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ANALYSIS ON CLARITY AND CORRECTNESS OF GOOGLE TRANSLATE IN TRANSLATING AN INDONESIAN ARTICLE INTO ENGLISH 分析一篇印尼语文章翻译中谷歌翻译的清晰性和正确性
Pub Date : 2021-03-31 DOI: 10.24071/IJHS.V4I2.3227
Tira Nur Fitria
The objective of this study is to analyze the aspects of clarity and correctness in Google Translate’s ability in translating an Indonesian article from English into Indonesian. This research refers to qualitative research. Data used in this research is a published Indonesian article which is translated into English by using Google Translate. Based on the analysis, the researcher concludes that Google Translate is a machine translator, but there is always going to be potentially less clarity and correctness at the end of the translation product such as in Indonesian articles into English. Because English grammar is a complicated thing to be learned, people perhaps cannot expect more that machine translator understands every aspect of the way human beings communicate with each other. That is why the answer about the clarity and the correctness of Google Translate is that it still has a way to go before it can consistently, clearly, and correctly translate the language without errors. In the clarity aspect, there is still no clarity in English translation by Google Translate, even it translated the language word-for-word. In the correctness aspect, it refers to the mechanical rule in writing which is related to grammar, punctuation, and spelling. Some examples of non-correctness are related to grammar and punctuation errors. Machine translators have come a long way in a short amount of time, but some features still lack good translation such as in aspects of grammar and punctuation.
本研究的目的是分析谷歌翻译在将一篇印尼语文章从英语翻译成印尼语的能力中的清晰度和正确性方面。本研究为定性研究。本研究中使用的数据是一篇发表的印尼语文章,通过谷歌翻译翻译成英语。基于分析,研究人员得出结论,谷歌翻译是一个机器翻译,但在翻译产品的最后,总是会有潜在的清晰度和正确性较低,例如将印度尼西亚文章翻译成英语。由于英语语法是一门复杂的学问,人们也许不能期望机器翻译能够理解人类交流方式的方方面面。这就是为什么关于谷歌翻译的清晰度和正确性的答案是,它在能够一致,清晰,正确地翻译语言而没有错误之前还有一段路要走。在清晰度方面,谷歌翻译的英语翻译仍然没有清晰度,即使它逐字翻译的语言。在正确性方面,它是指写作中与语法、标点和拼写有关的机械规则。一些不正确的例子与语法和标点错误有关。机器翻译在短时间内取得了长足的进步,但在语法和标点符号等方面,机器翻译仍然缺乏良好的翻译效果。
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引用次数: 5
EUPHEMISM AND DYSPHEMISM STRATEGIES IN DONALD TRUMP’S SPEECH AT SOTU 2020 特朗普2020年sotu演讲中的委婉语与反委婉语策略
Pub Date : 2021-03-29 DOI: 10.24071/IJHS.V4I2.3205
Lutvia Nurul Kafi, Agwin Degaf
In this article, the researchers aim to explain the types and functions of the use of expressions of euphemism and dysphemism in President Donald Trump's speeches at the State of the Union Address 2020. With Donald Trump's controversial background and many of his statements attracting attention, researchers assume that Trump uses many expressions of euphemism and dysphemism in his speech. This study uses Allan's and Burridge's (1991) theoretical framework on euphemism and dysphemism as the base for data analysis. This study's data were taken from Trump's utterances in his speech. This study uses a qualitative descriptive research method to carry out in-depth analysis. The results of this study indicate that there are eight types of euphemistic expressions, five types of dysphemism, eight functions of euphemisms, and six functions of dysphemism.
在本文中,研究人员旨在解释唐纳德·特朗普总统在2020年国情咨文演讲中委婉语和反委婉语表达的类型和功能。由于唐纳德·特朗普有争议的背景和他的许多言论引起了人们的关注,研究人员认为特朗普在演讲中使用了许多委婉语和反语的表达。本研究采用Allan’s和Burridge(1991)关于委婉语和反委婉语的理论框架作为数据分析的基础。这项研究的数据取自特朗普在演讲中的话语。本研究采用定性描述性研究方法进行深入分析。研究结果表明,委婉语有八种类型,委婉语有五种类型,委婉语有八种功能,委婉语有六种功能。
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引用次数: 6
IDEAS OF SCIENCE AND NATURE IN BIOGRAPHIES FOR FILIPINO CHILD READERS 菲律宾儿童读者传记中的科学与自然观念
Pub Date : 2021-03-23 DOI: 10.24071/IJHS.V4I2.3152
C. Lao
Many biographies for children are written to teach their readers social values and acceptable patterns of behavior.  But even when no such pedagogical aims are stated, biographies for children perform an ideological function. Since they narrate a “true story,” they direct young readers to think of the world and its people in the way these are presented in the text. The Bookmark Inc.’s Woman of Science Series comprises ten books, each narrating an episode in the life of a living Filipino woman scientist. The Series’ aim is to encourage more Filipino girls to consider careers in science. Its author, Didith T. Rodrigo, herself a scientist, completed writing the series through a grant from the Philippine government. Using an ecofeminist lens, I analyze the Series to answer the following questions: What political view point or interests  do these biographies serve?  What patterns of behavior do they motivate children to emulate? What social relationships , and relationships between the human and non-human, do they tend to reify?  I argue that the Series generally promotes anthropocentric views of science, consistent with Philippine policy pronouncements on science. However, tension points between this ideological frame and the words and practices of scientists featured in the series can be gleaned from the Series itself. I demonstrate how these tension points can lead to fruitful discussions on scientific practice informed by ecological understanding.
许多儿童传记都是为了教导读者社会价值观和可接受的行为模式而写的。但是,即使没有这样的教育目的,为孩子们写传记也起到了一种意识形态的作用。因为他们讲述的是一个“真实的故事”,他们引导年轻的读者以文本中呈现的方式思考世界和人民。Bookmark公司的科学女性系列包括十本书,每本书讲述了一位在世的菲律宾女科学家的一段生活。该系列的目的是鼓励更多菲律宾女孩考虑从事科学事业。作者迪迪丝·t·罗德里戈(diith T. Rodrigo)本人也是一名科学家,她在菲律宾政府的资助下完成了这个系列的写作。我用生态女性主义的视角来分析这个系列,以回答以下问题:这些传记服务于什么样的政治观点或利益?他们会激励孩子去模仿什么样的行为模式?他们倾向于具体化什么样的社会关系,以及人类和非人类之间的关系?我认为,该系列总体上促进了人类中心主义的科学观,这与菲律宾的科学政策宣言是一致的。然而,这种意识形态框架与系列中出现的科学家的言论和实践之间的紧张点可以从系列本身中收集到。我展示了这些紧张点如何能够导致在生态理解的基础上对科学实践进行富有成效的讨论。
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引用次数: 0
ORIENTALISM AND POST-COLONIAL READING OF THE U.S. POLICY TOWARD INDONESIA DURING NIXON ADMINISTRATION 尼克松政府时期美国对印尼政策的东方主义与后殖民解读
Pub Date : 2021-03-12 DOI: 10.24071/IJHS.V4I2.3088
Baskara T. Wardaya
Abstract            Through the examination of documents pertaining to the United States policies toward Indonesia, this paper studies how Washington viewed Indonesia almost three decades after colonialism had been officially over. More specifically, this paper studies U.S. assistance programs provided for Indonesia during the administration of President Richard M. Nixon. By using the perspective of postcolonial studies on international relations, it shows that while on the surface the assistance programs of the Nixon administration appeared to be altruistic and helpful, a deeper look at them shows that the programs were imbued with subliminal Eurocentric liberal international theory of international relations.             It further shows that the administration’s programs were not only self-serving, but were also implemented with an orientalist spirit by the United States as part of the “superior” West over Indonesia that was considered part of the East and therefore was “inferior” and in need of help from the West. In light of Edward Said’s postcolonial studies of West and East relations, the policies clearly reflect orientalist views and practices, even long after colonialism formally ended. Keywords: Orientalism, English School Theory, Neoliberal International Theory, the Nixon administration, Indonesia
通过对美国对印尼政策相关文件的研究,本文研究了在殖民主义正式结束近三十年后,华盛顿是如何看待印尼的。更具体地说,本文研究了理查德·m·尼克松总统执政期间美国对印度尼西亚的援助计划。从国际关系的后殖民研究的角度来看,虽然表面上看,尼克松政府的援助计划似乎是无私的和有益的,但深入研究表明,这些计划充满了潜意识中的欧洲中心主义国际关系自由主义国际理论。它进一步表明,政府的计划不仅是自私自利的,而且是由美国以东方主义精神实施的,作为“优越”西方的一部分,而印度尼西亚被认为是东方的一部分,因此是“低等”的,需要西方的帮助。根据爱德华·赛义德对东西方关系的后殖民研究,这些政策清楚地反映了东方主义的观点和实践,即使在殖民主义正式结束很久之后。关键词:东方主义,英国学派理论,新自由主义国际理论,尼克松政府,印度尼西亚
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引用次数: 0
IDENTITIES IN EFL CREATIVE WRITING IN INDONESIA 印尼英语创意写作中的身份认同
Pub Date : 2021-03-12 DOI: 10.24071/IJHS.V4I2.2828
D. Widyastuti, Khin Khin Aye, M. Kong, C. Beasley, Novita Dewi
Creative writing is created for aesthetic rather than informative purposes and its creation is greatly influenced by the writers’ background. Thus, how the writers’ perception of themselves or their identities are expressed in the creative writing products. As such, creative writing in the English as a foreign language (EFL) context may offer a space for foreign language learners to express their perceived identities. In this study, an analysis of two short stories written by students of the English Letters Department, Universitas Sanata Dharma, Yogyakarta, Indonesia, revealed that the students’ perceived identities were used as the resources for their creative writing outputs. In the first short story entitled “Calling Him Back”, through the internal conflicts of the main character, the student writer expressed her doubt as to which identities to claim. In the second short story entitled “Happy Birthday”, the student writer exploits her identities as a literature student when she did a research on novels with Indian background. The data were gathered through document analysis on the two short stories and correspondences with the student writers. These two short stories were evidence that foreign language learners utilized different aspects of their multifaceted identities as the resources for their creative writing outputs.
创意写作是为了审美而非信息目的而创作的,其创作受作者背景的影响很大。因此,作者对自己或身份的认知如何在创意写作产品中表达出来。因此,创意写作在作为外语的英语语境中可以为外语学习者提供一个表达他们感知到的身份的空间。本研究通过对印尼日惹圣法大学英语文学系学生所写的两篇短篇小说的分析,揭示了学生的认知身份被用作其创造性写作输出的资源。在第一篇题为《叫他回来》的短篇小说中,学生作家通过主人公的内心冲突表达了她对自己身份的怀疑。在第二篇题为《生日快乐》的短篇小说中,学生作家在对印度背景小说进行研究时,利用了她作为文学专业学生的身份。数据是通过对这两个短篇小说的文献分析和与学生作家的通信收集的。这两个短篇故事证明了外语学习者利用其多面性身份的不同方面作为创造性写作输出的资源。
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引用次数: 0
�WORST OF ALL POSSIBLE WORLDS�: DISENTANGLING FROM DYSTOPIAN SPACE AND DEHUMANIZATION IN ROY ARAGON�S �GANAGAN� “所有可能的世界中最糟糕的”:在罗伊·阿拉贡的《ganagan》中,从反乌托邦的空间和非人性化中解脱出来
Pub Date : 2021-02-26 DOI: 10.24071/ijhs.v4i2.3026
Mark Louie Tabunan
The war on drugs in the Philippines, despite President Dutertes rhetoric of saving the country, has killed alarming numbers of people. This article analyzes a dystopian text titled Ganagan (Fertilizer) by Roy Aragon which is about the Duterte administrations war on drugs. Deploying close reading and semiotics, it shows that the story portrays the punitive and vindictive nature of the war on drugs as a totalitarian project which resulted in dehumanization and collapse of human values. It further argues that the text suggests a possible future in which Dutertes utopian pursuit of the best of all possible worlds, which has done away with dangerous drugs, is driven less by the search for happiness than by a determined faith in justice. Lastly, the analysis focuses on the vegetable garden which Castaas, the main character, has cultivated. Launching off from Edward Sojas trialectics of spatiality and Thirdspace and conventions of dystopian fiction, the article shows that the garden is an ambivalent position, negotiation, and critique of the war on drugs. Hence, the garden, as a lived space, though imposing a desired order, could also be a site of disentanglements and resistance.
尽管杜特尔特总统发表了拯救国家的言论,但菲律宾的禁毒战争已造成惊人人数的死亡。本文分析了罗伊·阿拉贡的反乌托邦文本《肥料》,这是关于杜特尔特政府对毒品的战争。通过细读和符号学的运用,故事将毒品战争的惩罚性和报复性描述为一项极权主义项目,导致了人类价值的非人化和崩溃。它进一步认为,这段文字暗示了一种可能的未来,在这种未来中,杜特尔特对所有可能世界中最好的世界的乌托邦式追求——已经消除了危险的毒品——与其说是出于对幸福的追求,不如说是出于对正义的坚定信念。最后,对主人公卡斯塔斯所栽培的菜园进行了分析。这篇文章从爱德华·索亚对空间性和第三空间的尝试以及反乌托邦小说的惯例出发,表明花园是对毒品战争的一种矛盾的立场、谈判和批评。因此,花园作为一个生活空间,虽然强加了一种期望的秩序,但也可以是一个解脱和抵抗的场所。
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引用次数: 0
AN ANALYSIS OF SPEECH FUNCTIONS ON THE BANKING AND DAILY NEED BILLBOARD TEXTS 银行和日常需求广告牌文字的语音功能分析
Pub Date : 2020-09-21 DOI: 10.24071/IJHS.V4I1.2816.G2018
Muhammad Hasyimsyah Batubara
This research aims at describing speech functions in banking and daily need billboard texts. The objectives are to describe the category and to derive dominantly used and explain the factors of the phenomenon of speech functions. The research method used descriptive qualitative. The data collecting procedures include applying documentary techniques from banking and daily need billboard texts (headline, subhead, slogan, and images) in public places around the city center of Medan. The findings describe the three speech functions available used banking and daily need billboard texts, the statement constitutes 15, offer 10, and command 8 from 33 billboard texts. The statement genre is used as the dominant one as it is suitable with the pattern of commercial billboard texts, where the viewer assumed only briefly saw the display of text and images of the billboard with a duration of 5-7 seconds when they were driving. There is a phenomenon, especially in the banking domain, which offers the most dominant is one used. Thus, authoritative and straightforward information in the speech function of functional grammar and the language used must be efficient, effective, and able to hypnotize readers, so that results in decisive action on the item advertised.
本研究旨在描述银行和日常需求广告牌文本的语音功能。目的是描述语言功能现象的类别,并推导出主要使用和解释的因素。研究方法采用描述性定性。数据收集过程包括运用银行和日常需求广告牌文本(标题,副标题,口号和图像)在棉兰市中心附近的公共场所的纪实技术。研究结果描述了银行和日常需求广告牌文本中可用的三种语音功能,声明构成了33个广告牌文本中的15个,提供了10个,命令8个。使用语句类型作为主导类型,因为它适合商业广告牌文本的模式,观众在驾驶时假设只是短暂地看到广告牌的文字和图像的显示,持续时间为5-7秒。有一种现象,特别是在银行领域,提供最主要的是一种使用。因此,在功能语法的言语功能中,权威和直接的信息和使用的语言必须是高效的,有效的,能够催眠读者,从而导致对广告项目的决定性行动。
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引用次数: 5
THE ROLE OF CULTURAL HEGEMONY IN MARIPOSA IN MAINTAINING GENDER COLOR ASSUMPTION 马里波萨文化霸权在维持性别色彩假设中的作用
Pub Date : 2020-09-21 DOI: 10.24071/IJHS.V4I1.2784.G2015
N. Fauziyah
The development of technology has a big contribution to creating cultural phenomena of global citizens. A movie as part of cultural products in this matter is not only considered as a cultural phenomenon, but it also can takes a significant role in shaping the culture itself. Specifically, this paper was conducted to discover denotative and connotative meaning of pink and blue color of school uniform in Mariposa and its relation of practicing hegemony in the context of gender color. In analyzing the meaning of color use in school uniform and the relation between pink and blue uniform with hegemony, the author uses Barthes semiotic and Gramscis hegemony as the theory. The data were collected from the images of movie scenes in Mariposa when the characters wear their school uniform. After analyzing the data, this study found that (1) The use of pink and blue color as a color of school uniform in Mariposa represents masculinity and feminity, (2) Mariposa movie is considered as a medium in operating hegemony, and (3) The hegemony is represented through pink and blue color of the movie characters uniform.
科技的发展对创造全球公民的文化现象有很大的贡献。在这个问题上,电影作为文化产品的一部分不仅被认为是一种文化现象,而且它也可以在塑造文化本身方面发挥重要作用。具体而言,本文旨在发现马里波萨市校服的粉色和蓝色的外延和内涵意义,以及在性别色彩的语境下,粉色和蓝色与实践霸权的关系。在分析校服色彩运用的意义以及粉红色和蓝色校服与霸权的关系时,笔者以巴特的符号学和葛兰西的霸权理论为理论依据。这些数据是从马里波萨的电影场景中收集的,当时角色穿着校服。通过对数据的分析,本研究发现(1)Mariposa中使用粉色和蓝色作为校服的颜色代表了男性气质和女性气质;(2)Mariposa电影被视为经营霸权的媒介;(3)霸权是通过电影角色制服的粉色和蓝色来表现的。
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引用次数: 1
POSTHUMANISM IN TWO FANFICTION STORIES: THE CYBORG AND CYBORG 两个同人小说中的后人类主义:半机械人和半机械人
Pub Date : 2020-08-31 DOI: 10.24071/IJHS.V4I1.2493.G1993
Maria Vincentia Eka Mulatsih
Since the development of Artificial Intelligence (AI) has widely spread in many sectors of humans life, the studies of posthumanism where humans ask critically about their existence are needed. Knowing that, this research will deal with posthumanism (Herbrechter, 2015) drawn from two fanfiction stories entitled The Cyborg and Cyborg. Both stories are written by different authors from different countries. This study is a library research which applies comparative study as part of data analysis technique and the result of data analysis will be presented qualitatively. Preliminary result that is taken from first reading of the two stories deals with young authors who think that cyborgs have more humanistic values when they are being compared to humans. The researcher hopes that this study has insightful effect to pre-service students in dealing with the development of technology in this revolution industry 4.0.
由于人工智能(AI)的发展已广泛应用于人类生活的许多领域,因此需要对人类的存在提出批判性问题的后人文主义研究。了解到这一点,本研究将涉及后人类主义(Herbrechter, 2015),来自两个名为The Cyborg和Cyborg的同人小说故事。这两个故事是由来自不同国家的不同作者写的。本研究是一项图书馆研究,将比较研究作为数据分析技术的一部分,数据分析的结果将定性地呈现。这两个故事的初读结果是,年轻作家们认为,与人类相比,半机械人更具有人文价值。研究者希望本研究能对职前学生应对工业4.0革命中的技术发展有所启发。
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引用次数: 2
POWER RELATIONS IN TWO CONTEMPORARY INDONESIAN NOVELS WITH POLITICAL THEMES 两部印尼当代政治题材小说中的权力关系
Pub Date : 2020-08-31 DOI: 10.24071/IJHS.V4I1.2788.G1994
Susilawati Endah Peni Adji
Since Indonesia began its political reform in 1998, Indonesians have enjoyed increased freedom of expression, and as such it has been possible for long-censored themes such as politics to be freely discussed in contemporary Indonesian literature. This article examines two such novels, (1) Junaedi Setiono's Dasamuka (2017), which deals with Javanese politics during the Diponegoro War; and (2) Arafat Nur's Lolong Anjing di Bulan (Dogs Howling at the Moon, 2018), which deals with Acehnese politics during the Military Operations Era. This article borrows its theoretical framework from Fairclough, Bourdieu, and Gramsci, using the concept of power relations to investigate the novels Dasamuka and Lolong Anjing di Bulan. It finds that such power relations are strongly evident in both novels, particularly in their depictions of: (1) language as capital, (2) dominance and hegemony, and (3) opposition to outside dominance. This study finds that, in these novels, power relations have economic roots. Power is exerted, for instance, through (1) the taxation of civilians by the Yogyakarta Palace and the Dutch colonial government; (2) the land rental system implemented by the British and Dutch colonial regimes, which resulted in all profits flowing to these regimes, the Palace becoming economically dependent on these regimes, and the common people being reduced to laborers, and (3) natural gas exploration in Aceh, with all profits flowing to the Indonesian and American governments. Power relations in these novels, thus, are structured by economic factors, reflecting a Marxist paradigm. This reflects the Marxist view that economic factors are foundational for the class structure of society.
自1998年印尼开始政治改革以来,印尼人享有越来越多的言论自由,因此,在当代印尼文学中,长期受到审查的政治等主题得以自由讨论。本文考察了两部这样的小说,(1)朱纳迪·塞tiono的《Dasamuka》(2017),讲述了第波涅戈罗战争期间爪哇的政治;(2)阿拉法特·努尔(Arafat Nur)的《Lolong Anjing di Bulan》(Dogs Howling at the Moon, 2018),讲述了军事行动时代的亚齐政治。本文借鉴费尔克劳、布迪厄和葛兰西的理论框架,运用权力关系的概念来考察小说《达萨穆卡》和《洛龙安宁狄布兰》。研究发现,这种权力关系在两部小说中都非常明显,特别是在它们对:(1)语言作为资本,(2)统治和霸权,(3)反对外部统治的描述中。本研究发现,在这些小说中,权力关系具有经济根源。例如,通过(1)日惹皇宫和荷兰殖民政府对平民征税来行使权力;(2)英国和荷兰殖民政权实行的土地租赁制度,导致所有的利润都流向了这些政权,王室在经济上依赖于这些政权,普通民众沦为劳工;(3)亚齐的天然气勘探,所有的利润都流向了印尼和美国政府。因此,这些小说中的权力关系是由经济因素构成的,反映了马克思主义的范式。这反映了马克思主义的观点,即经济因素是社会阶级结构的基础。
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引用次数: 0
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International Journal of Humanity Studies IJHS
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