Abstract:This essay argues that Daljit Nagra's idiosyncratic adaptation of the Ramayana, in which he fuses multiple versions of the ancient epic (from different parts of the Indian subcontinent and Southeast Asia), is more than just a comic version of the Sanskrit classic but represents a serious attempt to ensure an old text's relevance to a new readership. One way that Nagra manages to reach a highly diverse and widely dispersed audience is through his extensive use of interlingual wordplay, a technique that stylistically echoes the earlier diasporic writer Salman Rushdie. Reading this transnational version of the Ramayana through the lens of Jahan Ramazani's concept of a macaronic poetics, the essay analyzes the lexicological, phonological, and typographic effects of Nagra's poem, which combine to produce a faithful retelling of the ancient Hindu epic in a language and style that is thoroughly of the twenty-first century and uses translingual puns to connect the Ramayana to a Western audience as well as the Indian diaspora.
{"title":"Stung by a Charso-Bee: Daljit Nagra's Macaronic Ramayana","authors":"Hans-Georg Erney","doi":"10.1353/ari.2021.0031","DOIUrl":"https://doi.org/10.1353/ari.2021.0031","url":null,"abstract":"Abstract:This essay argues that Daljit Nagra's idiosyncratic adaptation of the Ramayana, in which he fuses multiple versions of the ancient epic (from different parts of the Indian subcontinent and Southeast Asia), is more than just a comic version of the Sanskrit classic but represents a serious attempt to ensure an old text's relevance to a new readership. One way that Nagra manages to reach a highly diverse and widely dispersed audience is through his extensive use of interlingual wordplay, a technique that stylistically echoes the earlier diasporic writer Salman Rushdie. Reading this transnational version of the Ramayana through the lens of Jahan Ramazani's concept of a macaronic poetics, the essay analyzes the lexicological, phonological, and typographic effects of Nagra's poem, which combine to produce a faithful retelling of the ancient Hindu epic in a language and style that is thoroughly of the twenty-first century and uses translingual puns to connect the Ramayana to a Western audience as well as the Indian diaspora.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"227 - 247"},"PeriodicalIF":0.3,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46818677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Gibraltar, the British territory located at the southernmost tip of the Iberian Peninsula, is frequently in the news but often confuses outsiders with its political and cultural complexity. Is it a colony, or is it self-governing? What is its relationship to its much larger neighbour across the border, Spain? Is there a Gibraltarian way of thinking? In this interview the Gibraltarian writer and novelist M. G. Sanchez—who has spent the last twenty years expounding on the contradictions and idiosyncrasies at the heart of modern-day Gibraltarian identity—discusses borders, Brexit, coloniality, and hybridity, as well as his latest novel, Gooseman (2020), and his 2018 travelogue, Bombay Journal.
{"title":"Somewhere between the Colonial and the Postcolonial: An Interview with Gibraltarian Author M. G. Sanchez","authors":"Isabel Alonso-Breto","doi":"10.1353/ari.2021.0032","DOIUrl":"https://doi.org/10.1353/ari.2021.0032","url":null,"abstract":"Abstract:Gibraltar, the British territory located at the southernmost tip of the Iberian Peninsula, is frequently in the news but often confuses outsiders with its political and cultural complexity. Is it a colony, or is it self-governing? What is its relationship to its much larger neighbour across the border, Spain? Is there a Gibraltarian way of thinking? In this interview the Gibraltarian writer and novelist M. G. Sanchez—who has spent the last twenty years expounding on the contradictions and idiosyncrasies at the heart of modern-day Gibraltarian identity—discusses borders, Brexit, coloniality, and hybridity, as well as his latest novel, Gooseman (2020), and his 2018 travelogue, Bombay Journal.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"249 - 261"},"PeriodicalIF":0.3,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44973791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rise of Autobiographical Medical Poetry and the Medical Humanities by Johanna Emeney (review)","authors":"Jane Chamberlin","doi":"10.1353/ari.2021.0021","DOIUrl":"https://doi.org/10.1353/ari.2021.0021","url":null,"abstract":"","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"268 - 271"},"PeriodicalIF":0.3,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44111381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Through an examination of characters' relationships and encounters in Claire Tham's novel The Inlet (2013), I argue that state narratives of racial identity and national progress may dislocate Singaporean Chinese subjects from a sense of homeliness by engendering nostalgia for an uncertainly located cultural hinterland. My analysis, which addresses the heterogeneity of class and linguistic identities among these subjects, corrects the common misidentification of the Chinese in Singapore as de facto members of a universal Chinese diaspora. Instead, my reading grounds characters in the homeland of Singapore but explores their attitudes toward social and spatial elements that produce a feeling of cultural alienation and challenge their sense of national belonging. In this way, I assert that the pressure to constantly reinvent themselves can unmoor Singaporean Chinese from their psychic and physical landscape, especially amid recent immigration from China as well as historical and ongoing urban redevelopment. This process of reinvention leads to a nostalgic yet anxious subjectivity that characters—and critics—may confuse with belonging to a global Chinese diaspora.
{"title":"Not Here, Not Now: Remaking Singapore's Chinese Diaspora in The Inlet","authors":"Hui Min Annabeth Leow","doi":"10.1353/ari.2021.0028","DOIUrl":"https://doi.org/10.1353/ari.2021.0028","url":null,"abstract":"Abstract:Through an examination of characters' relationships and encounters in Claire Tham's novel The Inlet (2013), I argue that state narratives of racial identity and national progress may dislocate Singaporean Chinese subjects from a sense of homeliness by engendering nostalgia for an uncertainly located cultural hinterland. My analysis, which addresses the heterogeneity of class and linguistic identities among these subjects, corrects the common misidentification of the Chinese in Singapore as de facto members of a universal Chinese diaspora. Instead, my reading grounds characters in the homeland of Singapore but explores their attitudes toward social and spatial elements that produce a feeling of cultural alienation and challenge their sense of national belonging. In this way, I assert that the pressure to constantly reinvent themselves can unmoor Singaporean Chinese from their psychic and physical landscape, especially amid recent immigration from China as well as historical and ongoing urban redevelopment. This process of reinvention leads to a nostalgic yet anxious subjectivity that characters—and critics—may confuse with belonging to a global Chinese diaspora.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"141 - 170"},"PeriodicalIF":0.3,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41448437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay responds to critical skepticism about the politics of description and suggests that careful, empirical description does not necessarily endorse the status quo. Against theoretical approaches that see descriptions of everyday life as static "filler" (Moretti 72), this essay reads quotidian details—particularly details about food and eating—as dynamic narrative motors. Taking up Aminatta Forna's 2018 novel, Happiness, alongside debates in the energy humanities, it seeks to illustrate the way Forna's descriptive investment in metabolic cycles serves as a counterdiscourse to her novel's overt valorization of cosmopolitan resilience. In Happiness, what I call "metabolic description" both expands the novel's scale and troubles the ontological boundaries between the eaters and the eaten. It also offers a method of engaging with the energy humanities that moves beyond the thematic to examine the formal. The essay concludes that attention to food descriptions in realist fiction can reveal three things: a literary energy imaginary beyond oil, a dynamic continuity between organism and environment, and an attendant destabilization of the globalized liberal subject.
{"title":"Actual, Possible, Edible: Metabolic Description in Aminatta Forna's Happiness","authors":"Molly MacVeagh","doi":"10.1353/ari.2021.0023","DOIUrl":"https://doi.org/10.1353/ari.2021.0023","url":null,"abstract":"Abstract:This essay responds to critical skepticism about the politics of description and suggests that careful, empirical description does not necessarily endorse the status quo. Against theoretical approaches that see descriptions of everyday life as static \"filler\" (Moretti 72), this essay reads quotidian details—particularly details about food and eating—as dynamic narrative motors. Taking up Aminatta Forna's 2018 novel, Happiness, alongside debates in the energy humanities, it seeks to illustrate the way Forna's descriptive investment in metabolic cycles serves as a counterdiscourse to her novel's overt valorization of cosmopolitan resilience. In Happiness, what I call \"metabolic description\" both expands the novel's scale and troubles the ontological boundaries between the eaters and the eaten. It also offers a method of engaging with the energy humanities that moves beyond the thematic to examine the formal. The essay concludes that attention to food descriptions in realist fiction can reveal three things: a literary energy imaginary beyond oil, a dynamic continuity between organism and environment, and an attendant destabilization of the globalized liberal subject.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"1 - 27"},"PeriodicalIF":0.3,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46654053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Although Brian Friel's Translations (1980) dramatizes the process of linguistic standardization undertaken by the nineteenth-century Ordnance Survey of Ireland, scholars have yet to use standardization as a conceptual lens for reading the play. Building on Jonathan H. Grossman's argument for standardization as a paradigm for literary study, my reading shifts the focus from what standardization erodes, which is the emphasis of existing scholarship, to how it works. By revealing standardization's mechanics, the play both undermines the map's authority and uncovers what makes it an effective instrument so as to claim the map's power for the very communities it has marginalized. The play's critical insight is that the standardized topographic map technically treats Irish and English names equivalently, a revelation that allows Friel's characters to appropriate the map's logic for a project of Irish cultural repossession. Learning the new place-names morphs into a metaphor for the development of an Irish English idiom, or a uniquely Irish form of English that could serve as a linguistic home not only for the dispossessed in the fictional town of Baile Beag but also for the cultural exiles in Friel's fraught political moment. Translations offers a case study for how the concept of standardization might inform future postcolonial literary analysis.
摘要:尽管布赖恩·弗里尔的《翻译》(1980)戏剧化了19世纪爱尔兰军械调查所进行的语言标准化过程，但学者们尚未将标准化作为阅读剧本的概念镜头。在乔纳森·h·格罗斯曼(Jonathan H. Grossman)将标准化作为文学研究范式的论点的基础上，我的阅读将焦点从标准化所侵蚀的东西(即现有学术的重点)转移到标准化是如何起作用的。通过揭示标准化的机制，该剧既削弱了地图的权威，又揭示了是什么让地图成为一种有效的工具，从而为被它边缘化的社区宣称地图的力量。这部戏剧的关键洞察力在于，标准化的地形图在技术上等同对待爱尔兰和英国的名字，这一启示使弗里尔的角色能够利用地图的逻辑来收回爱尔兰的文化。学习新的地名变成了爱尔兰英语习语发展的隐喻，或者是一种独特的爱尔兰英语形式，不仅可以作为虚构的贝尔比格镇被剥夺的人的语言家园，也可以作为弗里尔令人担忧的政治时刻的文化流亡者的语言家园。翻译提供了一个案例研究如何标准化的概念可能会通知未来的后殖民文学分析。
{"title":"The Language of Ireland's Six-Inch Map: Theorizing Standardization in Brian Friel's Translations","authors":"Arielle H. Stambler","doi":"10.1353/ari.2021.0011","DOIUrl":"https://doi.org/10.1353/ari.2021.0011","url":null,"abstract":"Abstract:Although Brian Friel's Translations (1980) dramatizes the process of linguistic standardization undertaken by the nineteenth-century Ordnance Survey of Ireland, scholars have yet to use standardization as a conceptual lens for reading the play. Building on Jonathan H. Grossman's argument for standardization as a paradigm for literary study, my reading shifts the focus from what standardization erodes, which is the emphasis of existing scholarship, to how it works. By revealing standardization's mechanics, the play both undermines the map's authority and uncovers what makes it an effective instrument so as to claim the map's power for the very communities it has marginalized. The play's critical insight is that the standardized topographic map technically treats Irish and English names equivalently, a revelation that allows Friel's characters to appropriate the map's logic for a project of Irish cultural repossession. Learning the new place-names morphs into a metaphor for the development of an Irish English idiom, or a uniquely Irish form of English that could serve as a linguistic home not only for the dispossessed in the fictional town of Baile Beag but also for the cultural exiles in Friel's fraught political moment. Translations offers a case study for how the concept of standardization might inform future postcolonial literary analysis.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"39 - 70"},"PeriodicalIF":0.3,"publicationDate":"2021-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ari.2021.0011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45646977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:There is very little detailed scholarship on the continuities between colonial publishing practices in African contexts and those of the decolonial period. This study seeks to address this gap via an archival reading of two early twentieth-century publishing events as part of a wider transnational history: first, the work of the Lovedale Press in South Africa and, second, the English translation of Thomas Mofolo's Chaka published under the auspices of the International Institute of African Languages and Cultures by Oxford University Press. Against the rather vague assertions of dominating colonial publishing practices, this article presents a detailed account of the particular aesthetic and ideological priorities that informed the publishing of African literature in this period and highlights the strategic and inventive practices of African authorship in an inherently asymmetrical colonial publishing field. The essay underlines the longevity of colonial aesthetic and ideological norms in African publishing during the colonial and decolonial periods and the equally long history of African authors' tactical interventions. It also brings a new complexity to established understandings of the publishing field by arguing that the African author as agent and literary craftsperson remains an unrecognisable category within dominant Western schemas.
{"title":"Publishing African Literature: Towards a Transnational History","authors":"C. Sandwith","doi":"10.1353/ari.2021.0013","DOIUrl":"https://doi.org/10.1353/ari.2021.0013","url":null,"abstract":"Abstract:There is very little detailed scholarship on the continuities between colonial publishing practices in African contexts and those of the decolonial period. This study seeks to address this gap via an archival reading of two early twentieth-century publishing events as part of a wider transnational history: first, the work of the Lovedale Press in South Africa and, second, the English translation of Thomas Mofolo's Chaka published under the auspices of the International Institute of African Languages and Cultures by Oxford University Press. Against the rather vague assertions of dominating colonial publishing practices, this article presents a detailed account of the particular aesthetic and ideological priorities that informed the publishing of African literature in this period and highlights the strategic and inventive practices of African authorship in an inherently asymmetrical colonial publishing field. The essay underlines the longevity of colonial aesthetic and ideological norms in African publishing during the colonial and decolonial periods and the equally long history of African authors' tactical interventions. It also brings a new complexity to established understandings of the publishing field by arguing that the African author as agent and literary craftsperson remains an unrecognisable category within dominant Western schemas.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"130 - 95"},"PeriodicalIF":0.3,"publicationDate":"2021-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ari.2021.0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47237234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Is Eastern Europe postcolonial? This question has animated scholarly debate in the region and beyond for two decades, and while there is no conclusive answer to it, postcolonial theory has been used to illuminate Eastern Europe's experience of postcommunism and the conflicted legacies of the former system. This essay explores some of the recurring arguments and critical directions in the postcolonial/postcommunist debate, placing particular emphasis on a scholarly compromise between the two: the Polish-born field of postdependence studies, which enables a productive adaptation of postcolonial theory to the specificity of postcommunist cultures. Although the field has been mostly concerned with the Eastern European experience of postdependence, this essay expands the postdependence framework to examine the depiction of postcommunist transitions in three American "safari novels": Arthur Phillips' Prague, John Beckman's The Winter Zoo, and Gary Shteyngart's The Russian Debutante's Handbook. In doing so, this essay traces the emergence of the region's post-1989 reliance on the West and of new patterns of cultural representation, which nevertheless still draw from the patterns consolidated during the Cold War.
{"title":"Postdependent Eastern Europe: Critical Avenues and Literary Representations","authors":"Martyna Bryla","doi":"10.1353/ari.2021.0015","DOIUrl":"https://doi.org/10.1353/ari.2021.0015","url":null,"abstract":"Abstract:Is Eastern Europe postcolonial? This question has animated scholarly debate in the region and beyond for two decades, and while there is no conclusive answer to it, postcolonial theory has been used to illuminate Eastern Europe's experience of postcommunism and the conflicted legacies of the former system. This essay explores some of the recurring arguments and critical directions in the postcolonial/postcommunist debate, placing particular emphasis on a scholarly compromise between the two: the Polish-born field of postdependence studies, which enables a productive adaptation of postcolonial theory to the specificity of postcommunist cultures. Although the field has been mostly concerned with the Eastern European experience of postdependence, this essay expands the postdependence framework to examine the depiction of postcommunist transitions in three American \"safari novels\": Arthur Phillips' Prague, John Beckman's The Winter Zoo, and Gary Shteyngart's The Russian Debutante's Handbook. In doing so, this essay traces the emergence of the region's post-1989 reliance on the West and of new patterns of cultural representation, which nevertheless still draw from the patterns consolidated during the Cold War.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"163 - 190"},"PeriodicalIF":0.3,"publicationDate":"2021-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ari.2021.0015","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48784134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article examines the transnational poetics embedded in Chinese American poet Wing Tek Lum's 2012 collection The Nanjing Massacre: Poems. Borrowing from Jahan Ramazani's concept of transnational poetics, I show how a transnational perspective reveals the cross-cultural content and formal experiments in Asian American poetry. I examine Lum's intercultural representations of two groups of people: Japanese perpetrators and comfort women. Lum's poetic construction of Japanese perpetrators explores ordinary Japanese soldiers' mentalities, adapts Japanese folklore, and engages with Japanese verse haiku. Lum's portrayals of comfort women reveal how the women have been reduced to objects and symbols of national humiliation, and I argue that his juxtaposition of the Nanjing Massacre with other historical traumas emphasizes universal, war-inflicted sexual trauma. Lum's representations of Japanese perpetrators and comfort women work together to undermine nationalist uses of Nanjing Massacre history memory and instead emphasize transnational war traumas and gender oppression. Situated at the intersection of Asian American poetry studies and studies of the Nanjing Massacre, this article hopes to push beyond narrowly US-bound models of criticism for Asian American poetry and highlights how Lum mobilizes an intercultural way of approaching the Nanjing Massacre.
{"title":"Deciphering the Transnational Poetics in Wing Tek Lum's The Nanjing Massacre: Poems","authors":"Pingfan Zhang","doi":"10.1353/ari.2021.0014","DOIUrl":"https://doi.org/10.1353/ari.2021.0014","url":null,"abstract":"Abstract:This article examines the transnational poetics embedded in Chinese American poet Wing Tek Lum's 2012 collection The Nanjing Massacre: Poems. Borrowing from Jahan Ramazani's concept of transnational poetics, I show how a transnational perspective reveals the cross-cultural content and formal experiments in Asian American poetry. I examine Lum's intercultural representations of two groups of people: Japanese perpetrators and comfort women. Lum's poetic construction of Japanese perpetrators explores ordinary Japanese soldiers' mentalities, adapts Japanese folklore, and engages with Japanese verse haiku. Lum's portrayals of comfort women reveal how the women have been reduced to objects and symbols of national humiliation, and I argue that his juxtaposition of the Nanjing Massacre with other historical traumas emphasizes universal, war-inflicted sexual trauma. Lum's representations of Japanese perpetrators and comfort women work together to undermine nationalist uses of Nanjing Massacre history memory and instead emphasize transnational war traumas and gender oppression. Situated at the intersection of Asian American poetry studies and studies of the Nanjing Massacre, this article hopes to push beyond narrowly US-bound models of criticism for Asian American poetry and highlights how Lum mobilizes an intercultural way of approaching the Nanjing Massacre.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"131 - 162"},"PeriodicalIF":0.3,"publicationDate":"2021-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ari.2021.0014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43426371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Philosophical Posthumanism by Francesca Ferrando (review)","authors":"Annika Rosanowski","doi":"10.1353/ari.2021.0017","DOIUrl":"https://doi.org/10.1353/ari.2021.0017","url":null,"abstract":"","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"52 1","pages":"193 - 195"},"PeriodicalIF":0.3,"publicationDate":"2021-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ari.2021.0017","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41885214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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