{"title":"Fashion and Politics, ed. by Djurdja Bartlett","authors":"A. Pollen","doi":"10.3366/cost.2020.0173","DOIUrl":"https://doi.org/10.3366/cost.2020.0173","url":null,"abstract":"","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80380046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back matter","authors":"","doi":"10.3366/cost.2020.0177","DOIUrl":"https://doi.org/10.3366/cost.2020.0177","url":null,"abstract":"","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73344968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"French Fashion, Women & The First World War, ed. by Maude Bass-Krueger and Sophie Kurkdjian","authors":"J. Richardson","doi":"10.3366/cost.2020.0169","DOIUrl":"https://doi.org/10.3366/cost.2020.0169","url":null,"abstract":"","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82791256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article will examine the RIPPING ATOPOS project initiated by the Athens-based ATOPOS Contemporary Visual Culture Organization (ATOPOS). In this project, contemporary artists and fashion designers are commissioned to create their own works of art or garments, either inspired by specific pieces or by using duplicates of the 1960s paper dresses from the ATOPOS collection. The article describes results of the collaborations with the different artists and fashion designers. The project has enabled ATOPOS to investigate new ways of handling, managing and displaying its collection.
{"title":"The ATOPOS cvc RIPPING Project: A ‘New’ Life for Dress Objects?","authors":"Myrsini Pichou","doi":"10.3366/cost.2020.0166","DOIUrl":"https://doi.org/10.3366/cost.2020.0166","url":null,"abstract":"This article will examine the RIPPING ATOPOS project initiated by the Athens-based ATOPOS Contemporary Visual Culture Organization (ATOPOS). In this project, contemporary artists and fashion designers are commissioned to create their own works of art or garments, either inspired by specific pieces or by using duplicates of the 1960s paper dresses from the ATOPOS collection. The article describes results of the collaborations with the different artists and fashion designers. The project has enabled ATOPOS to investigate new ways of handling, managing and displaying its collection.","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86195751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Front matter","authors":"","doi":"10.3366/cost.2020.0161","DOIUrl":"https://doi.org/10.3366/cost.2020.0161","url":null,"abstract":"","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88198658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Reading the clues embedded in extant clothing demands both imagination and patience since the subtle marks of wear, use and alteration may only become evident with extended observation and reflection. During the course of a project undertaken in conjunction with the bicentenary celebrations of John Ruskin's birth culminating in the exhibition of Sarah Casey's drawings in Ruskin's Good Looking! (8 February–7 April 2019), the authors studied the garments of John Ruskin at Brantwood, his former home in the Lake District. The life-sized drawings of these garments produced by Casey mapped the absent presence of the former wearer, allowed visitors the opportunity to better see and reflect on Ruskin's clothing, and also revealed the hidden histories of Ruskin's garments. Drawing, the making of marks with meaning, is not an obvious research tool in dress history and curatorial practice but, as this case study shows, can expose subtle details and reveal new insights.
{"title":"Drawing as a Creative Approach to Researching Extant Garments: A Case Study Involving John Ruskin's Clothing","authors":"Ingrid Mida, Sarah Casey","doi":"10.3366/cost.2020.0164","DOIUrl":"https://doi.org/10.3366/cost.2020.0164","url":null,"abstract":"Reading the clues embedded in extant clothing demands both imagination and patience since the subtle marks of wear, use and alteration may only become evident with extended observation and reflection. During the course of a project undertaken in conjunction with the bicentenary celebrations of John Ruskin's birth culminating in the exhibition of Sarah Casey's drawings in Ruskin's Good Looking! (8 February–7 April 2019), the authors studied the garments of John Ruskin at Brantwood, his former home in the Lake District. The life-sized drawings of these garments produced by Casey mapped the absent presence of the former wearer, allowed visitors the opportunity to better see and reflect on Ruskin's clothing, and also revealed the hidden histories of Ruskin's garments. Drawing, the making of marks with meaning, is not an obvious research tool in dress history and curatorial practice but, as this case study shows, can expose subtle details and reveal new insights.","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90887422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The exhibition Cabinets of Costume was undertaken as part of an international conference, Culture, Costume, and Dress at Birmingham City University (BCU) in May 2017. Its aim was to highlight two study collections held at BCU — the first, the Historical Dress Archive, which includes the Kate Elizabeth Bunce objects, and the second, the Art and Design Archives. Referencing the previous practice of object-based study to inform current practice at the Municipal School of Art, Birmingham, this paper will explore the cultural and creative capital of this assemblage of everyday historic dress uncovered in 2012 at BCU. Focusing on the Historical Dress Archive the initiative was developed to enable undergraduates across the faculty of Art, Design and Media at BCU to study extant historical dress, creating five representations or ‘ghosts’ of the objects of study. The initiative and exhibition offered an opportunity for a student-academic partnership to share the practices of object-based study as a creative catalyst, to inform costume practices as a live project.
{"title":"Cabinets of Costume: Renegotiating Participation Through Practice, Object-Based Study and ‘Ghosts’ of an Assemblage of Dress","authors":"Louise Elizabeth Penn Chapman","doi":"10.3366/cost.2020.0165","DOIUrl":"https://doi.org/10.3366/cost.2020.0165","url":null,"abstract":"The exhibition Cabinets of Costume was undertaken as part of an international conference, Culture, Costume, and Dress at Birmingham City University (BCU) in May 2017. Its aim was to highlight two study collections held at BCU — the first, the Historical Dress Archive, which includes the Kate Elizabeth Bunce objects, and the second, the Art and Design Archives. Referencing the previous practice of object-based study to inform current practice at the Municipal School of Art, Birmingham, this paper will explore the cultural and creative capital of this assemblage of everyday historic dress uncovered in 2012 at BCU. Focusing on the Historical Dress Archive the initiative was developed to enable undergraduates across the faculty of Art, Design and Media at BCU to study extant historical dress, creating five representations or ‘ghosts’ of the objects of study. The initiative and exhibition offered an opportunity for a student-academic partnership to share the practices of object-based study as a creative catalyst, to inform costume practices as a live project.","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87557791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jenny Lister, Mary Quant","authors":"Michelle Jones","doi":"10.3366/cost.2020.0170","DOIUrl":"https://doi.org/10.3366/cost.2020.0170","url":null,"abstract":"","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82699003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aquadynamics and the Athletocracy: Jennie Fletcher and the British Women's 4 x 100 metre Freestyle Relay Team at the 1912 Stockholm Olympic Games","authors":"Jean Williams","doi":"10.4324/9781003059455-3","DOIUrl":"https://doi.org/10.4324/9781003059455-3","url":null,"abstract":"","PeriodicalId":51969,"journal":{"name":"Costume-The Journal of the Costume Society","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82914239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：