Pub Date : 2021-12-30DOI: 10.22363/2313-2299-2021-12-4-969-980
Yakov M. Druzhkov, O. Chesnokova
This article is devoted to the idiolect of Ernestina de Champourcin, a contemporary of the Generation-27, an iconic group of Spanish poets of the 20th century. The authors propose is to consider the poetess's idiolect in the aspect of cultural accommodation beyond the traditional translation discourse, through the analysis of two poetry collections - Presencia a oscuras and Primer exilio which stand at the turn of two stages of Ernestina de Champourcin's creative work. The authors analyse the aesthetic, cognitive and linguistic vectors of the poet's idiolect and systematise the reasons for its dynamics. On the basis of the comparative analysis of the elements of the poetic idiolect of her works of different periods, the authors note that the idiolect evolves in accordance with the conditions created by cultural accommodation, and therefore the consideration of cultural accommodation is possible not only in the context of translation adequacy and equivalence, but also chronologically, at the level of idiolect, as evidenced, in particular, by the use of regional variations of lexical units, syntax and the prevalence of this or that temporal plane. The analysis of idiolect makes it possible to narrow the perspective of the material under study, and thus represents the first link of the work on poetic translation. It is argued that the translation of a poetic text is impossible without considering the internal cultural accommodation of the idiolect, which takes place according to the cultural accommodation of the individual and independently of the translation. Based on their analysis, the authors emphasize the role of idiolect as a key factor in the studies devoted to the chronological description of the creative formation of any poet.
这篇文章专门介绍了埃内斯蒂娜·德·尚波辛，一位27代的当代人，一个20世纪西班牙诗人的标志性群体。通过对埃内斯蒂娜·德·尚波辛创作两个阶段之交的两本诗集《Presencia a oscuras》和《Primer exilio》的分析，作者提出了在传统翻译话语之外，从文化适应的角度来考虑女诗人的选择。作者分析了诗人自我选择的美学、认知和语言载体，并系统地分析了其动态的原因。在对她不同时期作品的诗歌选择要素进行比较分析的基础上，作者注意到，诗歌选择是根据文化容纳所创造的条件而演变的，因此，文化容纳的考虑不仅在翻译的充分性和对等性的背景下是可能的，而且在时间上也是可能的，在选择层面上，尤其是通过使用词汇单位、句法的区域变化以及这个或那个时间平面的普遍性来证明这一点。具体选择的分析可以缩小所研究材料的视角，从而代表诗歌翻译工作的第一个环节。有人认为，如果不考虑个体的内部文化适应，诗歌文本的翻译是不可能的，这种文化适应是根据个体的文化适应而发生的，并且独立于翻译。基于他们的分析，作者强调，在对任何诗人的创作形态进行时间描述的研究中，选择是一个关键因素。
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Pub Date : 2021-12-30DOI: 10.22363/2313-2299-2021-12-4-1285-1298
A. Zotova
The article is devoted to the study of semiotics in the advertising communication of web 2.0 network social services. The purpose of the article is to analyze the publications of various brands on social Internet services focused on communication with the consumer and the subsequent study of the features of the use of semiotics tools. The relevance of the article is due to the fact that the modern information society has increased interest in semiotic systems, including in the field of Internet communication. The modern vision of semiotics has gone beyond the traditional framework and defined it as part of global and local communication in web 2.0 social network services, not only between Internet users, but also in the areas of B2B and B2C. The study of the possibilities of semiotics in advertising communication on web 2.0 social platforms, using the example of search engine applications, the social network Instagram, and company sites, in this article is based on the works of R. Barthes, J. Baudrillard, Y. Lotman, and U. Eco. This material confirms our hypothesis that today, especially since the beginning of the pandemic, communication on web 2.0 services is not limited only to text with a picture/photos or videos, more and more often there are visualized scenes created with the help of graphic design with the use of symbols and iconic signs that are familiar to the consumer, which he easily decodes, since they are inscribed in his socio-cultural coordinate system. The innovation of the research is based on the fixation of modern criteria of advertising Internet communication: polycode, intertextuality and multimedia, used as a way of working with target audiences. The novelty of the material consists of the understanding that semiotics today is a new look not only at the branch of scientific knowledge, but also at the practical possibilities of sign systems in the digital age, when the sign becomes a part of the socio-cultural space, a trend of the global world, a tool for transmitting information, knowledge, positioning, a tool for manipulation, influence, and attracting attention. Thus, brands working with the audience in todays realities should take into account not only the product preferences of consumers, but also broadcast their social / civic activity.
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Pub Date : 2021-12-30DOI: 10.22363/2313-2299-2021-12-4-1216-1235
T. Tameryan, I. Zyubina, Alla V. Dzhigkaeva
The article is devoted to the field modeling of the verbal representation of the stereotypical image of a businesswoman - a new phenomenon in the Russian mentality. A comprehensive description is carried out in the sociolinguistic, linguo-cognitive, discursive and gender aspects based on the integrative cognitive-functional analysis of the linguo-culturally marked components of the stereotype image by the methods of a semantic-cognitive, discursive, contextual, conceptual analysis, the method of field modeling and interpretation of the data obtained. The described fragment of the worldview is a pioneering field of comprehension of new phenomena of reality in the framework of the analysis of business discourse and national conceptual spheres. The empirical material of the study was the results of a survey of professional feminine and masculine groups. The nucleus of the heterostereotype of a businesswoman was revealed, based on the ideas enshrined in the minds of the male entrepreneurs - feminine strategies of business communication and an integral set of roles and status positions of the performer and assistant, in which the leading place is given to men, and the secondary - to women. In addition, the analyzed linguistic material demonstrated the transformation of traditional female roles of a wife and a mother towards male roles of a breadwinner and a leader. So, the autoimage of a businesswoman is a complex cognitive structure that includes a set of social roles and functions, numerous gender prescriptions and stereotypes. The nucleus of auto-representations of a businesswoman has also made up a cognitive attribute of female business communication strategies. The feminine role-playing set, according to the women entrepreneurs, includes the traditional roles of a housewife, a mother, a wife, a weak woman, a parity spouse and a hybrid feminine-masculine image. According to the study, the actualization of new feminine roles does not eliminate the socio-cultural background of a womans development in society, but tends to preserve traditional female behavior patterns in combination with components determined by civilizational processes.
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Pub Date : 2021-12-30DOI: 10.22363/2313-2299-2021-12-4-1107-1123
I. Matytsina
The article focuses on approaches to Bible translation that existed in Sweden in different periods. Special attention is payed to what is to date the latest translation in 2000 (Bible 2000). On the eve of celebration of the 500th anniversary of the first translation of the Gospels (1526) this topic is particularly relevant and discussed more and more actively in works by Swedish researchers, first and foremost because a new edition of the next Bible translation is planned in 2026. This tradition goes back to 1540-1541 when translation of the full Bible was printed, known as the Gustav Vasa Bible (Gustav Vasas Bibel), which has made an impact on the hearts and minds of Swedish people for almost four centuries and formed the basis of Standard Swedish. The approach declared by Luther has become a fundamental principle of Bible translations into Swedish: text must convey precisely the message, spirit and content of the original, not literally, however, but in the language that is clear to uneducated people. The Gustav Vasa Bible was reissued twice: in 1618 (the Gustav II Adolf Bible) and 1703 (the Charles XII Bible). Whats more, every new edition was redacted officially. In 1773 Gustav III established the Biblical Commission and requested to replace the outdated text with a new one. However, there were numerous changes in the Swedish Language during the XXth century. Besides, the development of linguistics and translation studies, as well as new scientific data have formed the basis of a new Bible translation project that was launched in 1972 and ended up with publishing the Bible-2000. The translation is the result of collaboration between numerous scholars and average readers. It took almost thirty years to perform the work. In the end, a text was created which most people think is unique, as it strives to convey the style of each particular book. However, there is obviously a gap between the new text and the centuries-old tradition of Bible translation, because after textual analysis was complete, scholars and translators often took decisions about how to render separate words and whole phrases. Their decisions had nothing in common with established practice. Consequently, critics consider that the text of Bible-2000 is often greatly oversimplified, everyday, lacking its solemn beauty and magnificence.
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Pub Date : 2021-12-15DOI: 10.22363/2313-2299-2021-12-2-514-525
I. Bello, Белло Идрис Мухаммад
Case Theory interacts with Government Theory in its operation and so, cases are assigned to the complements of governors. Case assigners are the governors of their dependent clauses while the case receivers are the governed NPs. So, the purpose of the study is to survey case assignment in Fulfulde generally by identifying and analysing the elements of Fulfulde structures and their relationship in terms of structural case. Unstructured observation was the method used for eliciting data for this study. Adequate and natural data were recorded and analysed sentence by sentence, the way they were uttered by the native speakers. The Theoretical Framework adopted for data analysis by this study is Principle and Parameters Theory. The study discovered that in Government, apart from (V)erbs, (P)repositions and tensed INFL, (N)ouns, (A)djectives and Focus Markers FMs can also govern and assign case to their complements in Fulfulde. The study has proved that in Fulfulde, cases can be assigned either to the left or to the right, depending on the relation.
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Pub Date : 2021-12-15DOI: 10.22363/2313-2299-2021-12-2-454-471
E. Sharapova, Шарапова Екатерина Вячеславовна
The paper is dedicated to the analysis of irregular intensifying constructions in Fyodor Dostoevsky’s individual style, more specifically of irregular lexical combinations including an intensifier and a main word. The meaning of intensifies is completely focused on expressing the intensity of an attribute, action or state denominated by the main word. Fyodor Dostoevsky’s writing style tends to form certain types of irregular lexical combinations including intensifiers. Through a case study of intensifiers ochen’ , goryachii / goryacho , izo vsekh sil , etc. the article describes several main types of irregular combinations with the view to find out semantic effects of irregular combinability. The analysis has covered the complete corpus of Fyodor Doestoevsky’s texts (fiction, journalism, private correspondence, business correspondence and documents). The first discriminant mark of irregular combinations is the semantic contradiction between the terms, the violation of idiomatic compatibility rules is the second feature taken into account. Whereas collocational rules in modern Russian differ a lot from the language norms of the 19th century, the subcorpus of 19th century texts of the National Russian Corpus serves to test the irregular idiomatic combinability. The article shows how the irregular combinability causes context meaning shifts profiling peripheral semantic features of the main word or “imposing” on it an untypical and contradictory semantics. In irregular lexical combinations, the language representation changes due to the original authors reinterpretation of the referential situation. The irregular lexical combinations with intensifiers are thereafter a distinctive feature of Fyodor Dostoevsky’s individual writing style that reveals his original conceptualization of the world.
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Pub Date : 2021-12-15DOI: 10.22363/2313-2299-2021-12-2-390-416
N. Chulkina, Чулкина Нина Леонидовна
The paper represents lingvo-cultural and semiotic description of the vocabulary, which introduces the everyday life of the poor characters of the F. Dostoevsky’s novels. In this case the procedure of the construction of text associative fields and the concept of idiogloss are used. Associative text fields are built, from one side, around the base concepts of daily activity - HOUSE/DWELLING; CLOTHING; FOOD; MONEY, DEBTS, LOAN; DISEASE, DEATH; WORK, BUSINESS; and idioglosses POVERTY; SHAME; FEAR; PRIDE, THE PINCHED PRIDE; GENTLENESS - on the other hand. These two “measurements” - semantic and pragmatic - make it possible to reconstruct on the texts of Dostoevsky the everyday world of poor characters, to reveal those specific idiosenses, which are concluded in the lexical items being investigated. Besides, the author hopes that such description can become additional material for the creation of the corresponding articles of the «Dostoevsky’s Language Dictionary», which is making now in the V.V. Vinigradov Russian Language University (Russian Science Academy). At the V.V. Vinogradov Russian Language University University of Russian Science Academy in the sector of experimental lexicography under the guidance of Corresponding Member of the Russian Science Academy, Professor Y.N. Karaulov, work on creation of the “F.M. Dostoevsky’s Language Dictionary” has been conducted for many years. At the same time, collections of articles are published - “The Word of Dostoevsky”, viewed as a kind of “extension” of “Dostoevsky’s Language Dictionary”. The authors of the collection should implement the overall thrust of the research results as a guide - the solution of interpretational, hermeneutic tasks. Meanwhile it is also important to identify and describe the vocabulary that is “significant” for interpretation of Dostoevsky’s texts and idioglosses in particular, i.e. such lexical units that are important for understanding, for deciphering and interpreting of the meaning of his literary works, for characterizing his author’s style (idiostyle), for recreating his picture of the world, his universal and national ideals .
{"title":"“Trivial Nonsense” of the Poor Heroes of Dostoevsky (Materials for “Dostoevsky’s Language Dictionary: Idioglossary”)","authors":"N. Chulkina, Чулкина Нина Леонидовна","doi":"10.22363/2313-2299-2021-12-2-390-416","DOIUrl":"https://doi.org/10.22363/2313-2299-2021-12-2-390-416","url":null,"abstract":"The paper represents lingvo-cultural and semiotic description of the vocabulary, which introduces the everyday life of the poor characters of the F. Dostoevsky’s novels. In this case the procedure of the construction of text associative fields and the concept of idiogloss are used. Associative text fields are built, from one side, around the base concepts of daily activity - HOUSE/DWELLING; CLOTHING; FOOD; MONEY, DEBTS, LOAN; DISEASE, DEATH; WORK, BUSINESS; and idioglosses POVERTY; SHAME; FEAR; PRIDE, THE PINCHED PRIDE; GENTLENESS - on the other hand. These two “measurements” - semantic and pragmatic - make it possible to reconstruct on the texts of Dostoevsky the everyday world of poor characters, to reveal those specific idiosenses, which are concluded in the lexical items being investigated. Besides, the author hopes that such description can become additional material for the creation of the corresponding articles of the «Dostoevsky’s Language Dictionary», which is making now in the V.V. Vinigradov Russian Language University (Russian Science Academy). At the V.V. Vinogradov Russian Language University University of Russian Science Academy in the sector of experimental lexicography under the guidance of Corresponding Member of the Russian Science Academy, Professor Y.N. Karaulov, work on creation of the “F.M. Dostoevsky’s Language Dictionary” has been conducted for many years. At the same time, collections of articles are published - “The Word of Dostoevsky”, viewed as a kind of “extension” of “Dostoevsky’s Language Dictionary”. The authors of the collection should implement the overall thrust of the research results as a guide - the solution of interpretational, hermeneutic tasks. Meanwhile it is also important to identify and describe the vocabulary that is “significant” for interpretation of Dostoevsky’s texts and idioglosses in particular, i.e. such lexical units that are important for understanding, for deciphering and interpreting of the meaning of his literary works, for characterizing his author’s style (idiostyle), for recreating his picture of the world, his universal and national ideals .","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":"12 1","pages":"390-416"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45258314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-15DOI: 10.22363/2313-2299-2021-12-2-436-453
Alexey V. Varzin, Варзин Алексей Владимирович
The article is devoted to the study of the linguistic expression of the phenomenon of pain in the texts of F.M. Dostoevsky. The material of the analysis is the texts of works of fiction, journalism and letters of the Great Russian writer. The study of Dostoevsky’s texts is preceded by an analysis of entries in explanatory and specialized dictionaries and encyclopedias, including articles in the “Dictionary of Dostoevsky’s Language”. The relevance of the study is determined by the approaching bicentennial of F.M. Dostoevsky, in whose works the phenomenon of pain has become one of the important subjects of the image. The specificity of this work lies in the reliance on linguistic methods of studying the phenomenon of pain while maintaining the interdisciplinary focus of the research as a whole. Various associative connections of the word “pain” and its derivatives in the contexts of the writer’s works of different genres are being studied. At the initial stage, the selection of material is carried out by the method of continuous sampling using the DiaWin software system of the Department of Experimental Lexicography of the V.V. Vinogradov Russian Language Institute of the Russian Academy of Sciences. The material thus obtained, is subjected to a multilevel analysis, in course of which the specificity of the conceptualization of pain in language and culture is revealed and the features of the depiction and interpretation of the phenomenon of pain in the discourse of Dostoevsky and his characters are revealed. Conclusions are formulated about the stable associative connections of the lexeme “pain”, the specificity of the linguistic depiction of various states of pain in the writer’s texts is revealed, the original interpretations of the concept of pain in the discourses of heroes-ideologists are analyzed. As a result, the analyzed phenomenon appears in multidimensional illumination. The general structure of the frame is established. The relationship between external symptoms and internal sensations of physical and mental pain is revealed. It is postulated that the explication of the concept of pain by a native speaker is fraught with significant difficulties, since pain is introspective and subjectively experienced. This special state is experienced and lived on. The contextual combinations of meanings of the word “pain” in Dostoevsky’s texts are highlighted. The specificity of the figurative representation of pain situations in the writer’s works is revealed. The increments of meaning characteristic of Dostoevsky’s contexts are analyzed. As a result, pain is interpreted as a complex phenomenon of language and culture and an important concept in the discourse of F.M. Dostoevsky.
{"title":"PAIN: the Word, the Image and the Concept in the Dostoevsky’s Thought and Speech Space","authors":"Alexey V. Varzin, Варзин Алексей Владимирович","doi":"10.22363/2313-2299-2021-12-2-436-453","DOIUrl":"https://doi.org/10.22363/2313-2299-2021-12-2-436-453","url":null,"abstract":"The article is devoted to the study of the linguistic expression of the phenomenon of pain in the texts of F.M. Dostoevsky. The material of the analysis is the texts of works of fiction, journalism and letters of the Great Russian writer. The study of Dostoevsky’s texts is preceded by an analysis of entries in explanatory and specialized dictionaries and encyclopedias, including articles in the “Dictionary of Dostoevsky’s Language”. The relevance of the study is determined by the approaching bicentennial of F.M. Dostoevsky, in whose works the phenomenon of pain has become one of the important subjects of the image. The specificity of this work lies in the reliance on linguistic methods of studying the phenomenon of pain while maintaining the interdisciplinary focus of the research as a whole. Various associative connections of the word “pain” and its derivatives in the contexts of the writer’s works of different genres are being studied. At the initial stage, the selection of material is carried out by the method of continuous sampling using the DiaWin software system of the Department of Experimental Lexicography of the V.V. Vinogradov Russian Language Institute of the Russian Academy of Sciences. The material thus obtained, is subjected to a multilevel analysis, in course of which the specificity of the conceptualization of pain in language and culture is revealed and the features of the depiction and interpretation of the phenomenon of pain in the discourse of Dostoevsky and his characters are revealed. Conclusions are formulated about the stable associative connections of the lexeme “pain”, the specificity of the linguistic depiction of various states of pain in the writer’s texts is revealed, the original interpretations of the concept of pain in the discourses of heroes-ideologists are analyzed. As a result, the analyzed phenomenon appears in multidimensional illumination. The general structure of the frame is established. The relationship between external symptoms and internal sensations of physical and mental pain is revealed. It is postulated that the explication of the concept of pain by a native speaker is fraught with significant difficulties, since pain is introspective and subjectively experienced. This special state is experienced and lived on. The contextual combinations of meanings of the word “pain” in Dostoevsky’s texts are highlighted. The specificity of the figurative representation of pain situations in the writer’s works is revealed. The increments of meaning characteristic of Dostoevsky’s contexts are analyzed. As a result, pain is interpreted as a complex phenomenon of language and culture and an important concept in the discourse of F.M. Dostoevsky.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":"12 1","pages":"436-453"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43585664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-15DOI: 10.22363/2313-2299-2021-12-1-185-195
Anna A. Vasileva, Васильева Анна Александровна
The article is devoted to the peculiarities of the functioning of imperative statements used in various situations of communication. The purpose of the article is to analyze the main imperative constructions in the context of the speech behavior of the linguistic personality of the main character of a literary text. The method of comparative analysis allows identify the features of the functioning of incentive tactics. This article is an overview of the research available in linguistics on issues related to imperativeness. A broad view of the concept of imperative allows to go beyond the established definitions and expand the field of modality of a literary text. The work examines the main semantic groups that clearly characterize the literary character as a linguistic person. The analysis of imperative incentive statements is viewed through the prism of purposeful communicative activity. A variety of means and ways of expressing imperative statements in the speech of the main character provide an opportunity to differentiate semantic nuances. The scientific novelty of the article lies in the fact that for the first time on the material of the modern Russian novel “The Geographer Drank His Globe Away” by A. Ivanov, the main classes of expression of the semantics of motivation are analyzed. The study identified imperative and non-imperative, but expressing the urge to action, statements, means of lowering the imperative. The lexico-grammatical and syntactic constructions used in the speech of the main character, most common in pedagogical and everyday discourses, are analyzed. The research results are presented as a functional-semantic space.
{"title":"Imperative Statements - one of the Forms of Representation of a Linguistic Personality","authors":"Anna A. Vasileva, Васильева Анна Александровна","doi":"10.22363/2313-2299-2021-12-1-185-195","DOIUrl":"https://doi.org/10.22363/2313-2299-2021-12-1-185-195","url":null,"abstract":"The article is devoted to the peculiarities of the functioning of imperative statements used in various situations of communication. The purpose of the article is to analyze the main imperative constructions in the context of the speech behavior of the linguistic personality of the main character of a literary text. The method of comparative analysis allows identify the features of the functioning of incentive tactics. This article is an overview of the research available in linguistics on issues related to imperativeness. A broad view of the concept of imperative allows to go beyond the established definitions and expand the field of modality of a literary text. The work examines the main semantic groups that clearly characterize the literary character as a linguistic person. The analysis of imperative incentive statements is viewed through the prism of purposeful communicative activity. A variety of means and ways of expressing imperative statements in the speech of the main character provide an opportunity to differentiate semantic nuances. The scientific novelty of the article lies in the fact that for the first time on the material of the modern Russian novel “The Geographer Drank His Globe Away” by A. Ivanov, the main classes of expression of the semantics of motivation are analyzed. The study identified imperative and non-imperative, but expressing the urge to action, statements, means of lowering the imperative. The lexico-grammatical and syntactic constructions used in the speech of the main character, most common in pedagogical and everyday discourses, are analyzed. The research results are presented as a functional-semantic space.","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":"12 1","pages":"185-195"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46015643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-15DOI: 10.22363/2313-2299-2021-12-2-302-315
M. Puig
{"title":"РОДИНА-PATRIA in Russian and Spanish Verbal Associative Networks","authors":"M. Puig","doi":"10.22363/2313-2299-2021-12-2-302-315","DOIUrl":"https://doi.org/10.22363/2313-2299-2021-12-2-302-315","url":null,"abstract":"","PeriodicalId":52389,"journal":{"name":"RUDN Journal of Language Studies, Semiotics and Semantics","volume":"12 1","pages":"302-315"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41857698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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