Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a899437
J. Maddox
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Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a900046
Carlos Benavides
de la maquinación de homogenización de la dictadura. Así, Martens afirma que la literatura infantil, con su “función socializadora”, representa “las prohibiciones . . . [y] las prescripciones, en fin, el conjunto de símbolos que definen una sociedad o una cultura determinada” (17). La censura del franquismo, pues, era un acto performativo en todos los sentidos. La segunda parte, editada por Tena Fernández, incluye entrevistas y testimonios de autores, artistas y editores que fueron perjudicados por la censura franquista: Rosa Montero, Luis Matilla, Andrés Rábago (El Roto), Juan Margallo, Víctor Márquez Reviriego, Cristina Vizcaino y Ángel García Pintado. Las personas entrevistadas se enfocan en el teatro independiente durante la dictadura (ej., Matilla, Margallo), las viñetas (ej., El Roto), las novelas (ej., Montero, García Pintado) o las revistas (ej., Márquez Reviriego, Vizcaino). Todos conversan sobre el dolor causado por la censura y algunos mencionan la necesidad de autocensurarse (ej., Montero dijo, “En una dictadura hay un doble lenguaje. Por ejemplo, hablabas del absolutismo de Enrique VIII de Inglaterra y todo el mundo entendía que estabas hablando de Franco” [172]). La inclusión de estas entrevistas y de estos testimonios forma, en mi opinión, la columna vertebral del libro. Leer sobre las experiencias de estos autores y artistas ante la maquinaria de la censura crea una sensación de empatía profunda y nos hace recordar que el acto de censura, tan lleno de contradicciones y significado vacío, silenció el desarrollo cultural de todo un país por varias décadas. De hecho, Tena Fernández pone énfasis en el papel importante de contar las historias cuando escribe, “La necesidad de las entrevistas para el estudio de nuestra historia es vital porque los contextos son los que nos ayudan a comprender los hechos y si no conocemos esos matices es fácil armar discursos basados en estereotipos” (168). La censura cultural en el franquismo: Estudios y entrevistas pone de relieve las conversaciones necesarias sobre el silenciamiento de la dictadura en el siglo XX en España. El libro será de interés no solo para profesores que se dedican a los estudios culturales de la España contemporánea, sino también para estudiantes de español. Creo que sería fructífero que estos últimos lean fragmentos de este libro para entender mejor la maquinaria de censura durante el franquismo. También, como ya se ha mencionado, analizar algunas imágenes censuradas se podía implementar en clases para hablar de las estrategias de poder de las dictaduras. Jennifer Brady University of Minnesota Duluth
{"title":"Four Dichotomies in Spanish: Adjective Position, Adjectival Clauses, Ser/Estar, and Preterite/Imperfect by Luis H. González, and: Understanding and Teaching Reflexive Sentences in Spanish by Luis H. González (review)","authors":"Carlos Benavides","doi":"10.1353/hpn.2023.a900046","DOIUrl":"https://doi.org/10.1353/hpn.2023.a900046","url":null,"abstract":"de la maquinación de homogenización de la dictadura. Así, Martens afirma que la literatura infantil, con su “función socializadora”, representa “las prohibiciones . . . [y] las prescripciones, en fin, el conjunto de símbolos que definen una sociedad o una cultura determinada” (17). La censura del franquismo, pues, era un acto performativo en todos los sentidos. La segunda parte, editada por Tena Fernández, incluye entrevistas y testimonios de autores, artistas y editores que fueron perjudicados por la censura franquista: Rosa Montero, Luis Matilla, Andrés Rábago (El Roto), Juan Margallo, Víctor Márquez Reviriego, Cristina Vizcaino y Ángel García Pintado. Las personas entrevistadas se enfocan en el teatro independiente durante la dictadura (ej., Matilla, Margallo), las viñetas (ej., El Roto), las novelas (ej., Montero, García Pintado) o las revistas (ej., Márquez Reviriego, Vizcaino). Todos conversan sobre el dolor causado por la censura y algunos mencionan la necesidad de autocensurarse (ej., Montero dijo, “En una dictadura hay un doble lenguaje. Por ejemplo, hablabas del absolutismo de Enrique VIII de Inglaterra y todo el mundo entendía que estabas hablando de Franco” [172]). La inclusión de estas entrevistas y de estos testimonios forma, en mi opinión, la columna vertebral del libro. Leer sobre las experiencias de estos autores y artistas ante la maquinaria de la censura crea una sensación de empatía profunda y nos hace recordar que el acto de censura, tan lleno de contradicciones y significado vacío, silenció el desarrollo cultural de todo un país por varias décadas. De hecho, Tena Fernández pone énfasis en el papel importante de contar las historias cuando escribe, “La necesidad de las entrevistas para el estudio de nuestra historia es vital porque los contextos son los que nos ayudan a comprender los hechos y si no conocemos esos matices es fácil armar discursos basados en estereotipos” (168). La censura cultural en el franquismo: Estudios y entrevistas pone de relieve las conversaciones necesarias sobre el silenciamiento de la dictadura en el siglo XX en España. El libro será de interés no solo para profesores que se dedican a los estudios culturales de la España contemporánea, sino también para estudiantes de español. Creo que sería fructífero que estos últimos lean fragmentos de este libro para entender mejor la maquinaria de censura durante el franquismo. También, como ya se ha mencionado, analizar algunas imágenes censuradas se podía implementar en clases para hablar de las estrategias de poder de las dictaduras. Jennifer Brady University of Minnesota Duluth","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"333 - 336"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48187847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a899453
Michael Vrooman
{"title":"Nunca lo hubiera dicho: Los secretos bien guardados (o no tanto) de la lengua española by The Royal Spanish Academy and the Association of Academies of the Spanish Language (review)","authors":"Michael Vrooman","doi":"10.1353/hpn.2023.a899453","DOIUrl":"https://doi.org/10.1353/hpn.2023.a899453","url":null,"abstract":"","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"337 - 338"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45254513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a899452
Jennifer Brady
{"title":"La censura cultural en el franquismo: Estudios y entrevistas ed. por Ramón Tena Fernández y José Soto Vázquez (review)","authors":"Jennifer Brady","doi":"10.1353/hpn.2023.a899452","DOIUrl":"https://doi.org/10.1353/hpn.2023.a899452","url":null,"abstract":"","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"332 - 333"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46183590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a899447
Reviewed by: Fashioning Spanish Cinema: Costume, Identity, and Stardom by Jorge Pérez Joaquín Florido Berrocal Pérez, Jorge. Fashioning Spanish Cinema: Costume, Identity, and Stardom. U of Toronto P, 2021. Pp. 265. ISBN 978-1-4875-0911-8. Fashioning Spanish Cinema aims to offer answers to a variety of questions dealing with identity through the analysis of costumes in Spanish cinema across a diverse range of genres, periods, and artists. This monograph was published almost at the same time as Fashioning Spain: From Mantillas to Rosalía (2021), an edited volume about fashion that covers similar topics, and in which Jorge Pérez also contributes with a chapter about Balenciaga y Conchita Montenegro. These two, in fact, are at the center of Pérez's research in the first chapter of his book. Despite this coincidence, Fashioning Spanish Cinema is still the only monograph, at least up to the time of writing this review, focusing on Spanish film costume and fashion from an academic point of view and within the field of cultural studies. The volume contains a comprehensive introduction in which Jorge Pérez meticulously reveals the purpose of the book. Fashioning Spanish Cinema is essentially a study about identity—"gender, sexuality, race, ethnicity, class, nationhood, and so on" (6)—and its expression through costume and fashion in Spanish cinema. While the volume analyzes diverse genres and topics, it keeps a strong sense of cohesiveness without losing the principal focus on identity. Fashioning Spanish Cinema also carries the reader on a temporal journey across Spanish cinema showing the developing of diverse identities along over 80 years of film history. Chapter 1 starts with the study of the haute couture French company Balenciaga's influence in the creation of film stars such as Conchita Montenegro, Sara Montiel, or Rocío Durcal. It also explores the Basque expatriate designer Cristóbal Balenciaga's way of benefiting from dressing Spanish actresses for three decades (1940s–60s) during Francisco Franco's dictatorship. Balenciaga's political position during that time is described as uncertain, but his work in Spanish films sure helped the designer stay in good terms with Franco's family to the point that both Franco's wife [End Page 327] and daughter did wear his clothes. The chapter serves as a historic introduction to the complex world of the costume industry in Spanish cinema. Although the connection with political history felt at times as if it were falling short of expressing the potential of the political power of costumes to create conflict and political turmoil, on the other hand, a deeper exploration would probably have been beyond this volume's scope of research. The second chapter continues the temporal exploration of Spanish cinema focusing on the films of Pedro Almodóvar and his relationship with the Chanel firm. This chapter is more accessible to those readers who may not have a background in the ins and outs of the film industry or are
书评:时尚西班牙电影:服装，身份和明星，作者:豪尔赫·帕姆雷斯Joaquín佛罗里达·贝罗卡尔·帕姆雷斯，豪尔赫。塑造西班牙电影:服装、身份和明星。多伦多大学，2021年。265页。ISBN 978-1-4875-0911-8。“塑造西班牙电影”旨在通过对不同类型、时期和艺术家的西班牙电影服装的分析，为各种关于身份的问题提供答案。这本专著几乎与《时尚西班牙:从曼蒂拉斯到Rosalía》(2021年出版)同时出版，后者是一本关于时尚的编辑卷，涵盖了类似的主题，豪尔赫·帕萨雷兹还在其中贡献了关于Balenciaga y Conchita Montenegro的一章。事实上，这两个是psamez在他的书的第一章中研究的中心。尽管如此，《时尚西班牙电影》仍然是唯一一本从学术角度和文化研究领域关注西班牙电影服装和时尚的专著，至少在撰写本文时是如此。这本书包含了一个全面的介绍，其中豪尔赫·帕萨雷兹一丝不苟地揭示了这本书的目的。《塑造西班牙电影》本质上是对身份的研究——“性别、性、种族、民族、阶级、国家等等”——以及身份在西班牙电影中通过服装和时尚的表达。虽然该卷分析了不同的体裁和主题，但它保持了强烈的凝聚力，同时又不失对身份的主要关注。《塑造西班牙电影》还带领读者穿越西班牙电影的时空之旅，展示了80多年电影史上不同身份的发展。第一章首先研究法国高级时装公司巴黎世家对康奇塔·黑山、萨拉·蒙蒂埃尔或Rocío杜卡尔等电影明星创作的影响。它还探讨了巴斯克外籍设计师Cristóbal巴黎世家(Balenciaga)在弗朗西斯科·佛朗哥(Francisco Franco)独裁统治期间三十年(20世纪40年代至60年代)从为西班牙女演员设计服装中获益的方式。巴黎世家在那段时间的政治立场被描述为不确定，但他在西班牙电影中的工作确实帮助这位设计师与佛朗哥的家人保持了良好的关系，以至于佛朗哥的妻子和女儿都穿他的衣服。这一章是对西班牙电影中复杂的服装工业世界的历史性介绍。虽然与政治史的联系有时让人觉得它似乎不足以表达服装的政治力量在制造冲突和政治动荡方面的潜力，但另一方面，更深入的探索可能超出了本书的研究范围。第二章继续对西班牙电影的时间探索，重点是佩德罗Almodóvar的电影以及他与香奈儿公司的关系。对于那些没有电影工业背景或不熟悉20世纪中期西班牙电影之外的既定经典的读者来说，本章更容易理解。Almódovar为他的主要人物选择香奈儿服装的重要性进行了深入的分析，以显示这些选择如何创造了表达导演关于性别和性身份的想法的手段。第三章标志着一个值得注意的变化，重点是男人在内衣和他们在电影中的表现。从20世纪60年代和70年代初的性喜剧，西班牙的男子气概和男子气概成为嘲笑的对象，到20世纪70年代末和80年代初的ququi电影，演员和他们的服装在西班牙第一次被特别地性感化，西班牙人对男性演员的目光的变化被巧妙地描绘出来。这部分开启了探索当代年轻电影明星的可能性，如Miguel Ángel Silvestre或Maxi Iglesias成为模仿的象征，让位于对不同时尚风格的接受和对明确男性体型的矛盾垄断。因此，这一章描述了男性身体在内衣转变为时尚商品的过程中在屏幕上的演变。分析了西班牙移民电影中所代表的种族和民族。
{"title":"Fashioning Spanish Cinema: Costume, Identity, and Stardom by Jorge Pérez (review)","authors":"","doi":"10.1353/hpn.2023.a899447","DOIUrl":"https://doi.org/10.1353/hpn.2023.a899447","url":null,"abstract":"Reviewed by: Fashioning Spanish Cinema: Costume, Identity, and Stardom by Jorge Pérez Joaquín Florido Berrocal Pérez, Jorge. Fashioning Spanish Cinema: Costume, Identity, and Stardom. U of Toronto P, 2021. Pp. 265. ISBN 978-1-4875-0911-8. Fashioning Spanish Cinema aims to offer answers to a variety of questions dealing with identity through the analysis of costumes in Spanish cinema across a diverse range of genres, periods, and artists. This monograph was published almost at the same time as Fashioning Spain: From Mantillas to Rosalía (2021), an edited volume about fashion that covers similar topics, and in which Jorge Pérez also contributes with a chapter about Balenciaga y Conchita Montenegro. These two, in fact, are at the center of Pérez's research in the first chapter of his book. Despite this coincidence, Fashioning Spanish Cinema is still the only monograph, at least up to the time of writing this review, focusing on Spanish film costume and fashion from an academic point of view and within the field of cultural studies. The volume contains a comprehensive introduction in which Jorge Pérez meticulously reveals the purpose of the book. Fashioning Spanish Cinema is essentially a study about identity—\"gender, sexuality, race, ethnicity, class, nationhood, and so on\" (6)—and its expression through costume and fashion in Spanish cinema. While the volume analyzes diverse genres and topics, it keeps a strong sense of cohesiveness without losing the principal focus on identity. Fashioning Spanish Cinema also carries the reader on a temporal journey across Spanish cinema showing the developing of diverse identities along over 80 years of film history. Chapter 1 starts with the study of the haute couture French company Balenciaga's influence in the creation of film stars such as Conchita Montenegro, Sara Montiel, or Rocío Durcal. It also explores the Basque expatriate designer Cristóbal Balenciaga's way of benefiting from dressing Spanish actresses for three decades (1940s–60s) during Francisco Franco's dictatorship. Balenciaga's political position during that time is described as uncertain, but his work in Spanish films sure helped the designer stay in good terms with Franco's family to the point that both Franco's wife [End Page 327] and daughter did wear his clothes. The chapter serves as a historic introduction to the complex world of the costume industry in Spanish cinema. Although the connection with political history felt at times as if it were falling short of expressing the potential of the political power of costumes to create conflict and political turmoil, on the other hand, a deeper exploration would probably have been beyond this volume's scope of research. The second chapter continues the temporal exploration of Spanish cinema focusing on the films of Pedro Almodóvar and his relationship with the Chanel firm. This chapter is more accessible to those readers who may not have a background in the ins and outs of the film industry or are","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136172763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a899438
Ronald Friis, Katherine D. McCann
{"title":"Neruda de 1904–1936 by Jaime Concha, and: Neruda's Sins by Hernán Loyola (review)","authors":"Ronald Friis, Katherine D. McCann","doi":"10.1353/hpn.2023.a899438","DOIUrl":"https://doi.org/10.1353/hpn.2023.a899438","url":null,"abstract":"","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"317 - 320"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48886099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a899435
Esther Fernández
{"title":"Lope de Vega on Spanish Screens, 1935–2020: The Shadow of the Phoenix by Phillip Allen (review)","authors":"Esther Fernández","doi":"10.1353/hpn.2023.a899435","DOIUrl":"https://doi.org/10.1353/hpn.2023.a899435","url":null,"abstract":"","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"313 - 314"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46001016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1353/hpn.2023.a899449
F. Peñas-Bermejo
{"title":"Por una literatura de avanzada y otros escritos by Gerardo Piña-Rosales (review)","authors":"F. Peñas-Bermejo","doi":"10.1353/hpn.2023.a899449","DOIUrl":"https://doi.org/10.1353/hpn.2023.a899449","url":null,"abstract":"","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"328 - 330"},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46311083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Disidencia e hipernormalización: Ensayos sobre sexualidad y masculinidades by Alfredo Martínez Expósito (review)","authors":"Iker González-Allende","doi":"10.1353/hpn.2023.0014","DOIUrl":"https://doi.org/10.1353/hpn.2023.0014","url":null,"abstract":"","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"147 - 148"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46953748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Food Studies in Latin American Literature: Perspectives on the Gastronarrative ed. by Rocío del Águila and Vanesa Miseres (review)","authors":"Elvira E. Sánchez-Blake","doi":"10.1353/hpn.2023.0009","DOIUrl":"https://doi.org/10.1353/hpn.2023.0009","url":null,"abstract":"","PeriodicalId":51796,"journal":{"name":"Hispania-A Journal Devoted To the Teaching of Spanish and Portuguese","volume":"106 1","pages":"139 - 141"},"PeriodicalIF":0.2,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47112555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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