140264284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The study aims to justify the need to train future translators to render words and phrases representing characters’ kinesic movements in fiction from one language to another, as well as to propose a corresponding training methodology. The article specifies what a kineme is, indicates its role in fiction and substantiates the importance of its correct translation. An algorithm for translating such words and phrases is presented for the first time. The scientific novelty of the study lies in describing a methodology for training students how to translate words and phrases representing characters’ kinesic movements in fiction. As a result, the article lists the difficulties faced by translators when rendering kinemes from one language to another, presents the algorithm for translating such words and phrases and provides examples of tasks for its successful integration into the educational process, describes the results of testing the developed methodology.
{"title":"Future translators’ training to render words and phrases representing characters’ kinesic movements in fiction from one language to another","authors":"A. Guliyants, S. B. Guliyants","doi":"10.30853/phil20240098","DOIUrl":"https://doi.org/10.30853/phil20240098","url":null,"abstract":"The study aims to justify the need to train future translators to render words and phrases representing characters’ kinesic movements in fiction from one language to another, as well as to propose a corresponding training methodology. The article specifies what a kineme is, indicates its role in fiction and substantiates the importance of its correct translation. An algorithm for translating such words and phrases is presented for the first time. The scientific novelty of the study lies in describing a methodology for training students how to translate words and phrases representing characters’ kinesic movements in fiction. As a result, the article lists the difficulties faced by translators when rendering kinemes from one language to another, presents the algorithm for translating such words and phrases and provides examples of tasks for its successful integration into the educational process, describes the results of testing the developed methodology.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"6 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140266518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article investigates denominations of seemingness in Herbert G. Wells’s short story “The Door in the Wall” that have not been subjected to linguistic analysis. The aim of the research is to identify the peculiarities characterizing representation of the epistemic category of seemingness in an English short story (novella) as a genre of literature. The scientific originality of the research lies in describing the specific features of the category of seemingness in the novella and revealing its essential significance in the plot-building structure. The research findings showed that the language means indicating the seeming modus are used in utterances intrinsically connected with the major plot-building event ‒ the protagonist’s casual entry to a world of beautiful unreality of a wonderful garden. The study defined a significant role played by the modal category of seemingness in the contexts inherently connected with the conflict that underlies the protagonist’s contrasting views of ordinary reality and a wonderful paradise of unreality. The results showed that the modus of seemingness in the novella considered is inseparable from evaluation, perception and the modus-dictum organization (in Ch. Bally’s terms) of an utterance. The essential role of the category of seemingness in the novella is preconditioned by the first-person narration, presenting the plot events through a prismatic view as unverified and seemingly indefinite.
{"title":"The category of seemingness and its representation in H. G. Wells’s short story “The Door in the Wall”","authors":"T. P. Karpukhina","doi":"10.30853/phil20240097","DOIUrl":"https://doi.org/10.30853/phil20240097","url":null,"abstract":"The article investigates denominations of seemingness in Herbert G. Wells’s short story “The Door in the Wall” that have not been subjected to linguistic analysis. The aim of the research is to identify the peculiarities characterizing representation of the epistemic category of seemingness in an English short story (novella) as a genre of literature. The scientific originality of the research lies in describing the specific features of the category of seemingness in the novella and revealing its essential significance in the plot-building structure. The research findings showed that the language means indicating the seeming modus are used in utterances intrinsically connected with the major plot-building event ‒ the protagonist’s casual entry to a world of beautiful unreality of a wonderful garden. The study defined a significant role played by the modal category of seemingness in the contexts inherently connected with the conflict that underlies the protagonist’s contrasting views of ordinary reality and a wonderful paradise of unreality. The results showed that the modus of seemingness in the novella considered is inseparable from evaluation, perception and the modus-dictum organization (in Ch. Bally’s terms) of an utterance. The essential role of the category of seemingness in the novella is preconditioned by the first-person narration, presenting the plot events through a prismatic view as unverified and seemingly indefinite.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"39 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140266818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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