Pub Date : 2019-05-18DOI: 10.12795/PPA.2019.I20.05
N. Villalobos
RESUMEN Los juguetes despiertan a menudo el interes de los arquitectos. Numerosos autores reconocidos los han empleado en diferentes momentos de la historia para expresar de forma sintetica un determinado ideario arquitectonico, por lo que su analisis desde la actualidad permite comprender facilmente el contexto del que surgieron. Charles y Ray Eames encabezan la lista de arquitectos fascinados por los juguetes: los coleccionaban, los exhibian y tambien los disenaban para producirlos en serie. Uno de los juguetes mas innovadores y comercialmente exitosos que crearon fue la House of Cards: una baraja de cartas impresas con motivos graficos o fotografias que se encajaban entre si mediante seis ranuras para conformar varias estructuras tridimensionales. El pequeno objeto condensa conceptos presentes en todo su trabajo: el juego como objeto y como metodologia, el cambio de escala y el proceso de trabajo concatenado, lo individual en lo seriado, la importancia de lo cotidiano, de la coleccion y de la fotografia, el uso de la imagen multiple, el origen de la obra como regalo, la celebracion permanente y la conexion de la vida con el arte. El articulo se propone asi desarrollar los rasgos mas caracteristicos de la obra de los Eames a traves de este atractivo objeto, mostrar su influencia en otros autores y obras, y rescatarlo de su extenso legado como metodo creativo y laboratorio de experimentacion para futuras arquitecturas. SUMMARY Toys often arouse the interest of architects. Many recognized authors have used them at different times in history to express in a synthetic way a certain architectural ideology, so its analysis from the present allows us to easily understand the context from which it emerged. Charles and Ray Eames top the list of architects fascinated by toys: they collected them, exhibited them, and also designed them to produce them in series. One of the most innovative and commercially successful toys they created was the House of Cards: a deck of playing cards, printed with graphic motifs or photographs, that fit together with six slots to form several three-dimensional structures. The small object condenses concepts present in all their work: the game, as object and as methodology, the change of scale and the process of concatenated work, the particular in the mass produced, the importance of the everyday, of the collection and photography, the use of the multiple image, the origin of the work as a gift, the permanent celebration, and the connection of life with art. The article aims to develop the most characteristic features of the Eames’ work through this attractive object, showing its influence on other authors and works, and rescuing it from their extensive legacy as a creative method and experimentation laboratory for future architecture.
{"title":"HOUSE OF CARDS: EL “CONTINENTE” EAMES EN UNA BARAJA DE CARTAS","authors":"N. Villalobos","doi":"10.12795/PPA.2019.I20.05","DOIUrl":"https://doi.org/10.12795/PPA.2019.I20.05","url":null,"abstract":"RESUMEN Los juguetes despiertan a menudo el interes de los arquitectos. Numerosos autores reconocidos los han empleado en diferentes momentos de la historia para expresar de forma sintetica un determinado ideario arquitectonico, por lo que su analisis desde la actualidad permite comprender facilmente el contexto del que surgieron. Charles y Ray Eames encabezan la lista de arquitectos fascinados por los juguetes: los coleccionaban, los exhibian y tambien los disenaban para producirlos en serie. Uno de los juguetes mas innovadores y comercialmente exitosos que crearon fue la House of Cards: una baraja de cartas impresas con motivos graficos o fotografias que se encajaban entre si mediante seis ranuras para conformar varias estructuras tridimensionales. El pequeno objeto condensa conceptos presentes en todo su trabajo: el juego como objeto y como metodologia, el cambio de escala y el proceso de trabajo concatenado, lo individual en lo seriado, la importancia de lo cotidiano, de la coleccion y de la fotografia, el uso de la imagen multiple, el origen de la obra como regalo, la celebracion permanente y la conexion de la vida con el arte. El articulo se propone asi desarrollar los rasgos mas caracteristicos de la obra de los Eames a traves de este atractivo objeto, mostrar su influencia en otros autores y obras, y rescatarlo de su extenso legado como metodo creativo y laboratorio de experimentacion para futuras arquitecturas. SUMMARY Toys often arouse the interest of architects. Many recognized authors have used them at different times in history to express in a synthetic way a certain architectural ideology, so its analysis from the present allows us to easily understand the context from which it emerged. Charles and Ray Eames top the list of architects fascinated by toys: they collected them, exhibited them, and also designed them to produce them in series. One of the most innovative and commercially successful toys they created was the House of Cards: a deck of playing cards, printed with graphic motifs or photographs, that fit together with six slots to form several three-dimensional structures. The small object condenses concepts present in all their work: the game, as object and as methodology, the change of scale and the process of concatenated work, the particular in the mass produced, the importance of the everyday, of the collection and photography, the use of the multiple image, the origin of the work as a gift, the permanent celebration, and the connection of life with art. The article aims to develop the most characteristic features of the Eames’ work through this attractive object, showing its influence on other authors and works, and rescuing it from their extensive legacy as a creative method and experimentation laboratory for future architecture.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49325245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-18DOI: 10.12795/PPA.2019.I20.11
Rosa-María Añón-Abajas
RESUMEN Convencidos de que la arquitectura es esencial en la evolucion de la humanidad y conscientes de que su naturaleza sufriria especialmente la profunda crisis derivada de la transicion entre milenios, en 2010 fundamos la revista Proyecto, progreso, arquitectura. Desde entonces estamos provocando la investigacion en arquitectura y urbanismo, pero los avances son lentos, los cambios no acaban de producirse y seguimos enredados en un continuo incierto. Celebramos nuestro decimo aniversario con el numero Mas que arquitectura. El articulo editorial para esta ocasion, “Arquitectura y otros correlatos”, revisa la permanencia de la identidad y los principios fundamentales de la revista. La investigacion rigurosa y disciplinada se hace imprescindible para avanzar, pero tambien la actitud bohemia y arriesgada del arquitecto, su utopia y su ingenio. Los articulos aqui contenidos son el resultado de esta pequena revolucion: son una muestra de gran diversidad y gran valor que crecera con el paso del tiempo SUMMARY Convinced that architecture is essential in the evolution of humanity and aware that its nature would suffer a particularly profound crisis arising from the transition between millennia, in 2010 we founded the magazine Project, Progress, Architecture (Proyecto, Progreso, Arquitectura). Since then we have sparked research in architecture and urbanism. However, progress is slow, with continual changes, and we are still entangled in an uncertain continuum. We celebrate our tenth anniversary with the issue More than architecture (Mas que arquitectura). The editorial article for this occasion, "Architecture and other correlates", reviews the permanence of the identity and fundamental principles of the magazine. Rigorous and disciplined research is essential for progress, but also a bohemian and daring attitude of the architect, its utopia and ingenuity. The articles contained here are the result of this small revolution: they are a sample of great diversity and value that will grow with the passage of time
最后，我们提出了一种新的方法，通过这种方法，我们可以确定一个特定的社会群体，在这个社会群体中，不同的社会群体之间的关系是不同的，在这个社会中，不同的社会群体之间的关系是不同的，在这个社会中，不同的社会群体之间的关系是不同的。从那时起，我们一直在推动建筑和城市主义的研究，但进展缓慢，变化并不只是发生，我们仍然陷入一个不确定的连续体。我们用Mas que arquitectura来庆祝我们的十周年纪念日。本次活动的社论文章“Arquitectura y otros correlatos”回顾了该杂志身份的持久性和基本原则。严谨和有纪律的研究是前进的必要条件，但建筑师的波西米亚和冒险的态度，他的乌托邦和他的独创性也是必要的。这本书内容在这里是这个小子大革命的结果:是一个示例crecera多样性大、价值随着时间的推移,SUMMARY深信architecture is in the evolution of humanity”和aware that its nature将suffer a尤其是危机迅速arising from the transition between millennia in 2010 we理由the magazine Project, Progress, architecture(项目进展,架构)。= =地理= =根据美国人口普查局的数据，该县总面积为，其中土地和(1.)水。然而，进展缓慢，不断变化，我们仍然纠缠在一个不确定的连续体中。我们用“More than architecture”这个问题来庆祝我们的十周年纪念日。《建筑与其他相关》(Architecture and other相关)的编辑文章回顾了该杂志身份的永久性和基本原则。= =地理= =根据美国人口普查，这个县的面积为，其中土地面积为，其中土地面积为。这里所包含的文章是这次小革命的结果:它们是巨大多样性和价值的一个样本，将随着时间的推移而成长。
{"title":"ARQUITECTURA Y OTROS CORRELATOS / ARCHITECTURE AND OTHER CORRELATES","authors":"Rosa-María Añón-Abajas","doi":"10.12795/PPA.2019.I20.11","DOIUrl":"https://doi.org/10.12795/PPA.2019.I20.11","url":null,"abstract":"RESUMEN Convencidos de que la arquitectura es esencial en la evolucion de la humanidad y conscientes de que su naturaleza sufriria especialmente la profunda crisis derivada de la transicion entre milenios, en 2010 fundamos la revista Proyecto, progreso, arquitectura. Desde entonces estamos provocando la investigacion en arquitectura y urbanismo, pero los avances son lentos, los cambios no acaban de producirse y seguimos enredados en un continuo incierto. Celebramos nuestro decimo aniversario con el numero Mas que arquitectura. El articulo editorial para esta ocasion, “Arquitectura y otros correlatos”, revisa la permanencia de la identidad y los principios fundamentales de la revista. La investigacion rigurosa y disciplinada se hace imprescindible para avanzar, pero tambien la actitud bohemia y arriesgada del arquitecto, su utopia y su ingenio. Los articulos aqui contenidos son el resultado de esta pequena revolucion: son una muestra de gran diversidad y gran valor que crecera con el paso del tiempo SUMMARY Convinced that architecture is essential in the evolution of humanity and aware that its nature would suffer a particularly profound crisis arising from the transition between millennia, in 2010 we founded the magazine Project, Progress, Architecture (Proyecto, Progreso, Arquitectura). Since then we have sparked research in architecture and urbanism. However, progress is slow, with continual changes, and we are still entangled in an uncertain continuum. We celebrate our tenth anniversary with the issue More than architecture (Mas que arquitectura). The editorial article for this occasion, \"Architecture and other correlates\", reviews the permanence of the identity and fundamental principles of the magazine. Rigorous and disciplined research is essential for progress, but also a bohemian and daring attitude of the architect, its utopia and ingenuity. The articles contained here are the result of this small revolution: they are a sample of great diversity and value that will grow with the passage of time","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43603505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-18DOI: 10.12795/PPA.2019.I20.07
Laura Moruno Guillermo
RESUMEN “Lo movil” es una cualidad de indudable presencia en la configuracion de nuestro entorno, y por ello importante a tener en cuenta por el proyecto de arquitectura contemporaneo. El espacio de “lo eventual” muestra multitud de experiencias en relacion con ello, en las que distintas disciplinas artisticas y tecnicas han venido interactuando a lo largo del tiempo encontrandose unas con otras, muchas veces en sus zonas fronterizas, expandiendose asi hacia nuevos caminos. Jugando un papel especial esta la arquitectura, capaz de colaborar y enriquecerse con otros campos sin dejar de ser, por ello, una importante area especifica y propia de conocimiento. Asi ocurre en determinadas intervenciones desarrolladas en el “espacio evento” por el arquitecto Renzo Piano junto a equipos interdisciplinares de colaboradores, verdaderos laboratorios experimentales. Tal es el caso del espacio musical y escenico para la opera Prometeo (1984) y del espacio expositivo para la Fondazione Vedova en Venecia (2000-2009), ya en la actualidad de nuestro siglo XXI. En ellos, la produccion de movimiento se presenta como una estrategia proyectual que abre nuevas y diversas posibilidades de una experiencia de la arquitectura como autentico “acontecimiento”, lo que resulta ademas de especial interes en intervenciones de espacios patrimoniales, como sucede en ambos casos. Todo esto podria llevarnos a una mayor comprension del proyecto arquitectonico en el complejo momento actual: un proyecto generador de una arquitectura mas dinamica, abierta, participativa y social de cara al futuro. SUMMARY “ The mobile ” (lo movil) is a quality of undoubted presence in the shaping of our environment, and therefore important to be taken into account by the contemporary architectural project. The space for events shows a multitude of experiences in relation to it, in which different artistic disciplines and techniques have been interacting over time, meeting each other, often in their border areas, thus branching out into new paths. Playing a special role is architecture, capable of collaborating and enriching itself with other fields but without ceasing to be an important and specific area of knowledge. This happens in certain interventions developed in the “event space” by the architect Renzo Piano together with authentic experimental laboratories of interdisciplinary teams of collaborators. Such is the case of the scenic and musical space for the opera Prometeo (1984) and the exhibition space for the Fondazione Vedova in Venice already in our 21 st century (2000-2009). In them, the production of movement is presented as a project design strategy that opens new and diverse possibilities of an architecture experience as a real “event”, which is also of special interest in interventions of heritage spaces, as in both cases. All this could lead to a better understanding of the architectural project in this complex moment: a project able to generate a more dynamic, open, social and particip
{"title":"ARQUITECTURA Y MÁQUINAS DE MOVIMIENTO PARA EL NUEVO SIGLO. RENZO PIANO EN EL ESPACIO-EVENTO","authors":"Laura Moruno Guillermo","doi":"10.12795/PPA.2019.I20.07","DOIUrl":"https://doi.org/10.12795/PPA.2019.I20.07","url":null,"abstract":"RESUMEN “Lo movil” es una cualidad de indudable presencia en la configuracion de nuestro entorno, y por ello importante a tener en cuenta por el proyecto de arquitectura contemporaneo. El espacio de “lo eventual” muestra multitud de experiencias en relacion con ello, en las que distintas disciplinas artisticas y tecnicas han venido interactuando a lo largo del tiempo encontrandose unas con otras, muchas veces en sus zonas fronterizas, expandiendose asi hacia nuevos caminos. Jugando un papel especial esta la arquitectura, capaz de colaborar y enriquecerse con otros campos sin dejar de ser, por ello, una importante area especifica y propia de conocimiento. Asi ocurre en determinadas intervenciones desarrolladas en el “espacio evento” por el arquitecto Renzo Piano junto a equipos interdisciplinares de colaboradores, verdaderos laboratorios experimentales. Tal es el caso del espacio musical y escenico para la opera Prometeo (1984) y del espacio expositivo para la Fondazione Vedova en Venecia (2000-2009), ya en la actualidad de nuestro siglo XXI. En ellos, la produccion de movimiento se presenta como una estrategia proyectual que abre nuevas y diversas posibilidades de una experiencia de la arquitectura como autentico “acontecimiento”, lo que resulta ademas de especial interes en intervenciones de espacios patrimoniales, como sucede en ambos casos. Todo esto podria llevarnos a una mayor comprension del proyecto arquitectonico en el complejo momento actual: un proyecto generador de una arquitectura mas dinamica, abierta, participativa y social de cara al futuro. SUMMARY “ The mobile ” (lo movil) is a quality of undoubted presence in the shaping of our environment, and therefore important to be taken into account by the contemporary architectural project. The space for events shows a multitude of experiences in relation to it, in which different artistic disciplines and techniques have been interacting over time, meeting each other, often in their border areas, thus branching out into new paths. Playing a special role is architecture, capable of collaborating and enriching itself with other fields but without ceasing to be an important and specific area of knowledge. This happens in certain interventions developed in the “event space” by the architect Renzo Piano together with authentic experimental laboratories of interdisciplinary teams of collaborators. Such is the case of the scenic and musical space for the opera Prometeo (1984) and the exhibition space for the Fondazione Vedova in Venice already in our 21 st century (2000-2009). In them, the production of movement is presented as a project design strategy that opens new and diverse possibilities of an architecture experience as a real “event”, which is also of special interest in interventions of heritage spaces, as in both cases. All this could lead to a better understanding of the architectural project in this complex moment: a project able to generate a more dynamic, open, social and particip","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49012011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-18DOI: 10.12795/PPA.2019.I20.03
Luis Miguel Lus Arana
RESUMEN Las ficciones, entendidas en un sentido amplio, forman parte del quehacer habitual del arquitecto. Desde la definicion del programa al proceso de proyecto, los arquitectos requerimos de narrativas que guien nuestra toma de decisiones. La ficcion, en sentido estricto, ha estado presente tambien en diferentes formas a lo largo de la historia de la arquitectura, proporcionando ideas alternativas u ofreciendo entornos propicios para la especulacion, la generacion de discursos y de criticas. “Ficciones…” propone un sucinto recorrido por los modos en que la ficcion ha interactuado historicamente con la disciplina como punto de partida para analizar el trabajo de una nueva generacion de arquitectos que, en un momento de particular difusion de limites entre aquella y su periferia, la utilizan de maneras diversas. La primera parte analiza el tradicional uso de la ficcion como catalizador de procesos de proyecto ejemplificado en el trabajo de la firma estadounidense Design With Company. A partir de este, el texto pasa a examinar el fenomeno que, agrupado en torno al debate sobre la arquitectura-ficcion, ve como profesionales de la arquitectura encuentran en la produccion de ficcion arquitectonica un campo alternativo de ejercicio profesional. SUMMARY Fictions, taken in a broad sense, are part of the architect’s daily practice. From the definition of the program to the design process, architects need narratives to guide their decision making. Fiction, in the strict sense, has also been present in different forms throughout the history of architecture, providing alternative ideas or offering favorable environments for speculation, and for the generation of discourses and criticism. “Fictions…” offers a quick overview of the ways in which fiction has interacted historically with the discipline as a starting point to analyze the work of a new generation of architects who, working at a time of blurring of boundaries between architecture and its periphery, use it in different ways. The first part analyzes the traditional use of fiction as a trigger for design processes, using the work of the American office Design With Company as a case study. Secondly, the text examines the phenomenon which, emerging from the discussion on architecture-fiction, finds architects gravitating towards the production of architectural fictions as an alternative field to practice the profession.
本文提出了一种方法，在这种方法中，研究人员使用了一种方法，在这种方法中，研究人员使用了一种方法，在另一种方法中，研究人员使用了一种方法。从项目定义到设计过程，建筑师需要叙事来指导我们的决策。从严格意义上说，小说也以不同的形式出现在建筑的历史上，提供了替代的想法或提供了有利于思考、话语生成和批评的环境。”的...”提出一种简洁的模式而ficcion交互了历史与纪律作为起点,来分析工作的新一代建筑师,在片刻之间的限制包括difusion那天及其周边地区使用的各种方法。第一部分分析了小说作为项目过程催化剂的传统使用，以美国公司Design With Company的作品为例。在这篇文章中，我们提出了一种方法，在这种方法中，建筑专业人士在建筑小说的生产中找到了一个替代的专业实践领域。= =地理= =根据美国人口普查，这个县的土地面积为。从程序的定义到设计过程，建筑师需要叙事来指导他们的决策。严格意义上的小说在整个建筑史上也以不同的形式出现，为推测、话语和批评提供了替代的思想或有利的环境。“小说……”提供了一个关于小说在历史上与学科相互作用的方式的快速概述，作为分析新一代建筑师工作的开始点，他们在模糊建筑及其周围边界的时候，以不同的方式使用它。第一部分以美国办公室设计公司的工作为案例研究，分析了小说作为设计过程的驱动因素的传统使用。其次,the text检查the phenomenon which,新兴from the architecture-fiction圆桌讨论会,会见了建筑师gravitating towards the production of architectural kill实践》the field .职业。
{"title":"FICCIONES. DE LA ARQUITECTURA NARRATIVA Y LAS NARRACIONES ARQUITECTÓNICAS AL ARQUITECTO COMO CONTADOR DE HISTORIAS","authors":"Luis Miguel Lus Arana","doi":"10.12795/PPA.2019.I20.03","DOIUrl":"https://doi.org/10.12795/PPA.2019.I20.03","url":null,"abstract":"RESUMEN Las ficciones, entendidas en un sentido amplio, forman parte del quehacer habitual del arquitecto. Desde la definicion del programa al proceso de proyecto, los arquitectos requerimos de narrativas que guien nuestra toma de decisiones. La ficcion, en sentido estricto, ha estado presente tambien en diferentes formas a lo largo de la historia de la arquitectura, proporcionando ideas alternativas u ofreciendo entornos propicios para la especulacion, la generacion de discursos y de criticas. “Ficciones…” propone un sucinto recorrido por los modos en que la ficcion ha interactuado historicamente con la disciplina como punto de partida para analizar el trabajo de una nueva generacion de arquitectos que, en un momento de particular difusion de limites entre aquella y su periferia, la utilizan de maneras diversas. La primera parte analiza el tradicional uso de la ficcion como catalizador de procesos de proyecto ejemplificado en el trabajo de la firma estadounidense Design With Company. A partir de este, el texto pasa a examinar el fenomeno que, agrupado en torno al debate sobre la arquitectura-ficcion, ve como profesionales de la arquitectura encuentran en la produccion de ficcion arquitectonica un campo alternativo de ejercicio profesional. SUMMARY Fictions, taken in a broad sense, are part of the architect’s daily practice. From the definition of the program to the design process, architects need narratives to guide their decision making. Fiction, in the strict sense, has also been present in different forms throughout the history of architecture, providing alternative ideas or offering favorable environments for speculation, and for the generation of discourses and criticism. “Fictions…” offers a quick overview of the ways in which fiction has interacted historically with the discipline as a starting point to analyze the work of a new generation of architects who, working at a time of blurring of boundaries between architecture and its periphery, use it in different ways. The first part analyzes the traditional use of fiction as a trigger for design processes, using the work of the American office Design With Company as a case study. Secondly, the text examines the phenomenon which, emerging from the discussion on architecture-fiction, finds architects gravitating towards the production of architectural fictions as an alternative field to practice the profession.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43270280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-18DOI: 10.12795/ppa.2019.i20.06
P. Millán-Millán
espanolEl proyecto de Ciudad Abierta desarrollado por la Corporacion Cultural Amereida en Valparaiso (Chile) se gesto como un espacio fisico en el que tuvieron cabida experimentacion, aprendizaje y vida desde la experiencia de la poesia y la arquitectura. El profesorado de la Escuela de Arquitectura y Diseno de la Pontificia Universidad Catolica de Valparaiso configuro una corporacion cuyos miembros desarrollaron su vida, tanto personal como profesional, en este mismo espacio en el cual llevaron a cabo su obra. Desde los anos sesenta se fueron gestando aqui una serie de construcciones que superaban el hecho puramente proyectual para aunar en si un discurso en el que, partiendo de un acto poetico sobre el lugar, se acababa materializando un elemento que era mucho mas que arquitectura, ya que podia ir desde el montaje de una escenografia a una escultura o una poesia. Una de estas obras sera la denominada Hospederia del Errante, una construccion que desde su origen intentara sintetizar, mediante un importante proyecto fundamentado en Amereida, toda la tecnica procedente del mundo de las ingenierias aeronautica y naval. A partir del acceso a las fuentes ineditas del archivo Jose Vial Armstrong, archivo de la Escuela de Arquitectura y Diseno, el articulo recoge la genesis y el desarrollo de este proyecto que fue capaz de aunar un importante ejercicio docente y experimental bajo el contexto poetico que ha caracterizado toda la trayectoria de esta singular escuela. EnglishThe Ciudad Abierta project, developed by the Amereida Cultural Corporation in Valparaiso (Chile), was created as a physical space which had a place for experimentation, learning and life from the experience of poetry and architecture. The faculty of the School of Architecture and Design of the Pontifical Catholic University of Valparaiso formed a corporation, whose members developed their personal and professional lives in this same space in which they undertook their work. From the Sixties, a series of constructions were being developed here, that went beyond the pure fact of design, to combine within itself a discourse which, starting from a poetic document on the place, ended up bringing to life an element that was much more that architecture, since it could range from the assembly of a scenography to sculpture or poetry. One of these works would be the so-called Hospederia del Errante, a construction that, from its beginning, would attempt to encapsulate all the techniques from the world of aeronautical and naval engineering, by means of an important project based on the Amereida. With access to the unpublished sources of the Jose Vial Armstrong archive, and the archive of the School of Architecture and Design, the article reviews the genesis and the development of this project, which was able to combine an important educational and experimental exercise, under the poetic context that has characterised the whole development of this unique school.
由智利瓦尔帕莱索(Valparaiso)的Amereida文化公司开发的开放城市项目是一个物理空间，在这里，诗歌和建筑的体验可以容纳实验、学习和生活。瓦尔帕莱索天主教大学建筑与设计学院的教授们成立了一个公司，其成员在这个空间中发展了他们的生活，无论是个人的还是专业的，他们在这里进行他们的工作。从他们六十多年酝酿这一系列建筑,超过纯粹的事实proyectual携手在讲话,从行为poetico关于这个地方,也结束了,一是任何比架构元素,因为能从去组装一个escenografia雕塑或诗歌。其中一个项目将是所谓的流浪旅馆，这是一个从一开始就试图综合的建筑，通过一个基于美国的重要项目，所有来自航空和海军工程世界的技术。ineditas来源起学校的道路何塞·阿姆斯特朗文件,文件架构和设计,这篇文章收集《创世纪》和该项发展它能够齐心协力下一个练习重要实验教师方面一直存在的poetico这个独特的学校。由智利瓦尔帕莱索的Amereida文化公司开发的Ciudad Abierta项目是一个物理空间，在这里可以从诗歌和建筑的经验中进行实验、学习和生活。瓦尔帕莱索教皇天主教大学建筑与设计学院成立了一个公司，其成员在同一空间发展他们的个人和专业生活，并在此开展工作。From the Sixties, a series of constructions才和在这里,beyond the pure事实of design within本身与多样化,discourse which, starting From a poetic document up on the place,终了将to life was an element that much more that architecture),由于它可汇编range From the scenography编曲或poetry。One of works将这些数额建议Hospederia流浪,a construction, from beginning》,将所有encapsulate海军技术from the world of aeronautical and engineering by means of an important project based on the Amereida。道路With access to the未出版sources of the何塞·阿姆斯特朗archive, and the archive of the School of Architecture and Design, the条the genesis and the development of this project, which was an important教育及与多样化能够行使的试点,under the poetic context that has characterised the development of this unique学校。
{"title":"DE LA POESÍA A LA EXPERIMENTACIÓN: LA HOSPEDERÍA DEL ERRANTE EN CIUDAD ABIERTA (QUINTERO, CHILE)","authors":"P. Millán-Millán","doi":"10.12795/ppa.2019.i20.06","DOIUrl":"https://doi.org/10.12795/ppa.2019.i20.06","url":null,"abstract":"espanolEl proyecto de Ciudad Abierta desarrollado por la Corporacion Cultural Amereida en Valparaiso (Chile) se gesto como un espacio fisico en el que tuvieron cabida experimentacion, aprendizaje y vida desde la experiencia de la poesia y la arquitectura. El profesorado de la Escuela de Arquitectura y Diseno de la Pontificia Universidad Catolica de Valparaiso configuro una corporacion cuyos miembros desarrollaron su vida, tanto personal como profesional, en este mismo espacio en el cual llevaron a cabo su obra. Desde los anos sesenta se fueron gestando aqui una serie de construcciones que superaban el hecho puramente proyectual para aunar en si un discurso en el que, partiendo de un acto poetico sobre el lugar, se acababa materializando un elemento que era mucho mas que arquitectura, ya que podia ir desde el montaje de una escenografia a una escultura o una poesia. Una de estas obras sera la denominada Hospederia del Errante, una construccion que desde su origen intentara sintetizar, mediante un importante proyecto fundamentado en Amereida, toda la tecnica procedente del mundo de las ingenierias aeronautica y naval. A partir del acceso a las fuentes ineditas del archivo Jose Vial Armstrong, archivo de la Escuela de Arquitectura y Diseno, el articulo recoge la genesis y el desarrollo de este proyecto que fue capaz de aunar un importante ejercicio docente y experimental bajo el contexto poetico que ha caracterizado toda la trayectoria de esta singular escuela. EnglishThe Ciudad Abierta project, developed by the Amereida Cultural Corporation in Valparaiso (Chile), was created as a physical space which had a place for experimentation, learning and life from the experience of poetry and architecture. The faculty of the School of Architecture and Design of the Pontifical Catholic University of Valparaiso formed a corporation, whose members developed their personal and professional lives in this same space in which they undertook their work. From the Sixties, a series of constructions were being developed here, that went beyond the pure fact of design, to combine within itself a discourse which, starting from a poetic document on the place, ended up bringing to life an element that was much more that architecture, since it could range from the assembly of a scenography to sculpture or poetry. One of these works would be the so-called Hospederia del Errante, a construction that, from its beginning, would attempt to encapsulate all the techniques from the world of aeronautical and naval engineering, by means of an important project based on the Amereida. With access to the unpublished sources of the Jose Vial Armstrong archive, and the archive of the School of Architecture and Design, the article reviews the genesis and the development of this project, which was able to combine an important educational and experimental exercise, under the poetic context that has characterised the whole development of this unique school.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47525101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-18DOI: 10.12795/PPA.2019.I20.01
J. Cubero
RESUMEN La historiografia de la arquitectura ha discurrido en paralelo a la del cine, pero personajes de uno y otro mundo se movieron sin la linealidad y encorsetamiento de cada circulo profesional. Estos apuntes sobre los dos primeros congresos cinematograficos espanoles celebrados en Madrid, Primer Congreso Espanol de Cinematografia (1928) y Congreso Hispanoamericano de Cinematografia (1931), sirven de muestra acerca de la permeabilidad entre estos circulos y de contribucion a la apertura de los compartimentos estancos con que la historia muestra hoy en dia algunos itinerarios vitales y profesionales. SUMMARY The historiography of architecture has run parallel with that of film, but historical figures from each of these spheres have moved between the two without being restricted by the linearity and straitjacketing of each professional circle. These annotations on the first two Spanish film conferences held in Madrid, First Spanish Film Conference (1928) and Hispanoamerican Film Conference (1931), serve as proof of the permeability between these circles and of the contribution to bridging the gap between architecture and film, as shown in some fundamental professional career paths followed today.
{"title":"MICROHISTORIAS DE ARQUITECTURA Y CINE I: LOS ARQUITECTOS EN LOS CONGRESOS CINEMATOGRÁFICOS EN ESPAÑA, 1928-1931","authors":"J. Cubero","doi":"10.12795/PPA.2019.I20.01","DOIUrl":"https://doi.org/10.12795/PPA.2019.I20.01","url":null,"abstract":"RESUMEN La historiografia de la arquitectura ha discurrido en paralelo a la del cine, pero personajes de uno y otro mundo se movieron sin la linealidad y encorsetamiento de cada circulo profesional. Estos apuntes sobre los dos primeros congresos cinematograficos espanoles celebrados en Madrid, Primer Congreso Espanol de Cinematografia (1928) y Congreso Hispanoamericano de Cinematografia (1931), sirven de muestra acerca de la permeabilidad entre estos circulos y de contribucion a la apertura de los compartimentos estancos con que la historia muestra hoy en dia algunos itinerarios vitales y profesionales. SUMMARY The historiography of architecture has run parallel with that of film, but historical figures from each of these spheres have moved between the two without being restricted by the linearity and straitjacketing of each professional circle. These annotations on the first two Spanish film conferences held in Madrid, First Spanish Film Conference (1928) and Hispanoamerican Film Conference (1931), serve as proof of the permeability between these circles and of the contribution to bridging the gap between architecture and film, as shown in some fundamental professional career paths followed today.","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43378478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.12795/ppa.2019.i21.06
Pablo López Santana
{"title":"SIAH DAREH. TERRAZAS Y PAISAJE EN ABBAS KIAROSTAMI","authors":"Pablo López Santana","doi":"10.12795/ppa.2019.i21.06","DOIUrl":"https://doi.org/10.12795/ppa.2019.i21.06","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66087835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.12795/ppa.2019.i20.02
José Morales Sánchez, Sara de Giles Dubois
{"title":"ESTANCIAS. EL ESPACIO AMPLIADO DEL HABITAR","authors":"José Morales Sánchez, Sara de Giles Dubois","doi":"10.12795/ppa.2019.i20.02","DOIUrl":"https://doi.org/10.12795/ppa.2019.i20.02","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66087754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.12795/ppa.2019.i20.09
Carmen Espegel Alonso
{"title":"DANIEL MOVILLA VEGA (ED.): 99 YEARS OF THE HOUSING QUESTION IN SWEDEN","authors":"Carmen Espegel Alonso","doi":"10.12795/ppa.2019.i20.09","DOIUrl":"https://doi.org/10.12795/ppa.2019.i20.09","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66087786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.12795/ppa.2019.i20.04
Jorge Bosch Abarca
{"title":"DE LA INTENCIÓN DIBUJADA A LA REALIDAD CONSTRUIDA. MIES EN WEISSENHOFSIEDLUNG","authors":"Jorge Bosch Abarca","doi":"10.12795/ppa.2019.i20.04","DOIUrl":"https://doi.org/10.12795/ppa.2019.i20.04","url":null,"abstract":"","PeriodicalId":52067,"journal":{"name":"Proyecto Progreso Arquitectura","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66087775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：