Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2274
Alexei Buinov, A. Kazaryan
The article contains brief information and a general analysis of the results of the Open All-Russian competition for the development of the best project of the Church of St. Sergius of Radonezh for the Irkutsk campus, the results of which were summed up on November 22, 2023. The article presents a comparative analysis of the winning project elaborated by the creative group of Moscow architects led by Andrey Anisimov and two other projects that reached the final of the competition. The competition reflected the main focus of the creative concepts of modern architects designing Orthodox churches.
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Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2291
Natalia Kovaleva, Larisa Volskaya
The development of installation in the 21st century is reflected in the works of designers, artists, architects and is based on the use of new materials and technologies that create an environmentally friendly, functional, comfortable and safe environment. It has been proven that the installation created in the 21st century by artists in the urban and natural environment reflects creative thinking and meets the above requirements on the basis of principles of using new building materials and the latest technologies.
{"title":"Basic principles of modern installation development","authors":"Natalia Kovaleva, Larisa Volskaya","doi":"10.51461/issn.2309-3072/77.2291","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/77.2291","url":null,"abstract":"The development of installation in the 21st century is reflected in the works of designers, artists, architects and is based on the use of new materials and technologies that create an environmentally friendly, functional, comfortable and safe environment. It has been proven that the installation created in the 21st century by artists in the urban and natural environment reflects creative thinking and meets the above requirements on the basis of principles of using new building materials and the latest technologies.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"32 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140734586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2300
V. Lisitsin
The article traces the change in the style approach during the Stalin era, taking as an example the building of the East Siberian Railway Administration (7 Karl Marx St., Irkutsk). The author considers the stages of construction and reconstruction of this object, from the initial project in the style of constructivism by K. V. Mital to the project by D. M. Goldstein in the style of Soviet neoclassicism.
文章以东西伯利亚铁路管理局大楼（伊尔库茨克卡尔-马克思大街 7 号）为例，追溯了斯大林时代建筑风格的变化。从 K. V. Mital 建设主义风格的最初项目到 D. M. Goldstein 苏联新古典主义风格的项目，作者对该建筑的建造和重建阶段进行了研究。
{"title":"Classics with a constructivist past","authors":"V. Lisitsin","doi":"10.51461/issn.2309-3072/77.2300","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/77.2300","url":null,"abstract":"The article traces the change in the style approach during the Stalin era, taking as an example the building of the East Siberian Railway Administration (7 Karl Marx St., Irkutsk). The author considers the stages of construction and reconstruction of this object, from the initial project in the style of constructivism by K. V. Mital to the project by D. M. Goldstein in the style of Soviet neoclassicism.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"12 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140734706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2285
Nina Konovalova
Since the late XX century the role and the functions of museums around the world have begun to change significantly, and their usual classical understanding has expanded. In line with worldwide trends, there was a search for museums to meet new modern requirements of Japan. Japanese experiments in this field bring the architecture of the museum to the foreground, absolutizing its significance and value. The result was the emergence of a new kind of museums in Japan – museums without collections, where the main and only exhibit is the architecture.
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Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2272
E. Grigoryeva
All have changed appearance. Men say a certain thing is born, if it takes a different form from what it had; and yet they say, that certain thing has died,if it no longer keeps the self same shape.Though distant things move near, and near things far, always the sum of all things is unchanged. Publius Ovidius Naso. Metamorphoses. Book 15, lines 257-263 (Arthur Golding, Trans.) Nothing disappears in the world, but only transforms from one form into another, exactly the same. Mikhail Zhvanetsky Changes in today’s world are happening with kaleidoscopic speed. Since its inception, architecture has been perceived as a system of differentiated phenomena – styles, trends, traditions. Architecture has been divided into national and regional schools, and the history of architecture has been portrayed as a sequence of successive aesthetic complexes. This discrete approach is increasingly being replaced by a continuous metamorphic approach, according to which architecture is more similar not to a mosaic of isolated fragments, but to a stream without clear boundaries, where everything changes and flows into each other. The paradigm shift does not happen easily. Authoritative architectural theorists are talking about a collapse of scientific architectural studies. Optimists are looking for support in related fields – psychology, history, sociology. Some are waiting for help from artificial intelligence or from spontaneous “bottom-up” creativity. As the metamorphic approach tells us, they all are right. It can already be noted how fruitful metamorphic processes can be in the cross-fertilisation of different styles, but the dangers of blurring the boundaries are also evident. This issue contains contributions on several areas of architectural metamorphosis. As usual, we do not claim to fully disclose a complex topic. Our goal is to draw attention to the questions rather than to give exhaustive answers to them.
{"title":"metamorphoses","authors":"E. Grigoryeva","doi":"10.51461/issn.2309-3072/77.2272","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/77.2272","url":null,"abstract":"All have changed appearance. Men say a certain thing is born, if it takes a different form from what it had; and yet they say, that certain thing has died,if it no longer keeps the self same shape.Though distant things move near, and near things far, always the sum of all things is unchanged.\u0000Publius Ovidius Naso. Metamorphoses. Book 15, lines 257-263 (Arthur Golding, Trans.)\u0000Nothing disappears in the world, but only transforms from one form into another, exactly the same.\u0000Mikhail Zhvanetsky\u0000Changes in today’s world are happening with kaleidoscopic speed.\u0000Since its inception, architecture has been perceived as a system of differentiated phenomena – styles, trends, traditions. Architecture has been divided into national and regional schools, and the history of architecture has been portrayed as a sequence of successive aesthetic complexes.\u0000This discrete approach is increasingly being replaced by a continuous metamorphic approach, according to which architecture is more similar not to a mosaic of isolated fragments, but to a stream without clear boundaries, where everything changes and flows into each other. The paradigm shift does not happen easily. Authoritative architectural theorists are talking about a collapse of scientific architectural studies. Optimists are looking for support in related fields – psychology, history, sociology. Some are waiting for help from artificial intelligence or from spontaneous “bottom-up” creativity. As the metamorphic approach tells us, they all are right.\u0000It can already be noted how fruitful metamorphic processes can be in the cross-fertilisation of different styles, but the dangers of blurring the boundaries are also evident. This issue contains contributions on several areas of architectural metamorphosis. As usual, we do not claim to fully disclose a complex topic. Our goal is to draw attention to the questions rather than to give exhaustive answers to them.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"24 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140734337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2279
O. Zheleznyak
“Transformations” as the essence of Ovidian metamorphoses are one of the forms of life, the purpose and potentiality of the world’s development. Ambivalence often serves as a kind of stimulus for the emergence of metamorphoses or their basis. The ambivalent potential of the world provokes the expansion of transformations/metamorphoses. “Transformations” represent current trends in architecture and design, including transformations of objects and environments; the emergence of peculiar “architectural centaurs” and hybrid environments; imitations and mimicking facades/environments.
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Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2280
L. Salmin
The article analyses the influence of artificial intelligence technologies on the sphere of design and artistic culture in general, as well as on creative processes in design, architecture and visual arts. The factor of artificial intelligence is considered not so much in the applied and instrumental sense, but as a global driver of cultural and technological revolution, which can change the entire civilisational pattern of mankind in the foreseeable future. Under these conditions, the creative sphere becomes the “polygon of meanings” where strategic scenarios of human interaction with artificial intelligence can be worked out. The author investigates the socio-psychological and cultural aspects of readiness and unreadiness of creative professional culture for this mission.
{"title":"Artificial intelligence as a chance","authors":"L. Salmin","doi":"10.51461/issn.2309-3072/77.2280","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/77.2280","url":null,"abstract":"The article analyses the influence of artificial intelligence technologies on the sphere of design and artistic culture in general, as well as on creative processes in design, architecture and visual arts. The factor of artificial intelligence is considered not so much in the applied and instrumental sense, but as a global driver of cultural and technological revolution, which can change the entire civilisational pattern of mankind in the foreseeable future. Under these conditions, the creative sphere becomes the “polygon of meanings” where strategic scenarios of human interaction with artificial intelligence can be worked out. The author investigates the socio-psychological and cultural aspects of readiness and unreadiness of creative professional culture for this mission.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"8 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140735113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2283
Z. Gaevskaya
The development of a machine-information civilisation deconstructs metaphysics and changes mentality. The requirement of nonlinearity of thinking in urban planning is one of the most important aspects of its genesis. The continuum of consciousness and life arrangement cannot be reduced to chronological or logical onedimensionality and unilinearity. Within the framework of the new scientific direction of cybernotopics, which studies the mechanisms of regional identity, this approach implies the development of the contours of metabola image creation as an expressive artistic means of making a capacious, multi-channel aesthetic message. Restoration of the historical identity of a settlement is possible on the basis of creating its image as a metabola.
{"title":"Urban cybernotopics: The metabola image","authors":"Z. Gaevskaya","doi":"10.51461/issn.2309-3072/77.2283","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/77.2283","url":null,"abstract":"The development of a machine-information civilisation deconstructs metaphysics and changes mentality. The requirement of nonlinearity of thinking in urban planning is one of the most important aspects of its genesis. The continuum of consciousness and life arrangement cannot be reduced to chronological or logical onedimensionality and unilinearity. Within the framework of the new scientific direction of cybernotopics, which studies the mechanisms of regional identity, this approach implies the development of the contours of metabola image creation as an expressive artistic means of making a capacious, multi-channel aesthetic message. Restoration of the historical identity of a settlement is possible on the basis of creating its image as a metabola.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"30 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140734624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2286
Konstantin Ismagilov, Igor Kushnir, Olga Uspenskaya, Boris Shatalov
The article deals with the territory of the industrial architectural heritage of the Krasnoyarsk Electric Railway-Car Repair Plant (EVRZ) as a place of creation of a district of modern residential development with active city life. In this case, multi-stage tasks of building and development of the territory are solved, including modern infrastructure, which will become a point of attraction for citizens of different age. The purpose of the work described in the article is to create a development strategy for the territory of the EVRZ (44.85 hectares) and further spread the experience of transformation and industrial development to all the territories adjacent to the railway line and the “rust belt” of Krasnoyarsk (2,380 hectares).
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Pub Date : 2024-04-06DOI: 10.51461/issn.2309-3072/77.2292
Vera Poddubnaya, Vera Galieva
Regional projects “Open Air Museum” and “Area of Achievements” are youth projects in the Irkutsk region focused on painting facades of residential buildings with large-scale images.
{"title":"Graffiti in Irkutsk and the region","authors":"Vera Poddubnaya, Vera Galieva","doi":"10.51461/issn.2309-3072/77.2292","DOIUrl":"https://doi.org/10.51461/issn.2309-3072/77.2292","url":null,"abstract":"Regional projects “Open Air Museum” and “Area of Achievements” are youth projects in the Irkutsk region focused on painting facades of residential buildings with large-scale images.","PeriodicalId":508496,"journal":{"name":"проект байкал","volume":"39 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140734122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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