The article considers the category of taxis, which determines the chronology of events and their conjugacy on the time axis. The purpose of the study is to identify the potential of the participles of the Tatar language in the representation of the taxic meanings of succession, simultaneity and precedence. The research material was examples from the Tatar National corps "Tugan tel". The scientific novelty of the study consists in differentiating the forms of participles in accordance with the implemented basic values of the taxi category. As a result of the conducted research, it was found that the participles of the Tatar language are able to represent all taxic meanings within the utterance. The meanings represented by participles are differentiated according to their belonging to different time planes: present – simultaneity, past – preceding, future – following. The predicate expresses the main temporal localization. The participles of the present tense retain the value of the constancy of the attribute in action relative to any period. The most representative is the group of past and present participles without the meaning of multiplicity.
{"title":"Participles as a means of representing taxis (based on the material of the Tatar language)","authors":"G. Lutfullina","doi":"10.30853/phil20240318","DOIUrl":"https://doi.org/10.30853/phil20240318","url":null,"abstract":"The article considers the category of taxis, which determines the chronology of events and their conjugacy on the time axis. The purpose of the study is to identify the potential of the participles of the Tatar language in the representation of the taxic meanings of succession, simultaneity and precedence. The research material was examples from the Tatar National corps \"Tugan tel\". The scientific novelty of the study consists in differentiating the forms of participles in accordance with the implemented basic values of the taxi category. As a result of the conducted research, it was found that the participles of the Tatar language are able to represent all taxic meanings within the utterance. The meanings represented by participles are differentiated according to their belonging to different time planes: present – simultaneity, past – preceding, future – following. The predicate expresses the main temporal localization. The participles of the present tense retain the value of the constancy of the attribute in action relative to any period. The most representative is the group of past and present participles without the meaning of multiplicity.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"16 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141815846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to decipher the code in the psychological detective story "The Question in his eyes", embedded in references to the plot motifs and archetypes of the main characters of M. de Cervantes' novel "Don Quixote". The author of the article intends to identify those crisis moments when participants in a detective conflict (detective, victim, criminal) show quixotic behavior, that is, they take active actions in an attempt to change their lives and cope with the pain they experience. The internal logic of the transformation of the detective hypostases of E. Sacheri's characters is traced. The nature of the reflection of a detective as a person facing the problem of self-identification is explored. The scientific novelty lies in the fact that, based on the material of E. Sacheri's novel, the author for the first time traces the logic of the influence of events on the actors, who are endowed with the function of Don Quixote at the initial plot point. As a result, it was found that the character of the detective hero is not limited only to quixotic activity. The study shows that, depending on the situation, the Quixote detective transforms into a rogue / Sancho Panza. In a social conflict with his superiors or in the process of dialogue with the victim of a crime, the detective begins to reflect on the events taking place in his life. In turn, the long-term process of daily reflection pushes the detective to commit a responsible, quixotic act.
本研究的目的是破译心理侦探小说《他眼中的问题》中的密码，其中蕴含着对塞万提斯的小说《堂吉诃德》中主要人物的情节主题和原型的引用。文章作者意在确定侦探冲突的参与者（侦探、受害者、罪犯）在哪些危机时刻表现出 "吉诃德式 "行为，即他们采取积极行动，试图改变自己的生活并应对所经历的痛苦。E. 萨切利笔下人物侦探假象转变的内在逻辑得以追溯。探讨了侦探作为一个面临自我认同问题的人的反思本质。其科学新颖性在于，作者根据 E. 萨切里的小说素材，首次追溯了事件对演员的影响逻辑，这些演员在最初的情节点上被赋予了堂吉诃德的功能。结果发现，侦探英雄的性格并不仅仅局限于吉诃德式的活动。研究表明，根据不同的情况，吉诃德侦探会转变为流氓/桑丘-潘沙。在与上司的社会冲突中，或者在与犯罪受害者的对话过程中，侦探开始反思自己生活中发生的事件。反过来，长期的日常反思过程又促使侦探做出负责任的怪诞行为。
{"title":"Don Quixote\" by M. de Cervantes as a code for reading E. Sacheri's novel \"The Question in his Eyes\"","authors":"Nikita Vladimirovich Varyoshin","doi":"10.30853/phil20240313","DOIUrl":"https://doi.org/10.30853/phil20240313","url":null,"abstract":"The purpose of the study is to decipher the code in the psychological detective story \"The Question in his eyes\", embedded in references to the plot motifs and archetypes of the main characters of M. de Cervantes' novel \"Don Quixote\". The author of the article intends to identify those crisis moments when participants in a detective conflict (detective, victim, criminal) show quixotic behavior, that is, they take active actions in an attempt to change their lives and cope with the pain they experience. The internal logic of the transformation of the detective hypostases of E. Sacheri's characters is traced. The nature of the reflection of a detective as a person facing the problem of self-identification is explored. The scientific novelty lies in the fact that, based on the material of E. Sacheri's novel, the author for the first time traces the logic of the influence of events on the actors, who are endowed with the function of Don Quixote at the initial plot point. As a result, it was found that the character of the detective hero is not limited only to quixotic activity. The study shows that, depending on the situation, the Quixote detective transforms into a rogue / Sancho Panza. In a social conflict with his superiors or in the process of dialogue with the victim of a crime, the detective begins to reflect on the events taking place in his life. In turn, the long-term process of daily reflection pushes the detective to commit a responsible, quixotic act.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141816124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this study is to elucidate the distribution of cognitive and perceptual information (CPI) in metaphorical meanings of Words of the Year in English, Chinese, and Russian and their underlying topological patterns. The novelty of this research lies in explaining cognitive and perceptual information in lexical semantics based on the topology-imagery hypothesis, offering a new cognitive perspective on lexical semantic understanding. By annotating the CPI types of Words of the Year in English, Chinese, and Russian over a span of ten consecutive years, this study compares the cognitive similarities and differences in metaphorical meanings across these languages and explores the underlying cognitive image-schematic patterns behind these similarities and differences. The findings reveal that five types of cognitive and perceptual information constitute the core cognitive mechanisms in the semantic relationships between basic and metaphorical meanings, with structural relationships (Type 3) emerging as a core cognitive pattern across these languages. Furthermore, the study identifies structural relationships (Type 3) and scenarios (Type 4) as the most prevalent types within English, Chinese, and Russian Words of the Year. Underlying cognitive and perceptual information are two topological patterns identified as universal methods for understanding lexical semantics.
{"title":"The topology-imagery of lexical basic and metaphorical meanings: the cases of Words of the Year in English, Chinese, and Russian","authors":"Junwen Jia","doi":"10.30853/phil20240311","DOIUrl":"https://doi.org/10.30853/phil20240311","url":null,"abstract":"The aim of this study is to elucidate the distribution of cognitive and perceptual information (CPI) in metaphorical meanings of Words of the Year in English, Chinese, and Russian and their underlying topological patterns. The novelty of this research lies in explaining cognitive and perceptual information in lexical semantics based on the topology-imagery hypothesis, offering a new cognitive perspective on lexical semantic understanding. By annotating the CPI types of Words of the Year in English, Chinese, and Russian over a span of ten consecutive years, this study compares the cognitive similarities and differences in metaphorical meanings across these languages and explores the underlying cognitive image-schematic patterns behind these similarities and differences. The findings reveal that five types of cognitive and perceptual information constitute the core cognitive mechanisms in the semantic relationships between basic and metaphorical meanings, with structural relationships (Type 3) emerging as a core cognitive pattern across these languages. Furthermore, the study identifies structural relationships (Type 3) and scenarios (Type 4) as the most prevalent types within English, Chinese, and Russian Words of the Year. Underlying cognitive and perceptual information are two topological patterns identified as universal methods for understanding lexical semantics.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"17 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141814576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Vladimir Mikhailovich Savitskij, Elena Valeryevna Cherkassova
The purpose of the research is to find out how R. Dahl uses traditional European fairy tales in his stories. The authors analyze some children’s tales by the British writer R. Dahl, comparing them with traditional folklore European fairy tales, which enables the authors to estimate the amount of folklore fairy tales’ influence on R. Dahl’s tales for children. The scientific novelty of the research consists in establishing the types of intertextual connection between R. Dahl’s stories for children and traditional folklore fairy tales. As a result, it was discovered that traditional European fairy tales are reflected in R. Dahl’s children’s stories due to applying the following techniques: a) using elements of intertextuality in plot construction and image creation, which manifests itself in processing of plots, direct and indirect allusions, parody; b) using the same thematic basis, including the following moralistic themes: confrontation between good and evil; main character’s liberation; paradoxical retribution and triumph of justice.
研究的目的是了解 R. 达尔如何在他的故事中运用欧洲传统童话。作者分析了英国作家达尔（R. Dahl）的一些儿童故事，并将其与欧洲传统民间童话进行比较，从而估算出民间童话对达尔儿童故事的影响程度。这项研究的科学新意在于确定达尔的儿童故事与传统民间童话之间的互文联系类型。研究结果发现，欧洲传统童话在达尔的儿童故事中得到了反映，原因在于其运用了以下技巧：a) 在情节构建和形象塑造中使用了互文性元素，这表现在情节处理、直接和间接典故、戏仿等方面；b) 使用了相同的主题基础，包括以下道德主题：善与恶的对抗；主人公的解放；矛盾的报应和正义的胜利。
{"title":"Reflection of traditional European fairy tales in children's stories by Roald Dahl","authors":"Vladimir Mikhailovich Savitskij, Elena Valeryevna Cherkassova","doi":"10.30853/phil20240309","DOIUrl":"https://doi.org/10.30853/phil20240309","url":null,"abstract":"The purpose of the research is to find out how R. Dahl uses traditional European fairy tales in his stories. The authors analyze some children’s tales by the British writer R. Dahl, comparing them with traditional folklore European fairy tales, which enables the authors to estimate the amount of folklore fairy tales’ influence on R. Dahl’s tales for children. The scientific novelty of the research consists in establishing the types of intertextual connection between R. Dahl’s stories for children and traditional folklore fairy tales. As a result, it was discovered that traditional European fairy tales are reflected in R. Dahl’s children’s stories due to applying the following techniques: a) using elements of intertextuality in plot construction and image creation, which manifests itself in processing of plots, direct and indirect allusions, parody; b) using the same thematic basis, including the following moralistic themes: confrontation between good and evil; main character’s liberation; paradoxical retribution and triumph of justice.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"53 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141814824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article is devoted to one of the aspects of the study of a linguistic personality: the consideration of the features of the speech culture of a linguistic personality, distinguished by the type of activity. The focus of attention is on the profession of mediator as a sought–after social profession related to the peaceful settlement of conflicts and disagreements. The purpose of the study is to identify the criteria of the elite speech culture of the linguistic personality of the mediator in the professional field of mediation. The article defines the linguistic personality of a mediator as an independent mediator in conflict negotiations. The features of the speech culture of mediators are considered. The scientific novelty lies in the description of the mediator's linguistic personality as a carrier of an elite speech culture. As a result of the study, the signs of the elite speech culture of the mediator's linguistic personality are described: orthological, informational, genre-stylistic, rhetorical, communicative, moral, psychological. The research contributes to the sociolinguistic description of a key participant in the mediation discourse.
{"title":"Mediator as an elite linguistic personality","authors":"A. S. Kinderknekht","doi":"10.30853/phil20240306","DOIUrl":"https://doi.org/10.30853/phil20240306","url":null,"abstract":"The article is devoted to one of the aspects of the study of a linguistic personality: the consideration of the features of the speech culture of a linguistic personality, distinguished by the type of activity. The focus of attention is on the profession of mediator as a sought–after social profession related to the peaceful settlement of conflicts and disagreements. The purpose of the study is to identify the criteria of the elite speech culture of the linguistic personality of the mediator in the professional field of mediation. The article defines the linguistic personality of a mediator as an independent mediator in conflict negotiations. The features of the speech culture of mediators are considered. The scientific novelty lies in the description of the mediator's linguistic personality as a carrier of an elite speech culture. As a result of the study, the signs of the elite speech culture of the mediator's linguistic personality are described: orthological, informational, genre-stylistic, rhetorical, communicative, moral, psychological. The research contributes to the sociolinguistic description of a key participant in the mediation discourse.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"4 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article is devoted to the formation of linguocultural competence among students studying Russian as a foreign language. The authors consider the ways of using the methodology of mind maps in classes with foreign students. The aim of the study is to substantiate the significance of using the mind maps in the educational process on the subject of presenting information in the linguoculturological aspect for students learning Russian as a foreign language. Theoretically and methodologically, the present work is based on the theory of linguistic personality and secondary linguistic personality, as well as on the linguoculturological approach in teaching a non-native language. The scientific novelty of the research consists in analyzing the ways of applying the methodology of making mind-maps when mastering linguistic and linguocultural material in Russian as a foreign language classes. As a result of the study, the recommendations on the compilation of mind maps on the example of the linguocultural concept "Winter" are presented. The high efficiency of this methodology application among foreign students in the development and formation of linguocultural competence is confirmed.
{"title":"Mind-mapping as a tool for forming linguocultural competence in teaching Russian as a foreign language in a higher education institution","authors":"O. Sharmanova, Evgenia Valeryevna Tretiakova","doi":"10.30853/phil20240317","DOIUrl":"https://doi.org/10.30853/phil20240317","url":null,"abstract":"The article is devoted to the formation of linguocultural competence among students studying Russian as a foreign language. The authors consider the ways of using the methodology of mind maps in classes with foreign students. The aim of the study is to substantiate the significance of using the mind maps in the educational process on the subject of presenting information in the linguoculturological aspect for students learning Russian as a foreign language. Theoretically and methodologically, the present work is based on the theory of linguistic personality and secondary linguistic personality, as well as on the linguoculturological approach in teaching a non-native language. The scientific novelty of the research consists in analyzing the ways of applying the methodology of making mind-maps when mastering linguistic and linguocultural material in Russian as a foreign language classes. As a result of the study, the recommendations on the compilation of mind maps on the example of the linguocultural concept \"Winter\" are presented. The high efficiency of this methodology application among foreign students in the development and formation of linguocultural competence is confirmed.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"8 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to systematize the English pseudo–internationalisms present in official business style texts, taking into account their translation into Russian. The scientific novelty of this work lies in the fact that in this study, for the first time, a comprehensive analysis of the "false friends of the translator" presented in an English-language business letter is carried out, according to belonging to a certain part of speech and the transmitted semantic meaning, performed on significant linguistic material, which made it possible to identify and describe the features of lexical units. As a result of the conducted research, it was found that pseudo-international words in the official business style are represented by a noun, an adjective, a verb and an adverb. The vast majority of pseudo-internationalisms are nouns and adjectives, used in approximately equal numbers. The verb and adverb are less characteristic parts of speech for the formal business style. Difficulties in translating pseudo-internationalisms arise when grammatical substitution is used incorrectly, an inappropriate unit value is chosen, or the semantic meaning of an English lexeme is misunderstood, transferred to Russian using calculus.
{"title":"Systematization of English pseudo-internationalisms of the official business style when translated into Russian","authors":"A. Kuregyan, E. Pertsevaya, A. Kuzmina","doi":"10.30853/phil20240319","DOIUrl":"https://doi.org/10.30853/phil20240319","url":null,"abstract":"The purpose of the study is to systematize the English pseudo–internationalisms present in official business style texts, taking into account their translation into Russian. The scientific novelty of this work lies in the fact that in this study, for the first time, a comprehensive analysis of the \"false friends of the translator\" presented in an English-language business letter is carried out, according to belonging to a certain part of speech and the transmitted semantic meaning, performed on significant linguistic material, which made it possible to identify and describe the features of lexical units. As a result of the conducted research, it was found that pseudo-international words in the official business style are represented by a noun, an adjective, a verb and an adverb. The vast majority of pseudo-internationalisms are nouns and adjectives, used in approximately equal numbers. The verb and adverb are less characteristic parts of speech for the formal business style. Difficulties in translating pseudo-internationalisms arise when grammatical substitution is used incorrectly, an inappropriate unit value is chosen, or the semantic meaning of an English lexeme is misunderstood, transferred to Russian using calculus.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"9 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141817391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The results are revealed based on the analysis of the poem by the national poet of Yakutia I. M. Gogolev "The Glade of Poetry" (1979), which played a significant role in the formation of an individual author's style. The choice of material is dictated by the desire for a more in-depth study of the poetics of poems, as well as insufficient knowledge of the author's poetry. The article deals with the problem of poetic integrity of the text from the point of view of rhythmic and sound organization. The purpose of the study is to identify some features of rhythmic and sound organization as the fundamental principles of verse structuring. Scientific novelty is determined by the possibility of establishing the specifics of I. Gogolev's individual style in the aspect of the problem of the integrity of the poetic text. As a result of the study, it was found that rhythmic composition is one of the basic principles of verse structuring. I. Gogolev consciously adheres to the model of symmetrical structure, which, according to our assumptions, is associated with the narrative course of the presentation of the system of thoughts.
对雅库特民族诗人 I. M. 戈戈列夫的诗作《诗歌的峡谷》（1979 年）进行分析后得出的结果显示，该诗作对作者个人风格的形成起到了重要作用。由于希望对诗歌的诗学进行更深入的研究，以及对作者的诗歌了解不够，因此选择了这一材料。文章从节奏和声音组织的角度探讨文本的诗学完整性问题。研究的目的是找出作为诗歌结构基本原则的节奏和声音组织的一些特点。科学的新颖性取决于能否在诗歌文本的完整性问题上确定伊-戈戈列夫个人风格的具体特点。研究结果表明，节奏构成是诗歌结构的基本原则之一。伊-戈戈列夫有意识地坚持对称结构模式，根据我们的推测，这与思想体系的叙事过程有关。
{"title":"Rhythmic and sound organization as the principle of structural integrity of I. Gogolev's poem \"The Glade of Poetry\"","authors":"E. M. Efremova","doi":"10.30853/phil20240308","DOIUrl":"https://doi.org/10.30853/phil20240308","url":null,"abstract":"The results are revealed based on the analysis of the poem by the national poet of Yakutia I. M. Gogolev \"The Glade of Poetry\" (1979), which played a significant role in the formation of an individual author's style. The choice of material is dictated by the desire for a more in-depth study of the poetics of poems, as well as insufficient knowledge of the author's poetry. The article deals with the problem of poetic integrity of the text from the point of view of rhythmic and sound organization. The purpose of the study is to identify some features of rhythmic and sound organization as the fundamental principles of verse structuring. Scientific novelty is determined by the possibility of establishing the specifics of I. Gogolev's individual style in the aspect of the problem of the integrity of the poetic text. As a result of the study, it was found that rhythmic composition is one of the basic principles of verse structuring. I. Gogolev consciously adheres to the model of symmetrical structure, which, according to our assumptions, is associated with the narrative course of the presentation of the system of thoughts.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"6 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141816134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to show how the female image has changed in the drama of the 20th century on the example of the work of the Soviet playwright, screenwriter of animated films and motion pictures, teacher of the Gorky Literary Institute and literary teacher A. Vampilov A. Simukov, whose years of creativity span more than half a century. In the article, through a system of end-to-end and archetypal images, a historical and literary excursion is conducted, revealing the prerequisites for creating the image of a new woman in the post-revolutionary period and its subsequent development. Special attention is paid to the author's style of A. Simukov and his contribution to the development of female images in Soviet drama. The scientific novelty of the study lies in the fact that for the first time A. Simukov's plays of different years devoted to the women's issue were comprehensively studied, and it is open to the reader that the playwright, starting with the first works, placed a demiurgic heroine in the space of comedy and tried to humanize her. The results of the study show that A. Simukov reflected in his work the changes that occurred in connection with the women's issue in the public consciousness, and in the psychologization of images he was in many ways the forerunner of the new wave playwrights.
{"title":"The transformation of female images in the dramaturgy of the 20th century by the example of A. Simukov's plays","authors":"Vasilissa Vladislavovna Orlova","doi":"10.30853/phil20240310","DOIUrl":"https://doi.org/10.30853/phil20240310","url":null,"abstract":"The purpose of the study is to show how the female image has changed in the drama of the 20th century on the example of the work of the Soviet playwright, screenwriter of animated films and motion pictures, teacher of the Gorky Literary Institute and literary teacher A. Vampilov A. Simukov, whose years of creativity span more than half a century. In the article, through a system of end-to-end and archetypal images, a historical and literary excursion is conducted, revealing the prerequisites for creating the image of a new woman in the post-revolutionary period and its subsequent development. Special attention is paid to the author's style of A. Simukov and his contribution to the development of female images in Soviet drama. The scientific novelty of the study lies in the fact that for the first time A. Simukov's plays of different years devoted to the women's issue were comprehensively studied, and it is open to the reader that the playwright, starting with the first works, placed a demiurgic heroine in the space of comedy and tried to humanize her. The results of the study show that A. Simukov reflected in his work the changes that occurred in connection with the women's issue in the public consciousness, and in the psychologization of images he was in many ways the forerunner of the new wave playwrights.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"8 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141815933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to identify the value dominants that form the axiological field of the German-speaking tourist discourse. The scientific novelty of the study is due to the application of a linguo-axiological approach to the study of German-language tourist discourse, aimed at detecting the features of the construction of the axiological field of this discourse, due to both the presence of universal and national cultural value attitudes, and situational ones related to the motives and needs of the main participants in tourist communication. Thus, the article presents the features of the representation of values formed through linguistic assessments in the discourse of a travel service provider and in the discourse of a consumer of a tourist product. As a result of the study, it was found that the axiological field of the German-speaking tourist discourse is actualized not only by positive, but also by negative language assessments and is formed by such value dominants as a high level of service, comfort, professionalism of staff, individuality, beauty, environmental friendliness, safety, etc.
{"title":"The axiological field of the German-speaking tourist discourse","authors":"Svetlana Sergeyevna Primak","doi":"10.30853/phil20240305","DOIUrl":"https://doi.org/10.30853/phil20240305","url":null,"abstract":"The purpose of the study is to identify the value dominants that form the axiological field of the German-speaking tourist discourse. The scientific novelty of the study is due to the application of a linguo-axiological approach to the study of German-language tourist discourse, aimed at detecting the features of the construction of the axiological field of this discourse, due to both the presence of universal and national cultural value attitudes, and situational ones related to the motives and needs of the main participants in tourist communication. Thus, the article presents the features of the representation of values formed through linguistic assessments in the discourse of a travel service provider and in the discourse of a consumer of a tourist product. As a result of the study, it was found that the axiological field of the German-speaking tourist discourse is actualized not only by positive, but also by negative language assessments and is formed by such value dominants as a high level of service, comfort, professionalism of staff, individuality, beauty, environmental friendliness, safety, etc.","PeriodicalId":508324,"journal":{"name":"Philology. Issues of Theory and Practice","volume":"51 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141837515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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