The current stage of academic discourse development is characterized by significant transformations associated with the introduction of artificial intelligence (AI). The face of academic discourse is changing, which requires analyzing and identifying relevant socio-communicative activities within the discourse. A need has emerged to critically conceptualize human-AI interaction within academic interaction, namely in terms of expert identification of generated text based on linguistic features. The aim of the study is to identify the linguistic features of the generated Russian-language text in academic discourse for the identification of oral and written academic texts. The scientific novelty of the study lies in the fact that for the first time on the basis of bibliometric indicators a comprehensive list of signs of the generated Russian-language academic text, obtained as a result of analyzing domestic theoretical and experimental studies (author's experiment with a neural network with a given prompt) is presented. The results of the study allow us to demonstrate the linguistic markers of Russian-language generated text within the framework of academic discourse at a given synchronic linguistic slice.
{"title":"Attributes of generated text in academic discourse: the problem of identification","authors":"M. N. Cherkasova, Anna V. Taktarova","doi":"10.30853/phil20240307","DOIUrl":"https://doi.org/10.30853/phil20240307","url":null,"abstract":"The current stage of academic discourse development is characterized by significant transformations associated with the introduction of artificial intelligence (AI). The face of academic discourse is changing, which requires analyzing and identifying relevant socio-communicative activities within the discourse. A need has emerged to critically conceptualize human-AI interaction within academic interaction, namely in terms of expert identification of generated text based on linguistic features. The aim of the study is to identify the linguistic features of the generated Russian-language text in academic discourse for the identification of oral and written academic texts. The scientific novelty of the study lies in the fact that for the first time on the basis of bibliometric indicators a comprehensive list of signs of the generated Russian-language academic text, obtained as a result of analyzing domestic theoretical and experimental studies (author's experiment with a neural network with a given prompt) is presented. The results of the study allow us to demonstrate the linguistic markers of Russian-language generated text within the framework of academic discourse at a given synchronic linguistic slice.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"23 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141815557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to identify the axiological characteristics of the contextual implementation of the phraseology "new sincerity" on the Internet portals of the media and in the communicative space of social networks of the last decade. The article analyzes the use of the expression in its original form and its transformations, which make it possible to trace the attitude of native speakers to the designated socio-cultural phenomenon. The scientific novelty of the study consists in considering the features of the modern functioning of this expression against the background of the conceptual opposition of the old and the new, reflected by Russian phraseological units and proverbs; structural and semantic transformations correlate with modern models and mechanisms of transformation of phraseological units in acts of language play. For the first time, the possibilities of lexicographic representation of new socio-culturally conditioned evaluative connotations of the expression "new sincerity" and transformations of the expression are presented. As a result of the study, it was found that the transformations of the phraseologism "new sincerity" in modern speech are carried out in accordance with productive models of transformation of attributive stable phrases; the socio-cultural conditionality of transformations lies in their connection with trends in the field of art, literature, and media communication. The axiological content of transformations is correlated with the axiologems of traditional Russian paroemias and phraseological units, transformations are naturally integrated into the general linguistic proverbial-phraseological paradigm of the new and the old. The proposed model of lexicographic description of the expression "new sincerity" allows us to show the dynamics of its content in the assessment by native speakers and the conditionality of this process by socio-cultural factors.
{"title":"The \"new sincerity\" in the proverbial phraseological paradigm of the new and the old","authors":"T. Nikitina","doi":"10.30853/phil20240321","DOIUrl":"https://doi.org/10.30853/phil20240321","url":null,"abstract":"The purpose of the study is to identify the axiological characteristics of the contextual implementation of the phraseology \"new sincerity\" on the Internet portals of the media and in the communicative space of social networks of the last decade. The article analyzes the use of the expression in its original form and its transformations, which make it possible to trace the attitude of native speakers to the designated socio-cultural phenomenon. The scientific novelty of the study consists in considering the features of the modern functioning of this expression against the background of the conceptual opposition of the old and the new, reflected by Russian phraseological units and proverbs; structural and semantic transformations correlate with modern models and mechanisms of transformation of phraseological units in acts of language play. For the first time, the possibilities of lexicographic representation of new socio-culturally conditioned evaluative connotations of the expression \"new sincerity\" and transformations of the expression are presented. As a result of the study, it was found that the transformations of the phraseologism \"new sincerity\" in modern speech are carried out in accordance with productive models of transformation of attributive stable phrases; the socio-cultural conditionality of transformations lies in their connection with trends in the field of art, literature, and media communication. The axiological content of transformations is correlated with the axiologems of traditional Russian paroemias and phraseological units, transformations are naturally integrated into the general linguistic proverbial-phraseological paradigm of the new and the old. The proposed model of lexicographic description of the expression \"new sincerity\" allows us to show the dynamics of its content in the assessment by native speakers and the conditionality of this process by socio-cultural factors.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"6 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141815998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to describe the modus of artistry "the terrible " in the novel dilogy of Z. N. Gippius "The Devil's Doll" and "Roman Tsarevich". The article describes the demonic in the work of Z. N. Gippius. It is revealed that the categories "the vulgar" and "the demonic" in the works of Z. N. Gippius are sometimes synonymous, their content is characterized by the emptiness of life, which proceeds as a continuance, not duration. The category of "the terrible" described by Z. According to Freud, the article is presented as a modus of artistry, in which Z. N. Gippius finds expression the demonic/void (non-existent). The scientific novelty of the research lies in the identified and described features of the "terrible" modus of artistry and its application to the analysis of a literary text. Currently, the "terrible" category is being used for research on cinema and Gothic literature. In our work, we show that the "the terrible" can occur outside the horror genre and at the same time play a significant role in the work. As a result of the study, it was shown that the entropy motif characteristic of the modern era in the work of Z. N. Gippius is expressed in the modi of the vulgar and the demonic. The article proposes a literary interpretation of the aesthetic category "the terrible" and analyzes the novel dilogy of Z. N. Gippius through the prism of the designated modus of artistry. The question was raised about the separation of the terrible, the horrible and the frightful as the modi of artistry with their own peculiarities of representing man and the world.
本研究的目的是描述茨-尼-吉皮乌斯的长篇小说《魔鬼玩偶》和《罗曼-察列维奇》中 "可怕 "的艺术手法。文章描述了吉皮乌斯作品中的恶魔。文章揭示了茨-尼-吉皮乌斯作品中的 "庸俗 "和 "恶魔 "有时是同义词，其内容以生命的虚无为特征，生命是延续而非持续的。根据弗洛伊德的观点，Z.N.吉皮乌斯描述的 "可怕的 "范畴是作为一种艺术方式呈现的，在这种艺术方式中，Z.N.吉皮乌斯找到了恶魔/虚无（不存在）的表达方式。该研究的科学新颖性在于确定和描述了 "可怕 "的艺术方式的特征，并将其应用于文学文本的分析。目前，"可怕 "类别被用于电影和哥特文学的研究。在我们的工作中，我们表明 "可怕 "可以发生在恐怖类型之外，同时在作品中发挥重要作用。研究结果表明，Z. N. 吉皮乌斯作品中具有现代特征的熵主题是通过庸俗和恶魔的模态表现出来的。文章提出了对 "可怕 "这一美学范畴的文学解释，并通过指定的艺术模式棱镜分析了 Z. N. 吉皮乌斯的小说《稀释》。文章提出了一个问题，即如何将 "可怕的"、"恐怖的 "和 "可怕的 "区分开来，因为它们都是艺术形式，在表现人和世界方面各有特点。
{"title":"The terrible as a sign of the void in the Z. N. Gippius dilogy \"The Devil's Doll\" and \"Roman Tsarevich\"","authors":"I. Ivanova, Artyom Vladimirovich Kuznecov","doi":"10.30853/phil20240315","DOIUrl":"https://doi.org/10.30853/phil20240315","url":null,"abstract":"The purpose of the study is to describe the modus of artistry \"the terrible \" in the novel dilogy of Z. N. Gippius \"The Devil's Doll\" and \"Roman Tsarevich\". The article describes the demonic in the work of Z. N. Gippius. It is revealed that the categories \"the vulgar\" and \"the demonic\" in the works of Z. N. Gippius are sometimes synonymous, their content is characterized by the emptiness of life, which proceeds as a continuance, not duration. The category of \"the terrible\" described by Z. According to Freud, the article is presented as a modus of artistry, in which Z. N. Gippius finds expression the demonic/void (non-existent). The scientific novelty of the research lies in the identified and described features of the \"terrible\" modus of artistry and its application to the analysis of a literary text. Currently, the \"terrible\" category is being used for research on cinema and Gothic literature. In our work, we show that the \"the terrible\" can occur outside the horror genre and at the same time play a significant role in the work. As a result of the study, it was shown that the entropy motif characteristic of the modern era in the work of Z. N. Gippius is expressed in the modi of the vulgar and the demonic. The article proposes a literary interpretation of the aesthetic category \"the terrible\" and analyzes the novel dilogy of Z. N. Gippius through the prism of the designated modus of artistry. The question was raised about the separation of the terrible, the horrible and the frightful as the modi of artistry with their own peculiarities of representing man and the world.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"4 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141816009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper analyzes the dialect composition of the vocabulary of the Yakut epic olonkho. The semantic features of dialect words are described, which are largely due to local storytelling traditions and the correlation of the storytelling lexicon with the subdialects of the Yakut language. The aim of the study is to describe the semantic features of dialect words that are used in the olonkho ‘Дуолан Баай Тойон, Арҕас Баай Хотун’ by the Amga storyteller M. E. Novikov – Melekh Mekheele. The study is novel in that it is the first to consider the semantic features of the olonkho vocabulary in terms of identifying dialect features. As a result, it was found that the olonkho dialect vocabulary is a representative of the central dialect zone of the Yakut language. It was determined that the dialect vocabulary in the epic text is used when describing the surrounding objective world, the external features of a character. Mongolian, Tungusic lexical parallels were revealed. The linguistic source of borrowing of some words was clarified: хойук ‘boat’ – a Turkism, таҥса харыйа ‘cedar’ – an Evenkism. The analysis carried out showed that the dialect part of the olonkho vocabulary has a stable character. The presence of dialect words in the Yakut epic indicates the degree of their importance in the folklore tradition of the Yakuts.
{"title":"Semantic features of the dialect vocabulary of the olonkho ‘Дуолан Баай Тойон, Арҕас Баай Хотун’ by M. E. Novikov – Melekh Mekheele","authors":"E. R. Nikolaev","doi":"10.30853/phil20240312","DOIUrl":"https://doi.org/10.30853/phil20240312","url":null,"abstract":"The paper analyzes the dialect composition of the vocabulary of the Yakut epic olonkho. The semantic features of dialect words are described, which are largely due to local storytelling traditions and the correlation of the storytelling lexicon with the subdialects of the Yakut language. The aim of the study is to describe the semantic features of dialect words that are used in the olonkho ‘Дуолан Баай Тойон, Арҕас Баай Хотун’ by the Amga storyteller M. E. Novikov – Melekh Mekheele. The study is novel in that it is the first to consider the semantic features of the olonkho vocabulary in terms of identifying dialect features. As a result, it was found that the olonkho dialect vocabulary is a representative of the central dialect zone of the Yakut language. It was determined that the dialect vocabulary in the epic text is used when describing the surrounding objective world, the external features of a character. Mongolian, Tungusic lexical parallels were revealed. The linguistic source of borrowing of some words was clarified: хойук ‘boat’ – a Turkism, таҥса харыйа ‘cedar’ – an Evenkism. The analysis carried out showed that the dialect part of the olonkho vocabulary has a stable character. The presence of dialect words in the Yakut epic indicates the degree of their importance in the folklore tradition of the Yakuts.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"66 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper is devoted to the analysis of augmentatives in the German-Russian parallel subcorpus of the Russian National Corpus. The aim of the study is to describe the means of conveying the augmentative semantics of nouns in literary translation from Russian into German. The novelty of the study is connected with the consideration of augmentatives on the basis of professional literary translations which made it possible to find that not only German augmentatives with prefixes or affixoids serve as functional equivalents for Russian augmentatives. In fact, several types of correspondences are used, like a stylistically neutral noun without augmentative semantics or a colloquial or informal figurative noun without or in combination with an adjective with augmentative semantics, a stylistically neutral augmentative without prefixes or affixoids. Thus, the results of the study complement the existing scientific knowledge about the meanings and methods of formation of German augmentatives with information about their frequency of usage in literary translation as well as about other techniques of conveying augmentative semantics.
{"title":"Conveying the augmentative semantics of nouns in literary translation (based on the Russian-German Subcorpus of Russian National Corpus)","authors":"Irina Sergeevna Parina","doi":"10.30853/phil20240314","DOIUrl":"https://doi.org/10.30853/phil20240314","url":null,"abstract":"The paper is devoted to the analysis of augmentatives in the German-Russian parallel subcorpus of the Russian National Corpus. The aim of the study is to describe the means of conveying the augmentative semantics of nouns in literary translation from Russian into German. The novelty of the study is connected with the consideration of augmentatives on the basis of professional literary translations which made it possible to find that not only German augmentatives with prefixes or affixoids serve as functional equivalents for Russian augmentatives. In fact, several types of correspondences are used, like a stylistically neutral noun without augmentative semantics or a colloquial or informal figurative noun without or in combination with an adjective with augmentative semantics, a stylistically neutral augmentative without prefixes or affixoids. Thus, the results of the study complement the existing scientific knowledge about the meanings and methods of formation of German augmentatives with information about their frequency of usage in literary translation as well as about other techniques of conveying augmentative semantics.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"25 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141816863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
During the development of the Tatar literary language some traditional forms, that are characteristic of the Old Tatar literary language had been lost, but they were preserved in sub-dialects and are considered as dialect phenomena. The purpose of the study is to identify features that were characteristic of the Old Tatar literary language and were preserved in the tepekey and kurmantau sub-dialects, but were lost in the Tatar literary language. The main phonetic, grammatical and other features of the studied sub-dialects of the Tatar language were laid down in the ancient Turkic language, the written monuments of which date back to the 5-8th centuries. The scientific novelty of the research lies in the fact that for the first time, some phonetic and morphological features of the indicated sub-dialects are considered in a comparative sense with the language of the Old Tatar written monuments, and a greater commonality with the Old Tatar literary language is revealed. As a result of the scientific analysis, we have established that in the Kurmantau and Tepekey sub-dialects of the middle dialect of the Tatar language, phonetic phenomena (ä~i, j~ʒ, etc.) and grammatical forms (affixes of the desired mood -ajïm/-ajïk, forms in -mak/-mäk, constructions -dï + isä, etc.), that actively functioned in the Old Tatar literary language have been preserved.
{"title":"Old Tatar heritage in the Tepekey and Kurmantau sub-dialects of the Tatar language (phonetic and morphological features)","authors":"M. R. Bulatova","doi":"10.30853/phil20240322","DOIUrl":"https://doi.org/10.30853/phil20240322","url":null,"abstract":"During the development of the Tatar literary language some traditional forms, that are characteristic of the Old Tatar literary language had been lost, but they were preserved in sub-dialects and are considered as dialect phenomena. The purpose of the study is to identify features that were characteristic of the Old Tatar literary language and were preserved in the tepekey and kurmantau sub-dialects, but were lost in the Tatar literary language. The main phonetic, grammatical and other features of the studied sub-dialects of the Tatar language were laid down in the ancient Turkic language, the written monuments of which date back to the 5-8th centuries. The scientific novelty of the research lies in the fact that for the first time, some phonetic and morphological features of the indicated sub-dialects are considered in a comparative sense with the language of the Old Tatar written monuments, and a greater commonality with the Old Tatar literary language is revealed. As a result of the scientific analysis, we have established that in the Kurmantau and Tepekey sub-dialects of the middle dialect of the Tatar language, phonetic phenomena (ä~i, j~ʒ, etc.) and grammatical forms (affixes of the desired mood -ajïm/-ajïk, forms in -mak/-mäk, constructions -dï + isä, etc.), that actively functioned in the Old Tatar literary language have been preserved.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"16 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to identify the figurative-motional and structural-compositional features of the appeal of the symbolist poet V. Bryusov and the conceptual poet D. Prigov to the personality and work of A. S. Pushkin, to the Pushkin myth as a sign of the continuation of the literary tradition. The article examines not only the formal features of the Bryusov and Prigov Pushkin’s works, but also their content and semantic layers, revealing visible differences in the reception of the image of the genius of Russian literature, dictated by differences not only epoch-making, but also theoretical and literary. The scientific novelty of the work consists in the fact that for the first time the author proposes to consider the ways of addressing the personality and creativity of A. Pushkin as a single continuous process that overcomes the attitudes of anyliterary trends and trends up to conceptualism. The power of Pushkin’s word is so great that it turns out to be stronger than the attitude towards non-ideality, and the appeal to the image of Pushkin overcomes even the proclamation of the author's death, which is confirmed by D. Prigov’s Pushkiniana. As a result of the study, it was found that the tradition of referring to the Pushkin word is alive and continuous, that it reflects the peculiarities of each epoch and the course of development of the literary process, and also that, contrary to the manifestational statements of conceptualists about the lack of ideas of “objects” and total play with the fragments of socialist realist canons, Prigov’s poetry already at an early stage demonstrated a capacious semantic potential that overcomes the limits conceptual practices.
研究的目的是确定象征主义诗人弗-布留索夫和观念诗人德-普里戈夫对阿-斯-普希金的人格和作品、对作为文学传统延续标志的普希金神话的诉求的形象-情感和结构-构成特征。文章不仅研究了布留索夫和普里戈夫-普希金作品的形式特征，还研究了其内容和语义层，揭示了俄罗斯文学天才形象接受过程中的明显差异，这种差异不仅是由时代性差异决定的，也是由理论和文学差异决定的。这部作品的科学新颖性在于，作者首次提出将探讨阿-普希金的个性和创造力的方式视为一个单一的连续过程，这一过程克服了任何文学潮流和趋势直至观念主义的态度。普希金文字的力量是如此之大，以至于它比对非现实的态度更强大，对普希金形象的诉求甚至超越了对作者死亡的宣告，这一点在 D. Prigov 的《普希金安娜》中得到了证实。研究结果表明，提及普希金一词的传统具有生命力和连续性，它反映了每个时代的特点和文学进程的发展过程，而且，与概念主义者关于缺乏 "对象 "思想和完全玩弄社会主义现实主义教条碎片的表现性言论相反，普里戈夫的诗歌在早期阶段就已显示出克服概念实践限制的巨大语义潜力。
{"title":"The specifics of the interpretation of Pushkin’s work in symbolism (V. Bryusov) and conceptualism (D. A. Prigov)","authors":"E. Zhilene","doi":"10.30853/phil20240316","DOIUrl":"https://doi.org/10.30853/phil20240316","url":null,"abstract":"The purpose of the study is to identify the figurative-motional and structural-compositional features of the appeal of the symbolist poet V. Bryusov and the conceptual poet D. Prigov to the personality and work of A. S. Pushkin, to the Pushkin myth as a sign of the continuation of the literary tradition. The article examines not only the formal features of the Bryusov and Prigov Pushkin’s works, but also their content and semantic layers, revealing visible differences in the reception of the image of the genius of Russian literature, dictated by differences not only epoch-making, but also theoretical and literary. The scientific novelty of the work consists in the fact that for the first time the author proposes to consider the ways of addressing the personality and creativity of A. Pushkin as a single continuous process that overcomes the attitudes of anyliterary trends and trends up to conceptualism. The power of Pushkin’s word is so great that it turns out to be stronger than the attitude towards non-ideality, and the appeal to the image of Pushkin overcomes even the proclamation of the author's death, which is confirmed by D. Prigov’s Pushkiniana. As a result of the study, it was found that the tradition of referring to the Pushkin word is alive and continuous, that it reflects the peculiarities of each epoch and the course of development of the literary process, and also that, contrary to the manifestational statements of conceptualists about the lack of ideas of “objects” and total play with the fragments of socialist realist canons, Prigov’s poetry already at an early stage demonstrated a capacious semantic potential that overcomes the limits conceptual practices.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"72 20","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to characterise the role of the influence of information in the structural components of a political news text with the structure “Diamond” on the comments of readers aged from 8 to 12 years old. The scientific novelty of the work consists in the fact that for the first time a study of the influence of structural components of the architectonics of a news text on comments by children’s readers was conducted. The study found that children read political news texts with the structure “Diamond” and actively leave their analytical comments or comments as the emotional response to them. Their comments may be directly or indirectly related to the content of the news text. The comments indirectly related to the content of the text express the attitude towards the mentioned political figures, things familiar to them, illustrative and pictorial material. Components of a political news text with the structure “Diamond”: “Lead”, “Body”, where the news event is reported, and “Background”, where additional facts are given, encourage young readers to leave comments directly related to their information.
{"title":"Peculiarities of children’s comments on French-language political media texts with the “Diamond” structure","authors":"E. A. Vdovichenko","doi":"10.30853/phil20240324","DOIUrl":"https://doi.org/10.30853/phil20240324","url":null,"abstract":"The purpose of the study is to characterise the role of the influence of information in the structural components of a political news text with the structure “Diamond” on the comments of readers aged from 8 to 12 years old. The scientific novelty of the work consists in the fact that for the first time a study of the influence of structural components of the architectonics of a news text on comments by children’s readers was conducted. The study found that children read political news texts with the structure “Diamond” and actively leave their analytical comments or comments as the emotional response to them. Their comments may be directly or indirectly related to the content of the news text. The comments indirectly related to the content of the text express the attitude towards the mentioned political figures, things familiar to them, illustrative and pictorial material. Components of a political news text with the structure “Diamond”: “Lead”, “Body”, where the news event is reported, and “Background”, where additional facts are given, encourage young readers to leave comments directly related to their information.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"19 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to present a theoretical and analytical review of works on the topic of translation transformations in Russian translation studies within the framework of a scientific discussion. The article discusses various approaches to the definition of translation transformations in Russian translation studies: linguistic approach, logical-formal approach; functional-communicative approach; information approach; semiotic approach. The material of this article demonstrates different, contradictory views on the development of scientific ideas about translation transformations, and also indicates the difficulty of defining a single metalanguage of translation theory in general and translation transformations in particular. The scientific novelty of the work consists in a comprehensive diachronic presentation of various approaches to the study of the problems of translation transformations in Russian translation studies from the middle of the 20th century to the beginning of the 21st century. According to the results of the review, it can be concluded that there is still no consensus in Russian translation studies on the essence of the concept of translation transformations. There is also no single typology of translation transformations. If earlier works are of a fundamental theoretical nature, then the works of recent years are distinguished by a more practice-oriented, applied orientation.
{"title":"Translation transformations in Russian translation studies: A theoretical and analytical review from the middle of the 20th century to the beginning of the 21st century","authors":"I. A. Lekomtseva, T. Kuraleva","doi":"10.30853/phil20240320","DOIUrl":"https://doi.org/10.30853/phil20240320","url":null,"abstract":"The purpose of the study is to present a theoretical and analytical review of works on the topic of translation transformations in Russian translation studies within the framework of a scientific discussion. The article discusses various approaches to the definition of translation transformations in Russian translation studies: linguistic approach, logical-formal approach; functional-communicative approach; information approach; semiotic approach. The material of this article demonstrates different, contradictory views on the development of scientific ideas about translation transformations, and also indicates the difficulty of defining a single metalanguage of translation theory in general and translation transformations in particular. The scientific novelty of the work consists in a comprehensive diachronic presentation of various approaches to the study of the problems of translation transformations in Russian translation studies from the middle of the 20th century to the beginning of the 21st century. According to the results of the review, it can be concluded that there is still no consensus in Russian translation studies on the essence of the concept of translation transformations. There is also no single typology of translation transformations. If earlier works are of a fundamental theoretical nature, then the works of recent years are distinguished by a more practice-oriented, applied orientation.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"69 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to identify the artistic potential of N. V. Gogol's novel "The Overcoat", which is actualized in the process of its literary and artistic reception in Lao She's novel "Rickshaw". The article analyzes the works of Russian and Chinese writers in a comparative aspect. As part of the study of the functioning of N. V. Gogol's novel "The Overcoat" in the writer's reception of Lao She, it was revealed that the Chinese writer focuses on the traditions of Russian literature of the 19th century, continues and develops on new material developed in the work of N. V. Gogol's principles and techniques of depicting the "little man". The scientific novelty of the study lies in the fact that for the first time it reveals the type of dialogical relations that is established between the novel "The Overcoat" and the novel "Rickshaw": "alien" (another verbal and artistic practice) ceases to be such, transforms into "one's own", becoming one of the codes in the artistic system of the work of the Chinese writer, without knowledge of which its adequate interpretation is impossible. As a result of the study, it was found that the plot of the novel "Rickshaw" is based on the same mythological scheme as the novella by N. V. Gogol. The multilayered tension of the plot action is repeated, revealing a demonic basis in the realistic, quite specific social and everyday circumstances of the hero's life. At the same time, the Chinese writer's novel reinforces the principle of social determinism, which is emphasized in the interpretations of the novel by Chinese scientists.
{"title":"N. V. Gogol's novel \"The Overcoat\" and Lao She's novel \"Rickshaw\": typological parallels","authors":"V. Amineva, Chen Chen","doi":"10.30853/phil20240323","DOIUrl":"https://doi.org/10.30853/phil20240323","url":null,"abstract":"The purpose of the study is to identify the artistic potential of N. V. Gogol's novel \"The Overcoat\", which is actualized in the process of its literary and artistic reception in Lao She's novel \"Rickshaw\". The article analyzes the works of Russian and Chinese writers in a comparative aspect. As part of the study of the functioning of N. V. Gogol's novel \"The Overcoat\" in the writer's reception of Lao She, it was revealed that the Chinese writer focuses on the traditions of Russian literature of the 19th century, continues and develops on new material developed in the work of N. V. Gogol's principles and techniques of depicting the \"little man\". The scientific novelty of the study lies in the fact that for the first time it reveals the type of dialogical relations that is established between the novel \"The Overcoat\" and the novel \"Rickshaw\": \"alien\" (another verbal and artistic practice) ceases to be such, transforms into \"one's own\", becoming one of the codes in the artistic system of the work of the Chinese writer, without knowledge of which its adequate interpretation is impossible. As a result of the study, it was found that the plot of the novel \"Rickshaw\" is based on the same mythological scheme as the novella by N. V. Gogol. The multilayered tension of the plot action is repeated, revealing a demonic basis in the realistic, quite specific social and everyday circumstances of the hero's life. At the same time, the Chinese writer's novel reinforces the principle of social determinism, which is emphasized in the interpretations of the novel by Chinese scientists.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"15 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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