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The New Swedish Cyprus Expedition 2018: Excavations at Hala Sultan Tekke (The Söderberg Expedition). Preliminary results, with contributions by J. Tracz and D. Kofel 新瑞典塞浦路斯探险队2018:哈拉苏丹Tekke的发掘(Söderberg探险队)。初步结果,由J. Tracz和D. Kofel贡献
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2019-11-01 DOI: 10.30549/opathrom-12-10
P. Fischer, T. Bürge, J. Tracz, D. Kofel
During the ninth field season at the Late Bronze Age city of Hala Sultan Tekke, excavations in City Quarter 1 (CQ1) continued and brought to light industrial and domestic structures belonging to three phases of occupation (Strata 3–1) dating to the 13th and 12th centuries BC (LC IIC–IIIA). Finds of more than half a ton of copper slag together with remains of furnaces and tuyères indicate intensive urban copper production. There is also evidence of textile production in CQ1. A magnetometer survey of roughly 23 ha resulted in the discovery of another large city quarter (CQ4) between CQ1 and Area A (the cemetery) with regularly arranged stone-built compounds of imposing dimensions intersected by streets. Several massive walls are faced with ashlar slabs which distinguishes this quarter from the industrial and domestic CQ1–3. A bathroom built of ashlar blocks with an advanced hydrological layout was exposed in CQ4 (Stratum 1, LC IIIA) together with a storage area for large vessels. Another rich tomb (Tomb RR) was excavated in Area A. It contained multi-burials together with tomb gifts from numerous Eastern Mediterranean cultures. One of the finds from Tomb RR is a complete large Mycenaean krater depicting two chariots drawn by two pairs of horses and 13 individuals, several of them with swords.
在青铜时代晚期城市Hala Sultan Tekke的第九个考古季节,在第1城区(CQ1)的挖掘工作继续进行,并带来了属于三个占领阶段(地层3-1)的轻工业和家庭建筑,这些建筑可追溯到公元前13世纪和12世纪(LC IIC-IIIA)。发现了超过半吨的铜渣,以及熔炉和熔炉的遗迹,表明城市铜生产密集。在CQ1也有纺织品生产的证据。在大约23公顷的磁力计调查中,在CQ1和A区(墓地)之间发现了另一个大型城区(CQ4),其中有规则排列的石头建筑建筑群,规模宏大,与街道相交。几面巨大的墙壁上都有石板,这使这个季度与工业和民用CQ1-3区区别开来。在CQ4 (LC IIIA第1层)中,有一个由石砂块建造的浴室,具有先进的水文布局,还有一个大型船只的存储区。在a区出土了另一个丰富的古墓(古墓RR),里面有多具墓葬和来自许多东地中海文化的墓葬礼物。古墓RR的发现之一是一件完整的迈锡尼大型陶器,描绘了两辆由两对马和13个人拉着的战车,其中有几个人拿着剑。
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引用次数: 7
Interpreting the seventh century BC, by X. Charalambidou & C. Morgan (book review) 解读公元前7世纪,X. Charalambidou和C. Morgan著(书评)
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/opathrom-11-10
Floris van den Eijnde
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引用次数: 0
Musicians in ancient coroplastic art, by A. Bellia & C. Marconi, eds (book review) 古代冠状艺术中的音乐家,A.贝利亚和C.马可尼编(书评)
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/opathrom-11-14
G. Nordquist
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引用次数: 0
Die innerstädtische Wasserbewirtschaftung im hellenistisch-römischen Pergamon, by K. Wellbrock (book review) 《图书评论》
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/opathrom-11-12
Patrik Klingborg
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引用次数: 0
Dissertation abstracts 2017–2018 论文摘要2017-2018
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/opathrom-11-15
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引用次数: 0
The use of miniature pottery in Archaic–Hellenistic Greek sanctuaries. Considerations on terminology and ritual practice 古希腊化时期希腊神殿中微型陶器的使用。关于术语和仪式实践的考虑
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/OPATHROM-11-06
Signe Barfoed
Miniature pottery is a widely encountered group of archaeological material that has been found in domestic, funerary, and predominantly in ritual contexts. Despite the ubiquitous presence of these small vessels, this group is generally understudied and interpretations of its meaning are lacking. Scholarship in the past perceived miniature pottery as cheap, non-functional and unimportant and therefore this pottery was often neglected or sometimes not even published. Interpretations have been sparse and by default it is believed that miniatures were the cheapest dedications the worshipper could buy. Within the last decade(s) the perceptions among scholars have changed somewhat and when miniature pottery and other votives appear together in an excavation it is often interpreted as a votive deposit stemming from a ritual context, such as a temple, shrine or sanctuary. Below a tentative terminology of miniature pottery will be presented and it will be argued that there is more to be learned about Greek ritual practice from this understudied group of archaeological material, for instance, how miniatures were used in rituals.
微型陶器是一种广泛遇到的考古材料,在家庭、葬礼和主要在仪式环境中被发现。尽管这些小血管无处不在,但对这一群体的研究通常不足,对其意义的解释也缺乏。过去的学者认为微型陶器是廉价的、无功能的、不重要的,因此这种陶器经常被忽视,有时甚至不发表。对它的解释很少,人们默认认为微雕是信徒能买到的最便宜的祭品。在过去的十年里,学者们的看法有所改变,当微型陶器和其他许愿物在一次挖掘中一起出现时,它通常被解释为源于仪式背景的许愿物,比如寺庙、神社或圣所。下面将介绍微型陶器的暂定术语,并将讨论从这组未被研究的考古材料中可以学到更多关于希腊仪式实践的知识,例如,微型陶器是如何在仪式中使用的。
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引用次数: 4
Painting early death. Deceased maidens on funerary vases in the National Archaeological Museum of Athens 绘画早死。雅典国家考古博物馆的陪葬花瓶上的已故少女
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/OPATHROM-11-07
Katia Margariti
The present paper studies the iconography of dead maidens depicted on a red-figured funerary loutrophoros and six white-ground lekythoi in the National Archaeological Museum of Athens, all of them dating to the 5th century BC. The scenes painted on the vases under consideration are representative of the iconography employed by Classical Athenian vase-painters for the depiction of deceased maidens, parthenoi. Dead maidens are not frequently seen on funerary clay loutrophoroi, but mostly appear in psychopompoi, tomb visit, and prothesis scenes of white lekythoi, where their premature death before marriage is often emphasized by the fact that they are shown as brides through the use of wedding iconography elements. They are never portrayed being carried by Hypnos and Thanatos, but are only taken to Hades by Hermes and Charon. Even though the loutrophoros is generally considered to be the symbol par excellence of death before marriage, it is not indispensable to the depiction of maiden figures on white lekythoi. However, in scenes on white lekythoi showing a loutrophoros-hydria set up over the tomb as a sema with the deceased maiden portrayed in close proximity to it, special emphasis is placed on the loutrophoros as a symbol of untimely death and eternal virginity.
本论文研究了雅典国家考古博物馆中一尊红色丧葬雕像和六尊白底雕像上的死去的少女肖像,它们都可以追溯到公元前5世纪。正在考虑的花瓶上的场景是古典雅典花瓶画家用来描绘已故少女帕特诺伊的肖像学的代表。死去的少女并不经常出现在葬礼的粘土上,但主要出现在心理、坟墓参观和白色lekythoi的假场景中,在这些场景中,她们在结婚前的过早死亡通常被强调为新娘,通过使用婚礼图像元素。他们从来没有被描绘成被塞普诺斯和塔纳托斯抱着,而只是被赫尔墨斯和卡戎带到哈迪斯。尽管人们普遍认为这只鹤是婚前死亡的象征,但它在白色石碑上描绘少女形象时并非必不可少。然而,在白色lekythoi的场景中,在坟墓上方设置了一个loutrophoros-hydria,作为一个sema,已故的少女被描绘得离它很近,特别强调了loutrophoros作为过早死亡和永恒童贞的象征。
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引用次数: 1
Front matter 前页
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/opathrom-11-01
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引用次数: 0
Preliminary report of the Malthi Archaeological Project, 2015–2016 马耳他考古项目初步报告,2015-2016
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/OPATHROM-11-02
Michael Lindblom, R. Worsham, Claire Zikidi
This article offers preliminary results and tentative interpretations of new work at the previously excavated settlement of Malthi in Messenia, south-west Pelopponese. The work included an intensive survey of the site architecture, as well as test excavations of spaces within and outside of the fortification wall. We propose updated observations on the chronology and phasing of the site based on pottery dates from the new excavation and comment on the preserved architecture as it compares to other settlements of the period. The settlement appears to have been first inhabited in the second half of the Middle Helladic period. Little, if any, architecture from this phase can be securely identified today. At the beginning of the Late Helladic period a fortification was erected, and the entire layout of the site was transformed. The construction likely took place as a single project, as argued by the original excavator, and so indicates a significant investment of labor and capital. Such an undertaking speaks not only to local access to wealth at this time, but also compares well with changes in other Early Mycenaean communities. For yet unknown reasons, the settlement was abandoned no later than in Late Helladic IIIA1.
这篇文章提供了初步的结果和对先前在伯罗蓬塞西南部迈塞尼亚出土的Malthi定居点的新工作的初步解释。这项工作包括对场地建筑的深入调查,以及对防御墙内外空间的测试挖掘。我们根据新发掘的陶器日期,对遗址的年代和阶段进行了更新的观察,并对保存下来的建筑进行了评论,并将其与同期的其他定居点进行了比较。该定居点似乎在中希腊时期的后半期首次有人居住。今天,几乎没有(如果有的话)这个阶段的体系结构可以被安全地识别。在晚期希腊时期开始时,一个防御工事被竖立起来,整个遗址的布局被改变了。正如最初的挖土机所说,该工程可能是作为一个单独的项目进行的,因此表明了大量的劳动力和资本投资。这样的事业不仅说明了当地在这个时候获得财富的途径,而且与其他早期迈锡尼社区的变化相比也很好。由于尚不清楚的原因,该定居点不迟于希腊三晚期被放弃。
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引用次数: 3
Tokens of piety. Inexpensive dedications as functional and symbolic objects 虔诚的象征。作为功能性和象征性物品的廉价奉献品
IF 0.3 3区 历史学 0 ARCHAEOLOGY Pub Date : 2018-11-01 DOI: 10.30549/OPATHROM-11-05
G. Salapata
This article engages with some methods and theories of disciplines outside the traditional sphere of Classics to open up new perspectives on the interrelationship between material culture, religion and society. It focuses on dedicatory practices and, in particular, on modest offerings and the multiple ways these were valued in Greek society. It concludes that, even though small inexpensive offerings were affordable by poorer people, their dedicators likely came from various socio-economic backgrounds. Dedications of low economic value and modest appearance may have had high symbolic value because they embodied social and religious ideas or the desires and identities of the dedicator; or they could derive their value from the function they performed in ritual. If the messages carried by such offerings were of primary concern and their value symbolic and emotional rather than material, the choice of a small or inexpensive offering would not necessarily reflect lower socio-economic status. Moreover, if the main concern of gift giving were communication and reciprocity, the act of giving would have been more important than the offering’s monetary value.
本文运用传统经学领域之外的一些学科方法和理论,对物质文化、宗教和社会的相互关系进行了新的研究。它侧重于奉献实践,特别是适度的奉献,以及希腊社会重视这些的多种方式。研究得出的结论是,尽管较贫穷的人负担得起廉价的小礼物,但它们的奉献者可能来自不同的社会经济背景。低经济价值和朴素外观的奉献可能具有很高的象征价值,因为它们体现了社会和宗教观念或奉献者的欲望和身份;或者他们可以从他们在仪式中发挥的作用中获得价值。如果这种礼物所携带的信息是主要关注的,其价值是象征和情感而不是物质,那么选择小型或廉价的礼物不一定反映较低的社会经济地位。此外,如果赠送礼物的主要目的是沟通和互惠,那么赠送的行为就会比礼物的货币价值更重要。
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引用次数: 11
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Opuscula-Annual of the Swedish Institutes at Athens and Rome
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