Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-1005-1019
S. Kushneruk, M. Kurochkina
Urban identity is a complex phenomenon encompassing a wide range of city life aspects, which vary across cultures. In the media discourse, the urban issues are made prominent due to framing. The goal of the authors is to identify and systematize frames that generate meanings about the urban life, and explain them from the point of view of the journalistic strategies. The author focuses on exploring how topical urban issues are framed and presented to the reading audience. To gain a deeper understanding of the communicative schemata that determine interpretations of the city issues, a cognitive-discursive perspective is claimed central to the research. It proves adequate in demonstrating the synergies of two employed methods: discourse analysis and frame analysis. Applying a case-study approach, a sample of 658 texts is analyzed. 2577 contexts have been retrieved from The Nottingham Post between 2014 and 2017. The results show that the urban life representations rest on frame structures of different conceptual complexity. Urban identity is a rich conceptual structure (a macroframe), constituted by four frames, observable in the discourse-world of the city. Each of them has foci, which draw public attention to the social aspects of the urban living. Positive presentation of the authorities has been revealed as the leading macrostrategy aimed at supporting and approving of the initiatives taken by the local administration, which is realized through the strategies of reference, predication, and argumentation. The findings add to the framing analysis and could be beneficial for the development of urban policies.
{"title":"Urban Identity Through the Prism of Media Framing","authors":"S. Kushneruk, M. Kurochkina","doi":"10.22363/2313-2299-2022-13-4-1005-1019","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-1005-1019","url":null,"abstract":"Urban identity is a complex phenomenon encompassing a wide range of city life aspects, which vary across cultures. In the media discourse, the urban issues are made prominent due to framing. The goal of the authors is to identify and systematize frames that generate meanings about the urban life, and explain them from the point of view of the journalistic strategies. The author focuses on exploring how topical urban issues are framed and presented to the reading audience. To gain a deeper understanding of the communicative schemata that determine interpretations of the city issues, a cognitive-discursive perspective is claimed central to the research. It proves adequate in demonstrating the synergies of two employed methods: discourse analysis and frame analysis. Applying a case-study approach, a sample of 658 texts is analyzed. 2577 contexts have been retrieved from The Nottingham Post between 2014 and 2017. The results show that the urban life representations rest on frame structures of different conceptual complexity. Urban identity is a rich conceptual structure (a macroframe), constituted by four frames, observable in the discourse-world of the city. Each of them has foci, which draw public attention to the social aspects of the urban living. Positive presentation of the authorities has been revealed as the leading macrostrategy aimed at supporting and approving of the initiatives taken by the local administration, which is realized through the strategies of reference, predication, and argumentation. The findings add to the framing analysis and could be beneficial for the development of urban policies.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43688010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-956-971
N. Dmitrieva, V. Shaklein
The paper is devoted to the features of the functioning of the dominant verbalizers of ethical concepts in mass media, considered on the example of the words grace and gratitude . The purpose of the study is to trace the features of the semantic changes of words in modern use in comparison with their main ethical meaning. The article analyzes the data of the explanatory dictionaries of the Church Slavonic and Russian languages, establishes ethically loaded semes that unite verbalizers and testify to their exceptional value in the Russian mentality. The relevance of the study is determined by the analysis of the semantics of about 2000 uses of the words grace and gratitude in mass media, which made it possible to establish a common stylistic orientation - ironic and sarcastic - and the emasculation of the ethical load while maintaining the main denotative meaning. It is proved that the predominance of the material in the understanding of grace developed in the 20th century and is due to the denial of the religious picture of the world, which, however, does not exclude the preservation of ethical semantics in the internal field of ethical concept verbalizers. It was revealed that the ironic, sometimes anti-ethical inclusion of words in texts about topical issues levels their ethical significance and contributes to the spread of distorted semantics, influencing the value scale of native speakers, which is confirmed by a sociolinguistic survey.
{"title":"Semantic Features of the Functioning of Dominant Verbalizers of the Ethical Concept BOON in the Mass Media","authors":"N. Dmitrieva, V. Shaklein","doi":"10.22363/2313-2299-2022-13-4-956-971","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-956-971","url":null,"abstract":"The paper is devoted to the features of the functioning of the dominant verbalizers of ethical concepts in mass media, considered on the example of the words grace and gratitude . The purpose of the study is to trace the features of the semantic changes of words in modern use in comparison with their main ethical meaning. The article analyzes the data of the explanatory dictionaries of the Church Slavonic and Russian languages, establishes ethically loaded semes that unite verbalizers and testify to their exceptional value in the Russian mentality. The relevance of the study is determined by the analysis of the semantics of about 2000 uses of the words grace and gratitude in mass media, which made it possible to establish a common stylistic orientation - ironic and sarcastic - and the emasculation of the ethical load while maintaining the main denotative meaning. It is proved that the predominance of the material in the understanding of grace developed in the 20th century and is due to the denial of the religious picture of the world, which, however, does not exclude the preservation of ethical semantics in the internal field of ethical concept verbalizers. It was revealed that the ironic, sometimes anti-ethical inclusion of words in texts about topical issues levels their ethical significance and contributes to the spread of distorted semantics, influencing the value scale of native speakers, which is confirmed by a sociolinguistic survey.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43504045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-937-955
L. Butakova
The author analyzes the composition of the associative content and the semantic areas behind the signs that convey values in the linguistic consciousness of native 30-40 years old speakers of the Russian language. Responding to incentives of family, work, money etc. revealed the types of speech action in the situation of a free and directed associative experiment. The actualization of meanings in the process of responding to value-significant stimuli established the uniformity of cognitive mechanisms, the absence of complexity in the cognitive structure of associative fields, the prevalence of semantic areas representing socially and personally significant intangible objects - family, love, morality, ethics, a person that should be stored, developed, transmit. Most of the cases of directed association are associated with the unambiguous nature of the response, clear boundaries of the stereotype area, a low level of emotion and evaluation, the frequency of complex reactions (series of enumerations, for example, values - security, comfort, stability, family, one’s job, country). The concentration of stereotypical meanings (the area of frequency reactions of the core of associative fields) is higher when responding to stimuli What kind of work …, Work requires what …, What kind of family …. The remaining stimuli cause an approximate equality of stereotyped and individual ways of responding. The life experience of the respondents had a significant impact on the choice of the type of speech action and the method of response.
{"title":"Words with Value Semantics in the Language Consciousness of Generation «Y» Representatives","authors":"L. Butakova","doi":"10.22363/2313-2299-2022-13-4-937-955","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-937-955","url":null,"abstract":"The author analyzes the composition of the associative content and the semantic areas behind the signs that convey values in the linguistic consciousness of native 30-40 years old speakers of the Russian language. Responding to incentives of family, work, money etc. revealed the types of speech action in the situation of a free and directed associative experiment. The actualization of meanings in the process of responding to value-significant stimuli established the uniformity of cognitive mechanisms, the absence of complexity in the cognitive structure of associative fields, the prevalence of semantic areas representing socially and personally significant intangible objects - family, love, morality, ethics, a person that should be stored, developed, transmit. Most of the cases of directed association are associated with the unambiguous nature of the response, clear boundaries of the stereotype area, a low level of emotion and evaluation, the frequency of complex reactions (series of enumerations, for example, values - security, comfort, stability, family, one’s job, country). The concentration of stereotypical meanings (the area of frequency reactions of the core of associative fields) is higher when responding to stimuli What kind of work …, Work requires what …, What kind of family …. The remaining stimuli cause an approximate equality of stereotyped and individual ways of responding. The life experience of the respondents had a significant impact on the choice of the type of speech action and the method of response.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44483421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-861-875
E. Tarasov
The author analyzes intercultural communication (IC): the speech activity to organize joint activities in a multicultural environment. In course of communication within a single culture, communicants produce speech messages that involve only linguistic signs bodies and require common consciousnesses for understanding. The speaker presents the reality with images of one’s verbally modeled consciousness to the recipient for perception; the latter uses this model to construct the perceived message content from the one’s consciousness images. The sign communication suggests a common language and images of consciousness. There isn’t seen any common consciousness in IC results in cognitive conflicts requiring instructive training to develop common consciousness and language, or an intermediary (interpreter) as a bearer of the proper consciousness. Understanding in IC requires preliminary definitions of key words in speech messages. Understanding with non-linguistic consciousness images among bearers of different ethnic cultures requires a preliminary acquaintance with these images. The theoretical underpinning of understanding in IC can involve A.N. Leontiev’s world image theory and the three-level model of the consciousness image by A.N. Leontiev - V.P. Zinchenko, including existential, reflective and spiritual levels. The world image is knowledge developed by an ethnic culture bearer in the enculturation to navigate in the reality. The existential level contains cognitive means providing for the orientation in the ethnic environment, at the reflexive level, the knowledge about reality ensures the ethnic survival in this reality. At the spiritual level, the consciousness bearer communicates with other individuals resulting in a human attitude to reality.
{"title":"Introduction to Psycholinguistic Theory of Intercultural Communication","authors":"E. Tarasov","doi":"10.22363/2313-2299-2022-13-4-861-875","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-861-875","url":null,"abstract":"The author analyzes intercultural communication (IC): the speech activity to organize joint activities in a multicultural environment. In course of communication within a single culture, communicants produce speech messages that involve only linguistic signs bodies and require common consciousnesses for understanding. The speaker presents the reality with images of one’s verbally modeled consciousness to the recipient for perception; the latter uses this model to construct the perceived message content from the one’s consciousness images. The sign communication suggests a common language and images of consciousness. There isn’t seen any common consciousness in IC results in cognitive conflicts requiring instructive training to develop common consciousness and language, or an intermediary (interpreter) as a bearer of the proper consciousness. Understanding in IC requires preliminary definitions of key words in speech messages. Understanding with non-linguistic consciousness images among bearers of different ethnic cultures requires a preliminary acquaintance with these images. The theoretical underpinning of understanding in IC can involve A.N. Leontiev’s world image theory and the three-level model of the consciousness image by A.N. Leontiev - V.P. Zinchenko, including existential, reflective and spiritual levels. The world image is knowledge developed by an ethnic culture bearer in the enculturation to navigate in the reality. The existential level contains cognitive means providing for the orientation in the ethnic environment, at the reflexive level, the knowledge about reality ensures the ethnic survival in this reality. At the spiritual level, the consciousness bearer communicates with other individuals resulting in a human attitude to reality.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43321973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-925-936
N. Boldyrev, I. Beliaeva
The authors examine the interpretive meanings of phraseological units from the perspective of a cognitive approach and within the framework of the linguistic interpretation theory in order to study their role in ensuring conflict-free communication in future research. The undertaken study covers the material from the Russian, English and French languages. The authors argue that the interpretive nature of phraseological units is due to the fact that their meanings convey a certain interpretation of already existing and earlier verbalized knowledge about objects and events. This interpretation takes as a basis the postulated similarity with other objects and events from the same or another conceptual domain and knowledge about them. The method of cognitive modeling applied by the authors makes it possible to determine the type of relationships between different entities, that make up a conceptual basis for phraseological meaning construction. In authors’ opinion, conflict-free verbal communication is directly related to the choice of cognitive mechanisms for the construction of meaning, transmitted by phraseological units, that prevent its misunderstanding or misinterpretation. The analysis of the language material shows that the process of phraseological interpretive meaning construction employs cognitive mechanisms of profiling, conceptual metaphor, conceptual comparison (analogy), conceptual metonymy and conceptual metaphtonymy, profiling being a universal cognitive mechanism that precedes all other cognitive operations.
{"title":"Cognitive Mechanisms of Phraseological Units Interpretive Meaning Construction in Relation to Conflict-Free Communication","authors":"N. Boldyrev, I. Beliaeva","doi":"10.22363/2313-2299-2022-13-4-925-936","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-925-936","url":null,"abstract":"The authors examine the interpretive meanings of phraseological units from the perspective of a cognitive approach and within the framework of the linguistic interpretation theory in order to study their role in ensuring conflict-free communication in future research. The undertaken study covers the material from the Russian, English and French languages. The authors argue that the interpretive nature of phraseological units is due to the fact that their meanings convey a certain interpretation of already existing and earlier verbalized knowledge about objects and events. This interpretation takes as a basis the postulated similarity with other objects and events from the same or another conceptual domain and knowledge about them. The method of cognitive modeling applied by the authors makes it possible to determine the type of relationships between different entities, that make up a conceptual basis for phraseological meaning construction. In authors’ opinion, conflict-free verbal communication is directly related to the choice of cognitive mechanisms for the construction of meaning, transmitted by phraseological units, that prevent its misunderstanding or misinterpretation. The analysis of the language material shows that the process of phraseological interpretive meaning construction employs cognitive mechanisms of profiling, conceptual metaphor, conceptual comparison (analogy), conceptual metonymy and conceptual metaphtonymy, profiling being a universal cognitive mechanism that precedes all other cognitive operations.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45102662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-1044-1061
Alexandra S. Makarova
The author presents an analysis of the linguistic and stylistic features of the Orthodox media sermon of the famous priest Dimitry Smirnov, posted on his multimedia blog. Based on the problems of scientific work, the study is based on the works of leading and foreign media linguists and experts in the field of studying the genre of sermon. It is shown that creative work with the lexical and phraseological funds of the literary language through semantic transformations is updated through the emergence of new connotations, semantic neologisms, transformed phraseological units, which as a result leads to the renewal and strengthening of linguistic expression and contributes to the achievement of the linguo-pragmatic goals of the preacher. The genre of the sermon has specific linguistic features: the traditional address to the audience at the beginning of the sermon and its traditional completion, a large number of names of Jesus Christ, the mention of biblical precedent names and toponyms, implicit and explicit citation of the texts of Holy Scripture, etc. When working with preaching media content, two micro-conclusions were found and one general conclusion that sums up the entire sermon, which indicates a clearly built speech strategy that pursues specific linguo-pragmatic goals: to convey to the audience the main gospel meanings associated with Christ’s Resurrection. The well-thought-out speech strategy and tactics of the preacher purposefully focus the audience’s attention on important Christian issues through which the missionary function of the Orthodox media discourse is realized.
{"title":"Language and Stylistic Features of the Orthodox Media Sermon","authors":"Alexandra S. Makarova","doi":"10.22363/2313-2299-2022-13-4-1044-1061","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-1044-1061","url":null,"abstract":"The author presents an analysis of the linguistic and stylistic features of the Orthodox media sermon of the famous priest Dimitry Smirnov, posted on his multimedia blog. Based on the problems of scientific work, the study is based on the works of leading and foreign media linguists and experts in the field of studying the genre of sermon. It is shown that creative work with the lexical and phraseological funds of the literary language through semantic transformations is updated through the emergence of new connotations, semantic neologisms, transformed phraseological units, which as a result leads to the renewal and strengthening of linguistic expression and contributes to the achievement of the linguo-pragmatic goals of the preacher. The genre of the sermon has specific linguistic features: the traditional address to the audience at the beginning of the sermon and its traditional completion, a large number of names of Jesus Christ, the mention of biblical precedent names and toponyms, implicit and explicit citation of the texts of Holy Scripture, etc. When working with preaching media content, two micro-conclusions were found and one general conclusion that sums up the entire sermon, which indicates a clearly built speech strategy that pursues specific linguo-pragmatic goals: to convey to the audience the main gospel meanings associated with Christ’s Resurrection. The well-thought-out speech strategy and tactics of the preacher purposefully focus the audience’s attention on important Christian issues through which the missionary function of the Orthodox media discourse is realized.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45114713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-989-1004
I. Bekoeva, M. Balikoeva, A. V. Denisenko, Julia M. Kalinina
Freedom is a concept with an extremely complex structure. Most of its components are concepts themselves with their own complex hierarchical structure. The authors discusse the components of the concept of “freedom” in the Ossetian and English languages, establishes its main conceptual, figurative-metaphorical and value characteristics in both languages and the specific meanings in each of these linguistic cultures separately. In the context of intensive intercultural communication, a comparative analysis of global languages and languages of small peoples makes it possible to establish the universal and national features of linguistic pictures of the world and contributes to the dialogue of cultures. The aim of the study is to identify the universal and unique components of the concept of freedom , represented in the Ossetian and English-language sociopolitical discourse. The scientific novelty of the work lies in the definition of the essential features of the concept of freedom in the Ossetian language on the example of the South Ossetian discourse, in which freedom plays a fundamental role in the formation of statehood, in the mentality of the people. Moreover, the given concept was for the first time compared in Ossetian and English, which allowed the authors to highlight the peculiarities of national self-identity of the speakers of both languages. The research was conducted on the basis of printed and electronic media of the Republic of South Ossetia, English press (both British and American), as well as Ossetian and English Dictionaries. A significant part of the material comes from the official bulletins and news from the website of the Ministry of Foreign Affairs of South Ossetia, which is in Russian, Ossetian and English languages. The following research methods were used in the work: the method of conceptual analysis; method of contextual analysis; comparative method, the method of continuous sampling of material from the South Ossetian, British and American media. The results obtained indicate the similarity of a number of components of the concept of freedom in the minds of the American, British and Ossetian peoples, however, they emphasize that in the English language the concept of “freedom” has a binary character - the opposition of freedom - not freedom, while in the Ossetian linguistic culture, in addition to the main general meanings, saeribardzinad - freedom has a broader meaning and implies law, struggle, national freedom.
{"title":"Conceptual Component, Figurative-metaphorical and Value Characteristics of the Concept FREEDOM/LIBERTY in the Ossetian and English Languages","authors":"I. Bekoeva, M. Balikoeva, A. V. Denisenko, Julia M. Kalinina","doi":"10.22363/2313-2299-2022-13-4-989-1004","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-989-1004","url":null,"abstract":"Freedom is a concept with an extremely complex structure. Most of its components are concepts themselves with their own complex hierarchical structure. The authors discusse the components of the concept of “freedom” in the Ossetian and English languages, establishes its main conceptual, figurative-metaphorical and value characteristics in both languages and the specific meanings in each of these linguistic cultures separately. In the context of intensive intercultural communication, a comparative analysis of global languages and languages of small peoples makes it possible to establish the universal and national features of linguistic pictures of the world and contributes to the dialogue of cultures. The aim of the study is to identify the universal and unique components of the concept of freedom , represented in the Ossetian and English-language sociopolitical discourse. The scientific novelty of the work lies in the definition of the essential features of the concept of freedom in the Ossetian language on the example of the South Ossetian discourse, in which freedom plays a fundamental role in the formation of statehood, in the mentality of the people. Moreover, the given concept was for the first time compared in Ossetian and English, which allowed the authors to highlight the peculiarities of national self-identity of the speakers of both languages. The research was conducted on the basis of printed and electronic media of the Republic of South Ossetia, English press (both British and American), as well as Ossetian and English Dictionaries. A significant part of the material comes from the official bulletins and news from the website of the Ministry of Foreign Affairs of South Ossetia, which is in Russian, Ossetian and English languages. The following research methods were used in the work: the method of conceptual analysis; method of contextual analysis; comparative method, the method of continuous sampling of material from the South Ossetian, British and American media. The results obtained indicate the similarity of a number of components of the concept of freedom in the minds of the American, British and Ossetian peoples, however, they emphasize that in the English language the concept of “freedom” has a binary character - the opposition of freedom - not freedom, while in the Ossetian linguistic culture, in addition to the main general meanings, saeribardzinad - freedom has a broader meaning and implies law, struggle, national freedom.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46170031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-1110-1121
N. V. Koshkareva
The article is devoted to the consideration of a polyphonic choral composition as a polycode text, in which literary and musical texts as paralinguistic means contain heterogeneous information and add additional shades to the content of the score, i.e., the musical text as a whole. The novelty of the study lies in the fact that for the first time, synthesizing scientific achievements of linguistics and musicology, the polyphonic forms of a cappella choral works are analyzed as polycode texts. Due to the specifics of the choral art form as a musical and performing art, the nature of the perception of a musical text is multimodal. For performers who ‘decipher’ and ‘voice’ a musical notation, a musical text has one visual mode. For listeners, multimodality characterizes the practice of communication in terms of auditory, linguistic, spatial and visual resources, for example, the auditory mode when listening to a work without a visual range, or a polymodus complex when listening with a visual range. This refers to listening to music while simultaneously viewing the musical text of a work, observing the process of public performance, which in modern practice is often accompanied by a specially selected video sequence. The leading paradigm is the synergy of literary and textual sources and polyphonic form in works for a cappella choir by contemporary Russian composers. Based on the differentiation of the structure of a literary and textual source, the attribution of polyphonic forms of motet, madrigal, fugue and fugato is the subject of the work, while the goal is to form a research picture based on a close ‘polyphonic’ connection between word and music. In polyphonic analysis, it is important to determine the content of choral compositions and the composer’s method of dealing with the structure of a text source. A whole poem can be taken as the basis of a musical work (an example is the text-musical forms of motets and madrigals), one strophe, one line, one word (the analysis of fugato and fugue becomes the evidence base). An interesting case is the use as a text base of a polyphonic composition of individual syllables and phonemes (preludes and fugue-vocalizes) and a ‘silent’ performance - with a closed mouth. Thus, it is proved that the musical text is a complex multimodal complex in which the main information is conveyed by semiotically heterogeneous components. It is concluded that, on the one hand, a literary text influences the choice of a polyphonic form, on the other hand, it is often a static text that does not have an external plot development in the context of polyphonic dramaturgy and form and acquires internal dynamics of development to expand its semantic field.
{"title":"Synergism of Music and Word in Polyphonic Forms of Choral Works a Cappella by Modern Russian Composers","authors":"N. V. Koshkareva","doi":"10.22363/2313-2299-2022-13-4-1110-1121","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-1110-1121","url":null,"abstract":"The article is devoted to the consideration of a polyphonic choral composition as a polycode text, in which literary and musical texts as paralinguistic means contain heterogeneous information and add additional shades to the content of the score, i.e., the musical text as a whole. The novelty of the study lies in the fact that for the first time, synthesizing scientific achievements of linguistics and musicology, the polyphonic forms of a cappella choral works are analyzed as polycode texts. Due to the specifics of the choral art form as a musical and performing art, the nature of the perception of a musical text is multimodal. For performers who ‘decipher’ and ‘voice’ a musical notation, a musical text has one visual mode. For listeners, multimodality characterizes the practice of communication in terms of auditory, linguistic, spatial and visual resources, for example, the auditory mode when listening to a work without a visual range, or a polymodus complex when listening with a visual range. This refers to listening to music while simultaneously viewing the musical text of a work, observing the process of public performance, which in modern practice is often accompanied by a specially selected video sequence. The leading paradigm is the synergy of literary and textual sources and polyphonic form in works for a cappella choir by contemporary Russian composers. Based on the differentiation of the structure of a literary and textual source, the attribution of polyphonic forms of motet, madrigal, fugue and fugato is the subject of the work, while the goal is to form a research picture based on a close ‘polyphonic’ connection between word and music. In polyphonic analysis, it is important to determine the content of choral compositions and the composer’s method of dealing with the structure of a text source. A whole poem can be taken as the basis of a musical work (an example is the text-musical forms of motets and madrigals), one strophe, one line, one word (the analysis of fugato and fugue becomes the evidence base). An interesting case is the use as a text base of a polyphonic composition of individual syllables and phonemes (preludes and fugue-vocalizes) and a ‘silent’ performance - with a closed mouth. Thus, it is proved that the musical text is a complex multimodal complex in which the main information is conveyed by semiotically heterogeneous components. It is concluded that, on the one hand, a literary text influences the choice of a polyphonic form, on the other hand, it is often a static text that does not have an external plot development in the context of polyphonic dramaturgy and form and acquires internal dynamics of development to expand its semantic field.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49057557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-27DOI: 10.22363/2313-2299-2022-13-4-1020-1043
L. Guseynova, Natalia M. Dugalich, O. Lomakina, Natalia Yu. Neliubova, Y. Ebzeeva
Internet texts represent the most mobile and eclectic type of a text. Therefore, the methodology of their analysis is integrative and polyparadigmatic; and for adequate interpretation it is required to consider them taking into account modern socio-cultural context and presuppositional knowledge. The article is devoted to the description of meme-creating components associated with modern sociocultural context in various forms of Internet memes: comics, demotivators, cartoons, presented in three segments of the Internet (Runet, French and Azerbaijani segments). The novelty of the research is based on the fact that for the first time, the meme-creating plots in the Russian, French and Azerbaijani segments of the Internet were identified and correlated; the authors carried out an analysis of the authentic material formed under the influence of the socio-cultural context - the influence of various external factors and cultural background. A continuous selection of network sources from various segments of the Internet allowed compiling an author’s card-file containing more than 2 500 Internet memes, the examples from which became an empirical basis for the study. The material was аnalysed with the use of a descriptive and analytical method that involves direct observation of the phenomena under analysis and their systematization, generalization of language material; we also used elements of discursive, componential and linguopragmatic analysis.A comparative analysis of memes in the Russian, French and Azerbaijani segments of the Internet showed, on the one hand, a quantitative asymmetry (Russian memes prevail), and on the other hand, differences in the forms of Internet memes (for example, demotivators prevail in Runet, comics and cartoons are commonly found in the French and Azerbaijani segments). The analyzed material showed that both words and phraseological units of different categories realize the functional potential in the verbal part of Internet memes of the three linguocultures under consideration. In a number of cases, there is an actualization and complete rethinking of lexical and precedent units. The nature of the presentation of images in the visual part may be associated with the cultural tradition of the nation. The study shows that such 21st century attraction events as migration and threat of coronavirus infection are reflected in Internet memes regardless of the system of values, religion and mentality. When creating national images and presenting artefacts, the role of ethno-linguistic markers perceived by a particular nation is decisive. The visual element can also be actualized in connection with ongoing socio-political events. All this proves that adequate interpretation of memes requires presuppositional knowledge, so that understanding such a polycode formation as an Internet meme does not become a communicative failure. Memes about labour migration and the coronavirus pandemic in the Belarusian segment of the Internet, conten
{"title":"The Reflection of the Socio-Cultural Context in Russian, French and Azerbaijani Internet Memes","authors":"L. Guseynova, Natalia M. Dugalich, O. Lomakina, Natalia Yu. Neliubova, Y. Ebzeeva","doi":"10.22363/2313-2299-2022-13-4-1020-1043","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-4-1020-1043","url":null,"abstract":"Internet texts represent the most mobile and eclectic type of a text. Therefore, the methodology of their analysis is integrative and polyparadigmatic; and for adequate interpretation it is required to consider them taking into account modern socio-cultural context and presuppositional knowledge. The article is devoted to the description of meme-creating components associated with modern sociocultural context in various forms of Internet memes: comics, demotivators, cartoons, presented in three segments of the Internet (Runet, French and Azerbaijani segments). The novelty of the research is based on the fact that for the first time, the meme-creating plots in the Russian, French and Azerbaijani segments of the Internet were identified and correlated; the authors carried out an analysis of the authentic material formed under the influence of the socio-cultural context - the influence of various external factors and cultural background. A continuous selection of network sources from various segments of the Internet allowed compiling an author’s card-file containing more than 2 500 Internet memes, the examples from which became an empirical basis for the study. The material was аnalysed with the use of a descriptive and analytical method that involves direct observation of the phenomena under analysis and their systematization, generalization of language material; we also used elements of discursive, componential and linguopragmatic analysis.A comparative analysis of memes in the Russian, French and Azerbaijani segments of the Internet showed, on the one hand, a quantitative asymmetry (Russian memes prevail), and on the other hand, differences in the forms of Internet memes (for example, demotivators prevail in Runet, comics and cartoons are commonly found in the French and Azerbaijani segments). The analyzed material showed that both words and phraseological units of different categories realize the functional potential in the verbal part of Internet memes of the three linguocultures under consideration. In a number of cases, there is an actualization and complete rethinking of lexical and precedent units. The nature of the presentation of images in the visual part may be associated with the cultural tradition of the nation. The study shows that such 21st century attraction events as migration and threat of coronavirus infection are reflected in Internet memes regardless of the system of values, religion and mentality. When creating national images and presenting artefacts, the role of ethno-linguistic markers perceived by a particular nation is decisive. The visual element can also be actualized in connection with ongoing socio-political events. All this proves that adequate interpretation of memes requires presuppositional knowledge, so that understanding such a polycode formation as an Internet meme does not become a communicative failure. Memes about labour migration and the coronavirus pandemic in the Belarusian segment of the Internet, conten","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48305985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.22363/2313-2299-2022-13-3-784-799
Liubov I. Zholudeva
The study discusses the impact of E. Coseriu (1921-2002), a prominent 20th century linguist, an expert in language theory and philosophy, on the development of language restandardization theory in modern Italy. E. Coseriu proposed a model of living language that accounts for its basic property - variability, which allows to solve the so-called paradox of language change widely discussed in post-saussurean linguistics and to produce a complex description of language system, norm, and speech in their mutual correlation. The analysis presented in the paper shows how the system of language variation parameters (diachrony, diatopy, diastraty, and diaphasy) constituted the theoretical basis for describing the process of restandardization typical of Modern Italian since the last decades of the 20th century. Modern Italian, also known as Italiano neo-standard, fulfils all the communicative functions, is used both in speech and in writing in all speech genres and registers, and is L1 for more than a half of Italy’s population. This language situation, however, is relatively new: up to mid-20th century the majority of Italians were bilingual, and the dialects of Italy functioned as their L1 and as means of informal communication. The widening of use of Standard Italian proceeded alongside with its stylistic diversification and the adaptation of its pragmatic and stylistic potential for informal, colloquial use, which called in question the status of certain structures, previously regarded as substandard ones. The analysis of E. Coseriu’s language variation theory as applied to the Italian language allows to classify modern Italian sociolinguistics and historical language studies as developing the functional trend typical of European linguistics.
{"title":"Italiano Neo-Standard in the Light of E. Coseriu’s Theory of Language Variations","authors":"Liubov I. Zholudeva","doi":"10.22363/2313-2299-2022-13-3-784-799","DOIUrl":"https://doi.org/10.22363/2313-2299-2022-13-3-784-799","url":null,"abstract":"The study discusses the impact of E. Coseriu (1921-2002), a prominent 20th century linguist, an expert in language theory and philosophy, on the development of language restandardization theory in modern Italy. E. Coseriu proposed a model of living language that accounts for its basic property - variability, which allows to solve the so-called paradox of language change widely discussed in post-saussurean linguistics and to produce a complex description of language system, norm, and speech in their mutual correlation. The analysis presented in the paper shows how the system of language variation parameters (diachrony, diatopy, diastraty, and diaphasy) constituted the theoretical basis for describing the process of restandardization typical of Modern Italian since the last decades of the 20th century. Modern Italian, also known as Italiano neo-standard, fulfils all the communicative functions, is used both in speech and in writing in all speech genres and registers, and is L1 for more than a half of Italy’s population. This language situation, however, is relatively new: up to mid-20th century the majority of Italians were bilingual, and the dialects of Italy functioned as their L1 and as means of informal communication. The widening of use of Standard Italian proceeded alongside with its stylistic diversification and the adaptation of its pragmatic and stylistic potential for informal, colloquial use, which called in question the status of certain structures, previously regarded as substandard ones. The analysis of E. Coseriu’s language variation theory as applied to the Italian language allows to classify modern Italian sociolinguistics and historical language studies as developing the functional trend typical of European linguistics.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45499204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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