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Thai Politics in Translation: Monarchy, Democracy and the Supra-constitution By Michael Connors & Ukrist Pathmanand. NIAS Press, 2021. 256 pages. Hardback, £65.00 GBP, ISBN: 9788776942847. Paperback, £22.50, ISBN: 9788776942854 翻译中的泰国政治:君主制、民主和超宪法,作者:Michael Connors & Ukrist Pathmanand。NIAS出版社,2021。256页。精装本,65.00英镑,ISBN: 9788776942847。平装本,22.50英镑,ISBN: 9788776942854
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-09 DOI: 10.1017/s1479591422000547
Motoki Luxmiwattana
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引用次数: 0
Manchukuo voices: re-interpreting a monumental space in Northeast China (1932–1945) 满洲国的声音:重新诠释东北的纪念空间(1932-1945)
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.1017/S1479591421000383
Yuting Dong 董钰婷
Abstract This article revisits Japan's empire-building in Northeast China through the construction of and reactions to the Daidō hiroba 大同広場 (Plaza of Great Unity) in Shinkyō, showing how Chinese and Japanese challenged the top-down attempt for building a totalitarian empire. These re-interpretations and definitions of Hiroba unveiled the diversity, dynamics, and complexity of Manchukuo society that cannot be fully grasped in a nation-state framework. Moreover, their voices challenged the previous depiction of such imperial monumental space as the physical materialization of imperial governmentality but a contested site where individuals challenged the official vision of Manchukuo. This article examines documents ranging from governmental documents to works of literature in both Chinese and Japanese. Compared to Japanese planners' vision of the Hiroba as a site of governmentality, visitors and local residents held differing interpretations of this space: some Japanese disapproved the attempt to reframe the urban space by a totalitarian regime, and many Chinese redefined the meaning of this “utopian” urban space to accord with their own tradition and everyday life.
本文通过对新京大统一广场的建设和反应,回顾了日本在中国东北的帝国建设,展示了中国和日本如何挑战自上而下建立极权主义帝国的企图。这些对Hiroba的重新诠释和定义揭示了满洲国社会的多样性、动态性和复杂性,而这些在民族国家框架中是无法完全把握的。此外,他们的声音挑战了之前对帝国纪念空间的描述,这些空间是帝国统治的物质化,但却是一个有争议的地方,个人挑战了满洲国的官方愿景。本文考察了从政府文件到中日文学作品的各种文件。与日本规划者将广岛作为治理场所的愿景相比,游客和当地居民对这个空间有着不同的理解:一些日本人不赞成极权政权重新构建城市空间的企图,而许多中国人重新定义了这个“乌托邦”城市空间的意义,以符合他们自己的传统和日常生活。
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引用次数: 0
ASI volume 20 issue 1 Cover and Front matter ASI第20卷第1期封面和封面问题
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-12-20 DOI: 10.1017/s1479591422000481
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引用次数: 0
ASI volume 20 issue 1 Cover and Back matter ASI第20卷第1期封面和封底
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-12-20 DOI: 10.1017/s1479591422000493
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引用次数: 0
Hong Kong Takes Flight: Commercial Aviation and the Making of a Global Hub, 1930s–1998 By John D. Wong. Harvard University Press, Cambridge and London, 2022. 360 pages. Hardback, $60.00 USD, ISBN: 9780674278264. 《香港起飞:商业航空与全球枢纽的形成,1930 - 1998》作者:王家卫。哈佛大学出版社,剑桥和伦敦,2022年。360页。精装本,60美元,ISBN: 9780674278264。
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-12-16 DOI: 10.1017/s147959142200047x
J. Bednarek
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引用次数: 0
Republican Citizenship in French Colonial Pondicherry, 1870–1914 By Anne Raffin. University of Amsterdam Press, 2022. 250 pages. Hardback, €99.00, ISBN: 9789463723558. 法国殖民地本地治里的共和公民权,1870-1914阿姆斯特丹大学出版社,2022。250页。精装本,99.00欧元,ISBN: 9789463723558。
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-25 DOI: 10.1017/s1479591422000456
Natasha Pairaudeau
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引用次数: 0
Materializing the digital landscape: the cinema–ecology complex and Chinese fantasy media 数字景观的物质化:电影生态综合体与中国奇幻媒体
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-21 DOI: 10.1017/S1479591422000444
Jia Tan
Abstract Contemporary cinema and media studies are marked by a materialist turn that highlights material elements, such as objects, non-human agencies, the environment and places on and off screen, as well as the materiality of media productions and consumption. This article expands on the important scholarship of “materialist” media studies as well as existing ecocinema scholarship by stressing the materiality of digital landscapes in contemporary Chinese fantasy (or qihuan and xuanhuan) film and television works that have gained significant popularity in China and Hong Kong. Specifically, this article examines the animist landscape in film and television adaptions of Eternal Love, a fantasy romance television serial that loosely draws on Daoist mythology. Focusing on the material aspects of digital landscapes of Chinese fantasy cinema, the article develops the notion of the “cinema–ecology complex” to address the materiality of digital landscapes, the cinematic footprint of digitally enhanced landscapes through location shooting and the consumption of landscapes as scenic spots, including daka practices, in film studio cities and related film-induced tourism. Ultimately, this article calls for a textual–infrastructural approach in cinema and media studies, which tends to reorient to the infrastructural aspects of media production, distribution and consumption.
当代电影和媒体研究的特点是转向唯物主义,强调物质元素,如物体、非人类机构、环境和屏幕内外的场所,以及媒体生产和消费的物质性。本文通过强调当代中国奇幻(或奇幻和玄幻)电影和电视作品中数字景观的物质性,扩展了“唯物主义”媒体研究的重要学术研究以及现有的生态电影研究。这些电影和电视作品在中国和香港都很受欢迎。具体地说,这篇文章考察了《永恒之爱》的电影和电视改编中的万物有灵论景观。《永恒之爱》是一部奇幻爱情电视剧,松散地借鉴了道教神话。本文着眼于中国奇幻电影数字景观的物质性方面,提出了“电影生态综合体”的概念,以解决数字景观的物质性,通过外景拍摄的数字增强景观的电影足迹,以及作为景点的景观消费,包括daka实践,在电影制片厂城市和相关的电影诱导旅游。最后,本文呼吁在电影和媒体研究中采用文本基础结构方法,这种方法倾向于重新定位于媒体生产、发行和消费的基础结构方面。
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引用次数: 0
Academic Freedom under Siege: Higher Education in East Asia, the U.S. and Australia By Zhidong Hao, Peter Zabielskis (eds.). Springer, 2021. 263 pages. Hardback, 128€, ISBN: 978-3030491185. Paperback, 137€, ISBN: 978-3030491215.
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-21 DOI: 10.1017/S1479591422000341
A. Kaiser
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引用次数: 2
Introduction: materialism and materiality in Asia: intellectual thoughts and real challenges 导言:亚洲的物质主义与物质主义:思想与现实挑战
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-03 DOI: 10.1017/S1479591422000419
Pang Laikwan
Abstract This is an introduction essay to the IJAS special issue “Materialism and Materiality in Asia,” which is devoted to the intersections between Marxist historical materialism and the more recent new materialisms in different Asian contexts. The two materialisms correspond to two pressing social problems we are facing: the social inequality and alienations created by capitalism on the one hand and the environmental crises happening under the Anthropocene on the other. Bringing the two strains of thought together, we hope to explore ways to reconnect with the material world, and to develop theorizations that are more responsible to humans and non-humans.
这是IJAS特刊“亚洲的唯物主义和物质性”的一篇介绍文章,该特刊致力于在不同的亚洲背景下马克思主义历史唯物主义和最近的新唯物主义之间的交集。这两种唯物主义对应着我们面临的两个紧迫的社会问题:一方面是资本主义造成的社会不平等和异化,另一方面是人类世下发生的环境危机。将这两种思想结合在一起,我们希望探索与物质世界重新联系的方法,并发展对人类和非人类更负责任的理论。
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引用次数: 0
British Art and the East India Company By Geoff Quilley. The Boydell Press, 2020. 370pp. 23.4×15.6 cm. 102 colour illus. Hardback, £85.00/$125.00. ISBN: 978-1-78327-510-6. Ebook, £19.99/$24.99. ISBN: 9781760464097.
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-11-03 DOI: 10.1017/S1479591422000353
Peter J. Kitson
Geoff Quilley ’ s British Art and the East India Company is a major new publication which analyses in thorough, scholarly detail the role of the British East India Company in the production and sponsor-ship of new, commercial art forms in late-eighteenth and early- to mid-nineteenth century British culture. The focus of the study, however, is certainly not narrow and Quilley ’ s research will be of substantial interest to all those who are interested in the cultural encounter between Britain and Asia in the eighteenth and early nineteenth centuries much more widely, especially in terms of visual representation. The work contains extensive discussions of the interaction between British artists and their time spent in Asia, particularly and India and China, during this formative period of commerce and colonialism. Although there have been numerous prior studies of visual art in the period which have tackled the place and role of British artists in a global and colonial perspective, this is the first study to interrogate the ways in which certain more commercial kinds of British art were closely imbricated in the political and financial nexus created by the tangled policies and practices of the Company. Previously such studies have generally argued that the colonial process is contingent, fluid, revisionary and shifting in the face of the encounter with Indian
Geoff Quilley的《英国艺术与东印度公司》是一本重要的新出版物,它以全面的学术细节分析了英国东印度公司在18世纪末和19世纪初至中期英国文化中生产和赞助新的商业艺术形式方面的作用。然而,这项研究的焦点肯定不是狭隘的,而且奎利的研究将对所有对18世纪和19世纪早期英国和亚洲之间的文化接触感兴趣的人产生实质性的兴趣,尤其是在视觉表现方面。该作品广泛讨论了在商业和殖民主义的形成时期,英国艺术家和他们在亚洲,特别是印度和中国的时间之间的互动。尽管在这一时期有许多关于视觉艺术的研究,这些研究已经解决了英国艺术家在全球和殖民视角下的地位和角色,但这是第一次研究英国艺术的某些更商业化的形式是如何与公司复杂的政策和实践所创造的政治和金融联系紧密结合在一起的。以前这样的研究通常认为,面对与印第安人的相遇,殖民过程是偶然的、流动的、修正的和变化的
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引用次数: 1
期刊
International Journal of Asian Studies
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