Celebrity, including politicians, is often seen as the epitome of one specific culture. Dedi Mulyadi attempts to present himself as an ideal Sundanese for his viewers through his YouTube channel. With almost 4 million subscribers, the politician has become an internet sensation as his Sundanese characteristics reach many viewers. This article tries to elaborate on the idea of being Sundanese according to Dedi Mulyadi's YouTube Channel. There are many ways to elaborate on this idea; this article focuses on his utterances in interacting with certain people. Thus, the pragmatic approach covering mixing code, speech act, and the representation issue is applied in this article to break down the selected conversation. Eventually, the findings show that Dedi Mulyadi uses conversational pragmatics to represent himself as an ideal Sundanese. According to his videos, the caring, compassionate, yet assertive leader is what it means to be an ideal Sundanese.
{"title":"THE REPRESENTATION OF THE IDEAL SUNDANESE, ACCORDING TO KANG DEDI MULYADI YOUTUBE CHANNEL","authors":"Dimas Yudhistira, R.D. Nuraini Siti Fathonah","doi":"10.24071/ijhs.v7i1.5776","DOIUrl":"https://doi.org/10.24071/ijhs.v7i1.5776","url":null,"abstract":"Celebrity, including politicians, is often seen as the epitome of one specific culture. Dedi Mulyadi attempts to present himself as an ideal Sundanese for his viewers through his YouTube channel. With almost 4 million subscribers, the politician has become an internet sensation as his Sundanese characteristics reach many viewers. This article tries to elaborate on the idea of being Sundanese according to Dedi Mulyadi's YouTube Channel. There are many ways to elaborate on this idea; this article focuses on his utterances in interacting with certain people. Thus, the pragmatic approach covering mixing code, speech act, and the representation issue is applied in this article to break down the selected conversation. Eventually, the findings show that Dedi Mulyadi uses conversational pragmatics to represent himself as an ideal Sundanese. According to his videos, the caring, compassionate, yet assertive leader is what it means to be an ideal Sundanese.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136308668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This qualitative descriptive research aims to explore the different meanings that can be derived from the name of a study program, i.e., English for Business and Professional Communication, using a syntactic approach. The syntactic approach employed was the X-bar theory rules to analyze the possibilities of the structural meaning. The results show three possible structural interpretations of the program’s name: (i) an English language program with two specific objectives, namely business and professional communication, (ii) a program with two specializations, namely English language for business purposes and professional communication, and (iii) an English language program with a specific purpose in the field of communication, which is divided into two sub-fields, namely business communication and professional communication. Thus, the English for Business and Professional Communication study program name is an ambiguous construction with three possible structural readings.
{"title":"ENGLISH FOR BUSINESS AND PROFESSIONAL COMMUNICATION: A SYNTACTIC AMBIGUITY ANALYSIS OF A STUDY PROGRAM’S NAME","authors":"Yosafat Barona Valentino","doi":"10.24071/ijhs.v7i1.6262","DOIUrl":"https://doi.org/10.24071/ijhs.v7i1.6262","url":null,"abstract":"This qualitative descriptive research aims to explore the different meanings that can be derived from the name of a study program, i.e., English for Business and Professional Communication, using a syntactic approach. The syntactic approach employed was the X-bar theory rules to analyze the possibilities of the structural meaning. The results show three possible structural interpretations of the program’s name: (i) an English language program with two specific objectives, namely business and professional communication, (ii) a program with two specializations, namely English language for business purposes and professional communication, and (iii) an English language program with a specific purpose in the field of communication, which is divided into two sub-fields, namely business communication and professional communication. Thus, the English for Business and Professional Communication study program name is an ambiguous construction with three possible structural readings.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135740151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Traditional medicine in a global context has been observed widely in several countries. Research on traditional medicine has not been massively conducted in Indonesia, especially in Java. The present research, in response to the area of this subject, is an initial study to observe and examine the traditional medicine in Java, especially the medicine measurement system recorded in Serat Primbon Racikan Jampi Jawi. The measure system in traditional medicine has various lexicons as has been revealed in the lexicalization of numeral classifiers and the cultural context of the measurement system in traditional medicine recorded in Serat Primbon Racikan Jampi Jawi. The theoretical perspectives are composed of culture, semantics, and lexicography; using note-taking techniques as the data collection, dictionary method as the data analysis, definition and meaning description as the data presentation as well as its meaning relations. Based on the observation, there were 77 (seventy-seven) Javanese measure lexicons consisting of 60 (sixty) base words, 5 (five) affixed words, and 13 (thirteen) word combinations in Serat Primbon Racikan Jampi Jawi. Meaning relations found from the lexicons were abstract meaning relations by using 7 (seven) concepts of retrieval and concrete features with 6 (six) compositional constructions. The measure was obtained from 9 (nine) other fields of lexicon and was used to measure 25 (twenty-five) types of ingredients with one-to-one relations, one-to-two or more relations, and two or more-to-one relations. This research indicated that (1) The form of language adapts to the creativity and references in the measure; (2) The meaning of the measure characterizes the experience and knowledge of the Javanese people on the traditional medicine system in their everyday life; and (3) The measure system is the answer to the needs, specifications, and inheritance of the local wisdom of the Javanese people, particularly in the field of traditional medicine.
{"title":"JAVANESE MEDICINAL MEASURE LEXICONS (NUMERAL CLASSIFIERS) IN SERAT PRIMBON RERACIKAN JAMPI JAWI","authors":"F.X. Sinungharjo, S.E. Peni Adji, F. T. Adji","doi":"10.24071/ijhs.v7i1.4998","DOIUrl":"https://doi.org/10.24071/ijhs.v7i1.4998","url":null,"abstract":"Traditional medicine in a global context has been observed widely in several countries. Research on traditional medicine has not been massively conducted in Indonesia, especially in Java. The present research, in response to the area of this subject, is an initial study to observe and examine the traditional medicine in Java, especially the medicine measurement system recorded in Serat Primbon Racikan Jampi Jawi. The measure system in traditional medicine has various lexicons as has been revealed in the lexicalization of numeral classifiers and the cultural context of the measurement system in traditional medicine recorded in Serat Primbon Racikan Jampi Jawi. The theoretical perspectives are composed of culture, semantics, and lexicography; using note-taking techniques as the data collection, dictionary method as the data analysis, definition and meaning description as the data presentation as well as its meaning relations. Based on the observation, there were 77 (seventy-seven) Javanese measure lexicons consisting of 60 (sixty) base words, 5 (five) affixed words, and 13 (thirteen) word combinations in Serat Primbon Racikan Jampi Jawi. Meaning relations found from the lexicons were abstract meaning relations by using 7 (seven) concepts of retrieval and concrete features with 6 (six) compositional constructions. The measure was obtained from 9 (nine) other fields of lexicon and was used to measure 25 (twenty-five) types of ingredients with one-to-one relations, one-to-two or more relations, and two or more-to-one relations. This research indicated that (1) The form of language adapts to the creativity and references in the measure; (2) The meaning of the measure characterizes the experience and knowledge of the Javanese people on the traditional medicine system in their everyday life; and (3) The measure system is the answer to the needs, specifications, and inheritance of the local wisdom of the Javanese people, particularly in the field of traditional medicine.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78314298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study explores the usage of commissive speech acts in the women-centric movies "Little Women" and "Enola Holmes." It employs Searle's classification of speech acts (1979), along with Hymes' social structure theory (2001) and Brown Levinson's politeness theory (1987). The analysis uncovers various types of commissive speech acts in movies set in the nineteenth century. Furthermore, it reveals that the employment of commissive speech acts and the politeness strategies employed by the characters are significantly influenced by the social structure of their respective societies. These findings contribute novel insights to the existing theories and extend the scope of sociopragmatics research, particularly in evaluating movies within academic settings. The study suggests conducting further research encompassing diverse cases, exploring other aspects of speech act studies, and engaging in comparative or cross-cultural analyses.
{"title":"AN ANALYSIS OF COMMISSIVE SPEECH ACTS USED BY THE MAIN CHARACTERS IN WOMEN-CENTRIC MOVIES","authors":"Hamadah Ashfiya, Agwin Degaf","doi":"10.24071/ijhs.v7i1.4857","DOIUrl":"https://doi.org/10.24071/ijhs.v7i1.4857","url":null,"abstract":"This study explores the usage of commissive speech acts in the women-centric movies \"Little Women\" and \"Enola Holmes.\" It employs Searle's classification of speech acts (1979), along with Hymes' social structure theory (2001) and Brown Levinson's politeness theory (1987). The analysis uncovers various types of commissive speech acts in movies set in the nineteenth century. Furthermore, it reveals that the employment of commissive speech acts and the politeness strategies employed by the characters are significantly influenced by the social structure of their respective societies. These findings contribute novel insights to the existing theories and extend the scope of sociopragmatics research, particularly in evaluating movies within academic settings. The study suggests conducting further research encompassing diverse cases, exploring other aspects of speech act studies, and engaging in comparative or cross-cultural analyses.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"276 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75780261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Agus Rahmat Mulyana, Agustina Kusuma Dewi, Sulistyo Setiawan
"Si Unyil" is a television series for Indonesian children, created by Suyadi and in production by the National Film Production Center (PPFN). "Si Unyil" belongs to the hand puppets category, consisting of the head, body, and hands. The attraction of the film "Si Unyil" lies in the facial expressions of the doll called Wanda, and is supported by the strength of the story contains elements of humor, joy, tension, to sadness. This study uses a semiotic approach that focuses on the analysis of Wanda "Si Unyil", as the central character in the film "Si Unyil"; and several supporting characters in the film, i.e. Pak Raden, Pak Ogah, Cuplis, and Meilani. Wanda can represent certain facial characters for certain roles in certain storylines. Therefore, Wanda can carry comprehensive meanings that indicate emotional conditions, physical conditions, and environmental conditions. Analysis of "Si Unyil" through the visual of the puppet, concluded that "Si Unyil" contains educational values, morals, and social ethics that are displayed in various daily activities, through dialogue and the behavior between "Si Unyil" and his friends. "Si Unyil" film also possible to be a representation of the Indonesian people, which is guided by the ideology of Pancasila.
《Si Unyil》是一部印尼儿童电视连续剧，由Suyadi创作，由国家电影制作中心(PPFN)制作。“司unyil”属于手偶类，由头、身体和手组成。电影《四Unyil》的吸引力在于娃娃万达的面部表情，并以故事的力量为支撑，故事包含幽默，欢乐，紧张，悲伤等元素。本研究采用符号学的方法，重点分析电影《斯旺伊尔》中的核心人物万达“斯旺伊尔”;以及电影中的几个配角，即Pak Raden, Pak Ogah, Cuplis和Meilani。万达可以在特定的故事情节中为特定的角色扮演特定的面部人物。因此，万达可以承载情感状态、身体状态和环境状态的综合含义。通过木偶的视觉来分析《四运一》，通过“四运一”与朋友之间的对话和行为，得出《四运一》中包含的教育价值、道德和社会伦理在各种日常活动中表现出来的结论。“Si Unyil”电影也可能是印度尼西亚人民的代表，这是由潘卡西拉的意识形态指导的。
{"title":"VISUAL ANALYSIS PUPPET OF “SI UNYIL” FILM AS INDONESIAN CULTURAL IDENTITY","authors":"Agus Rahmat Mulyana, Agustina Kusuma Dewi, Sulistyo Setiawan","doi":"10.24071/ijhs.v7i1.4338","DOIUrl":"https://doi.org/10.24071/ijhs.v7i1.4338","url":null,"abstract":"\"Si Unyil\" is a television series for Indonesian children, created by Suyadi and in production by the National Film Production Center (PPFN). \"Si Unyil\" belongs to the hand puppets category, consisting of the head, body, and hands. The attraction of the film \"Si Unyil\" lies in the facial expressions of the doll called Wanda, and is supported by the strength of the story contains elements of humor, joy, tension, to sadness. This study uses a semiotic approach that focuses on the analysis of Wanda \"Si Unyil\", as the central character in the film \"Si Unyil\"; and several supporting characters in the film, i.e. Pak Raden, Pak Ogah, Cuplis, and Meilani. Wanda can represent certain facial characters for certain roles in certain storylines. Therefore, Wanda can carry comprehensive meanings that indicate emotional conditions, physical conditions, and environmental conditions. Analysis of \"Si Unyil\" through the visual of the puppet, concluded that \"Si Unyil\" contains educational values, morals, and social ethics that are displayed in various daily activities, through dialogue and the behavior between \"Si Unyil\" and his friends. \"Si Unyil\" film also possible to be a representation of the Indonesian people, which is guided by the ideology of Pancasila.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87399833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In Paris Trout, a novel based on actual cases, American writer Pete Dexter arranges a crime scene to be told eight times from different perspectives. A close look at repeating narratives leads to discovering certain discrepancies between the narrator’s account and the characters, especially the criminals’. Dexter renders the criminals’ statements questionable by giving the omniscient heterodiegetic narrator authority and letting his account exert the primary effect. Based on the related laws, this essay finds out that the criminals commit perjury in their statements to exonerate themselves. Moreover, Dexter reveals that their illicit doings are under the defense lawyer’s instructions. By doing so, Dexter puts lawyers’ professional ethics at the center of the story. Showing the truth or winning the lawsuit for the customer? This question is an ethical issue that every lawyer ponders. In order to vigorously promote this kind of thinking, the novelist purposely forms a huge difference in characterization. The defense lawyer is modeled on a lawyer of integrity and honesty who is committed to revealing the truth. Through the ironic change in characterization, Dexter criticizes defense lawyers who don’t have professional ethics, a situation rampant in American society in the 1980s.
{"title":"DO THEY COMMIT PERJURY?: A STUDY OF REPEATING NARRATIVE OF A CRIME SCENE IN PETER DEXTER’S PARIS TROUT","authors":"Sufen Wu","doi":"10.24071/ijhs.v7i1.5262","DOIUrl":"https://doi.org/10.24071/ijhs.v7i1.5262","url":null,"abstract":"In Paris Trout, a novel based on actual cases, American writer Pete Dexter arranges a crime scene to be told eight times from different perspectives. A close look at repeating narratives leads to discovering certain discrepancies between the narrator’s account and the characters, especially the criminals’. Dexter renders the criminals’ statements questionable by giving the omniscient heterodiegetic narrator authority and letting his account exert the primary effect. Based on the related laws, this essay finds out that the criminals commit perjury in their statements to exonerate themselves. Moreover, Dexter reveals that their illicit doings are under the defense lawyer’s instructions. By doing so, Dexter puts lawyers’ professional ethics at the center of the story. Showing the truth or winning the lawsuit for the customer? This question is an ethical issue that every lawyer ponders. In order to vigorously promote this kind of thinking, the novelist purposely forms a huge difference in characterization. The defense lawyer is modeled on a lawyer of integrity and honesty who is committed to revealing the truth. Through the ironic change in characterization, Dexter criticizes defense lawyers who don’t have professional ethics, a situation rampant in American society in the 1980s.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"57 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72417468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Putu Wahyu Widiatmika, Ida Bagus Made, Ari Segara, I. M. Netra
This study aims to know the relation of Balinese cultures with the animal and plant lexicons in Balinese songs from the perspective of eco-linguistics. The data from this study were collected from YouTube. Listening and documentation methods along with transcription techniques were applied to collect the data. The animal and plant lexicons found were subsequently analyzed using the method of descriptive-qualitative with the help of Bang and Døør’s theory of dialectical eco-linguistics and the eco-linguistics parameters from Fill and Muhlhausler. The result of this study shows that the animal and plant lexicons used resulted from the co-existence of Balinese people and other species in their environment. The lexicons are inserted into the songs through the concept of metaphor. The co-existence makes Balinese people able to give meanings towards the animal and plant in the song based on their cultures and beliefs.
{"title":"On the Examination of Balinese Cultures upon Animal and Plant Lexicons in Balinese Songs: An Eco-Linguistics Study","authors":"Putu Wahyu Widiatmika, Ida Bagus Made, Ari Segara, I. M. Netra","doi":"10.24071/ijhs.v6i2.5894","DOIUrl":"https://doi.org/10.24071/ijhs.v6i2.5894","url":null,"abstract":"This study aims to know the relation of Balinese cultures with the animal and plant lexicons in Balinese songs from the perspective of eco-linguistics. The data from this study were collected from YouTube. Listening and documentation methods along with transcription techniques were applied to collect the data. The animal and plant lexicons found were subsequently analyzed using the method of descriptive-qualitative with the help of Bang and Døør’s theory of dialectical eco-linguistics and the eco-linguistics parameters from Fill and Muhlhausler. The result of this study shows that the animal and plant lexicons used resulted from the co-existence of Balinese people and other species in their environment. The lexicons are inserted into the songs through the concept of metaphor. The co-existence makes Balinese people able to give meanings towards the animal and plant in the song based on their cultures and beliefs. ","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79168634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The study examined the extent that Nigerian women contributed to political participation in the country and also the factors that hinder them from participating fully. The issue of women in politics has dominated the political debate since Nigeria gained its independence. Nigerian women have not received the kind of representation that is required to enable them to influence the political space like their male counterparts as this makes it difficult for women to be part of the decision-making process. The study adopted Liberal feminism theory to explain gradual improvements through advocating for equal rights for all, and legislation and policies that promote equality. The study adopted content analysis and the study relied on secondary sources of data. The study revealed that several impediments have been identified that limit the participation of women in politics. These barriers are cultural, economic, and legal amongst others that have affected the participation of women in politics. The study concluded that even though women may function at the greatest levels in both the public and private realms, a vicious loop of barriers frequently hinders their ability to lead. The success of these individuals as leaders has been significantly hampered by both internal and external obstacles, including societal and cultural prejudices, patriarchy, the challenge of juggling parental and professional commitments, and a lack of networking. The study recommended that to gain the necessary leadership qualities, women should choose to pursue positions of leadership in both the public and private sectors and should educate themselves to the highest levels. To reduce illiteracy and prepare female students for future leadership duties, parents, especially those in rural areas, should be urged to enroll their female children in school. The study also recommended that the current women empowerment policy be reviewed to reflect the actual situation and that government should also establish a network of women leaders so that women can share their leadership successes and challenges to inspire other women who aspire to be leaders.
{"title":"WOMEN PARTICIPATION IN NIGERIAN POLITICS: CHALLENGES AND PROSPECTS TO NIGERIAN DEMOCRACY","authors":"R. Adamu","doi":"10.24071/ijhs.v6i2.5295","DOIUrl":"https://doi.org/10.24071/ijhs.v6i2.5295","url":null,"abstract":"The study examined the extent that Nigerian women contributed to political participation in the country and also the factors that hinder them from participating fully. The issue of women in politics has dominated the political debate since Nigeria gained its independence. Nigerian women have not received the kind of representation that is required to enable them to influence the political space like their male counterparts as this makes it difficult for women to be part of the decision-making process. The study adopted Liberal feminism theory to explain gradual improvements through advocating for equal rights for all, and legislation and policies that promote equality. The study adopted content analysis and the study relied on secondary sources of data. The study revealed that several impediments have been identified that limit the participation of women in politics. These barriers are cultural, economic, and legal amongst others that have affected the participation of women in politics. The study concluded that even though women may function at the greatest levels in both the public and private realms, a vicious loop of barriers frequently hinders their ability to lead. The success of these individuals as leaders has been significantly hampered by both internal and external obstacles, including societal and cultural prejudices, patriarchy, the challenge of juggling parental and professional commitments, and a lack of networking. The study recommended that to gain the necessary leadership qualities, women should choose to pursue positions of leadership in both the public and private sectors and should educate themselves to the highest levels. To reduce illiteracy and prepare female students for future leadership duties, parents, especially those in rural areas, should be urged to enroll their female children in school. The study also recommended that the current women empowerment policy be reviewed to reflect the actual situation and that government should also establish a network of women leaders so that women can share their leadership successes and challenges to inspire other women who aspire to be leaders.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75736520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this paper “Men’s Sexual Trauma Resistance in Black American Folklore: A Postcolonial Criticism of Negro “Woman Tales” from the Gulf States” was to discuss the reflection of postcolonial sexual trauma and resistance to it through storytelling among African Americans in the Gulf States. The study was concerned with 3 folktales classified under the cycle “Woman Tales”. The folktales were selected from the collection made by Zora Neale Hurston in the southern states of Alabama, Florida, and Louisiana from 1927 to 1930 and compiled in the book Every Tongue Got to confess: Negro Folktales from the Gulf States (2001). The postcolonial approach and trauma theory based on the interpretative qualitative method and library research was used in the discussion of the selected folktales. It was found that the performance of the “Woman Tales” is informed by the black men’s traumatic memories of slavery and post-slavery emasculation. Black male narrators imitate trauma narratives in which they reflect male sexual trauma and recreate black woman identity to contain it. Through this imitation and reflection, the folktales challenge the legacy of the plantation patriarchy by reconstructing a woman's identity that is docile to black masculinity.
{"title":"MEN’S SEXUAL TRAUMA RESISTANCE IN BLACK AMERICAN FOLKLORE: A POSTCOLONIAL CRITICISM OF NEGRO “WOMAN TALES”","authors":"Simon Ntamwana","doi":"10.24071/ijhs.v6i2.5702","DOIUrl":"https://doi.org/10.24071/ijhs.v6i2.5702","url":null,"abstract":"The purpose of this paper “Men’s Sexual Trauma Resistance in Black American Folklore: A Postcolonial Criticism of Negro “Woman Tales” from the Gulf States” was to discuss the reflection of postcolonial sexual trauma and resistance to it through storytelling among African Americans in the Gulf States. The study was concerned with 3 folktales classified under the cycle “Woman Tales”. The folktales were selected from the collection made by Zora Neale Hurston in the southern states of Alabama, Florida, and Louisiana from 1927 to 1930 and compiled in the book Every Tongue Got to confess: Negro Folktales from the Gulf States (2001). The postcolonial approach and trauma theory based on the interpretative qualitative method and library research was used in the discussion of the selected folktales. It was found that the performance of the “Woman Tales” is informed by the black men’s traumatic memories of slavery and post-slavery emasculation. Black male narrators imitate trauma narratives in which they reflect male sexual trauma and recreate black woman identity to contain it. Through this imitation and reflection, the folktales challenge the legacy of the plantation patriarchy by reconstructing a woman's identity that is docile to black masculinity.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80144340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The gendered language system is often used in literary works to present distinct character perspectives however, the issue of representation is accentuated when a writer presents a perspective of a different gender. Kawabata Yasunari and Gabriel Garcia Marquez who depicted female perspectives in their stories, have to face the issue of reliability of representation: theirs is argued asa patriarchal perception of a female’s perspective. Employing Spivak’s argument in Can the Subaltern Speak?, this paper positioned her statement as “through the perspective of the West (men), subaltern (women) become/s dependent on them (men) to speak for their condition rather than allowing them to speak for themselves.” This paper discussed the gendered language by examining the characters’ uncertain finitude utilizing Asher-Greve’s established gender markers to identify gender associations. Withthe stories of the two Nobel Laureates, this paper has established that through exploring the narrators’ usage of gendered language, both writers have inadvertently revealed their own male biases. The narrators of both writers turned out to be the voice of the other not because they have truthfully and successfully spoken for the marginalized; instead, they have become estranged voices of the subjects they are supposed to represent.Hence, the voices that cry for connection and understanding.
{"title":"SHE THINKS, HE SAYS: THE VOICE OF THE OTHER IN NOBEL LAUREATES’ GENDERED LITERATURE","authors":"Regie Panadero Amamio","doi":"10.24071/ijhs.v6i2.5426","DOIUrl":"https://doi.org/10.24071/ijhs.v6i2.5426","url":null,"abstract":"The gendered language system is often used in literary works to present distinct character perspectives however, the issue of representation is accentuated when a writer presents a perspective of a different gender. Kawabata Yasunari and Gabriel Garcia Marquez who depicted female perspectives in their stories, have to face the issue of reliability of representation: theirs is argued asa patriarchal perception of a female’s perspective. Employing Spivak’s argument in Can the Subaltern Speak?, this paper positioned her statement as “through the perspective of the West (men), subaltern (women) become/s dependent on them (men) to speak for their condition rather than allowing them to speak for themselves.” This paper discussed the gendered language by examining the characters’ uncertain finitude utilizing Asher-Greve’s established gender markers to identify gender associations. Withthe stories of the two Nobel Laureates, this paper has established that through exploring the narrators’ usage of gendered language, both writers have inadvertently revealed their own male biases. The narrators of both writers turned out to be the voice of the other not because they have truthfully and successfully spoken for the marginalized; instead, they have become estranged voices of the subjects they are supposed to represent.Hence, the voices that cry for connection and understanding.","PeriodicalId":52879,"journal":{"name":"International Journal of Humanity Studies IJHS","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87612945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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