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“A Songwriter’s Avalanche”: Nature and Creativity in Jason Ringenberg’s Stand Tall “词曲作者的雪崩”:杰森·林根伯格的《昂首挺立》中的自然与创造力
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-08-04 DOI: 10.1080/2373566x.2023.2227241
Ola Johansson
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引用次数: 0
Editorial Board EOV EOV 编辑委员会
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-07-03 DOI: 10.1080/2373566x.2023.2284592
Deborah P. Dixon, Joshua F. J. Inwood, Harriet Hawkins, Chris Lukinbeal, Matthew Zook, Sonia Barrett, David Bissell, Adam Bledsoe, Julian Brigstocke, Nigel Clark, Christopher Cokinos, Veronica Crossa, El Colegio de M exico, M. exico, Andrew Curley, Shari Daya, Steve Hoelscher, Donna Houston, Jessica Jacobs, Miranda Joseph, Dana Karwas, Olaf Kuhlke, Sarah Luria, Kevin McHugh, Peta Mitchell, Carrie Mott, Carla Narciso, Amy Potter, Danielle Purifoy, Elaine Stratford, Frances Whitehead, Willie Wright
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引用次数: 0
Editors’ Note of Appreciation 编辑感谢信
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-07-03 DOI: 10.1080/2373566x.2023.2284591
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引用次数: 0
Exploring the Affective and Spatial Politics of Choral Music Performance through Focus Groups with Singers 通过与歌手的焦点小组探讨合唱音乐表演的情感和空间政治
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-06-29 DOI: 10.1080/2373566x.2023.2201614
Daniel G. Cockayne, Sara Martín
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引用次数: 0
Arguing With Jakob von Uexküll’s Umwelten 紫外线清洁液
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-06-29 DOI: 10.1080/2373566x.2023.2204138
I. Klinke
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引用次数: 0
What Color Is This Place? 这地方是什么颜色?
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-04-14 DOI: 10.1080/2373566x.2023.2188095
T. Edensor
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引用次数: 0
Ballet in a Box: Iso-Ballet, Lockdown, and the Reconstruction of the Domestic Space 盒子里的芭蕾:芭蕾、锁定与家庭空间的重建
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-04-14 DOI: 10.1080/2373566x.2023.2188064
P. Atkinson, Michelle Duffy, J. Ailwood
In the first wave of the Covid-19 pandemic, the principal mitigation strategies were physical distancing and the dramatic restriction of socializing with others. The absence of live performances meant arts institutions had to reconsider their relationship with audiences and thoroughly rethink what they do. While many institutions uploaded videos of past performances, some dance companies created new performances specifically for online media that have provided an opportunity for dancers to remain active and visible during the COVID lockdowns. We borrow the term iso-dance to collectively refer to these performances, a term that succinctly invokes both the medium (dance) and the conditions under which the performance is conducted (isolation). We examine how performances of ballet dancers from professional companies were informed by the home environment. We propose the examination of iso-ballet helps us understand relationships between video, bodily movement and the particular affordances of the home, as well as invite us to question the ways we inhabit and constitute places through creative, bodily practices. (English) [ FROM AUTHOR] Durante la primera oleada de la pandemia del COVID-19, las principales estrategias de mitigación fueron el distanciamiento físico y la dramática restricción de socializar con los demás. La ausencia de actuaciones escénicas en directo significó que las instituciones de arte tuvieran que reconsiderar lo que hacían. Si bien muchas de las instituciones subieron videos de actuaciones anteriores, algunas compañías de baile montaron nuevas actuaciones destinadas específicamente a los medios en línea, que han proporcionado a los bailarines la oportunidad de continuar activos y visibles durante los encierros por el COVID. Tomamos en préstamo la expresión iso-danza para referirnos colectivamente a estas representaciones, una expresión que de modo sucinto invoca tanto al medio (la danza) como las condiciones bajo las cuales se conduce la actuación (aislamiento). Examinamos cómo el entorno hogareño pudo influir en las actuaciones de los bailarines de ballet de las compañías profesionales. Proponemos que el examen del iso-ballet nos ayude a entender las relaciones entre vídeo, el movimiento corporal y las posibilidades particulares del hogar, igual que nos invite a cuestionar las formas como habitamos y construimos lugares por medio de prácticas creativas y corpóreas. (Spanish) [ FROM AUTHOR] COVID-19初期的主要应对措施, 是保持距离和尽量限制社交。现场演出的禁止, 意味着艺术团体必须重新考虑与观众的关系、彻底重新思考其工作。许多艺术团体上传了之前的演出视频, 一些舞蹈公司还在网络媒体创作了新的演出, 为舞者在COVID-19封锁期间保持活跃度和关注度提供了机会。我们将这些演出统称为"隔离舞蹈”, 以简洁地涵盖媒介(舞蹈)和演出条件(隔离)。我们研究了住宅环境如何影响专业公司芭蕾舞演员的演出。我们认为, 对"隔离芭蕾舞”的研究, 有助于理解视频、身体活动和住宅条件之间的关系, 并通过创造性身体行为去质疑我们占据和构建场所的方式。 (Chinese) [ FROM AUTHOR] Copyright of GeoHumanities is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email
在新冠肺炎大流行的第一波浪潮中,主要的缓解策略是保持身体距离和严格限制与他人交往。没有现场表演意味着艺术机构必须重新考虑与观众的关系,并彻底反思他们所做的事情。虽然许多机构上传了过去表演的视频,但一些舞蹈公司专门为网络媒体制作了新的表演,为舞者提供了在COVID封锁期间保持活跃和可见的机会。我们借用“同舞”(iso-dance)一词来统称这些表演,这个词简洁地援引了表演的媒介(舞蹈)和进行表演的条件(孤立)。我们研究了来自专业公司的芭蕾舞演员的表演如何受到家庭环境的影响。我们认为,对iso-ballet的研究有助于我们理解视频、身体运动和家庭特殊环境之间的关系,并邀请我们通过创造性的身体练习来质疑我们居住和构成场所的方式。(中文)[来自作者]Durante la premieria oleada de de COVID-19, las principales principles de mitigación fueron el distance iiento físico y la dramática restricción de socializar conlos demás。 化学物质交换和化学物质交换和化学物质交换和化学物质交换和化学物质交换和化学物质交换和化学物质交换和化学物质交换hacían。在新冠肺炎疫情爆发期间,我们将通过以下方式为您提供持续活动的机会:首先,我们将通过以下方式为您提供持续活动的机会:我们将通过以下方式为您提供持续活动的机会:我们将通过以下方式为您提供持续活动的机会:1 .在下列情况下:(1)在下列情况下:(1)在下列情况下:(1)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)在下列情况下(2)。Examinamos cómo el entorno hogareño pudo influir en las actuaciones de los bailarines de ballet de las compañías professionales。“支持芭蕾的人将会学习芭蕾的学习方式,而不是学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如学习芭蕾的学习方式,例如prácticas creative creative corpóreas。(西班牙语)(从作者)COVID-19初期的主要应对措施,是保持距离和尽量限制社交。现场演出的禁止, 意味着艺术团体必须重新考虑与观众的关系、彻底重新思考其工作。许多艺术团体上传了之前的演出视频,一些舞蹈公司还在网络媒体创作了新的演出,为舞者在COVID-19封锁期间保持活跃度和关注度提供了机会。我们将这些演出统称为"隔离舞蹈”, 以简洁地涵盖媒介(舞蹈)和演出条件(隔离)。我们研究了住宅环境如何影响专业公司芭蕾舞演员的演出。我们认为, 对"隔离芭蕾舞”的研究, 有助于理解视频、身体活动和住宅条件之间的关系, 并通过创造性身体行为去质疑我们占据和构建场所的方式。 GeoHumanities的版权归Routledge所有,未经版权所有人的书面许可,其内容不得复制或通过电子邮件发送到多个网站或发布到列表服务器。但是,用户可以打印、下载或通过电子邮件发送文章供个人使用。这可以删节。对副本的准确性不作任何保证。用户应参阅原始出版版本的材料的完整。(版权适用于所有人。)
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引用次数: 0
On Art and Experimentation as Geographical Practice 论作为地理实践的艺术与实验
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-04-14 DOI: 10.1080/2373566x.2023.2187313
M. Kelly, Nick Lally, Philip J. Nicholson
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引用次数: 0
Wake Work: Unearthing the Legacy of Slavery at the United States’ First Publicly Chartered University 唤醒工作:在美国第一公立特许大学发掘奴隶制的遗产
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-04-12 DOI: 10.1080/2373566x.2023.2170813
R. Berry, J. Rice, A. Trauger, Haley R DeLoach, Amelia H. Wheeler, A. Hilton
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引用次数: 0
Legal Pluralism on Dyarubbin: Country-as-Lore/Law in Western Sydney, Australia 法律多元论:澳大利亚西悉尼的乡村-爱情/法律
IF 0.7 Q2 Arts and Humanities Pub Date : 2023-04-12 DOI: 10.1080/2373566x.2023.2182699
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引用次数: 0
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Geohumanities
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