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Costume-The Journal of the Costume Society最新文献

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Fashion and Politics, ed. by Djurdja Bartlett 《时尚与政治》,Djurdja Bartlett主编
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0173
A. Pollen
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引用次数: 0
Back matter 回到问题
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0177
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引用次数: 0
French Fashion, Women & The First World War, ed. by Maude Bass-Krueger and Sophie Kurkdjian 《法国时尚、女性与第一次世界大战》,作者:Maude Bass-Krueger和Sophie Kurkdjian
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0169
J. Richardson
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引用次数: 0
The ATOPOS cvc RIPPING Project: A ‘New’ Life for Dress Objects? ATOPOS cvc撕裂项目:服装的“新”生活?
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0166
Myrsini Pichou
This article will examine the RIPPING ATOPOS project initiated by the Athens-based ATOPOS Contemporary Visual Culture Organization (ATOPOS). In this project, contemporary artists and fashion designers are commissioned to create their own works of art or garments, either inspired by specific pieces or by using duplicates of the 1960s paper dresses from the ATOPOS collection. The article describes results of the collaborations with the different artists and fashion designers. The project has enabled ATOPOS to investigate new ways of handling, managing and displaying its collection.
本文将考察雅典的ATOPOS当代视觉文化组织(ATOPOS)发起的RIPPING ATOPOS项目。在这个项目中,当代艺术家和时装设计师被委托创作他们自己的艺术作品或服装,灵感来自特定的作品或使用ATOPOS系列中20世纪60年代纸裙的复制品。文章描述了与不同的艺术家和时装设计师合作的结果。该项目使ATOPOS能够研究处理、管理和展示其藏品的新方法。
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引用次数: 0
Kerry Taylor, Galliano: Spectacular Fashion 凯丽·泰勒《加利亚诺:惊人的时尚
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0172
M. Mcloughlin
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引用次数: 0
Front matter 前页
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0161
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引用次数: 0
Cabinets of Costume: Renegotiating Participation Through Practice, Object-Based Study and ‘Ghosts’ of an Assemblage of Dress 服装的橱柜:通过实践、基于对象的研究和服装组合的“幽灵”重新协商参与
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0165
Louise Elizabeth Penn Chapman
The exhibition Cabinets of Costume was undertaken as part of an international conference, Culture, Costume, and Dress at Birmingham City University (BCU) in May 2017. Its aim was to highlight two study collections held at BCU — the first, the Historical Dress Archive, which includes the Kate Elizabeth Bunce objects, and the second, the Art and Design Archives. Referencing the previous practice of object-based study to inform current practice at the Municipal School of Art, Birmingham, this paper will explore the cultural and creative capital of this assemblage of everyday historic dress uncovered in 2012 at BCU. Focusing on the Historical Dress Archive the initiative was developed to enable undergraduates across the faculty of Art, Design and Media at BCU to study extant historical dress, creating five representations or ‘ghosts’ of the objects of study. The initiative and exhibition offered an opportunity for a student-academic partnership to share the practices of object-based study as a creative catalyst, to inform costume practices as a live project.
该展览是2017年5月在伯明翰城市大学(BCU)举行的文化、服装和服装国际会议的一部分。它的目的是突出波士顿大学的两个研究收藏——第一个是历史服装档案馆,其中包括凯特·伊丽莎白·邦斯的物品,第二个是艺术与设计档案馆。参考之前的基于对象的研究实践,为伯明翰市立艺术学院的当前实践提供信息,本文将探索2012年在BCU发现的日常历史服装组合的文化和创意资本。该计划的重点是历史服装档案,旨在使BCU艺术、设计和媒体学院的本科生能够研究现存的历史服装,创造出研究对象的五个代表或“幽灵”。该倡议和展览为学生和学术合作伙伴提供了一个机会,分享基于对象的研究作为创造性催化剂的实践,将服装实践作为一个现场项目。
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引用次数: 0
Jenny Lister, Mary Quant 珍妮·利斯特,玛丽·匡特
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0170
Michelle Jones
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引用次数: 0
Drawing as a Creative Approach to Researching Extant Garments: A Case Study Involving John Ruskin's Clothing 绘画作为研究现存服装的创造性方法:以约翰·罗斯金的服装为例
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-01 DOI: 10.3366/cost.2020.0164
Ingrid Mida, Sarah Casey
Reading the clues embedded in extant clothing demands both imagination and patience since the subtle marks of wear, use and alteration may only become evident with extended observation and reflection. During the course of a project undertaken in conjunction with the bicentenary celebrations of John Ruskin's birth culminating in the exhibition of Sarah Casey's drawings in Ruskin's Good Looking! (8 February–7 April 2019), the authors studied the garments of John Ruskin at Brantwood, his former home in the Lake District. The life-sized drawings of these garments produced by Casey mapped the absent presence of the former wearer, allowed visitors the opportunity to better see and reflect on Ruskin's clothing, and also revealed the hidden histories of Ruskin's garments. Drawing, the making of marks with meaning, is not an obvious research tool in dress history and curatorial practice but, as this case study shows, can expose subtle details and reveal new insights.
阅读现存服装中嵌入的线索需要想象力和耐心,因为穿着、使用和改变的细微痕迹只有通过长时间的观察和反思才能变得明显。在与约翰·拉斯金诞辰200周年庆祝活动相结合的项目过程中,萨拉·凯西的画作在拉斯金的好看的展览中达到高潮!(2019年2月8日至4月7日),作者在约翰·罗斯金位于湖区的故居布兰特伍德研究了他的服装。这些由Casey制作的真人大小的服装图纸描绘了以前穿着者的缺席,让游客有机会更好地看到和反思罗斯金的服装,也揭示了罗斯金服装的隐藏历史。绘画作为一种有意义的标记,在服装历史和策展实践中并不是一种明显的研究工具,但正如本案例所示,它可以揭示微妙的细节,揭示新的见解。
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引用次数: 0
Aquadynamics and the Athletocracy: Jennie Fletcher and the British Women's 4 x 100 metre Freestyle Relay Team at the 1912 Stockholm Olympic Games 水动力和运动员的统治:1912年斯德哥尔摩奥运会上,珍妮·弗莱彻和英国女子4 × 100米自由泳接力队
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-08-26 DOI: 10.4324/9781003059455-3
Jean Williams
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引用次数: 0
期刊
Costume-The Journal of the Costume Society
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