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The Birth of a Philosopher (Review on N.A. Gromova’s “Otherworldly Friend. The Love Story of Lev Shestov and Varvara Malahieva-Mirovich in Letters and Documents”. Moscow: AST Publishing House: Edited by Elena Shubina, 2021. 413 p.) 一位哲学家的诞生(评N.A.格罗莫娃的《超凡脱俗的朋友》)列夫·舍斯托夫和瓦尔瓦拉·马拉希耶娃·米罗维奇的爱情故事《书信与文件》莫斯科:AST出版社:埃琳娜·舒比娜编辑,2021年。413 p)。
Q3 Arts and Humanities Pub Date : 2022-11-10 DOI: 10.21146/2074-5869-2022-27-2-131-136
K. Vorozhikhina
The review is devoted to a new book by the writer and literary historian Natalia A. Gromova, in which, on the basis of letters and archival documents, the love story of Varvara Malahieva-Mirovich and Lev Shestov is reconstructed. According to Gromova, their relationship became an impulse that had a key influence on the formation of Shestov as an existential thinker, whose philosophy is not based on speculative contemplation, but is inextricably linked with life experience. Shestov’s philosophy of tragedy grows out of the relationship between Shestov and Malakhieva-Mirovich. On the basis of Shestov’s letters addressed to Malahieva-Mirovich, recently found in the family archive of Shik-Shakhovskie, the author of the book reconstructs the autobiographical events of the philosopher’s life, when for him “the time is out of joint” and he experienced an ideological and psychological crisis that marked the beginning of a new stage in his work. Gromova shows how the events of his life are reflected in Shestov’s writings: in his writings, the philosopher seeks answers to the questions that his relationship with Varvara Malahieva-Mirovich poses to him. Gromova introduces into scientific circulation the previously unpublished correspondence between Shestov and Malahieva-Mirovich, letters from Malahieva-Mirovich to her friend Leonilla N. Tarasova, as well as the memoirs of Malahieva-Mirovich about the actress of the Moscow Art Theater Nadezhda S. Butova. The book contains unique information about Shestov’s circle in Russia (for example, about the decadent poetess Anastasia Mirovich), including the so-called “shestovites”, a.i. the poetess and writer Varvara G. Malahieva-Mirovich, philosopher, lawyer and publisher Semyon M. Lurie, actress Nadezhda S. Butova, who is trying to find a philosophical and religious “justification” for the actor’s craft.
这篇评论是为作家兼文学史学家纳塔莉亚·a·格罗莫娃(Natalia a . Gromova)的新书而写的,在这本书中,根据信件和档案文件,重构了瓦尔瓦拉·马拉希耶娃-米罗维奇和列夫·舍斯托夫的爱情故事。根据格罗莫娃的说法,他们的关系成为一种冲动,对舍斯托夫作为一个存在主义思想家的形成产生了关键影响,舍斯托夫的哲学不是基于思辨的沉思,而是与生活经验密不可分。舍斯托夫的悲剧哲学源于舍斯托夫与马拉基耶娃-米罗维奇的关系。在舍斯托夫写给马拉希耶娃-米罗维奇的信件的基础上,最近在谢克-沙霍夫斯基的家庭档案中发现,这本书的作者重建了哲学家生活中的自传式事件,当时他“时间不一致”,他经历了一场意识形态和心理危机,标志着他工作中一个新阶段的开始。格罗莫娃展示了舍斯托夫的作品是如何反映他的生活事件的:在他的作品中,这位哲学家寻求他与瓦尔瓦拉·马拉希耶娃-米罗维奇的关系向他提出的问题的答案。格罗莫娃向科学界介绍了舍斯托夫和马拉希耶娃-米罗维奇之间以前未发表的通信,马拉希耶娃-米罗维奇给她的朋友莱奥尼拉·n·塔拉索娃的信件,以及马拉希耶娃-米罗维奇关于莫斯科艺术剧院女演员娜杰日达·s·布托娃的回忆录。这本书包含了关于舍斯托夫在俄罗斯的圈子的独特信息(例如,关于颓废的女诗人阿纳斯塔西娅·米罗维奇),包括所谓的“舍斯托夫分子”,即女诗人和作家瓦尔瓦拉·g·马拉希耶娃·米罗维奇,哲学家,律师和出版商谢米恩·m·卢里,女演员娜杰日达·s·布托娃,她试图为演员的艺术寻找哲学和宗教的“理由”。
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引用次数: 0
Media Theory: Normalization and Variantology 媒介理论:归一化与变异
Q3 Arts and Humanities Pub Date : 2022-11-10 DOI: 10.21146/2074-5869-2022-27-2-64-73
N. Sosna
The author suggests to look at media research from a historical perspective and compare the projects of the “golden period”, that is, the 1990s – early 2000s, with the works of recent years. After preliminary contextual explanations, choosing for a more detailed presentation projects of S. Zielinski and J. Parikka, the author shows how the tasks of media studies and their methodology change during the transition from large-scale panoramas claiming to build a new history from the perspectives of media to often fragmented and situational analyses of components of chosen media (for example, the translation of color dispersion into the chemical language of a photograph of a distant star). This was the way by which archaeology, attentive to geological time, turned into archival work being done for “commercial use or machine learning”. This is how the radical approaches to media research characteristic of the first media theorists are leveled, because scientists publishing their works since the second half of the 2010s contribute to the normalization of media theory by bringing it to the long-discussed topics of other disciplines, such as cognitive functions or theories of signs. At the same time, media theory of recent years is being largely politicized, adopting governmental instructions and reducing the “variantology” and multiplicity of media that were developed earlier.
笔者建议从历史的角度来看待媒体研究,将“黄金时期”(即90年代至21世纪初)的项目与近年来的作品进行比较。在初步的语境解释之后,作者选择了S. Zielinski和J. Parikka的更详细的展示项目,作者展示了媒体研究的任务及其方法在从声称从媒体的角度建立新历史的大规模全景到对所选媒体组成部分的碎片化和情境分析(例如,(把色散转换成遥远恒星照片的化学语言)。通过这种方式,关注地质年代的考古学变成了“商业用途或机器学习”的档案工作。这就是第一批媒体理论家的激进媒体研究方法的特点,因为自2010年代后半期以来,科学家们发表了他们的作品,通过将媒体理论带入其他学科长期讨论的主题,如认知功能或符号理论,从而有助于媒体理论的正常化。与此同时,近年来的媒介理论在很大程度上被政治化,采用政府指令,减少了早期发展的媒介的“变异性”和多样性。
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引用次数: 0
“Atmosphere of Truth”: Models for History of Philosophy in Neo-Scholasticism and Neo-Thomism “真理的氛围”:新经院哲学与新托马斯主义哲学史的模式
Q3 Arts and Humanities Pub Date : 2022-11-10 DOI: 10.21146/2074-5869-2022-27-2-16-26
Rodion V. Savinov
The article shows the development of historical and philosophical problems in Neo-Scholasticism and Neo-Thomism. There are two key goals that authors of historical and philosophical models of the development of intellectual culture sought to solve: primarily, this is the legitimation of Scholasticism as a philosophical tradition, and secondly, its actualization in the context of the philosophical and theological discussions of their time. After the 1840s catholic intellectuals realized a gap to the medieval and post-medieval scholastic tradition, and their historical and philosophical research ceased to be a tool for legitimizing of interpretation of Thomism, which claims to be authoritative. Intervention of scholasticism into the problems of philosophy in the 19th century led to a determination of their relationship to Kant and post-Kantian projects of transcendental philosophy. As a result, Joseph Maréchal SJ formed a project of Transcendental Thomism: he moved from the strategy of legitimizing scholasticism through historical and philosophical material to the strategy of transformation of Thomism to form the program of Scholasticism that would correspond to the “Epoch of Criticism”.
文章展示了新经院哲学和新托马斯主义的历史和哲学问题的发展。知识文化发展的历史和哲学模型的作者试图解决两个关键目标:首先,这是作为一种哲学传统的经院哲学的合法性,其次,它在他们那个时代的哲学和神学讨论的背景下实现。19世纪40年代以后,天主教知识分子意识到与中世纪和后中世纪学术传统的差距,他们的历史和哲学研究不再是使自称权威的托马斯主义解释合法化的工具。在19世纪,经院哲学对哲学问题的介入导致了它们与康德以及后康德的先验哲学项目的关系的确定。因此,Joseph marsamchal SJ形成了一个先验托马斯主义的项目:他从通过历史和哲学材料使经院哲学合法化的策略转向了对托马斯主义的改造策略,以形成与“批判时代”相对应的经院哲学纲领。
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引用次数: 0
Preface to translation 翻译前言
Q3 Arts and Humanities Pub Date : 2022-11-10 DOI: 10.21146/2074-5869-2022-27-2-117-130
O. Kusenko
In this article, we provide the first commented edition and translation of an important fragment from Vladimir Zabugin’s posthumous work “The History of the Christian Renaissance in Italy” (Milan, 1924). Zabugin was a Russian historian, philologist and thinker, who lived and worked in Italy in the first quarter of the 20th century. He made an important contribution to the history of ideas with his concept of “Christian Renaissance”, abolishing the postulated antithesis of the Middle Ages and Renaissance as well as the idea of the Renaissance as the revival of antiquity. A sudden death in a mountaineering accident in the Italian Alps prevented Zabugin from completing his outstanding monography: editing the text, compiling notes, bibliography, name index, the absence of which made it very difficult for specialists to refer to the text. That is because a special focus of the present article lies in commenting the fragment and guiding the reader through Zabugin’s key conceptional points. The presented fragment of the first chapter of the book sought to emphasize the continuity of classical and christian culture in Italian proto-Renaissance literature, philosophy, architecture, fine arts. Refering to the eve of the Renaissance (13th century), Zabugin clearly demonstrates how the Christian culture “imperat” here, and the pagan one “ministrat”.
在这篇文章中,我们提供了弗拉基米尔·扎布金(Vladimir Zabugin)的遗作《意大利基督教文艺复兴史》(1924年,米兰)中的一个重要片段的第一个注释版和翻译。扎布金是俄罗斯历史学家、语言学家和思想家,20世纪前25年在意大利生活和工作。他提出了“基督教文艺复兴”的概念,废除了中世纪和文艺复兴的对立,也废除了文艺复兴是古代复兴的观点,对思想史做出了重要贡献。扎布金在意大利阿尔卑斯山的一次登山事故中突然死亡,使他无法完成他杰出的专著:编辑文本、编写注释、参考书目、姓名索引,这些都使专家很难参考文本。这是因为本文的特别重点在于对片段进行评论,并通过扎布金的关键概念点来引导读者。书中第一章的片段试图强调意大利文艺复兴初期文学、哲学、建筑、美术中古典和基督教文化的连续性。参考文艺复兴前夕(13世纪),扎布金清楚地说明了基督教文化如何在这里“统治”,而异教文化如何“服侍”。
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引用次数: 0
Contents of Volume 39 (2022) 第39卷(2022)目录
Q3 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.5406/21521026.39.4.07
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引用次数: 0
Aristotle on the Truth and Falsity of Three Sorts of Perception 亚里士多德论三种知觉的真伪
Q3 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.5406/21521026.39.4.01
Evan Keeling
Aristotle's theory of perception is complicated by the fact that he recognizes three kinds of perceptible object: special, common, and incidental, all of which have different levels of reliability. Focusing on De Anima 3.3, 428b17–25, this paper discusses why these three sorts of perception are true and false. It argues that perceptions of special objects can be false because of the blind-spot phenomenon and that common objects are typically perceived as predicated of an incidental object. This helps explain why perceptions of common objects are the most error prone. The paper ends with a suggestion about the importance of predicational perception for Aristotle's epistemology.
亚里士多德的知觉理论是复杂的,因为他认识到三种可感知的物体:特殊的、普通的和偶然的,它们都有不同程度的可靠性。本文以De Anima 3.3, 428b17-25为重点,讨论了为什么这三种感知是真实的和错误的。它认为,由于盲点现象,对特殊物体的感知可能是错误的,而普通物体通常被认为是偶然物体的谓词。这有助于解释为什么对普通物体的感知是最容易出错的。最后,本文提出了预测知觉对亚里士多德认识论的重要性。
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引用次数: 1
Aristotle's Mesotēs in theory and practice 亚里士多德的Mesotēs理论和实践
Q3 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.5406/21521026.39.4.02
Glen Koehn
Aristotle's theory of a virtuous Mean, or mesotēs, has a range of application that is widely underestimated. A Mean, stripped of extraneous properties, is best thought of as a case of goal-oriented goodness. Contrary to what many commentators assume, it need not be objectionably quantitative. The theory of the Mean applies to both acts and dispositions. It is not restricted to intermediate states of feeling or emotion, and it can cover many cases of obligation. It deserves to be rehabilitated, since the failure to grasp its structure leads to frequent confusions in everyday criticism.
亚里士多德的“美德平均”理论,或称为“中介”,其应用范围被广泛低估。去掉无关属性的平均值,最好被认为是以目标为导向的善。与许多评论家的假设相反,它不必是客观的定量。中庸理论既适用于行为,也适用于处置。它不局限于感觉或情绪的中间状态,它可以涵盖许多义务的情况。它值得修复,因为未能把握其结构导致日常批评中经常出现混乱。
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引用次数: 0
Pleasure as a Necessary Component of Kantian Emotions 快乐是康德情感的必要组成部分
Q3 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.5406/21521026.39.4.04
Uri Eran
After three decades of concentrated effort, commentators still seem to disagree about Kant's understanding of the nature of emotions. I argue that the appearance is misleading because the disagreement depends on different assumptions that are independent of Kant. I then propose a way out of this deadlock by pointing to the fact that, although the Kantian phenomena commonly understood as emotions originate in two different faculties, they all involve pleasure. This account provides the necessary yet insufficient conditions on a Kantian phenomenon's being an emotion, but it allows us to mitigate the conflicting needs of historical accuracy and contemporary interest.
经过三十年的集中努力,评论家们似乎仍然不同意康德对情感本质的理解。我认为这种表象具有误导性,因为这种分歧取决于不同的假设,而这些假设与康德无关。然后,我提出了一种摆脱这种僵局的方法,即指出这样一个事实:尽管通常被理解为情感的康德现象起源于两种不同的官能,但它们都与快乐有关。这种描述为康德现象成为一种情感提供了必要但不充分的条件,但它使我们能够减轻历史准确性和当代兴趣的冲突需求。
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引用次数: 0
C.D. Broad on Things and Processes C.D.关于事物和过程
Q3 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.5406/21521026.39.4.06
A. Fisher
In Examination of McTaggart's Philosophy, C.D. Broad advanced a distinctive ontology of things and processes. He argues that neither things nor processes are reduced to each other but instead are reduced to some further kind of entity: “absolute process.” This paper will present Broad's theory of absolute processes and argue that they are best understood as tropes by developing a version of Donald C. Williams's trope ontology. This process ontology of tropes is then defended against objections in the contemporary metaphysics literature.
布罗德在《麦克塔格特哲学研究》中提出了一个独特的事物和过程本体论。他认为,事物和过程都不是相互简化的,而是被简化为另一种实体:“绝对过程”。本文将介绍布罗德的绝对过程理论,并认为通过发展唐纳德·C·威廉姆斯的比喻本体论,它们最好被理解为比喻。这种比喻的过程本体论在当代形而上学文学中遭到了反对。
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引用次数: 0
Does Each of Us Think Our Own Universal? An Averroean Challenge for (Aquinas and) Hervaeus Natalis 我们每个人都认为自己是宇宙吗?对(阿奎那和)赫尔维乌斯·纳塔利斯的挑战
Q3 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.5406/21521026.39.4.03
Hamid Taieb
This paper aims to address a problem faced by any philosopher who treats universals as intentional objects: in defending this thesis, aren't they committed to the view that each of us thinks an individuated universal, since each of us, when thinking of a universal, must have our own intentional object? This problem, which is mentioned by Brentano at the turn of the twentieth century, originated in the Middle Ages in debates initiated by Averroes about the nature of the intellect. It shows up in the later Aquinas, due to his theory of the verbum, which might be interpreted as a sort of intentional object, but it is solved without too much difficulty. It is later found in Hervaeus Natalis, who does accept intentional objects; in contrast to Aquinas, it is not clear that Hervaeus has a good solution to the problem. After first presenting the problem, this paper then turns to its medieval origins by analyzing its occurrence in Aquinas's criticism of Averroes. It then explains why Hervaeus has more difficulties than Aquinas in solving the problem. It concludes with a systematic reflection on the various possible solutions to the problem.
本文旨在解决任何将普遍性视为有意对象的哲学家所面临的一个问题:在为这篇论文辩护时,他们是否致力于我们每个人都认为是一个个体化的普遍性,因为我们每个人在思考普遍性时,都必须有自己的有意对象?布伦塔诺在二十世纪之交提到了这个问题,这个问题起源于中世纪埃弗罗斯关于智力本质的辩论。这一点在后来的阿奎那身上表现出来,因为他的动词理论,可能被解释为一种有意的对象,但它很容易被解决。后来在Hervaeus Natalis身上发现了这种现象,他确实接受有意的物体;与阿奎那形成鲜明对比的是,尚不清楚赫维乌斯是否能很好地解决这个问题。本文首先介绍了这一问题,然后通过分析其在阿奎那对埃弗罗的批评中的出现,来探讨其中世纪的起源。然后,它解释了为什么赫瓦乌斯在解决这个问题上比阿奎那困难更多。文章最后系统地思考了这个问题的各种可能的解决办法。
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引用次数: 0
期刊
History of Philosophy Quarterly
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