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Antunini in the Placa: The Spatial Arrangement of Members of the Confraternity of St Anthony along Dubrovnik’s Placa (15th Century) 广场上的安图尼尼:圣安东尼兄弟会成员沿杜布罗夫尼克广场的空间安排(15世纪)
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/pp.v55i0.99
Irena Benyovsky Latin, Zrinka Pešorda Vardić, Ivana Haničar Buljan
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引用次数: 1
Trade of Croatian Lands with the Cities of the Slovenian Styria 克罗地亚土地与斯洛文尼亚施蒂里亚州城市的贸易
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/PP.V55I0.38
T. Ravnikar
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引用次数: 0
Theresian and Josephine reform efforts in the regulation of the socioeconomic position of Roma in Croatia and Slavonia Theresian和Josephine在调节克罗地亚和斯拉沃尼亚罗姆人社会经济地位方面的改革努力
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/pp.v55i0.87
Danijel Vojak, Neven Kovačev
Th e history of the Roma population on the Croatian area was marked by the periods in which the Roma faced the impact of the repressive and assimilatory policy of the state and local authorities towards them. Th e period of the reign of Maria Th eresa and Joseph II was marked by such a policy, as they issued numerous decrees on Roma. Th e main goal of this policy was to reform the status of the Roma population by ordering them the forced sedentarization, the prohibition of their identity, e.g. their name, the use of their language and customs, doing their traditional professions and so on. As the result of such a policy, the Roma should have become the integrated part of the Habsburg society. Th e similar enlightened policy toward the Roma was conducted by the other European rulers as well. Th is paper is based on the research of the archival fonds of the Croatian State Archives, as well as the analysis of the relevant literature.
克罗地亚地区罗姆人的历史标志着罗姆人面临国家和地方当局对他们的镇压和同化政策的影响。玛丽亚·泰瑞萨和约瑟夫二世统治时期就有这样的政策,他们颁布了许多关于罗姆人的法令。这项政策的主要目标是改革罗姆人的地位,命令他们强制定居,禁止他们的身份,例如他们的名字,使用他们的语言和习俗,从事他们的传统职业等等。由于这项政策,罗姆人本应成为哈布斯堡社会的一部分。其他欧洲统治者也对罗姆人采取了类似的开明政策。本文在对克罗地亚国家档案馆档案基金进行研究的基础上,对相关文献进行了分析。
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引用次数: 0
Conversions to Islam in Bosnia and Herzegovina, and the Connections between Converts and their Christian families, from the Ottoman Conquest to the End of the Seventeenth Century 从奥斯曼帝国征服到17世纪末,波斯尼亚和黑塞哥维那皈依伊斯兰教,以及皈依者和他们的基督教家庭之间的联系
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/PP.V55I0.60
Dijana Pinjuh
Based on the available documents, the author has analysed the connections between converts to Islam and the Christian part of their families, and the way in which the conversions infl uenced the lives of converts and their Christian relatives. Adopting another religion did not mean abandoning the old habits and Christian traditions. Regardless of the change of religion and the new religious practices they had to follow, there were those who continued living in accordance with the Christian tradition. Th e converts’ contacts with their Christian families contributed to that considerably. Th e diff erence in name and religion did not break family ties even when families were separated.
根据现有文件,作者分析了皈依伊斯兰教的人与其家庭中的基督教部分之间的联系,以及皈依对皈依者及其基督教亲属生活的影响。采用另一种宗教并不意味着放弃旧习惯和基督教传统。不管宗教的变化和他们必须遵循的新的宗教实践如何,仍有一些人继续按照基督教传统生活。皈依者与他们的基督教家庭的联系在很大程度上促成了这一点。即使家庭分离,名字和宗教上的差异也不会破坏家庭关系。
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引用次数: 1
The Gypsy Baron (1885) as a musical monument remembering Maria Theresa? Facts, issues, controversies 吉普赛男爵(1885)作为纪念玛丽亚·特蕾莎的音乐纪念碑?事实,问题,争议
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/PP.V55I0.83
A. Piotrowska
The paper shows how Maria Th eresa’s legacy was remembered and highlighted alreadyin the late 19th century within the realm of musical culture. Focusing on the genre ofoperetta and taking The Gypsy Baron (1885) by Johann Strauss II (1825-1899) as anexample the paper touches upon the issues of propaganda and collective memory asconjured up by musical theatre. Considered ‘a musical monument to the Austro-HungarianEmpire’ The Gypsy Baron (originally Der Zigeunerbaron) ultimately reveals theposition the “King” Maria Th eresia cherished in the 19th century Empire, being at thesame time a fine example of the legacy of her politics. The pillars of the operetta’s plotare wars fought by Austrians: the Austro–Turkish War and the War of the Austrian Succession(1740-1748). The operetta is clearly the work inscribed into the specific politicalsituation of the late 19th century and constituted a musical response to concrete needsstimulated by civil attitudes. Hence the situation depicted in The Gypsy Baron reflectsthe multi-ethnic diversity of Habsburg Empire and the operetta’s overall message isto glorify the cooperation between various nations as (supposedly) facilitated underMaria Theresa’s reign.
这篇论文展示了玛丽亚·泰瑞萨的遗产是如何在19世纪末的音乐文化领域被铭记和强调的。本文以歌剧的体裁为中心,以约翰·施特劳斯二世(1825-1899)的《吉普赛男爵》(1885)为例,探讨了音乐剧引发的宣传和集体记忆问题。吉普赛男爵(原名Der Zigeunerboron)被认为是“奥匈帝国的音乐纪念碑”,她最终揭示了“国王”Maria Theresia在19世纪帝国所珍视的地位,同时也是她政治遗产的一个很好的例子。轻歌剧情节的支柱是奥地利人的战争:奥土战争和奥地利继承战争(1740-1748)。轻歌剧显然是19世纪末特定政治背景下的作品,是对公民态度刺激的具体需求的音乐回应。因此,《吉普赛男爵》中描绘的情况反映了哈布斯堡帝国的多民族多样性,而轻歌剧的总体信息是赞美在玛丽亚·特蕾莎统治下(据说)促进的各个国家之间的合作。
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引用次数: 0
The Thaler of Maria Theresa from 1780: Der Levantetaler 1780年玛丽亚·特蕾莎的泰勒:德·莱万特塔勒
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/PP.V55I0.85
Kristian Gotić
The thaler of the queen and empress Maria Theresa, minted in her last regnal year of1780, is one of the most famous silver coins in the world. Th aler is a type of large silvercoin (around 40 mm in diameter, weighing around 30 g) that was used throughoutEurope for almost 400 years. Because of its high quality and beautiful craft smanship,the thaler of Maria Theresa was in use as a trade coin from 1780 until as recently as the1960s.
这枚银币是女王和玛丽亚·特蕾莎皇后的银币,铸造于1780年,是世界上最著名的银币之一。这是一种大型银币(直径约40毫米,重约30克),在整个欧洲使用了近400年。由于其高品质和美丽的工艺,玛丽亚特蕾莎泰勒从1780年到20世纪60年代一直被用作贸易硬币。
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引用次数: 0
Who is rebelling at Susedgrad and Stubica? Contribution to the research of the 1565 – 1573 peasant revolts 是谁在苏塞格勒和斯图尼卡造反?对1565 - 1573年农民起义研究的贡献
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/pp.v55i0.68
Branimir Brgles
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引用次数: 0
The Militar Gränitz Rechten: An 18th-Century Legal Reform of the Military Frontier 军事革命:18世纪军事前沿的法律改革
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/pp.v55i0.92
K. Milković, Ivana Funda
This article analyses one of the most important legal documents in the history of theMilitary Frontier in the 18th century, primarily from the social and legal point of view.The document in question was a medium of centralisation and legal modernisationcarried out at the time by the court in Vienna.
本文主要从社会和法律的角度分析了18世纪军事边疆史上最重要的法律文件之一。该文件是当时由维也纳法院执行的中央集权和法律现代化的媒介。
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引用次数: 0
Theresian Flags at the Croatian History Museum and their Iconographic Symbolism 克罗地亚历史博物馆的特瑞西亚旗帜及其象征意义
Q3 Arts and Humanities Pub Date : 2018-12-01 DOI: 10.22586/PP.V55I0.86
Mislav Barić
Flags from Maria Theresa’s era had regulated guidelines that had to be obeyed in orderto produce the most representative as well as the most typical baroque banners. Theongoing military reforms launched by Maria Theresa, in conjunction with state-governingreorganizations, are also mirrored in the Collection of Flags and Streamers atthe Croatian History Museum. In particular, there are four main representative flagsthat, on the one hand, show the practice of exhibiting statehood statuses by means ofdynastic symbols on battalion standards, and on the other indicate the iconographicsignificance of saints and beatified kings on ceremonial and commemorative banners.These instructions were all done under the impression of the baroque style, the Age ofEnlightenment, and the turbulent time of confl ict in Maria Th eresa’s reign.
玛丽亚·特蕾莎时代的旗帜有规范的指导方针,为了制作最具代表性和最典型的巴洛克式旗帜,必须遵守这些指导方针。由玛丽亚·特蕾莎发起的正在进行的军事改革,以及国家治理的重组,也反映在克罗地亚历史博物馆的旗帜和彩带收藏中。特别是,有四个主要的代表性旗帜,一方面显示了通过在营旗上的王朝符号来展示国家地位的做法,另一方面表明了在仪式和纪念旗帜上的圣人和被册封的国王的图像意义。这些指示都是在巴洛克风格的印象下完成的,启蒙时代,以及玛丽亚·特雷萨统治时期动荡的冲突时期。
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引用次数: 0
[Charitable institutions in Istria during the medieval and the early modern ages]. [中世纪和近代早期伊斯特拉的慈善机构]。
Q3 Arts and Humanities Pub Date : 2002-01-01
M M Crljenko
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引用次数: 0
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