Geohumanities最新文献

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Poetry Writing and the Dialectic of Closeness. Creative Encounters with Nairobi Urban Sentinels 诗歌创作与亲近的辩证法。与内罗毕城市哨兵的创造性相遇

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Geohumanities

Pub Date : 2021-10-13 DOI: 10.1080/2373566X.2021.1965900

Jean-Baptiste Lanne

This article provides reflexive feedback on a four hands poetry writing experiment as a field method for fostering expression in people unaccustomed to it. To complement my in-depth interviews with private security guards at the gates of fenced residences in Nairobi (Kenya), I conducted several poetry workshops with them between 2015 and 2017. Although this medium is no more authentic than conventional storytelling, poetry as a four hands practice allowed us to overcome inhibiting dualities (I/the Other; authentic/non authentic; here/there). Retrospectively, I argue that this collective work should be understood as the expression of a dialectic of closeness between the two coauthors, i.e. a codified oscillation game between two sets of attitudes: maintaining an explicit distance and attempting micro-intrusions. This dialectic may lead us to reconsider our relationship with the produced text, making it an independent third protagonist, but nevertheless necessary for the encounter.

本文就四手诗歌写作实验提供反身性反馈，作为培养不习惯诗歌表达的人的一种现场方法。为了补充我对内罗毕(肯尼亚)围栏住宅门口的私人保安的深入采访，我在2015年至2017年期间与他们一起举办了几次诗歌研讨会。虽然这种媒介并不比传统的讲故事更真实，但诗歌作为一种四手练习使我们能够克服抑制的二元性(我/他者;真实的/非真实;这里/那里)。回顾过去，我认为这一集体作品应该被理解为两位合著者之间亲密关系的辩证法的表达，即两组态度之间的成文振荡游戏:保持明确的距离和尝试微侵入。这种辩证法可能会引导我们重新考虑我们与所产生文本的关系，使其成为独立的第三主角，但仍然是相遇所必需的。

引用次数: 1

Working-Class Mobility and Streetcar Politics in Reconstruction-Era St. Louis 重建时期圣路易斯的工人阶级流动性和有轨电车政治

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Geohumanities

Pub Date : 2021-10-13 DOI: 10.1080/2373566X.2021.1965899

Elizabeth Belanger

This article explores seven segregation cases involving African-American women and public transportation that played out in the city courts of St. Louis between 1865 and 1871. Situating the cases within a theoretical framework of mobility, the article explores the spatial characteristics of African-American working-class women’s lives and the extent to which streetcars became staging grounds for larger civil rights battles. While previous accounts of streetcar activism have often positioned cases as isolated incidents undertaken by elite African-American women, the cases in St. Louis attest to the rise of civil rights activism among working-class African-American women. The discussion further shows how they contributed to the nature and form of oppositional politics in St. Louis.

本文探讨了1865年至1871年间在圣路易斯市法院审理的七起涉及非裔美国妇女和公共交通的种族隔离案件。本文将这些案例置于流动性的理论框架中，探讨了非裔美国工人阶级妇女生活的空间特征，以及有轨电车在多大程度上成为了更大规模的民权斗争的集散地。虽然之前关于有轨电车运动的报道往往将这些案件定位为精英非裔美国女性所发生的孤立事件，但圣路易斯的这些案件证明了工薪阶层非裔美国女性中民权运动的兴起。讨论进一步显示了他们如何促成了圣路易斯对立政治的性质和形式。

引用次数: 0

How Distant is Close Enough? Exploring the Toponymic Distortions of Life Story Geographies 多远才算近?探索生活故事地理学的地名扭曲

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Geohumanities

Pub Date : 2021-10-13 DOI: 10.1080/2373566X.2021.1965898

S. Caquard, Emory Shaw, José Alavez

Stories are now broadly recognized as important sources of geographic information in different domains of the spatial humanities. The methodologies mobilized to identify these spatial data, however, remain the subject of intense debate. In this paper, we contribute to this debate by focusing on what we can learn from the close reading of stories to improve the quality of distant reading approaches. We do this through an in-depth comparative analysis of how toponyms are used across 10 oral life stories of exiles. Results show that a “distant listening” of the number of country names mentioned in these stories provides an accurate representation of their global geographies. However, the finer-scaled geographies of these stories become highly distorted when counting more local toponyms such as neighborhoods, cities or regions. This study also reveals that results could be improved by accounting for the distribution and repetition of toponyms throughout these stories. Such insights and their nuances are described in this paper with an aim to help narrow the gap between close and distant reading methodologies.

故事现在被广泛认为是空间人文学科不同领域地理信息的重要来源。然而，用于确定这些空间数据的方法仍然是激烈辩论的主题。在本文中，我们通过关注我们可以从故事细读中学到什么来提高远程阅读方法的质量，从而为这场争论做出贡献。我们通过对10个流亡者口头生活故事中如何使用地名的深入比较分析来做到这一点。结果表明，“远距离倾听”这些故事中提到的国家名称的数量，可以准确地反映它们的全球地理位置。然而，当考虑到更多的地方地名(如街区、城市或地区)时，这些故事的精细地理位置就会变得高度扭曲。本研究还表明，考虑到这些故事中地名的分布和重复，可以改善结果。本文描述了这些见解及其细微差别，旨在帮助缩小近距离阅读方法和远距离阅读方法之间的差距。

引用次数: 0

The Dam of the Damned 诅咒者的水坝

IF 0.7 Q3 GEOGRAPHY

Geohumanities

Pub Date : 2021-09-07 DOI: 10.1080/2373566x.2021.1942130

Pablo Arboleda, P. Jankiewicz

Over the last five decades, Italy has invested in the construction of public works as the core strategy to dynamize its less favoured regions; however, due to multiple and inherent dysfunctionalities, many of these remain half-built and abandoned today. The group of artists Alterazioni Video refer to this phenomenon as “Incompiuto” (“Incompletion” in English), coining a name for a new architectural style where the characteristic unfinished materiality speaks back to Italian idiosyncrasy. In the pursuit of existential dignity, Alterazioni Video suggest that these sites muster and reassemble metaphysical places of contemplation, thought and the imaginary. Drifting at one of its most spectacular samples (The Dam of Blufi, Sicily), the present collaboration between an architect and a writer testifies to said assertion, and celebrates the phenomenological qualities of modern ruination argued in emerging geographical literatures.

在过去的50年里，意大利投资建设公共工程，将其作为振兴落后地区的核心战略;然而，由于多重和固有的功能失调，其中许多仍然是半建成和废弃的今天。由专筑网yumi, vigo编译艺术家Alterazioni Video团队将这种现象称为“Incompiuto”(英文为“不完成”)，为一种新的建筑风格创造了一个名字，其中未完成的材料特征反映了意大利的特质。在追求存在尊严的过程中，Alterazioni Video建议这些场所集合并重新组合沉思、思考和想象的形而上学场所。漂在其最壮观的样本之一(西西里岛的Blufi水坝)，建筑师和作家之间的合作证明了上述断言，并颂扬了新兴地理文献中所争论的现代毁灭的现象学品质。

引用次数: 0

Getting Back to the Garden: Pastoral Harmony as an Antidote to Fractured Social and Nature Relations 回归田园:田园和谐是社会与自然关系破裂的解毒剂

IF 0.7 Q3 GEOGRAPHY

Geohumanities

Pub Date : 2021-09-03 DOI: 10.1080/2373566X.2021.1960878

Tatiana Abatemarco

This paper explores the trope of pastoral harmony in environmental literature, art, and media. Some themes in the pastoral harmony trope are arcadia, idyll, elegy, utopia, balance of nature, rootedness, locality, rurality, and natural health. Of particular focus in this piece is the celebration of agriculture and agricultural landscapes. By analyzing two case studies of contemporary artists who celebrate agriculture in their work, I explore the themes and tensions in modern pastoral art, which both “sells” the pastoral lifestyle and embraces progressive social and environmental ideals. The case studies include photographer and filmmaker Ben Stechschulte and music by Rising Appalachia. In a world of climate crisis and social injustice, these artists demonstrate a pastoral vision that prescribes a more nuanced understanding of rurality as the antidote to fractured relationships between human groups and the more-than-human world.

本文探讨了环境文学、艺术和媒体中田园和谐的比喻。田园和谐比喻的主题有世外桃源、田园诗、挽歌、乌托邦、自然平衡、扎根、地方、乡村和自然健康。这幅作品特别关注的是对农业和农业景观的庆祝。通过分析当代艺术家在作品中歌颂农业的两个案例，我探索了现代田园艺术的主题和紧张关系，既“销售”田园生活方式，又拥抱进步的社会和环境理想。案例研究包括摄影师和电影制作人Ben Stechschulte和Rising Appalachia的音乐。在一个气候危机和社会不公的世界里，这些艺术家展示了一种田园的愿景，对乡村的理解更加细致入微，作为人类群体和超越人类的世界之间断裂关系的解药。

引用次数: 0

How to Become Erasure Proof 如何防擦

IF 0.7 Q3 GEOGRAPHY

Geohumanities

Pub Date : 2021-08-24 DOI: 10.1080/2373566x.2021.1960179

Amy Shimshon-Santo

“If we possess the land,” cultural activist Ben Caldwell said, “we can become erasure proof.” The essay reveals how BIPOC community arts spaces negotiate spatial sovereignty that fortify ecologies of culture and place. The work analyzes a culminating activity in a participatory action research process structured around the themes of land, story, memory, and leadership. The axis of the paper is an intergenerational conversation with cultural producers and arts administrators at Self Help Graphics & Art in the Latinx neighborhood of Boyle Heights, Kaos Network the African-American neighborhood of Leimert Park, and Visual Communications in the Asian Pacific Islander led neighborhood of Little Tokyo. The conversation is set in Los Angeles—a megalopolis on the Pacific Rim recognized globally for its creative and cultural production. “How to Become Erasure Proof” provides a robust conceptual framework, and highlights BIPOC strategies for community organizing that cherish culture and land. The discussion contributes to broader movements centering BIPOC imaginaries, creative flourishing, and organizing for spatial justice.

“如果我们拥有这片土地，”文化活动家本·考德威尔(Ben Caldwell)说，“我们就能防止被擦除。”本文揭示了BIPOC社区艺术空间如何协商空间主权，巩固文化和地方生态。这项工作分析了参与性行动研究过程中围绕土地、故事、记忆和领导力主题的最终活动。本文的轴心是与文化制作人和艺术管理人员的代际对话，这些文化制作人和艺术管理人员分别来自Boyle Heights拉丁裔社区的Self - Help Graphics & Art, Leimert Park非洲裔社区的Kaos Network，以及小东京亚太岛民社区的视觉传播。对话发生在洛杉矶——一个环太平洋地区的大都市，以其创意和文化生产而闻名于世。“如何成为防擦除”提供了一个强大的概念框架，并强调了BIPOC社区组织珍惜文化和土地的战略。讨论有助于围绕BIPOC想象，创造性繁荣和空间正义组织的更广泛的运动。

引用次数: 0

“Have Car, Can Travel”: Journalistic Practice, Oil Entanglements and Climate Reportage in Aberdeen, Scotland “有车，能行”:苏格兰阿伯丁的新闻实践、石油纠葛和气候报告文学

IF 0.7 Q3 GEOGRAPHY

Geohumanities

Pub Date : 2021-08-13 DOI: 10.1080/2373566X.2021.1942128

Dominic Hinde

This article recounts the practice of producing a commercial newspaper feature for a major American outlet on energy transition and the end of the oil boom in Aberdeen, Scotland. Speaking to both media and energy geographies, it pursues journalistic practice as a form of energy ethnography, exposing how entangled journalism practitioners are with the systems they report with reference to the concept of petroculture. Narrating 48 hours spent on the ground in the oil city, it discusses the invisible processes behind the commercial publication of a transition narrative and the experience of working in the field to construct the story. By focusing on questions of transnational power and gatekeeping, the concept of the energy city, and the role of oil in both visible and invisible forms, it uses its unique dual practitioner/academic perspective to speculate on the possibility of moving beyond market friendly “good news” transition narratives to more meaningful interrogations of energy.

本文讲述了在苏格兰阿伯丁为一家美国主要媒体制作商业报纸特稿的实践，内容涉及能源转型和石油繁荣的终结。在谈到媒体和能源地理时，它将新闻实践作为能源人种志的一种形式，揭示了新闻从业者与他们根据石油文化概念报道的系统之间的纠缠。它讲述了在石油城市的地面上度过的48小时，讨论了过渡叙事的商业出版背后的无形过程以及在现场工作以构建故事的经历。通过关注跨国权力和把关问题，能源城市的概念，以及石油在可见和不可见形式中的作用，它使用其独特的实践者/学者双重视角来推测从市场友好的“好消息”过渡叙事转向更有意义的能源质疑的可能性。

引用次数: 0

The Battle of Hastings, A Cartographic Narrative 黑斯廷斯战役，地图叙事

IF 0.7 Q3 GEOGRAPHY

Geohumanities

Pub Date : 2021-08-12 DOI: 10.1080/2373566X.2021.1942126

C. Hewitt

The Battle of Hastings (1066) is one of the most widely studied battles in medieval history. Yet despite the importance that research shows geography to play in the outcome of such conflicts, academic studies on the battle have yet to provide a researched-based cartographic analysis of the battle. This study, consequently, seeks to map the battle to scale to examine the size and impact of geographic factors in understanding the events that shaped the battle. The analysis was undertaken using a geographic information system (GIS) with qualitative and quantitative techniques. Historical and current data were combined in a series of detailed state of the art maps to bring an entirely new perspective to the nearly millennium long literature on the battle. Factors considered in the study included previous interpretations of battlefields, literary GIS, cartographic depictions of units and a cartographic narrative of the battle. Among the findings of this study were a firm demonstration of the importance of cartographic-based analysis in understanding the size of a medieval battlefield and the development of a literary military account.

黑斯廷斯战役(1066年)是中世纪历史上研究最广泛的战役之一。然而，尽管研究表明地理在此类冲突的结果中发挥了重要作用，但关于这场战斗的学术研究尚未对这场战斗提供基于研究的地图分析。因此，本研究试图绘制战争的规模图，以检查地理因素的规模和影响，以了解塑造战斗的事件。使用地理信息系统(GIS)进行了定性和定量分析。历史和当前的数据被结合在一系列详细的最先进的地图中，为近千年的战争文献带来了一个全新的视角。研究中考虑的因素包括以前对战场的解释、文学GIS、单位的地图描绘和战斗的地图叙述。这项研究的发现有力地证明了基于地图的分析在理解中世纪战场的规模和文学军事叙述的发展方面的重要性。

引用次数: 0

On Aqueducts and Anxiety: Water Infrastructure, Ruination, and a Region-Scaled Anthropocene Imaginary 关于沟渠和焦虑:水基础设施，破坏，和一个区域尺度的人类世想象

IF 0.7 Q3 GEOGRAPHY

Geohumanities

Pub Date : 2021-08-11 DOI: 10.1080/2373566X.2021.1942129

Sayd Randle

This paper explores popular expectations for and meanings of the U.S. West’s environmental future, as articulated through recent artistic representations of the Los Angeles’s expansive water provision network. Weaving together material from participant observation and readings of creative works, I show how infrastructural imagery is used to index anxieties about a future of water scarcity. Presenting familiar, currently functional water infrastructures as ruins-in-the-making, these artists use the physical stuff of water provision networks to advance critiques of longstanding modes of development and the material basis of urban-rural relations in the U.S. West. Doing so, these imagined ruins draw the global-scale threat of climate change into a protracted regional story of landscape-making (and ruining). These works suggest the potential power of such a meso-scale approach to the Anthropocene concept for orienting empirical scholarship, enabling analysts to explore how global processes and local histories co-produce regional imaginaries and landscapes alike.

本文探讨了大众对美国西部环境未来的期望和意义，通过最近对洛杉矶广阔的供水网络的艺术表现来表达。我将参与者观察到的材料和对创意作品的阅读结合在一起，展示了如何利用基础设施图像来索引对未来水资源短缺的担忧。这些艺术家将人们熟悉的、目前仍在发挥作用的供水基础设施描绘为正在形成的废墟，他们利用供水网络的物质材料，对美国西部长期存在的发展模式和城乡关系的物质基础提出了批评。这样一来，这些想象中的废墟就把全球范围的气候变化威胁变成了一个旷日持久的地区景观创造(和破坏)故事。这些工作表明，这种中尺度方法对人类世概念的潜在力量可以指导经验学术，使分析人员能够探索全球过程和地方历史如何共同产生区域想象和景观。

引用次数: 2

Drinking the Winds: Monsoon as Atmospheric Spring. 饮风:季风作为大气之泉。

IF 0.7 Q3 GEOGRAPHY

Geohumanities

Pub Date : 2021-07-14 eCollection Date: 2021-01-01 DOI: 10.1080/2373566X.2021.1929384

Christina Leigh Geros

This paper explores monsoons as a set of atmospheric-orographic dynamics productive of water resources and as a site of actionable concern for landscape practice. From study to representation to design, the term "landscape practice" is used to describe a way of positioning environments as both subject and object of concern. While monsoons are constituents of many geographies, dynamics, materials and experiences, this paper focuses on the South Asian monsoon and its relationship with the Tibetan Plateau. In this region, freshwater resources are dependent on the monsoon; however, as rising global temperatures and rapid urban development significantly impact the behavior of the monsoon and the Plateau's ability to store freshwater, the monsoon-as a kinetic body of freshwater-becomes the focal point of visual media productions and extractive technologies that require a shifting of perspective from one that privileges land to one that centers the atmosphere. The inclusion of meteorological and atmospheric material and dynamics within the space of landscape practice, constructively challenges the spatial discipline's engagement with exploitable resources; and the monsoon provides a tangible site and set of conditions that is in urgent need of this exploration.

本文探讨了季风作为一组产生水资源的大气地形动力学，并作为景观实践中可操作的关注点。从研究到表现再到设计，“景观实践”一词被用来描述一种将环境定位为关注的主体和客体的方式。虽然季风是许多地理、动力、物质和经验的组成部分，但本文的重点是南亚季风及其与青藏高原的关系。在这个地区，淡水资源依赖于季风;然而，随着全球气温的上升和城市的快速发展对季风的行为和高原储存淡水的能力产生了重大影响，季风作为一个动态的淡水体，成为视觉媒体制作和提取技术的焦点，这需要从优先考虑土地的角度转变为以大气为中心的角度。在景观实践空间中包含气象和大气材料和动态，建设性地挑战了空间学科与可开发资源的接触;季风提供了一个切实可行的地点和一系列迫切需要进行探索的条件。

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引用次数: 2

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