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A gestão do estranhamento e figuras de corporeidade na era estética do capitalismo 资本主义美学时代的陌生感与物质性形象的管理
Q4 Social Sciences Pub Date : 2017-08-22 DOI: 10.18568/CMC.V14I40.1348
F. Feitoza
Drawing upon the articulation of two recently published works in Brazil: A estetizacao do mundo (Le esthetisation du Monde) by Gilles Lipovetsky and Jean Serroy (2015) and O circuito dos afetos, by Vladimir Safatle (2015), this paper aims to rise a discussion about what types of corporeities are being arranged accordingly to the major Neoliberal Political and Economic current demands. Therefore, we try to develop one specific problem: how our very capacity of uncanniness has been organized in this system?
根据最近在巴西出版的两部作品:Gilles Lipovetsky和Jean Serroy(2015)的《Le esthetisation du Monde》和Vladimir Safatle(2015)的《O circuito dos afetos》的阐述,本文旨在引发一场关于哪种类型的公司正在根据新自由主义的主要政治和经济当前需求进行安排的讨论。因此,我们试图提出一个具体的问题:我们的神奇能力是如何在这个系统中组织起来的?
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引用次数: 2
Consumo digital como performance sociotécnica: Análise dos usos da plataforma de streaming de games Twitch 作为社会技术表现的数字消费:游戏流媒体平台Twitch的使用分析
Q4 Social Sciences Pub Date : 2017-08-22 DOI: 10.18568/CMC.V14I40.1301
Sandra Portella Montardo, S. Fragoso, M. Amaro, Samyr Paz
This article discusses the interrelations between performance, digital consumption and interface features on the game streaming platform Twitch. Theoretical considerations on the three subjects are compared to the responses of 177 Brazilian Twitch users to an online questionnaire. Results indicate that, despite their importance for Twitch as social media, interfaces do not facilitate social interactions. The implied hierarchical relations between streamers and viewers is not only based on the expertise of the former group. Digital consumption demands that they demonstrate other abilities, such as the “entertain” performance. Twitch itself places additional technical and cognitive challenges on streamers and viewers, but its user base appears to be self-motivated enough to overcome those system obstacles.
本文将讨论游戏流媒体平台Twitch上的性能、数字消费和界面功能之间的相互关系。将这三个主题的理论考虑与177名巴西Twitch用户对在线问卷的回答进行比较。结果表明,尽管界面对Twitch来说很重要,但它并不能促进社交互动。流媒体和观众之间隐含的等级关系不仅基于前者的专业知识。数字消费要求他们展示其他能力,比如“娱乐”表演。Twitch本身给主播和观众带来了额外的技术和认知挑战,但它的用户群似乎有足够的自我激励来克服这些系统障碍。
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引用次数: 1
The X-Files: uma análise das estratégias de social TV do perfil @thexfiles X档案:社交电视策略分析@thexfiles
Q4 Social Sciences Pub Date : 2017-08-22 DOI: 10.18568/CMC.V14I40.1378
Daiana Sigiliano, G. Borges
A social TV marca a convergencia da experiencia televisiva com as novas midias. O fenomeno se refere ao compartilhamento de conteudos por intermedio das redes sociais e dos aplicativos de segunda tela de maneira sincrona ao fluxo televisivo. A partir desse contexto, este artigo tem o objetivo de refletir sobre as acoes de social TV adotadas pela Fox durante a 10a temporada de The X-Files. Analisamos as postagens da pagina (@thexfiles) gerenciada pelo canal no Twitter a fim de entender como contribuem para o aprofundamento e a compreensao do universo ficcional da serie. Concluimos que as estrategias de engajamento da emissora reforcam o laco social, estimulam a participacao dos telespectadores interagentes e ampliam os arcos narrativos de The X-Files.
社交电视标志着电视体验与新媒体的融合。这种现象是指通过社交网络和第二屏幕应用程序同步分享内容到电视流。在此背景下,本文旨在反思福克斯在《X档案》第十季中采取的社交电视行动。我们分析了该频道在Twitter上管理的页面(@thexfiles)上的帖子,以了解它们是如何加深和理解该系列的虚构宇宙的。我们的结论是,电视台的参与策略加强了社交网络,刺激了互动观众的参与,并扩展了X档案的故事线。
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引用次数: 3
Plataformas virtuales: ¿Herramientas para el aprendizaje? Las diferencias entre ADAN y EVA 虚拟平台:学习工具?亚当和夏娃的区别
Q4 Social Sciences Pub Date : 2017-08-22 DOI: 10.18568/cmc.v14i40.1308
Mauricio Nihil Olivera Cajiga, M. Morales, Analía Passarini, N. Correa
Este articulo analiza las apropiaciones de Internet que establecen los universitarios de la Facultad de Comunicacion de la Universidad de la Republica de Uruguay (Udelar), asi como sus practicas y usos en las plataformas virtuales educativas. Se observa: a) la participacion; b) la colaboracion; y c) la gestion compartida de recursos que hacen los estudiantes de las plataformas ADAN (creada por ellos) y EVA (creada por Udelar). El estudio es exploratorio e incorpora tecnicas cuantitativas y cualitativas que cubren una encuesta a los estudiantes, entrevistas en profundidad a los profesores, la observacion de ambas plataformas y analisis de datos secundarios. El articulo concluye con la discusion que situa las practicas y las logicas de la red como un espacio que resignifica e interpela a sus actores y a las logicas centralizadas y jerarquizadas universitarias.
本文分析了乌拉圭共和国大学(Udelar)传播学院的大学生在互联网上建立的拨款,以及他们在虚拟教育平台上的实践和使用。(a)参与;b)合作;c) ADAN(由他们创建)和EVA(由Udelar创建)平台的学生共享资源管理。该研究是探索性的,结合了定量和定性的技术,包括对学生的调查,对教师的深度访谈,观察两个平台和二次数据分析。最后,本文讨论了网络的实践和逻辑作为一个空间,重新定义和挑战其参与者和中央集权和等级逻辑。
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引用次数: 3
Goûts et imaginaires cosmopolites des jeunes Français 法国年轻人的世界主义品味和想象
Q4 Social Sciences Pub Date : 2017-08-22 DOI: 10.18568/CMC.V14I40.1304
V. Cicchelli, Sylvie Octobre
In France, young people are the main actors in the globalization of culture, both because they are very involved in cultural consumption, but also because they come from the most multicultural generations in their composition and the most socialized ones to the injunctions of mobility (traveler, student, professional...). The research “Aesthetic cosmopolitanism among young people” examines the role of aesthetic-cultural consumption - through series, films, readings, music, video games, uses of social networks, etc. - in the emergence of a relationship to the world of a cosmopolitan nature and in the formation of a taste of the world.
在法国,年轻人是文化全球化的主要参与者,这既是因为他们非常参与文化消费,也是因为他们来自最多元文化的一代,也是最社会化的一代,对流动性的禁令(旅行者,学生,专业人士……)。“年轻人中的审美世界主义”研究考察了审美文化消费的作用——通过电视剧、电影、阅读、音乐、视频游戏、社交网络的使用等——在与具有世界主义性质的世界的关系的出现和世界品味的形成中。
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引用次数: 0
O ativismo digital de Lorelay Fox: estética e performance de gênero 罗雷·福克斯的数字行动主义:美学与性别表现
Q4 Social Sciences Pub Date : 2017-08-22 DOI: 10.18568/CMC.V14I40.1316
Josefina Silva
In this article I inquire the YouTube channel “Para Tudo” of the drag Lorelay Fox, questioning its political and communicational character, since the technologies are embedded to youth political appropriations operated in digital cartographies. The aim is to discuss how the performance and aesthetics of Lorelay Fox configure their gender activism. Ethnography is the methodology: the fieldwork is formatted by the “dense observation” of the videos and the in depth interview with Danilo Dabague – the creator of Lorelay Fox.
在这篇文章中,我询问了Lorelay Fox的YouTube频道“Para Tudo”,质疑其政治和传播特征,因为这些技术被嵌入到以数字地图方式运作的青年政治拨款中。目的是讨论Lorelay Fox的表演和美学如何配置他们的性别行动主义。人种学是方法论:田野调查是通过对视频的“密集观察”和对Lorelay Fox的创造者Danilo Dabague的深入采访来形成的。
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引用次数: 0
A construção da confiança em experiências de hospitalidade mediadas pela internet: os casos do Airbnb e do Couchsurfing 在互联网中介的酒店体验中建立信任:Airbnb和Couchsurfing案例
Q4 Social Sciences Pub Date : 2017-04-26 DOI: 10.18568/CMC.V14I39.1180
Ramon Bezerra Costa, Viviane Fernandes, Fernando Gonçalves
Starting from the premise of the importance of trust in economics and consumer relations, the present study reflects on trust building process in hosting consumer relations. This reflection is based on the Airbnb and Couchsurfing web platforms that allow any person to host strangers or to be hosted by not known people in their own houses (with or without payments). This kind of practices interest us by the consumer relations which appears overstep the ordinary buy-and-sell and make clear the formation of other social bonds whose constructions this paper intends to analyze.
从信任在经济学和消费者关系中的重要性的前提出发,本研究反思了在主持消费者关系中的信任建立过程。这种反思是基于Airbnb和Couchsurfing网络平台,这些平台允许任何人在自己的房子里招待陌生人或被不认识的人招待(有或没有付款)。这种实践使我们对超越一般买卖关系的消费关系产生兴趣,从而明确了本文所要分析的其他社会关系的构成。
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引用次数: 6
Modos de comunicação e práticas de leitura dos escravos do século XIX 19世纪奴隶的交流方式与阅读实践
Q4 Social Sciences Pub Date : 2017-04-26 DOI: 10.18568/CMC.V14I39.1310
M. Barbosa
The article shows some modes of communication of Brazilian slaves of the nineteenth century, emphasizing, above all, the reading and writing practices of these fundamental social actors in the history of Brazil. Divided into two parts, it initially seeks to show the oral skills of everyday life, to sequentially, from primary source research, describe their skills around writing and reading. It thus reveals some of the world of communication and oral practices, reading and writing of Brazilian slaves in the nineteenth century.
这篇文章展示了19世纪巴西奴隶的一些交流模式,首先强调了巴西历史上这些基本社会角色的阅读和写作实践。它分为两个部分,最初旨在展示日常生活中的口语技能,依次从原始资料研究中描述他们的写作和阅读技能。因此,它揭示了19世纪巴西奴隶的交流和口头实践,阅读和写作的一些世界。
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引用次数: 0
Comunicação organizacional e mídias móveis: possibilidades e desafios 组织传播与移动媒体:机遇与挑战
Q4 Social Sciences Pub Date : 2017-04-26 DOI: 10.18568/CMC.V14I39.1194
C. M. C. A. Mantovani, Maria Aparecida Vasconcelos Moura
The article seeks to reflect on how the variety of media and mediations (especially mobile media) brought new possibilities for interaction between organizations and their stakeholders, in particular the end customers. By extending the touchpoints between the subjects and the brands, the presence and the almost constant use of digital media end up demanding that organizational communication starts thinking and proposing new strategies to approach and relate with stakeholders. Some initiatives will be presented and discussed here and based upon the reflections brought by mediatization e mobility theories.
本文旨在反思各种媒体和媒介(尤其是移动媒体)如何为组织与其利益相关者(尤其是最终客户)之间的互动带来新的可能性。通过扩展主题与品牌之间的接触点,数字媒体的存在和几乎持续的使用最终要求组织沟通开始思考并提出新的策略来接近和联系利益相关者。本文将根据中介化流动理论带来的反思,提出并讨论一些倡议。
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引用次数: 1
Formas de representação feminina nos teen chick lits: um estudo em torno d’O diário da princesa 少女文学中的女性表现形式——以公主日记为中心的研究
Q4 Social Sciences Pub Date : 2017-04-26 DOI: 10.18568/CMC.V14I39.1163
A. Machado
This paper deals with female ways of representation, which appear in the contemporaneity, in books turned to teenager audience, as it is going to occur in The Princess Diaries (2000), by Meg Cabot, for example. In this novel, we can observe the construction and the intensification around the ideal pattern of beauty and behavior, what are opened for issues around gender, body, and sexuality when they try to stablish stigmatized patterns, moreover, for girls under development. The idea is, at last, to bring to light the discussion around a kind of literature labeled by teen chick lit (mass literature aimed at teen female audience). Supposedly, this literature is linked to some assumptions related to the third-wave feminism and to the cultural industry which, insidiously, have conducted to the female empowerment.
本文探讨了当代青少年读物中出现的女性表现方式,例如梅格·卡伯特的《公主日记》(2000)。在这部小说中,我们可以看到围绕美和行为的理想模式的建构和强化,以及在试图建立污名化模式的同时,对性别、身体、性等问题的开放,以及对发育中的女孩的开放。最后,我的想法是让围绕一种被贴上“少女文学”标签的文学(针对少女女性观众的大众文学)的讨论变得明朗起来。据推测,这些文献与第三波女权主义和文化产业有关的一些假设有关,这些假设不知不觉地对女性赋权进行了指导。
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Comunicacao Midia e Consumo
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