Abstract This paper will philosophically extend Julian Leff’s Avatar therapy paradigm (AT) for voice-like hallucinations that was initially proposed for treatment-resistant Schizophrenia patients into the realm of gesture-enhanced embodied cognition and Virtual Reality (VR), entitled g+TA (gesture-enhanced Avatar Therapy). I propose an philosophy of technology approach of embodied rhetorics of triadic kinetic “actions” in the sense of Charles Sanders Peirce that transforms the voice hallucination incorporated by an avatar- and that can confront acousmatic voice-like hallucinations with a method of gesture synchronization and dyssynchronization and gestural refusal of interaction that the player with the Avatar can resist in full embodiment. This paper therefore introduces a gesture-enhanced, extended version of Cybertherapy with Avatars that tackle multimodal bodily experience of voice-like hallucinations beyond mere visual or auditory stimulation. This is put forward theoretically in a 4E-cognition approach that expands Avatar Therapy with gestures into VR.
{"title":"Hacking into Cybertherapy: Considering a Gesture-enhanced Therapy with Avatars (g+TA)","authors":"A. Gerner","doi":"10.2478/kjps-2020-0004","DOIUrl":"https://doi.org/10.2478/kjps-2020-0004","url":null,"abstract":"Abstract This paper will philosophically extend Julian Leff’s Avatar therapy paradigm (AT) for voice-like hallucinations that was initially proposed for treatment-resistant Schizophrenia patients into the realm of gesture-enhanced embodied cognition and Virtual Reality (VR), entitled g+TA (gesture-enhanced Avatar Therapy). I propose an philosophy of technology approach of embodied rhetorics of triadic kinetic “actions” in the sense of Charles Sanders Peirce that transforms the voice hallucination incorporated by an avatar- and that can confront acousmatic voice-like hallucinations with a method of gesture synchronization and dyssynchronization and gestural refusal of interaction that the player with the Avatar can resist in full embodiment. This paper therefore introduces a gesture-enhanced, extended version of Cybertherapy with Avatars that tackle multimodal bodily experience of voice-like hallucinations beyond mere visual or auditory stimulation. This is put forward theoretically in a 4E-cognition approach that expands Avatar Therapy with gestures into VR.","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"14 1","pages":"32 - 87"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84264791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Franck Jedrzejewski, Hétérotopies musicales: Modèles mathématiques de la musique (Paris, Hermann, 2019)","authors":"Vinícius de Aguiar","doi":"10.2478/kjps-2020-0003","DOIUrl":"https://doi.org/10.2478/kjps-2020-0003","url":null,"abstract":"","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"23 1","pages":"115 - 122"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83271916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Gothic Uncanny: Selected Mind-Images in Literature and Film","authors":"Graça P. Corrêa","doi":"10.2478/kjps-2019-0014","DOIUrl":"https://doi.org/10.2478/kjps-2019-0014","url":null,"abstract":"","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"5 1","pages":"179 - 204"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90217989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Adam Elga has presented an anti-thermodynamic process as a counterexample to Lewis’s default semantics for counterfactuals. The outstanding reaction of Jonathan Schaffer and Boris Kment is revisionary. It sacrifices Lewis’s aim of defining causation in terms of counterfactual dependence. Lewis himself suggested an alternative: «counter-entropic funnybusiness» should make for dissimilarity. But how is this alternative to be spelled out? I discuss a recent proposal: include special science laws, among them the laws of thermodynamics. Although the proposal fails, it serves to uncover the limits of Elga’s example.
Adam Elga提出了一个反热力学过程，作为Lewis反事实默认语义的反例。乔纳森·谢弗(Jonathan Schaffer)和鲍里斯·克门特(Boris Kment)的杰出反应是修正。它牺牲了路易斯用反事实依赖来定义因果关系的目标。刘易斯自己提出了另一种选择:“反熵的有趣的生意”应该是不同的。但是，这一选择如何被阐明呢?我讨论了最近的一个建议:包括特殊的科学定律，其中包括热力学定律。虽然这个提议失败了，但它揭示了埃尔加的例子的局限性。
{"title":"Should Special Science Laws Be Written into the Semantics of Counterfactuals?","authors":"D. Dohrn","doi":"10.2478/kjps-2019-0010","DOIUrl":"https://doi.org/10.2478/kjps-2019-0010","url":null,"abstract":"Abstract Adam Elga has presented an anti-thermodynamic process as a counterexample to Lewis’s default semantics for counterfactuals. The outstanding reaction of Jonathan Schaffer and Boris Kment is revisionary. It sacrifices Lewis’s aim of defining causation in terms of counterfactual dependence. Lewis himself suggested an alternative: «counter-entropic funnybusiness» should make for dissimilarity. But how is this alternative to be spelled out? I discuss a recent proposal: include special science laws, among them the laws of thermodynamics. Although the proposal fails, it serves to uncover the limits of Elga’s example.","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"16 1","pages":"108 - 86"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73952968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract According to Kant, the axioms of intuition, i.e. space and time, must provide an organization of the sensory experience. However, this first orderliness of empirical sensations seems to depend on a kind of faculty pertaining to subjectivity, rather than to the encounter of these same intuitions with the real properties of phenomena. Starting from an analysis of some very significant developments in mathematical and theoretical physics in the last decades, in which intuition played an important role, we argue that nevertheless intuition comes into play in a fundamentally different way to that which Kant had foreseen: in the form of a formal or “categorical” yet not sensible intuition. We show further that the statement that our space is mathematically three-dimensional and locally Euclidean by no means follows from a supposed a priori nature of the sensible or subjective space as Kant claimed. In fact, the three-dimensional space can bear many different geometrical and topological structures, as particularly the mathematical results of Milnor, Smale, Thurston and Donaldson demonstrated. On the other hand, it has been stressed that even the phenomenological or perceptual space, and especially the visual system, carries a very rich geometrical organization whose structure is essentially non-Euclidean. Finally, we argue that in order to grasp the meaning of abstract geometric objects, as n-dimensional spaces, connections on a manifold, fiber spaces, module spaces, knotted spaces and so forth, where sensible intuition is essentially lacking and where therefore another type of mathematical idealization intervenes, we need to develop a new form of intuition.
{"title":"The Role of Intuition and Formal Thinking in Kant, Riemann, Husserl, Poincare, Weyl, and in Current Mathematics and Physics","authors":"Luciano Boi","doi":"10.2478/kjps-2019-0007","DOIUrl":"https://doi.org/10.2478/kjps-2019-0007","url":null,"abstract":"Abstract According to Kant, the axioms of intuition, i.e. space and time, must provide an organization of the sensory experience. However, this first orderliness of empirical sensations seems to depend on a kind of faculty pertaining to subjectivity, rather than to the encounter of these same intuitions with the real properties of phenomena. Starting from an analysis of some very significant developments in mathematical and theoretical physics in the last decades, in which intuition played an important role, we argue that nevertheless intuition comes into play in a fundamentally different way to that which Kant had foreseen: in the form of a formal or “categorical” yet not sensible intuition. We show further that the statement that our space is mathematically three-dimensional and locally Euclidean by no means follows from a supposed a priori nature of the sensible or subjective space as Kant claimed. In fact, the three-dimensional space can bear many different geometrical and topological structures, as particularly the mathematical results of Milnor, Smale, Thurston and Donaldson demonstrated. On the other hand, it has been stressed that even the phenomenological or perceptual space, and especially the visual system, carries a very rich geometrical organization whose structure is essentially non-Euclidean. Finally, we argue that in order to grasp the meaning of abstract geometric objects, as n-dimensional spaces, connections on a manifold, fiber spaces, module spaces, knotted spaces and so forth, where sensible intuition is essentially lacking and where therefore another type of mathematical idealization intervenes, we need to develop a new form of intuition.","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"8 1","pages":"1 - 53"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84442705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In this work we summarise the concept of bisimulation, widely used both in computational sciences and in modal logic, that characterises modal structures with the same behaviour in terms of accessibility relations. Then, we offer a sketch of categorical interpretation of bisimulation between modal structures, which comprise both the structure and the valuation from a propositional language.
{"title":"Categorical Interpretation of Modal Structures under Bisimulation","authors":"Nino Guallart","doi":"10.2478/kjps-2019-0008","DOIUrl":"https://doi.org/10.2478/kjps-2019-0008","url":null,"abstract":"Abstract In this work we summarise the concept of bisimulation, widely used both in computational sciences and in modal logic, that characterises modal structures with the same behaviour in terms of accessibility relations. Then, we offer a sketch of categorical interpretation of bisimulation between modal structures, which comprise both the structure and the valuation from a propositional language.","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"139 1","pages":"54 - 71"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77936329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Human behavior can range from automatic and even unconscious bodily movements to very elaborate and rational decisions. In this paper I develop a taxonomy based on the empirical analysis of the phenomenology associated with selected instances of different forms of behavior. The transition from sub-actional behavior to proper actions is shown to take place when the agent intervenes actively in the causal process leading from her mental states to the bodily movement by exercising her power to form intentions to act. It is argued that this type of analysis could be helpful to agent-causal accounts of action and free will.
{"title":"From My Arm Rising to Me Raising It: a Taxonomy of Behaviors and Actions","authors":"Joana Rigato","doi":"10.2478/kjps-2019-0012","DOIUrl":"https://doi.org/10.2478/kjps-2019-0012","url":null,"abstract":"Abstract Human behavior can range from automatic and even unconscious bodily movements to very elaborate and rational decisions. In this paper I develop a taxonomy based on the empirical analysis of the phenomenology associated with selected instances of different forms of behavior. The transition from sub-actional behavior to proper actions is shown to take place when the agent intervenes actively in the causal process leading from her mental states to the bodily movement by exercising her power to form intentions to act. It is argued that this type of analysis could be helpful to agent-causal accounts of action and free will.","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"103 1","pages":"132 - 160"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76690837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract with this paper, we intend to clarify some of the central notions that are commonly used in contemporary developments of Epistemic Logic, which lack a proper theoretical foundation. We want to follow the steps of some prominent epistemologists and epistemic logicians, who advocate for a correlation between their respective fields of study. We will proceed with a first small step that will consist in adapting one contemporary version of Epistemic Internalism to the framework of Awareness Logic, such that the key concepts in this logic can be sustained by an epistemological view, which, in turn, can work as a theoretical foundation for Awareness Logic.
{"title":"Awareness Logic: an Epistemological Defence Correlations between Awareness Logic and Epistemology","authors":"C. Fernández-Fernández","doi":"10.2478/kjps-2019-0009","DOIUrl":"https://doi.org/10.2478/kjps-2019-0009","url":null,"abstract":"Abstract with this paper, we intend to clarify some of the central notions that are commonly used in contemporary developments of Epistemic Logic, which lack a proper theoretical foundation. We want to follow the steps of some prominent epistemologists and epistemic logicians, who advocate for a correlation between their respective fields of study. We will proceed with a first small step that will consist in adapting one contemporary version of Epistemic Internalism to the framework of Awareness Logic, such that the key concepts in this logic can be sustained by an epistemological view, which, in turn, can work as a theoretical foundation for Awareness Logic.","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"1 1","pages":"72 - 85"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89900529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This text is a reflection in action of an artistic process based on a scientific research. ENSAIO is the choreographic project that resulted from the translation mechanisms of laboratory concepts to a bodily approach, where it proposes a possible mainstreaming of artistic and scientific processes combined. This project joined artistic higher education schools in dance and scenic arts (ESD and FCSH) and Polavieja lab, a neuroscience research lab in Champalimaud Foundation – Center for the Unknown. This text aims to reveal the creative choreographic and performative potentials hidden in this scientific research concerning neurosciences. Identifying cross materials to artistic and scientific processes, it was possible to design a structure of the creation process and the construction of a choreographic performance. The common platform has been found in the process of translation and the definition of the same concept substrate, which made possible the approach of the two instances: studio and laboratory. One of its key features is the promotion of the communication among its agents: scientists and dancers. And the possibility of modelling and absorption from what it comes from this sharing and collaboration. The methods and the choreographic procedures mirrored and promoted this sharing and, therefore, the involvement of the body. Where, the body is the agent able to reflect and trigger this process, a body as an essay that is constantly in research. A body able to coordinate between various media and to expand the reflection on itself. Although science and art are individual instances that inevitably specialise and segregated away. Therefore, this text focuses on examples of cross-thinking of both scientific and artistic cultures, and the articulation of the theoretical and practical bodies in a practice-as-research on the development of the ENSAIO creative process.
{"title":"From Science to Dance Ensaio Between Lab and Studio","authors":"Ângelo Cid Neto","doi":"10.2478/kjps-2019-0015","DOIUrl":"https://doi.org/10.2478/kjps-2019-0015","url":null,"abstract":"Abstract This text is a reflection in action of an artistic process based on a scientific research. ENSAIO is the choreographic project that resulted from the translation mechanisms of laboratory concepts to a bodily approach, where it proposes a possible mainstreaming of artistic and scientific processes combined. This project joined artistic higher education schools in dance and scenic arts (ESD and FCSH) and Polavieja lab, a neuroscience research lab in Champalimaud Foundation – Center for the Unknown. This text aims to reveal the creative choreographic and performative potentials hidden in this scientific research concerning neurosciences. Identifying cross materials to artistic and scientific processes, it was possible to design a structure of the creation process and the construction of a choreographic performance. The common platform has been found in the process of translation and the definition of the same concept substrate, which made possible the approach of the two instances: studio and laboratory. One of its key features is the promotion of the communication among its agents: scientists and dancers. And the possibility of modelling and absorption from what it comes from this sharing and collaboration. The methods and the choreographic procedures mirrored and promoted this sharing and, therefore, the involvement of the body. Where, the body is the agent able to reflect and trigger this process, a body as an essay that is constantly in research. A body able to coordinate between various media and to expand the reflection on itself. Although science and art are individual instances that inevitably specialise and segregated away. Therefore, this text focuses on examples of cross-thinking of both scientific and artistic cultures, and the articulation of the theoretical and practical bodies in a practice-as-research on the development of the ENSAIO creative process.","PeriodicalId":52005,"journal":{"name":"Kairos-Journal of Philosophy & Science","volume":"44 1","pages":"205 - 243"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73703224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：