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Pop Song English as a supralocal norm 流行歌曲英语作为一种超地方规范
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-11 DOI: 10.1017/s0047404523000131
Andy Gibson
An American-influenced singing accent, referred to here as Pop Song English (PSE), is common in popular music throughout (and beyond) the Anglophone world. This article presents an analysis of the sung pronunciation of two variables (bath and nonprevocalic /r/) that distinguish New Zealand English (NZE) from American Englishes (AmE). The Phonetics of Popular Song (PoPS) corpus includes 154 performers, structured according to country of origin (NZ and the US) and musical genre (pop and hip hop). An auditory analysis was conducted for each variable, distinguishing between the NZE and PSE/AmE variants. Almost all New Zealand performers adopt the PSE variants at least some of the time, with greater adherence to the American model in pop than in hip hop. In the US, region determines hip hop, but not pop, artists’ degree of rhoticity. PSE represents a supralocal norm for pop music, while hip hop artists tend to use their ‘own accent’. (Pop Song English, singing accent, rap accent, supralocal norm, nonprevocalic /r/, trap–bath split, intentionality, language performance, pop music, hip hop, responsive style, initiative style)*
受美国影响的演唱口音,在这里被称为流行歌曲英语(PSE),在英语世界(及其他地区)的流行音乐中很常见。本文分析了区分新西兰英语(NZE)和美国英语(AmE)的两个变量(bath和nonprovocalic/r/)的发音。流行歌曲语音学(PoPS)语料库包括154名表演者,根据原籍国(新西兰和美国)和音乐流派(流行音乐和嘻哈音乐)进行结构化。对每个变量进行听觉分析,区分NZE和PSE/AmE变体。几乎所有的新西兰表演者至少在某些时候都采用PSE变体,在流行音乐中比在嘻哈音乐中更坚持美国模式。在美国,地区决定了嘻哈,但不是流行,艺术家的随机性程度。PSE代表了流行音乐的超地方规范,而嘻哈艺术家则倾向于使用他们自己的口音。(流行歌曲英语、演唱口音、说唱口音、超地方规范、非革命/r/、陷阱-浴缸分割、意向性、语言表演、流行音乐、嘻哈、反应风格、主动风格)*
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引用次数: 1
Annemarie Sorescu-Marinković, Mihai Dragnea, Thede Kahl, Blagovest Njagulov, Donald L. Dyer, & Angelo Costanzo, The Romance-speaking Balkans: Language and the politics of identity. Leiden: Brill, 2021. Pp. xiv, 260. Hb. €110. Annemarie Sorescu Marinković、Mihai Dragnea、Thede Kahl、Blagovest Njagulov、Donald L.Dyer和Angelo Costanzo,《讲浪漫的巴尔干:语言与身份政治》。莱顿:布里尔,2021年。第xiv页,260。Hb。110欧元。
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/S0047404523000088
J. Patrick
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引用次数: 0
Carmen Fought & Karen Eisenhauer, Language and gender in children's animated films: Exploring Disney and Pixar. Cambridge: Cambridge University Press, 2022. Pp. 300. Pb. $30. Carmen Fought和Karen Eisenhauer,儿童动画电影中的语言和性别:探索迪士尼和皮克斯。剑桥:剑桥大学出版社,2022年。第300页。Pb$30
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/s0047404523000076
Yumin Chen, Rongji Zhang
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引用次数: 0
Nicholas Q. Emlen, Language, coffee, and migration on an Andean-Amazonian frontier. Tucson: University of Arizona Press, 2020. Pp. 272. Hb. $60. 尼古拉斯·Q·埃姆伦,《安第斯-亚马逊边境上的语言、咖啡和移民》。图森:亚利桑那大学出版社,2020年。第272页。Hb$60
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/S0047404523000106
Molly Hamm‐Rodríguez
meeting with the coach, the researchers show him video clips from the match and ask follow-up questions. Matters arising from the multilingual setting when the pressure is high are discussed here. Lastly, Act IV takes us back to the sports hall and begins with pretraining small talk between one of the researchers and some players (scene 1), before moving to coach talk with the players during practice (scene 2). The final scenes (3–5) are taken from a match day and illustrate how the coach designs the team’s strategy and how actively the players are involved in this by contributing to the plan or by encouraging their teammates.
与教练见面后,研究人员向他展示了比赛的视频片段,并提出了后续问题。这里讨论在压力很大的情况下多语种环境所产生的问题。最后,第四幕将我们带回到体育馆,从一名研究人员和一些球员之间的训练前闲谈(场景1)开始,然后转移到教练在训练中与球员的谈话(场景2)。最后的场景(3-5)取自比赛日,说明教练如何设计球队的战略,以及球员如何积极参与其中,为计划做出贡献或鼓励他们的队友。
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引用次数: 0
Zannie Bock & Christopher Stroud (eds.), Language and decoloniality in higher education: Reclaiming voices from the South. London: Bloomsbury, 2021. Pp. 221. Pb. £26.09. Zannie Bock和Christopher Stroud(编辑),《高等教育中的语言与非殖民化:从南方收回声音》。伦敦:布鲁姆斯伯里,2021年。第221页。Pb。26.09英镑。
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/S0047404522000793
Ayse Gur Geden
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引用次数: 0
Abhimanyu Sharma, Reconceptualising power in language policy: Evidence from comparative cases. Cham: Springer, 2022. Pp. 285. Hb. €120. Abhimanyu Sharma,语言政策中权力的重新定义:来自比较案例的证据。2020年,2022年。285页。Hb。€120。
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/S004740452200080X
Yanyu Wang
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引用次数: 0
LSY volume 52 issue 2 Cover and Back matter LSY第52卷第2期封面和封底
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/s0047404523000362
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引用次数: 0
Paul Kockelman, The anthropology of intensity: Language, culture, and environment. Cambridge: Cambridge University Press, 2022. Pp. 402. Pb. £23 Paul Kockelman,《强度人类学:语言、文化和环境》。剑桥:剑桥大学出版社,2022。402页。Pb。£23
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/s0047404523000064
Sean P. Smith
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引用次数: 0
Adrian Blackledge & Angela Creese, Volleyball: An ethnographic drama. Bristol: Multilingual Matters, 2021. Pp. 80. Pb. $21.95. 阿德里安·布莱克利奇和安吉拉·克里斯,《排球:民族志戏剧》。布里斯托尔:多语言问题,2021。第80页。Pb$21.95。
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/S004740452300009X
Anastasia Stavridou
Approaching the field of ethnography with its various ethical considerations and limitations can be a daunting prospect. The co-authored book Volleyball: An ethnographic drama byAdrian Blackledge andAngela Creese aim to provide a vivid representation of ethnographic research methods intertwined with issues of communication in the world of sport. While the authors study how the communication process unfolds among the coach and players of a UK volleyball team, they also present metaphorically their unsuccessful interactions with government officials (Act I). Thus, they synthesise both a research report and a performative piece, which results in an alternative way of portraying the complexities of social interaction in multilingual settings. Adopting the principles of ethnographic research in combination with those of drama (for instance, dancing, rhythmic discourse, or simultaneous talk and movement), the authors allegorically illustrate mundane issues of social life in their attempt to move away from the traditional ways of conducting ethnographic research. Hence, their perspective opens new avenues for the future of ethnography. Inspired by plays, the book is divided into ‘acts’ and ‘scenes’ instead of chapters and sections. Act I extends through three scenes that take place in the same meeting room in the House of Commons among the various stakeholders involved in the project apart from the research team, such as the club coach, the Minister for Sport, Tourism, and Heritage, her Assistant Private Secretary, and a staff from Exercise UK. The three scenes recount the researchers’ attempt to outline the key findings of their project. However, their discursive choices prompt further discussions with the rest of the stakeholders in the room, thus, making the ‘drama’ more evident. Act II takes the readers back to the field, six months prior to the meeting presented in the previous act. Throughout these scenes, the readers are exposed to interactions recorded during trainings (scenes 1–4), as well as a match day (scene 5), and the complexities surrounding effective decision-making and the team’s strategic planning. The researchers are also actively involved in the script, thus, illustrating the participatory role that researchers often adopt when conducting ethnographic studies. Act II, a single scene act, occurs in a meeting room of the researchers’ host institution between them and the club coach. This way, the audience familiarises with
接近具有各种伦理考虑和局限性的民族志领域可能是一个令人望而生畏的前景。adrian Blackledge和angela Creese合著的《排球:民族志戏剧》一书旨在生动地展示民族志研究方法与体育世界中的交流问题交织在一起。当作者研究英国排球队教练和球员之间的沟通过程如何展开时,他们也隐喻了他们与政府官员的不成功互动(第一幕)。因此,他们综合了研究报告和表演作品,从而以另一种方式描绘了多语言环境下社会互动的复杂性。采用民族志研究的原则,结合戏剧的原则(例如,舞蹈,有节奏的话语,或同时说话和动作),作者以寓言的方式说明社会生活的世俗问题,试图摆脱进行民族志研究的传统方式。因此,他们的观点为民族志的未来开辟了新的途径。受戏剧的启发,这本书被分为“幕”和“场”,而不是章节和章节。第一幕通过三个场景延伸,这些场景发生在下议院的同一个会议室,除了研究团队之外,项目的各个利益相关者,如俱乐部教练、体育、旅游和遗产部长、她的助理私人秘书和英国运动的一名工作人员。这三个场景讲述了研究人员试图概述他们项目的关键发现。然而,他们的话语选择促进了与房间里其他利益相关者的进一步讨论,因此,使“戏剧”更加明显。第二幕将读者带回到现场,在前一幕中呈现的会议之前的六个月。在这些场景中,读者将接触到训练期间(场景1-4)以及比赛日(场景5)的互动记录,以及围绕有效决策和团队战略规划的复杂性。研究人员也积极参与到剧本中,因此,说明了研究人员在进行民族志研究时经常采用的参与性角色。第二幕是一场单场景表演,发生在研究人员和俱乐部教练之间的一间会议室里。这样,观众就熟悉了
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引用次数: 0
LSY volume 52 issue 2 Cover and Front matter LSY第52卷第2期封面和封面问题
IF 1.5 2区 文学 Q1 LINGUISTICS Pub Date : 2023-04-01 DOI: 10.1017/s0047404523000350
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引用次数: 0
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Language in Society
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