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Presentation of the Materials section 材料部分的展示
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-05-01 DOI: 10.7238/D.V0I18.2946
N. Canto
Des de Digithum volem reivindicar en la nostra seccio de materials la importancia de la historia de les idees, com una reflexio i una descoberta d’alla on venim, dels autors que ens han impactat, d’aquells gegants a les espatlles dels quals hem apres a caminar i a mirar... tant, que de fet no en sabriem o no en sabriem igual sense ells. Per tal de fer-ho, enguany estrenem aquesta subseccio d’historia de les idees que anirem nodrint al llarg dels propers anys.
从Digithum,我们想在我们的材料部分声称思想史的重要性,作为对我们来自哪里的反思和发现,对那些打击我们的作者的反思和探索,对那些我们准备站在他们肩上行走和观察的巨人的反思和发现。。。如此之多,以至于如果没有他们,我们就不会真正知道。为了做到这一点,我们不会花这一小节来讲述我们将在未来几年培养的想法。
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引用次数: 0
Introducció al dossier 文件简介
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-05-01 DOI: 10.7238/D.V0I18.2945
Natàlia Cantó-Milà
Aquest numero de Digithum , d’acord amb la seva linia editorial, publica aportacions centrades a tractar les emocions des d’una perspectiva relacional, com insinuavem en el darrer punt del nostre breu llistat de possibles «amagatalls» de les emocions. Treballar les emocions des d’una perspectiva relacional vol dir entendre les emocions com quelcom que experimentem i narrem individualment pero que potser construim, creem i aprenem a sentir i narrar en col·lectiu. Sense negar les particularitats individuals de cadascun de nosaltres, la perspectiva relacional sobre les emocions ens convida a enfocar la nostra atencio sobre les nostres relacions amb els altres, amb l’entorn i amb nosaltres mateixos amb la premissa que aquestes fan possible que puguem arribar a experimentar i narrar emocions d’unes maneres concretes i no d’unes altres, i alhora ens convida a donar certs sentits i no d’altres a les nostres experiencies emocionals, aixi com a comprendre les experiencies dels qui ens envolten.
正如我们在可能的“隐藏”情绪短名单的最后一点所指出的那样,根据其编辑路线,这个Digithum数字发表了专注于从相对角度处理情绪的文章。从关系的角度来看,工作情绪意味着将情绪理解为我们个人经历和叙述的东西,但我们可以构建、创造并学会集体感受和叙述。在不否认我们每个人的个体特殊性的情况下,情绪的关系视角邀请我们将注意力集中在我们与彼此、环境和我们自己的关系上,前提是这些关系使我们能够以具体而非其他方式体验和叙述情绪,同时邀请我们对自己的情感体验给予一些感觉,而不是其他感觉,并理解我们周围人的经历。
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引用次数: 2
Sentimental education in the 21st century. Myths and emotions in the Twilight saga 21世纪的情感教育。《暮光之城》系列中的神话和情感
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-05-01 DOI: 10.7238/D.V0I18.2891
I. González
En aquest article aprofundeixo en alguns dels elements clau de l’educacio sentimental —o de l’educacio emocional, en un sentit mes ampli— que es transmet en un conjunt de pel·licules que van assolir un gran exit d’audiencia entre el public adolescent i jove ara fa uns anys: la saga Crepuscle .  La tesi que aqui defensem es que, a nivell mitologic, aquesta saga filmografica (aixi com les novel·les homonimes, que no han estat analitzades aqui) reprodueix un principi clau del teixit mitologic de la contemporaneitat relatiu al paper de les emocions en l’estructuracio de la societat (Illouz, 1997).
在这篇文章中,我更深入地探讨了情感教育的一些关键元素——或者更广泛意义上的情感教育——这是几年前在青少年和年轻观众之间取得巨大成功的一系列电影中播放的:克鲁普斯克尔传奇。我们在这里捍卫的理论是,在神话层面上,这部电影传奇(就像同名小说一样,这里没有分析)在当代关系的神话结构中扮演着一个关键原则,即情感在社会结构中的作用(Illouz,1997)。
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引用次数: 0
«Nothing is reality in itself». A conversation between Thomas Luckmann, Hans-Georg Soeffner and Georg Vobruba “没有什么本身就是现实”。Thomas Luckmann, Hans-Georg Soeffner和Georg Vobruba之间的对话
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-05-01 DOI: 10.7238/D.V0I18.2951
T. Luckmann, Hans-Georg Soeffner, G. Vobruba
Thomas Luckmann and Hans-Georg Soeffner never shared a direct teacher-scholar-relationship. But both represent a sociological approach, rooted in phenomenology, and both treat everyday life, Religion and knowledge (among others) as their research subjects. In contrast my interests focus on political and economic problems, on European integration, social security and things like that. We found a broad common ground for our debate anyway, much more than we are able to document in this protocol. Perhaps this is because we tacitly agree in the following: In order to explain the development of institutions, one has to understand the way people act. And in order to understand peoples’ actions one has to observe how people observe social reality.  But perhaps another thing matters as well. It quickly turned out that we three are heavily inclined to irony and – yes – nonsense. Thus, to me the debate with Thomas Luckmann and Hans-Georg Soeffner was impressive and fun. I really hope the protocol reveals this.
Thomas Luckmann和Hans-Georg Soeffner从来没有直接的老师-学者关系。但两者都代表了一种根植于现象学的社会学方法,都把日常生活、宗教和知识(以及其他)作为他们的研究对象。相比之下,我的兴趣集中在政治和经济问题上,比如欧洲一体化、社会保障等。无论如何,我们为我们的辩论找到了广泛的共同点,远远超过了我们在本协议中所能记录的。也许这是因为我们在以下方面达成了默契:为了解释制度的发展,我们必须理解人们的行为方式。为了理解人们的行为,我们必须观察人们如何观察社会现实。但也许另一件事也很重要。事实很快证明,我们三个人都非常倾向于讽刺和——是的——胡说八道。因此,对我来说,与Thomas Luckmann和Hans-Georg Soeffner的辩论令人印象深刻,也很有趣。我真希望协议能说明这一点。
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引用次数: 1
Epistemic feelings in moral experiences and moral dynamics of everyday life 道德经验中的认知感受和日常生活中的道德动态
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-05-01 DOI: 10.7238/D.V0I18.2874
Sylvia Terpe
La filosofia de les emocions ha identificat una classe de fenomen afectiu anomenat sentiments epistemologics (com ara la certesa, el dubte o la sorpresa). Es considera que aquests sentiments informen sobre la qualitat del coneixement i les creences d'una persona i influencien els processos d'adquisicio de coneixement i formacio de creences (1). Debatre que aquests sentiments tambe informen sobre la qualitat de les emocions (morals) d'una persona i, per aixo, son importants per comprendre les experiencies morals quotidianes i les dinamiques morals que en resulten. Els treballs de Hans Joas son un bon punt de partida per corroborar aquest argument, ja que relaciona, implicitament aixo si, alguns sentiments epistemologics amb experiencies morals particulars (2). Inspirat per aquesta analisi de Joas, diferencio entre tres dinamiques morals tipiques ideals (elaboracio moral, relativitzacio moral i clausura moral), que es poden induir a traves d'experiencies morals especifiques (3). L'estudi empiric dels sentiments epistemologics presenta alguns reptes (4). Tanmateix, aquesta labor promet incrementar la nostra comprensio tant dels processos de reproduccio i transformacio moral com del desenvolupament dels fenomens, com ara el dogmatisme moral, l'oportunisme moral i l'escepticisme moral (5).
情感哲学已经确定了一类情感现象,称为认识论情感(如确定性、怀疑或惊讶)。人们认为,这些感觉反映了一个人的知识和信仰的质量,并影响了获得知识和信仰形成的过程(1)。有人争论说,这些感受也反映了每个儿子(道德)情绪的质量,因此,对于理解日常道德体验和由此产生的道德动态很重要。Hans-Joas的作品是证实这一论点的一个很好的起点,因为它隐含地将一些认识论感受与特定的道德体验联系起来(2)。受Joas这一分析的启发,三种理想的典型道德动态(道德阐述、道德相对化和道德封闭)之间的差异可以通过具体的道德体验来诱导(3)。对认识论情感的实证研究提出了一些挑战(4)。然而,这项工作有望增加我们对生殖和道德转变过程以及道德教条主义、道德机会主义和道德怀疑主义等现象发展的理解(5)。
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引用次数: 6
Emotions in motion. How feelings are considered in the scope of migration sociological studies 运动中的情绪。在移民社会学研究的范围内,情感是如何被考虑的
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-05-01 DOI: 10.7238/D.V0I18.2870
Yvonne Albrecht
The subject of this article deals with the manner in which emotions have so far been considered in sociological migration studies. Existing works focus primarily on emotions in a pathological or therapeutic way, so it has to be stated, that the often postulated emotional turn in social sciences has not yet fully reached the area of migration. So the valuable analytical potential of a perspective based on the sociology of emotions is not completely exploited because that would imply focusing on the general functions of emotions in contexts of migration. This article introduces interesting works which already deal with the carrying concepts of emotion work and emotional transnationality and suggests guidelines on how to broaden these analytical views in a non-pathological direction.
这篇文章的主题涉及到迄今为止在社会学移民研究中考虑情感的方式。现有的作品主要关注病理或治疗方式的情感,因此必须指出,社会科学中经常假设的情感转向尚未完全达到移民领域。因此,基于情感社会学的观点的有价值的分析潜力并没有被完全利用,因为这意味着关注情感在移民背景下的一般功能。本文介绍了一些有趣的作品,这些作品已经处理了情感工作和情感跨国的承载概念,并提出了如何在非病理方向上扩大这些分析观点的指导方针。
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引用次数: 16
Fear of and anger against the other - the strange, the sick and the imaginary struggle for survival 对他人的恐惧和愤怒——陌生人、病人和想象中的生存斗争
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-05-01 DOI: 10.7238/D.V0I18.2811
Swen Seebach, Enrique Baleriola Escudero, Marco Maureira Velásquez, Pedro Cano
This article wants to explore the associative relationship between epidemics, lack of hygiene and foreignness that German people, politicians and the German press have made repeatedly during the recent wave of migration from Syria to Germany. It wants to especially look at the emotions of fear, anger and the resulting hate that not only pull these two things together but that combine being a health risk and being a stranger in a way that they create a vicious circle in which one perpetuates the other and creates a condition in which one always serves as a justification for the other. We will present the relationships among fear, anger, and hate empirically by reflecting on a few interviews carried out in Germany, three press articles and people’s comments in the press, on Facebook and other social media that have surfaced after a small outbreak of scabies in a refugee camp in the Jenfelder Moorpark in Hamburg. The outbreak was neither medically meaningful nor caused by a lack of the refugees’ hygiene, but rather as a consequence of the bad hygienic conditions that were to be found in the provisional refugee camp. However, this little but crucial part of information never really entered into the wider public debate—partly because the local German press only focused on the outbreak itself rather than on its causes and partly because the current social context has created a lack of confidence in the press, from both sides of civil society. Instead of critical reflections on causes and backgrounds, the majority of commenting readers pronounced publically the hypothetical link between their fears of both foreigners and epidemics and used the story as a bond-maker, allowing them to create a collective emotional reaction with others based on their projected fears. Within this process of collective projection fear turned into anger, as a collective form to face individual fear, resulting in the sensation of a need for collective self-defence, a sensation that their Society Must be Defended (Foucault, 2003).
这篇文章想要探讨在最近从叙利亚到德国的移民浪潮中,德国人、政治家和德国媒体反复提出的流行病、缺乏卫生和异乡感之间的联系。它想要特别关注恐惧,愤怒以及由此产生的仇恨这些情绪不仅将这两件事结合在一起而且还将健康风险和陌生人结合在一起形成了一个恶性循环其中一个延续了另一个并创造了一个条件其中一个总是为另一个辩护。我们将通过反思在德国进行的几次采访、三篇新闻文章和人们在媒体、Facebook和其他社交媒体上的评论来呈现恐惧、愤怒和仇恨之间的关系,这些评论是在汉堡Jenfelder Moorpark难民营爆发疥疮后浮出水面的。这次爆发既没有医学意义,也不是由于难民缺乏卫生造成的,而是由于临时难民营的卫生条件恶劣造成的。然而,这一小部分但至关重要的信息从未真正进入更广泛的公众辩论,部分原因是德国当地媒体只关注疫情本身,而不是其原因,部分原因是当前的社会背景导致公民社会双方对媒体缺乏信心。大多数评论读者没有对原因和背景进行批判性反思,而是公开宣布他们对外国人的恐惧与流行病之间的假设联系,并将这个故事用作债券制造者,使他们能够根据他们预测的恐惧与他人一起产生集体情绪反应。在这个集体投射的过程中,恐惧变成了愤怒,作为面对个人恐惧的集体形式,导致需要集体自卫的感觉,他们的社会必须被捍卫的感觉(福柯,2003)。
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引用次数: 6
A New Approach to Relationships in Live Music: Redefining Emotional Content and Meaning 现场音乐关系的新途径:重新定义情感内容和意义
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2015-07-31 DOI: 10.7238/D.V0I17.2635
Joan Serrà
Live music is a social and artistic activity where all its participants establish a set of relationships in real time, mediated by different musical, social, psychological and environmental factors. The aim of this research is to study the relationships between audiences and musicians and their influence in the processes that lead to the generation of emotions and the creation of meaning. By taking a transdisciplinary view, I am trying to bridge some of the divides that frequently appear in music research (object-activity, aesthetic-social, etc.) and so I want to go beyond common artificial investigations about emotions and meaning in music by reflecting on the complex nature of real music experiences. The methodological approach is mainly qualitative — based on observations, and interviews; however, some quantitative data from a survey have also been taken into account. The research has been carried out as a case study that had the concerts of El Teatre Instrumental, an orchestra that specialises in the repertoire of the classical period, as its object.
现场音乐是一种社会和艺术活动,所有参与者在不同的音乐、社会、心理和环境因素的介导下,实时建立起一套关系。本研究的目的是研究观众和音乐家之间的关系,以及他们在导致情感产生和意义创造的过程中的影响。通过采取跨学科的观点,我试图弥合音乐研究中经常出现的一些分歧(对象-活动,审美-社会等),因此我想通过反思真实音乐体验的复杂性,超越对音乐中情感和意义的常见人为调查。方法方法主要是定性的——基于观察和访谈;然而,调查中的一些定量数据也被考虑在内。该研究是作为一个案例研究进行的,该研究以El Teatre Instrumental乐团的音乐会为对象,该乐团专门演奏古典时期的曲目。
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引用次数: 2
In Relation to Art. Art from a Relational Perspective 关于艺术。从关系的角度看艺术
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2015-07-31 DOI: 10.7238/D.V0I17.2722
Natàlia Cantó-Milà
El dossier de Digithum d’enguany gira entorn de l’art i concretament entorn de les relacions socials que el fan possible i, alhora, de les relacions socials que l’art mateix ens ajuda a crear, mantenir i omplir de sentit. Es per aixo que hi hem posat com a titol «En relacio amb l’art. L’art des d’una perspectiva relacional». L’art –sigui la musica, la performance , el teatre, la pintura, l’escultura, una col·leccio de nines o d’instruments antics, etc. i tot el nostre esforc per vincular-nos amb la memoria que transporten i amb les experiencies que ens ofereixen– neix de les nostres relacions i de la nostra creacio conjunta d’una forma de viure’l, de mirar-lo, d’escoltar-lo i de donar-hi sentit. Es per aixo que aquest numero de Digithum intenta acostar-se al mon de l’art, les seves fronteres i la seva experiencia, a partir del conjunt de relacions que el fan possible i que l’art mateix fa possibles.
Digithum的引人入胜的档案围绕着艺术,特别是围绕着使其成为可能的社会关系,同时,艺术本身帮助我们创造、维持和理解的社会关系。这就是为什么我们称之为“关于艺术,相对角度的艺术。”艺术——音乐、表演、戏剧、绘画、雕塑、九件琴或古代乐器收藏等,以及我们将我们与它们所承载的记忆和它们为我们提供的体验联系起来的所有努力——源于我们的关系和共同创造,以一种生活、观看、倾听和有意义的方式。这就是为什么这个数字试图从一系列关系中接近艺术世界、它的边界和它的体验,这些关系使它成为可能,而艺术本身也使它成为可能性。
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引用次数: 0
Traçant universos femenins amb paper maixé: la tradició de Takamatsu-hariko en les col·leccions del Museu Etnològic de Barcelona 用玉米纸描绘女性宇宙:高松hariko的传统在巴塞罗那民族博物馆收藏
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2015-07-31 DOI: 10.7238/D.V0I17.2598
Muriel Gómez Pradas
L’objectiu d’aquest article es tracar la biografia i mostrar l’us social d’uns petits objectes de paper maixe pertanyents a la tradicio de Takamatsu-hariko (Japo) que es conserven al Museu Etnologic de Barcelona . A traves del seu estudi veurem el paper representatiu i simbolic que tenen dins l’univers(os) femeni japones i podrem accedir a llegendes, tradicions populars i antics costums relacionats amb l’imaginari femeni.
本文的目的是绘制传记地图,并展示巴塞罗那民族博物馆保存的一小块属于高松哈里科传统(日本)的玉米纸的社会地位。通过她的研究,我们看到了她们在日本女性世界中的代表性和象征性作用,我们可以接触到与女性想象有关的传说、流行传统和旧习惯。
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引用次数: 1
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