Pub Date : 2019-01-01DOI: 10.12795/ppa.2019.i21.10
Victoriano Sainz Gutiérrez
{"title":"JAVIER MADERUELO: EL PAISAJE. GÉNESIS DE UN CONCEPTO","authors":"Victoriano Sainz Gutiérrez","doi":"10.12795/ppa.2019.i21.10","DOIUrl":"https://doi.org/10.12795/ppa.2019.i21.10","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66087920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.12795/ppa.2019.i21.08
Clara Elena Mejía Vallejo, Ricardo Meri de la Maza
{"title":"ROGELIO SALMONA Y LA CONSTRUCCIÓN DEL LÍMITE. DIÁLOGOS ENTRE TOPOGRAFÍA Y PAISAJE","authors":"Clara Elena Mejía Vallejo, Ricardo Meri de la Maza","doi":"10.12795/ppa.2019.i21.08","DOIUrl":"https://doi.org/10.12795/ppa.2019.i21.08","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"24 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66087846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-05-20DOI: 10.12795/PPA.2018.I18.02
J. González
RESUMEN La arquitectura producida a comienzos del siglo XX por la denominada Escuela de Chicago, genero un estilo reconocible mas alla de sus fronteras. Tanto es asi que muchos de los arquitectos norteamericanos pertenecientes a aquel periodo han sido considerados como miembros del mismo grupo. Tal es el caso de Marion Mahony Griffin y Walter Burley Griffin, quienes ademas en su juventud fueron colaboradores de Frank Lloyd Wright junto con el que desarrollaron multiples proyectos de las Prairie Houses. Sin embargo, una vez comienzan su practica profesional de manera autonoma en el continente australiano, la distancia establecida entre America y Oceania les permite evolucionar lo aprendido de sus maestros hacia un lenguaje personal alejado de sus referencias. Aun siendo reconocibles sus origenes, la arquitectura producida para la comunidad residencial de Castlecrag, muestra unas construcciones singulares, ajenas a lo que en su pais natal se estaba produciendo, y que por tanto permite afirmar que no son unos simples discipulos de la Escuela de Chicago, sino unos arquitectos en busca de un lenguaje propio, desde la libertad de quien trabaja en la distancia. SUMMARY The architecture produced in the early 20th century by what is known as the Chicago School led to a style that can be found far beyond its borders. Such is the case that many North American architects from that period have been considered members of the same group. They include Marion Mahony Griffin and Walter Burley Griffin, who also collaborated with Frank Lloyd Wright early on, developing several Prairie House projects. However, once they embarked on their own independent professional work on the Australian continent, the distance between America and Oceania allowed them to evolve what they had learnt from their masters towards a more personal language that strayed from their references. Even with recognizable origins, the architecture produced for the residential community of Castlecrag reflects singular structures quite unlike what was being produced in their home country and which, therefore, proved they were not simply disciples of the Chicago School but rather architects in search of their own language from the freedom of working at a distance. KEY WORDS Australia, Castlecrag, Nature, Environment, Knitlock, Griffin
摘要在20世纪初制作的架构,所谓的芝加哥学派,性别辨认超越国界的样式。这一时期的许多美国建筑师都被认为是同一群体的成员。马里恩·马奥尼·格里芬(Marion Mahony Griffin)和沃尔特·伯利·格里芬(Walter Burley Griffin)就是这样的例子，他们年轻时曾与弗兰克·劳埃德·赖特(Frank Lloyd Wright)合作，共同开发了Prairie Houses的多个项目。然而，一旦他们开始在澳大利亚大陆独立执业，美洲和大洋洲之间建立的距离使他们能够将从老师那里学到的东西发展成一种远离他们参考的个人语言。即使是fnaire其根,社会架构产生住宅以外的Castlecrag,显示了一些独特的建筑,在其国家故乡所形成的,因此说他们不是简单的门徒从芝加哥学派,而是一些建筑师在寻找自己的语言,从自由工作的人在这个距离。摘要The architecture role in The early 20世纪by what is司法芝加哥School led to a style that can be found far beyond its borders。诸如is the case that就所审议的许多北美建筑from that period得到成员of the same group。They include马里昂Mahony Griffin)和沃尔特管理处处长Griffin),世界卫生组织也collaborated with弗兰克·劳埃德·赖特early on,发展中若干草原之家项目。然而，一旦他们开始在澳大利亚大陆进行独立的专业工作，美洲和大洋洲之间的距离使他们能够将他们从大师那里学到的东西发展成一种从他们的参考资料中转移过来的个人语言。Even with recognizable起源,the architecture生产的for the保育院community of Castlecrag反映独特聘用拿掉unlike what was being role in their home country and which,因此,证明they not simply disciples of the芝加哥学校而是建筑师in search of their own language from the freedom of working at a distance。关键词中国，中国，中国，中国，中国
{"title":"Honestidad material. Castlecrag 1920-1937","authors":"J. González","doi":"10.12795/PPA.2018.I18.02","DOIUrl":"https://doi.org/10.12795/PPA.2018.I18.02","url":null,"abstract":"RESUMEN La arquitectura producida a comienzos del siglo XX por la denominada Escuela de Chicago, genero un estilo reconocible mas alla de sus fronteras. Tanto es asi que muchos de los arquitectos norteamericanos pertenecientes a aquel periodo han sido considerados como miembros del mismo grupo. Tal es el caso de Marion Mahony Griffin y Walter Burley Griffin, quienes ademas en su juventud fueron colaboradores de Frank Lloyd Wright junto con el que desarrollaron multiples proyectos de las Prairie Houses. Sin embargo, una vez comienzan su practica profesional de manera autonoma en el continente australiano, la distancia establecida entre America y Oceania les permite evolucionar lo aprendido de sus maestros hacia un lenguaje personal alejado de sus referencias. Aun siendo reconocibles sus origenes, la arquitectura producida para la comunidad residencial de Castlecrag, muestra unas construcciones singulares, ajenas a lo que en su pais natal se estaba produciendo, y que por tanto permite afirmar que no son unos simples discipulos de la Escuela de Chicago, sino unos arquitectos en busca de un lenguaje propio, desde la libertad de quien trabaja en la distancia. SUMMARY The architecture produced in the early 20th century by what is known as the Chicago School led to a style that can be found far beyond its borders. Such is the case that many North American architects from that period have been considered members of the same group. They include Marion Mahony Griffin and Walter Burley Griffin, who also collaborated with Frank Lloyd Wright early on, developing several Prairie House projects. However, once they embarked on their own independent professional work on the Australian continent, the distance between America and Oceania allowed them to evolve what they had learnt from their masters towards a more personal language that strayed from their references. Even with recognizable origins, the architecture produced for the residential community of Castlecrag reflects singular structures quite unlike what was being produced in their home country and which, therefore, proved they were not simply disciples of the Chicago School but rather architects in search of their own language from the freedom of working at a distance. KEY WORDS Australia, Castlecrag, Nature, Environment, Knitlock, Griffin","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"109 1","pages":"28-41"},"PeriodicalIF":0.2,"publicationDate":"2018-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80733838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-05-20DOI: 10.12795/PPA.2018.I18.11
Amadeo Ramos-Carranza, R. Añón-Abajas
Para la arquitectura, la década de los sesenta y siguientes queda como el momento de grandes acontecimientos que la intención de cambiar los paradigmas sociales, políticos, económicos e ideológicos dominantes en sociedades industrializadas y desarrolladas. Movimientos y corrientes contraculturales que se añadieron al extenso y complejo panorama ideológico que Charles Jencks representó en su gráfico en el año 1971. Aquellos caminos marginales, con el paso del tiempo, el cambio de milenio y la consolidación de una arquitectura global, han dejado de expresar acciones o pensamientos colectivos, siendo sustituidos por nombres propios de arquitectos o de las principales empresas productoras de la arquitectura. El texto de este artículo reflexiona críticamente sobre esta cuestión y aprovecha la capacidad de determinadas ideas que sugieren investigaciones actuales, para proponer un entramado cultural que transitaría al margen de las arquitecturas representativas del pensamiento global.
{"title":"CONTRACULTURA, ACCIONES Y ARQUITECTURA","authors":"Amadeo Ramos-Carranza, R. Añón-Abajas","doi":"10.12795/PPA.2018.I18.11","DOIUrl":"https://doi.org/10.12795/PPA.2018.I18.11","url":null,"abstract":"Para la arquitectura, la década de los sesenta y siguientes queda como el momento de grandes acontecimientos que la intención de cambiar los paradigmas sociales, políticos, económicos e ideológicos dominantes en sociedades industrializadas y desarrolladas. Movimientos y corrientes contraculturales que se añadieron al extenso y complejo panorama ideológico que Charles Jencks representó en su gráfico en el año 1971. Aquellos caminos marginales, con el paso del tiempo, el cambio de milenio y la consolidación de una arquitectura global, han dejado de expresar acciones o pensamientos colectivos, siendo sustituidos por nombres propios de arquitectos o de las principales empresas productoras de la arquitectura. El texto de este artículo reflexiona críticamente sobre esta cuestión y aprovecha la capacidad de determinadas ideas que sugieren investigaciones actuales, para proponer un entramado cultural que transitaría al margen de las arquitecturas representativas del pensamiento global.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41462237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-28DOI: 10.5377/ARQUITECTURA.V2I4.9138
G. Meynard, A. Zamora
{"title":"El Arte de la Guerra, una estrategia milenaria","authors":"G. Meynard, A. Zamora","doi":"10.5377/ARQUITECTURA.V2I4.9138","DOIUrl":"https://doi.org/10.5377/ARQUITECTURA.V2I4.9138","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":"6-7"},"PeriodicalIF":0.2,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88547370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-28DOI: 10.5377/ARQUITECTURA.V2I4.9139
Eddisson Hernández
This work briefly addresses the issue of the extensive use of concrete in the world as the mainbuilding material and the importance of the design and construction of durable works. Thecontinuous improvements in the investment and infrastructure climate in Nicaragua have allowedsustained economic growth of over 4% in recent years. In 2017, important infrastructure works foran approximate amount of C $ 3, 095 million cordobas, have materialized in Managua. Among thesewe have: the new Dennis Martinez stadium, the road improvement in the access of the pebbles, thenew western hospital Fernando Velez Paiz, etc. By 2018, Nicaragua's economic growth is expectedto be 5%, and its impact on the construction sector to be positive. The projection of newinfrastructure works in Nicaragua should be considered with a long service life. Therefore, is theconstruction durable, the vision of the future for Nicaragua?
{"title":"Construcción durable - Una visión de futuro para Nicaragua","authors":"Eddisson Hernández","doi":"10.5377/ARQUITECTURA.V2I4.9139","DOIUrl":"https://doi.org/10.5377/ARQUITECTURA.V2I4.9139","url":null,"abstract":"This work briefly addresses the issue of the extensive use of concrete in the world as the mainbuilding material and the importance of the design and construction of durable works. Thecontinuous improvements in the investment and infrastructure climate in Nicaragua have allowedsustained economic growth of over 4% in recent years. In 2017, important infrastructure works foran approximate amount of C $ 3, 095 million cordobas, have materialized in Managua. Among thesewe have: the new Dennis Martinez stadium, the road improvement in the access of the pebbles, thenew western hospital Fernando Velez Paiz, etc. By 2018, Nicaragua's economic growth is expectedto be 5%, and its impact on the construction sector to be positive. The projection of newinfrastructure works in Nicaragua should be considered with a long service life. Therefore, is theconstruction durable, the vision of the future for Nicaragua?","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"67 1","pages":"8-12"},"PeriodicalIF":0.2,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90377036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-28DOI: 10.5377/ARQUITECTURA.V2I4.9142
Napoleón Guerrero
Currently, the city of Managua is subject to a series of interventions in the public space or system of territorial and urban free spaces. Recently, between 2015 and 2017, the Rubenia overpass, the new urban bus stops, the renovation of a network of intelligent traffic lights, and the construction of a multi-purpose building to celebrate sporting events, among other works linked to the celebration, were built. of the XI Central American Sports Games, Managua 2017,still under construction. Also, we have seen the successful completion of many parks in our neighborhoods. Undoubtedly, these operations come to give quality of life to all citizens and are an undeniable sign of the process of urbanization that the capital has experienced since 2008. This process of urban transformation is broad and has other scales of intervention, such as the construction of the Estadio de Beisbol, located in an urban area that has been shaping up for decades as one of the most symbolic centralities of the new Managua, gathering particular buildings such as the Cathedral, the traditional Shopping Center and the Intercontinental MetroCentro Hotel.The observation of these interventions in the public space raises the need for a reflection on the meaning and the basic concepts of this practice. It seems intuited a strategy of specific operations on specific areas, which present urban conflicts especially in the area of road and pedestrian circulation. However, from this same urban praxis arises the need to ask about the totality of the problem in a systemic way: Is the increase of the road box on the express roadsand the construction of overpasses to improve road circulation sufficient, and ignore pedestrian circulation in the solution of public space? Is it enough to technologically improve the traffic lights network and improve the conditions of shelter at bus stops? What are the urban qualities of high road crossings and how do they contribute to the complexity of the definition of the street? There is no doubt that these urban operations are key in improving the efficiency oftransport and the circulation of the city, but at the same time, they seem to be partial and disconnected insofar as they leave out several aspects related to the complexity of the Spaces System. Urban and Territorial Publics.
{"title":"¡Recuperar la acera, salvar la vida urbana! Observaciones para una intervención integral del Sistema de Espacio Público de Managua","authors":"Napoleón Guerrero","doi":"10.5377/ARQUITECTURA.V2I4.9142","DOIUrl":"https://doi.org/10.5377/ARQUITECTURA.V2I4.9142","url":null,"abstract":"Currently, the city of Managua is subject to a series of interventions in the public space or system of territorial and urban free spaces. Recently, between 2015 and 2017, the Rubenia overpass, the new urban bus stops, the renovation of a network of intelligent traffic lights, and the construction of a multi-purpose building to celebrate sporting events, among other works linked to the celebration, were built. of the XI Central American Sports Games, Managua 2017,still under construction. Also, we have seen the successful completion of many parks in our neighborhoods. Undoubtedly, these operations come to give quality of life to all citizens and are an undeniable sign of the process of urbanization that the capital has experienced since 2008. This process of urban transformation is broad and has other scales of intervention, such as the construction of the Estadio de Beisbol, located in an urban area that has been shaping up for decades as one of the most symbolic centralities of the new Managua, gathering particular buildings such as the Cathedral, the traditional Shopping Center and the Intercontinental MetroCentro Hotel.The observation of these interventions in the public space raises the need for a reflection on the meaning and the basic concepts of this practice. It seems intuited a strategy of specific operations on specific areas, which present urban conflicts especially in the area of road and pedestrian circulation. However, from this same urban praxis arises the need to ask about the totality of the problem in a systemic way: Is the increase of the road box on the express roadsand the construction of overpasses to improve road circulation sufficient, and ignore pedestrian circulation in the solution of public space? Is it enough to technologically improve the traffic lights network and improve the conditions of shelter at bus stops? What are the urban qualities of high road crossings and how do they contribute to the complexity of the definition of the street? There is no doubt that these urban operations are key in improving the efficiency oftransport and the circulation of the city, but at the same time, they seem to be partial and disconnected insofar as they leave out several aspects related to the complexity of the Spaces System. Urban and Territorial Publics.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"24 1","pages":"32-41"},"PeriodicalIF":0.2,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78980245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-28DOI: 10.5377/ARQUITECTURA.V2I4.9141
R. Hernández, Luis Carlos Cruz-Ramírez
This article describes elements of palafite housing, as an ontological fact. This establishes a relationship of existence influenced by social aspects, divided by its order in economic (productive), and ideological (theological, political, symbolic). Based on the above, we reflected on the typological prevalence of thelocation and the architectural configuration of the dwellings, with respect to their relationship with the ideological social aspects. For this study, the houses of the Miskitu and Mayangna communities of the Atlantic region of Nicaragua were selected as the object of study. After documenting ethnographic and anthropological aspects, it was established the existence of three typologies of palafite habitat related to its ideological body, attributing its characteristics to the meaning that the inhabitant has with respect to the elements of his spiritual environment. This explains why, although the inhabitants are exposed to risksituations that affect their permanence, they assume the traditional model of habitat.
{"title":"Vivienda vernácula palafítica mayangna y miskitu de Nicaragua","authors":"R. Hernández, Luis Carlos Cruz-Ramírez","doi":"10.5377/ARQUITECTURA.V2I4.9141","DOIUrl":"https://doi.org/10.5377/ARQUITECTURA.V2I4.9141","url":null,"abstract":"This article describes elements of palafite housing, as an ontological fact. This establishes a relationship of existence influenced by social aspects, divided by its order in economic (productive), and ideological (theological, political, symbolic). Based on the above, we reflected on the typological prevalence of thelocation and the architectural configuration of the dwellings, with respect to their relationship with the ideological social aspects. For this study, the houses of the Miskitu and Mayangna communities of the Atlantic region of Nicaragua were selected as the object of study. After documenting ethnographic and anthropological aspects, it was established the existence of three typologies of palafite habitat related to its ideological body, attributing its characteristics to the meaning that the inhabitant has with respect to the elements of his spiritual environment. This explains why, although the inhabitants are exposed to risksituations that affect their permanence, they assume the traditional model of habitat.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"95 1","pages":"23-31"},"PeriodicalIF":0.2,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78572666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Herman Hertzberger pertenece a ese grupo de arquitectos que, desde comienzos del siglo XX hasta nuestros días, han entendido el binomio arquitectura–pedagogía como indisoluble, como dos disciplinas complementarias en el proceso de aprendizaje que recrean un modelo de sociedad y, por ende, del espacio donde esta se desarrolla. Hertzberger entiende la arquitectura como instrumento pedagógico y como oportunidad esencial para la configuración de un espacio de relación. Su obra nos desvela una preocupación máxima por el usuario, por los valores colectivos, en un entendimiento de la arquitectura como soporte de libertad, cuyo antecedente inmediato fue el ideario de su maestro Aldo van Eyck. Pero es en su arquitectura escolar donde esto se observa de forma más radical. A través de los numerosos proyectos realizados vinculados a la educación, se recorren todas las etapas de aprendizaje del hombre desde la infancia hasta la universidad, en los cuales se desarrolla un amplio repertorio de estrategias proyectuales vinculadas a la Escuela Activa como modelo de aprendizaje y más concretamente al Método Montessori. Su dilatada obra vinculada a la enseñanza le permite ensayar en todos los registros posibles la idea de un edificio como ciudad, difuminando los límites entre espacios privados y públicos en todas las escalas entre la escuela y su entorno, en un recorrido que va del aula a la ciudad.
{"title":"DEL AULA A LA CIUDAD. ARQUETIPOS URBANOS EN LAS ESCUELAS PRIMARIAS DE HERMAN HERTZBERGER","authors":"Esther Mayoral-Campa, Melina Pozo-Bernal","doi":"10.12795/PPA2017I17.07","DOIUrl":"https://doi.org/10.12795/PPA2017I17.07","url":null,"abstract":"Herman Hertzberger pertenece a ese grupo de arquitectos que, desde comienzos del siglo XX hasta nuestros días, han entendido el binomio arquitectura–pedagogía como indisoluble, como dos disciplinas complementarias en el proceso de aprendizaje que recrean un modelo de sociedad y, por ende, del espacio donde esta se desarrolla. Hertzberger entiende la arquitectura como instrumento pedagógico y como oportunidad esencial para la configuración de un espacio de relación. Su obra nos desvela una preocupación máxima por el usuario, por los valores colectivos, en un entendimiento de la arquitectura como soporte de libertad, cuyo antecedente inmediato fue el ideario de su maestro Aldo van Eyck. Pero es en su arquitectura escolar donde esto se observa de forma más radical. A través de los numerosos proyectos realizados vinculados a la educación, se recorren todas las etapas de aprendizaje del hombre desde la infancia hasta la universidad, en los cuales se desarrolla un amplio repertorio de estrategias proyectuales vinculadas a la Escuela Activa como modelo de aprendizaje y más concretamente al Método Montessori. Su dilatada obra vinculada a la enseñanza le permite ensayar en todos los registros posibles la idea de un edificio como ciudad, difuminando los límites entre espacios privados y públicos en todas las escalas entre la escuela y su entorno, en un recorrido que va del aula a la ciudad.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2017-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49293736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-30DOI: 10.5377/arquitectura.v2i3.9149
U. Cardoza
{"title":"Evolución Urbana y Arquitectónica de la Ciudad de Matagalpa","authors":"U. Cardoza","doi":"10.5377/arquitectura.v2i3.9149","DOIUrl":"https://doi.org/10.5377/arquitectura.v2i3.9149","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"33 20","pages":"54-61"},"PeriodicalIF":0.2,"publicationDate":"2017-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72373750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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