Ao analisar parte da tradição filosófica Ocidental e, em particular, contrapor o ensinamento de mestres e gurus do Oriente aos ensinamentos de escolas metafísicas e de ciência política do Ocidente, o presente artigo, poderá ser dito, insere-se na categoria de filosofia das civilizações. Não estando limitada, porém, a nenhuma dessas civilizações, a arte política, enquanto perícia daquele que governa ou leva a vida feliz, pode ser examinada no prolongamento das suas intersecções e enquanto questão filosófica independente. Neste artigo, o autor parte por isso do pressuposto de que a busca do conhecimento do bom governo e vida feliz é comum a ambas as civilizações ou, mais essencialmente, a todo o homem enquanto homem e, observando a ausência de uma correspondência significativa entre ambas no tema da ciência ou arte política, procura examinar possíveis modalidades específicas dessa investigação. Se puder ser dito que, nesse sentido, a filosofia política é uma modalidade mais específica do Ocidente e, do Oriente, a filosofia do sentir intuitivo, o escopo deste artigo é, então, o exame da possibilidade da filosofia do sentir político enquanto questão filosófica independente.
{"title":"Preâmbulo à filosofia do sentir político","authors":"A.D.G Abranches","doi":"10.14195/0872-0851_62_1","DOIUrl":"https://doi.org/10.14195/0872-0851_62_1","url":null,"abstract":"Ao analisar parte da tradição filosófica Ocidental e, em particular, contrapor o ensinamento de mestres e gurus do Oriente aos ensinamentos de escolas metafísicas e de ciência política do Ocidente, o presente artigo, poderá ser dito, insere-se na categoria de filosofia das civilizações. Não estando limitada, porém, a nenhuma dessas civilizações, a arte política, enquanto perícia daquele que governa ou leva a vida feliz, pode ser examinada no prolongamento das suas intersecções e enquanto questão filosófica independente. Neste artigo, o autor parte por isso do pressuposto de que a busca do conhecimento do bom governo e vida feliz é comum a ambas as civilizações ou, mais essencialmente, a todo o homem enquanto homem e, observando a ausência de uma correspondência significativa entre ambas no tema da ciência ou arte política, procura examinar possíveis modalidades específicas dessa investigação. Se puder ser dito que, nesse sentido, a filosofia política é uma modalidade mais específica do Ocidente e, do Oriente, a filosofia do sentir intuitivo, o escopo deste artigo é, então, o exame da possibilidade da filosofia do sentir político enquanto questão filosófica independente.","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44086907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.14195/0872-0851_62_13
Bruno Padilha
: The publication of the Portuguese translation of Specters of Marx is a fortunate opportunity to examine not only the book’s contemporaneity but also its importance within the Derridean corpus. The present text aims at an introductory re ading that stresses both the plagues devastating our world and the call to justice (not to be identified with the Law). «Time is out of joint», writes Jacques Derrida quoting Shakespeare’s Hamlet: cry of sorrow and plea to responsibility.
{"title":"Sobre a tradução portuguesa de Espectros de Marx","authors":"Bruno Padilha","doi":"10.14195/0872-0851_62_13","DOIUrl":"https://doi.org/10.14195/0872-0851_62_13","url":null,"abstract":": The publication of the Portuguese translation of Specters of Marx is a fortunate opportunity to examine not only the book’s contemporaneity but also its importance within the Derridean corpus. The present text aims at an introductory re ading that stresses both the plagues devastating our world and the call to justice (not to be identified with the Law). «Time is out of joint», writes Jacques Derrida quoting Shakespeare’s Hamlet: cry of sorrow and plea to responsibility.","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45714025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.14195/0872-0851_62_12
E. Falque
Il arrive parfois que la danse rejoigne la philosophie, car l’une et l’autre sont des mouvements et des pensées du corps. Et elles ont en commun de ne se déployer que dans et par la limite. Vivre « aux confins », c’est atteindre les limites et ne jamais les dépasser. Et quiconque voudrait s’envoler s’écrasera d’une pesanteur qu’il aura eu le tort de refuser. Ce texte, mise en scène par les élèves du conservatoire de danse contemporaine de Tours (sous la direction de Valerie de Mortillet, professeur de danse) figure ce que la pensée depuis si longtemps voulait montrer. On associera ainsi l’image à la réflexion, pour voir précisément ce qu’il en est du poids de notre humanité : https://www.youtube.com/watch?v=s8NIvz24YBU
{"title":"Chorégraphie philosophique","authors":"E. Falque","doi":"10.14195/0872-0851_62_12","DOIUrl":"https://doi.org/10.14195/0872-0851_62_12","url":null,"abstract":"Il arrive parfois que la danse rejoigne la philosophie, car l’une et l’autre sont des mouvements et des pensées du corps. Et elles ont en commun de ne se déployer que dans et par la limite. Vivre « aux confins », c’est atteindre les limites et ne jamais les dépasser. Et quiconque voudrait s’envoler s’écrasera d’une pesanteur qu’il aura eu le tort de refuser. Ce texte, mise en scène par les élèves du conservatoire de danse contemporaine de Tours (sous la direction de Valerie de Mortillet, professeur de danse) figure ce que la pensée depuis si longtemps voulait montrer. On associera ainsi l’image à la réflexion, pour voir précisément ce qu’il en est du poids de notre humanité : https://www.youtube.com/watch?v=s8NIvz24YBU","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43390302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Starting from a recent ideological and political controversy regarding the devaluation of the concept of “nationalism” in relation to that of ‘patriotism”, the author – following his own years-long investigations on the subject – historically and philosophically reframes each of these concepts from the perspective of rhetoric and argumentation. It is shown, in this context, that the arguments in question are fallacious (and even, in some applications, clearly perverse) and a radical and provocative reformulation of the aforementioned concepts and the controversy involved is proposed – a reformulation which, eventually and at best, may give rise to a new historiography on the subject.
{"title":"Nationalism or patriotism? The rhetorical genesis of a false dilemma","authors":"Henrique Jales Ribeiro","doi":"10.14195/0872-0851_62_2","DOIUrl":"https://doi.org/10.14195/0872-0851_62_2","url":null,"abstract":"Starting from a recent ideological and political controversy regarding the devaluation of the concept of “nationalism” in relation to that of ‘patriotism”, the author – following his own years-long investigations on the subject – historically and philosophically reframes each of these concepts from the perspective of rhetoric and argumentation. It is shown, in this context, that the arguments in question are fallacious (and even, in some applications, clearly perverse) and a radical and provocative reformulation of the aforementioned concepts and the controversy involved is proposed – a reformulation which, eventually and at best, may give rise to a new historiography on the subject.","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48439796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.14195/0872-0851_62_11
J. Costa
In this article we will try to elaborate a reflection around aesthetic experience, more specifically a phenomenology of artwork (Soutine/de Kooning), in dialogue with Emmanuel Falque's thought. Even if the French philosopher has not yet dedicated an autonomous work to the aesthetic question, such reflection appears abundantly dispersed and sparse in his various writings. Among others, Francis Bacon and Lucian Freud were Falque's artists of choice, their work most closely reflected his underlying philosophical thesis. The preference for the figurative, that which in us resists phenomenology, the incarnation as such, would thus bring the philosophical concept and the artistic intuition closer together. However, between figurative and non-figurative or abstract thought, is there not another possibility of thinking them together, without necessarily having to give primacy to one or the other or opposing them? The idea of an oblique incarnate thought (figuration-abstraction, resistance-deflagration, word-silence), or of the diagonal/oblique impastoed being (presence in absence, metamorphosed transcendental materiality, indirect ontology), might also be a third way of thinking about the great philosophical questions between realism and idealism, immanence and transcendence, visible and invisible, metaphysics and phenomenology. In this sense, the artistic work of Chaïm Soutine and de Kooning may be the aesthetic expression of incarnate thought, as a way of primordial access to being, to the world and to another, in the joining in act of the figurative and the abstract, as if multiple possibilities or dimensions of being inhabited in the same being (the articulation of the in-itself and the outside of the self, madness and normality, dream and reality...). Not by chance both were the subject of a recent joint exhibition, from which we propose this reflection, in dialogue with Emmanuel Falque's thought on finitude, which his most recent book radicalises. Our thesis, based on these two artists, aims to affirm that art, whether figurative or abstract, starts from an inalienable material dimension, that is to say, a sensitive dimension, the impasted (body) being, to the point that we may say that Hors phénomène maintains in itself this possibility of articulation between presence to the self and the outside of the self, distance and proximity, immanence and transcendence, even if here and there one can glimpse in its philosophical project an ontological preference for the figurative. However, in our view, what brings together Falque’s philosophy and the work of both artists is the fact that they are the expression of an embodied thought, whether through conceptual experience (philosophy) or through perceptual experience (aesthetics).
{"title":"Obliquity of the impastoed being","authors":"J. Costa","doi":"10.14195/0872-0851_62_11","DOIUrl":"https://doi.org/10.14195/0872-0851_62_11","url":null,"abstract":"In this article we will try to elaborate a reflection around aesthetic experience, more specifically a phenomenology of artwork (Soutine/de Kooning), in dialogue with Emmanuel Falque's thought. Even if the French philosopher has not yet dedicated an autonomous work to the aesthetic question, such reflection appears abundantly dispersed and sparse in his various writings. Among others, Francis Bacon and Lucian Freud were Falque's artists of choice, their work most closely reflected his underlying philosophical thesis. The preference for the figurative, that which in us resists phenomenology, the incarnation as such, would thus bring the philosophical concept and the artistic intuition closer together. However, between figurative and non-figurative or abstract thought, is there not another possibility of thinking them together, without necessarily having to give primacy to one or the other or opposing them? The idea of an oblique incarnate thought (figuration-abstraction, resistance-deflagration, word-silence), or of the diagonal/oblique impastoed being (presence in absence, metamorphosed transcendental materiality, indirect ontology), might also be a third way of thinking about the great philosophical questions between realism and idealism, immanence and transcendence, visible and invisible, metaphysics and phenomenology. In this sense, the artistic work of Chaïm Soutine and de Kooning may be the aesthetic expression of incarnate thought, as a way of primordial access to being, to the world and to another, in the joining in act of the figurative and the abstract, as if multiple possibilities or dimensions of being inhabited in the same being (the articulation of the in-itself and the outside of the self, madness and normality, dream and reality...). Not by chance both were the subject of a recent joint exhibition, from which we propose this reflection, in dialogue with Emmanuel Falque's thought on finitude, which his most recent book radicalises. Our thesis, based on these two artists, aims to affirm that art, whether figurative or abstract, starts from an inalienable material dimension, that is to say, a sensitive dimension, the impasted (body) being, to the point that we may say that Hors phénomène maintains in itself this possibility of articulation between presence to the self and the outside of the self, distance and proximity, immanence and transcendence, even if here and there one can glimpse in its philosophical project an ontological preference for the figurative. However, in our view, what brings together Falque’s philosophy and the work of both artists is the fact that they are the expression of an embodied thought, whether through conceptual experience (philosophy) or through perceptual experience (aesthetics).","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46957353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-23DOI: 10.14195/0872-0851_61_12
Joaquim Braga
{"title":"Ernst Cassirer, Kant – vida e doutrina, Tradução de Leonardo Rennó Ribeiro Santos e Rafael Garcia, Petrópolis, Vozes, 2021, 400 pp. ISBN: 9786557132883","authors":"Joaquim Braga","doi":"10.14195/0872-0851_61_12","DOIUrl":"https://doi.org/10.14195/0872-0851_61_12","url":null,"abstract":"","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41932550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-23DOI: 10.14195/0872-0851_61_13
Alexandre Franco de Sá
{"title":"Morgado, Miguel. Soberania: dos seus usos e abusos na vida política. Lisboa: Dom Quixote, 2021; 566 pp.","authors":"Alexandre Franco de Sá","doi":"10.14195/0872-0851_61_13","DOIUrl":"https://doi.org/10.14195/0872-0851_61_13","url":null,"abstract":"","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43826591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
O objetivo deste texto é mostrar como, esgotado o caminho filosófico e histórico do progresso, a crise exige que se retome o caminho da escuta, esquecido desde a modernidade científica. Na raiz da racionalidade ética e hermenêutica reside a capacidade humana de escuta, símbolo da passividade do homem capaz e da interdependência do humano. Contra a soberania da razão abstrata moderna, baseada no primado do imediato e da visão, a escuta segue os itinerários da receção que exige resposta hermenêutica e singularização dialógica pessoal.
{"title":"Itinerários filosóficos da escuta","authors":"Maria Luísa Portocarrero F. Silva","doi":"10.14195/0872-0851_61_2","DOIUrl":"https://doi.org/10.14195/0872-0851_61_2","url":null,"abstract":"O objetivo deste texto é mostrar como, esgotado o caminho filosófico e histórico do progresso, a crise exige que se retome o caminho da escuta, esquecido desde a modernidade científica. Na raiz da racionalidade ética e hermenêutica reside a capacidade humana de escuta, símbolo da passividade do homem capaz e da interdependência do humano. Contra a soberania da razão abstrata moderna, baseada no primado do imediato e da visão, a escuta segue os itinerários da receção que exige resposta hermenêutica e singularização dialógica pessoal.","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47221201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
O autor visa mostrar como e porque é que a retórica, em vez da filosofia propriamente dita, pode e deve constituir, sobre as matérias de que se ocupa, um paradigma interdisciplinar das investigações a desenvolver pela filosofia e pelas ciências de maneira geral. Analisa atentamente, nesta perspetiva, o “estado da arte” sobre o assunto, revendo a respetiva bibliografia, e faz um conjunto de propostas fundamentais para se alcançar um tal objetivo.
{"title":"A Retórica como paradigma filosófico","authors":"Henrique Jales Ribeiro","doi":"10.14195/0872-0851_61_1","DOIUrl":"https://doi.org/10.14195/0872-0851_61_1","url":null,"abstract":"O autor visa mostrar como e porque é que a retórica, em vez da filosofia propriamente dita, pode e deve constituir, sobre as matérias de que se ocupa, um paradigma interdisciplinar das investigações a desenvolver pela filosofia e pelas ciências de maneira geral. Analisa atentamente, nesta perspetiva, o “estado da arte” sobre o assunto, revendo a respetiva bibliografia, e faz um conjunto de propostas fundamentais para se alcançar um tal objetivo.","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48554541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-23DOI: 10.14195/0872-0851_61_11
J. Loureiro
{"title":"Alexandre Franco de Sá, Ideias sem centro: esquerda e direita no populismo contemporâneo, com prefácio de Jaime Nogueira Pinto. D. Quixote: Lisboa, 2020, 335 pp. ISBN: 978-972-20-7281-6.","authors":"J. Loureiro","doi":"10.14195/0872-0851_61_11","DOIUrl":"https://doi.org/10.14195/0872-0851_61_11","url":null,"abstract":"","PeriodicalId":52758,"journal":{"name":"Revista Filosofica de Coimbra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43371481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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