Pub Date : 2019-12-10DOI: 10.18568/cmc.v16i47.2013
R. Recuero
This article focuses on the theme of the discursive struggles occurred on Twitter during the presidential election campaign of 2018, particularly in the case of a piece published by Veja on September 28th. The piece reported the divorce process of PSL candidate Jair Bolsonaro. In this news, accusations, corruption, and violence were explicit. We analyze a corpus of 110 original tweets with more than 100 retweets, looking for legitimation strategies used and their impact in disinformation. In the following analysis, we note that the dispute was mainly between news vehicles and the militant support of the candidate. In addition, the anti-Veja discourse that succeeded in the subject used legitimacy strategies based on morality and disinformation to counteract the damage caused.
{"title":"Disputas discursivas, legitimação e desinformação: o caso Veja x Bolsonaro nas eleições brasileiras de 2018","authors":"R. Recuero","doi":"10.18568/cmc.v16i47.2013","DOIUrl":"https://doi.org/10.18568/cmc.v16i47.2013","url":null,"abstract":"This article focuses on the theme of the discursive struggles occurred on Twitter during the presidential election campaign of 2018, particularly in the case of a piece published by Veja on September 28th. The piece reported the divorce process of PSL candidate Jair Bolsonaro. In this news, accusations, corruption, and violence were explicit. We analyze a corpus of 110 original tweets with more than 100 retweets, looking for legitimation strategies used and their impact in disinformation. In the following analysis, we note that the dispute was mainly between news vehicles and the militant support of the candidate. In addition, the anti-Veja discourse that succeeded in the subject used legitimacy strategies based on morality and disinformation to counteract the damage caused.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"16 1","pages":"432-458"},"PeriodicalIF":0.0,"publicationDate":"2019-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-10DOI: 10.18568/cmc.v16i47.1894
Thiago Falcão, D. Marques
This paper discusses power creep in the digital game card Hearthstone (Blizzard, 2012), questioning it from the perspectives of mediatization, serialization and late capitalism. The goal is to politicize the issue by pointing to the overlapping of contemporary cultural industry with game’s epistemological and ontological perspectives. We undertake the effort to review some theories of mediatization, observing the particularities of serialization in games. To achieve the main goal, we set out for an exploratory empirical analysis of professional players discourse on YouTube, revealing traces that help us locate the agency of late capitalism and serialization in Hearthstone’s power creep. Finally, we reinforce the need to scrutinize the contemporary entertainment industry, as well as the need to (re) think understandings about digital games and their cultures.
{"title":"Pagando para vencer, parte 2: serialização, power creep e capitalismo tardio em Hearthstone","authors":"Thiago Falcão, D. Marques","doi":"10.18568/cmc.v16i47.1894","DOIUrl":"https://doi.org/10.18568/cmc.v16i47.1894","url":null,"abstract":"This paper discusses power creep in the digital game card Hearthstone (Blizzard, 2012), questioning it from the perspectives of mediatization, serialization and late capitalism. The goal is to politicize the issue by pointing to the overlapping of contemporary cultural industry with game’s epistemological and ontological perspectives. We undertake the effort to review some theories of mediatization, observing the particularities of serialization in games. To achieve the main goal, we set out for an exploratory empirical analysis of professional players discourse on YouTube, revealing traces that help us locate the agency of late capitalism and serialization in Hearthstone’s power creep. Finally, we reinforce the need to scrutinize the contemporary entertainment industry, as well as the need to (re) think understandings about digital games and their cultures.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"16 1","pages":"530-554"},"PeriodicalIF":0.0,"publicationDate":"2019-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-10DOI: 10.18568/cmc.v16i47.2092
R. Costa
This article investigates the relationship between the concept of spiritual automaton, as developed by G. Deleuze in his text on the cinema, Image-Time, and the digital automata that appear in the social networks of our times. Concepts such as psychological automaton, self-movement of thought, choice and suggestion, behavior pattern and user profile are explored to understand the current relationship that we maintain with the digital interfaces, in order to make explicit the new thinking and affects processes that emerge from social networks.
{"title":"O autômato digital e os circuitos de afetos nas redes sociais","authors":"R. Costa","doi":"10.18568/cmc.v16i47.2092","DOIUrl":"https://doi.org/10.18568/cmc.v16i47.2092","url":null,"abstract":"This article investigates the relationship between the concept of spiritual automaton, as developed by G. Deleuze in his text on the cinema, Image-Time, and the digital automata that appear in the social networks of our times. Concepts such as psychological automaton, self-movement of thought, choice and suggestion, behavior pattern and user profile are explored to understand the current relationship that we maintain with the digital interfaces, in order to make explicit the new thinking and affects processes that emerge from social networks.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"16 1","pages":"578-597"},"PeriodicalIF":0.0,"publicationDate":"2019-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49608437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-10DOI: 10.18568/cmc.v16i47.2126
N. Couldry
This paper investigates the nature of the social order and the characteristic role of media institutions in sustaining or transforming this order. To this, I go through my own work, with the goal of bringing hidden dimensions of social change that have helped me understand the social order in datified societies. I discuss about my production, punctuating the theoretical path that I walk in relation to the new social relations established in a datified society, in order to investigate the current functioning of media power. I allocate television as a fundamental part for this understanding, concluding that, despite the new social order, traditional media institutions survive and may constitute a key element for the criticality needed in data times.
{"title":"Do mito do centro mediado ao mito do big data: reflexões do papel da mídia na ordem social","authors":"N. Couldry","doi":"10.18568/cmc.v16i47.2126","DOIUrl":"https://doi.org/10.18568/cmc.v16i47.2126","url":null,"abstract":"This paper investigates the nature of the social order and the characteristic role of media institutions in sustaining or transforming this order. To this, I go through my own work, with the goal of bringing hidden dimensions of social change that have helped me understand the social order in datified societies. I discuss about my production, punctuating the theoretical path that I walk in relation to the new social relations established in a datified society, in order to investigate the current functioning of media power. I allocate television as a fundamental part for this understanding, concluding that, despite the new social order, traditional media institutions survive and may constitute a key element for the criticality needed in data times.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"16 1","pages":"407-431"},"PeriodicalIF":0.0,"publicationDate":"2019-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48224822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-13DOI: 10.18568/cmc.v15i44.1599
Diogo Andrade Bornhausen, Norval Baitello Júnior
O propósito deste estudo é investigar sobre como a memória é assimilada e disponibilizada pelos meios digitais. Esta interrogação parte do valor que a memória possui para a cultura e para a comunicação para o como é reconhecida na atualidade, projetada por sua totalidade e plenitude. Em razão disso, nota-se que sua presença ultrapassa a funcionalidade tecnológica cumulativa ao se formar como agenciadora das estratégias dos meios em narrativizar e gerenciar os saberes. Estas ocorrências, observadas a partir do Google e do Facebook, serão ainda vistas como determinantes para a formação deste ambiente comunicativo, que centra as experiências de memória a partir do automatismo e do excesso, o que ressignifica suas compreensões coletivas e subjetivas, principalmente.
{"title":"A memória midiática: projeções e sujeições no ambiente digital","authors":"Diogo Andrade Bornhausen, Norval Baitello Júnior","doi":"10.18568/cmc.v15i44.1599","DOIUrl":"https://doi.org/10.18568/cmc.v15i44.1599","url":null,"abstract":"O propósito deste estudo é investigar sobre como a memória é assimilada e disponibilizada pelos meios digitais. Esta interrogação parte do valor que a memória possui para a cultura e para a comunicação para o como é reconhecida na atualidade, projetada por sua totalidade e plenitude. Em razão disso, nota-se que sua presença ultrapassa a funcionalidade tecnológica cumulativa ao se formar como agenciadora das estratégias dos meios em narrativizar e gerenciar os saberes. Estas ocorrências, observadas a partir do Google e do Facebook, serão ainda vistas como determinantes para a formação deste ambiente comunicativo, que centra as experiências de memória a partir do automatismo e do excesso, o que ressignifica suas compreensões coletivas e subjetivas, principalmente.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-27DOI: 10.18568/CMC.V15I43.1648
M. F. Amaral, Lara Nasi
In this essay, we analyze the narrative configuration of urban violence in two newspapers of the same editorial group (O Globo e Extra, both from Infoglobo), from the covers and stories published about an armed robbery that had a strong mass media repercussion. We study how the characters of victim and aggressor compose each narrative, relating them to the notions of politics of pity and virtual victim. We conclude that victims of different orders are in question: fatal, social and virtual. The study highlights how, beyond the “raw fact”, journalistic narrative can configure an event in different ways, since the newspapers need to individualize themselves in the editorial market and, therefore, give several intelligibilities to the social experience of violence, according to different dramatic projects.
在这篇文章中，我们分析了同一编辑组的两份报纸(O Globo e Extra，都来自Infoglobo)对城市暴力的叙述结构，从封面和发表的关于武装抢劫的故事，这在大众媒体上引起了强烈的反响。我们研究受害者和侵略者的角色如何构成每一个叙述，将他们与同情和虚拟受害者的政治概念联系起来。我们的结论是，不同等级的受害者受到质疑:致命的、社会的和虚拟的。该研究强调，除了“原始事实”之外，新闻叙事如何以不同的方式配置事件，因为报纸需要在编辑市场中个性化自己，因此，根据不同的戏剧性项目，为暴力的社会经验提供几种可理解性。
{"title":"Morte no cartão postal: uma empresa, dois jornais e três vítimas","authors":"M. F. Amaral, Lara Nasi","doi":"10.18568/CMC.V15I43.1648","DOIUrl":"https://doi.org/10.18568/CMC.V15I43.1648","url":null,"abstract":"In this essay, we analyze the narrative configuration of urban violence in two newspapers of the same editorial group (O Globo e Extra, both from Infoglobo), from the covers and stories published about an armed robbery that had a strong mass media repercussion. We study how the characters of victim and aggressor compose each narrative, relating them to the notions of politics of pity and virtual victim. We conclude that victims of different orders are in question: fatal, social and virtual. The study highlights how, beyond the “raw fact”, journalistic narrative can configure an event in different ways, since the newspapers need to individualize themselves in the editorial market and, therefore, give several intelligibilities to the social experience of violence, according to different dramatic projects.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"15 1","pages":"302-323"},"PeriodicalIF":0.0,"publicationDate":"2018-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-27DOI: 10.18568/CMC.V15I43.1535
Felipe Viero Kolinski Machado, Christian Gonzatti, Francielle Esmitiz
From the senses that emerged on Twitteraround the possibility of Queen Elsa, from Frozen (2013) be a lesbian, from the kisses between characters of the same genre in the Star vs. the Forces of Evil (2015) and the insertion of a gay character in the film Beauty and the Beast (2017), we ask what the visibility of these subjects in Disney productions points to the articulations among pop culture, cyberevents and issues of gender and sexuality. The methodology used is the analysis of the construction of senses in digital networks (HENN, 2014) and, at the end of it, it was possible to understand, in general terms, that the insertion of these characters produced intense reverberation, between users and news portals and movements of support and deploration of the initiative.
{"title":"E elxs viverão felizes para sempre? (in)visibilidades de personagens LGBTs em produções da Disney como força propulsora de ciberacontecimentos","authors":"Felipe Viero Kolinski Machado, Christian Gonzatti, Francielle Esmitiz","doi":"10.18568/CMC.V15I43.1535","DOIUrl":"https://doi.org/10.18568/CMC.V15I43.1535","url":null,"abstract":"From the senses that emerged on Twitteraround the possibility of Queen Elsa, from Frozen (2013) be a lesbian, from the kisses between characters of the same genre in the Star vs. the Forces of Evil (2015) and the insertion of a gay character in the film Beauty and the Beast (2017), we ask what the visibility of these subjects in Disney productions points to the articulations among pop culture, cyberevents and issues of gender and sexuality. The methodology used is the analysis of the construction of senses in digital networks (HENN, 2014) and, at the end of it, it was possible to understand, in general terms, that the insertion of these characters produced intense reverberation, between users and news portals and movements of support and deploration of the initiative.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"15 1","pages":"386-412"},"PeriodicalIF":0.0,"publicationDate":"2018-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-27DOI: 10.18568/CMC.V15I43.1616
Rachel Gibson, Marta Cantijoch Cunill, D. Cutts
Recent studies have shown that online participation is a multi-dimensional phenomenon that replicates and extends existing forms of political engagement. What is less clear is the mobilizing potential of these different types of activity and particularly whether they trigger offline participation. This paper addresses these questions in an analysis of citizens online and offline behaviour in the context of a UK General Election. Specifically we identify three different modes of online engagement in the campaign, profile the individuals most likely to engage in them, and examine whether they affected individuals’ likelihood of voting. Our findings show that while newer social media based ‘e-expressive’ activities are most likely to appeal to those individuals who are not already engaged in politics they do not necessarily increase the likelihood of voting. By contrast higher consumption of news and information online during an election does appear to significantly boost individuals’ chances of turning out to vote.
{"title":"Does Mode Matter? Measuring the Effects of Different Types of Online Political Engagement on Offline Participation","authors":"Rachel Gibson, Marta Cantijoch Cunill, D. Cutts","doi":"10.18568/CMC.V15I43.1616","DOIUrl":"https://doi.org/10.18568/CMC.V15I43.1616","url":null,"abstract":"Recent studies have shown that online participation is a multi-dimensional phenomenon that replicates and extends existing forms of political engagement. What is less clear is the mobilizing potential of these different types of activity and particularly whether they trigger offline participation. This paper addresses these questions in an analysis of citizens online and offline behaviour in the context of a UK General Election. Specifically we identify three different modes of online engagement in the campaign, profile the individuals most likely to engage in them, and examine whether they affected individuals’ likelihood of voting. Our findings show that while newer social media based ‘e-expressive’ activities are most likely to appeal to those individuals who are not already engaged in politics they do not necessarily increase the likelihood of voting. By contrast higher consumption of news and information online during an election does appear to significantly boost individuals’ chances of turning out to vote.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"15 1","pages":"218-248"},"PeriodicalIF":0.0,"publicationDate":"2018-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-27DOI: 10.18568/cmc.v15i43.1654
Rafael De Luna Freire, Leticia De Luna Freire
Este artigo traça um panorama histórico da representação das favelas cariocas nas comédias musicais cinematográficas brasileiras, conhecidas como chanchadas, dos anos 1930 ao início da década de 1960. Apontamos a presença mais constante da favela como cenário reproduzido em estúdio em números musicais das chanchadas lançadas até meados dos anos 1950. Tomando como marco o filme Depois eu conto (1956), a representação da favela passa a ser cada vez mais politizada no gênero. Em meio às polêmicas sobre as remoções das favelas e a atuação social da Igreja Católica na transformação deste tipo de habitação popular em “problema público”, analisamos Três colegas de batina (1961), em que uma favela adquire grande importância para sua trama, mas com um discurso ideológico distinto dos mais conhecidos filmes dos diretores do Cinema Novo.
本文从20世纪30年代到60年代初，对巴西电影音乐喜剧《昌查达斯》中贫民窟的表现进行了历史概述。在20世纪50年代中期发行的chanchadas音乐数字中，我们指出贫民窟作为一个场景的持续存在。以电影《Depois eu conto》(1956)为里程碑，贫民窟的表现在这一流派中变得越来越政治化。在拆迁引发的争议主要天主教教会和社会表现在处理这种类型的住房非常流行“公共问题”,我们分析布的三位同事(1961),一个贫民窟不断重视他的阴谋,但意识形态的演讲与最著名的电影导演的新电影。
{"title":"As favelas cariocas nas chanchadas: de berço do samba a problema público","authors":"Rafael De Luna Freire, Leticia De Luna Freire","doi":"10.18568/cmc.v15i43.1654","DOIUrl":"https://doi.org/10.18568/cmc.v15i43.1654","url":null,"abstract":"Este artigo traça um panorama histórico da representação das favelas cariocas nas comédias musicais cinematográficas brasileiras, conhecidas como chanchadas, dos anos 1930 ao início da década de 1960. Apontamos a presença mais constante da favela como cenário reproduzido em estúdio em números musicais das chanchadas lançadas até meados dos anos 1950. Tomando como marco o filme Depois eu conto (1956), a representação da favela passa a ser cada vez mais politizada no gênero. Em meio às polêmicas sobre as remoções das favelas e a atuação social da Igreja Católica na transformação deste tipo de habitação popular em “problema público”, analisamos Três colegas de batina (1961), em que uma favela adquire grande importância para sua trama, mas com um discurso ideológico distinto dos mais conhecidos filmes dos diretores do Cinema Novo.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-04-26DOI: 10.18568/CMC.V15I42.1572
Beatriz Braga Bezerra
A obra reune argumentos advindos de areas do conhecimento distintas para descrever como o contemporâneo transformou a felicidade em um bem tangivel, mensuravel e passivel de nossa conquista. O cuidado com o espectro quantitativo e ferramental, fundado na logica da competicao capitalista, detalhado por Davies, desmanchou qualquer resquicio de ludicidade, fantasia e ingenuidade que pudesse ainda perdurar na compreensao adulta da felicidade
{"title":"The hapiness industry: how the government and big business sold us well-being.","authors":"Beatriz Braga Bezerra","doi":"10.18568/CMC.V15I42.1572","DOIUrl":"https://doi.org/10.18568/CMC.V15I42.1572","url":null,"abstract":"A obra reune argumentos advindos de areas do conhecimento distintas para descrever como o contemporâneo transformou a felicidade em um bem tangivel, mensuravel e passivel de nossa conquista. O cuidado com o espectro quantitativo e ferramental, fundado na logica da competicao capitalista, detalhado por Davies, desmanchou qualquer resquicio de ludicidade, fantasia e ingenuidade que pudesse ainda perdurar na compreensao adulta da felicidade","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"15 1","pages":"204-208"},"PeriodicalIF":0.0,"publicationDate":"2018-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67507679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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