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Parchment 羊皮纸
Q4 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/17561310.2021.1951965
W. Wattenbach, Caroline Danforth, Andrew Griebeler
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引用次数: 0
Skins and Hides for Making Parchment: An Overview of Parchment’s Histologic Features that are Helpful when Identifying Raw Source Material 制作Parchment的皮肤和皮:Parchment组织学特征概述,这些特征有助于识别原料
Q4 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/17561310.2021.1951968
Gerhard Moog, Caroline Danforth
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引用次数: 3
A Monumental Book: Ottoman Architecture at the 1873 Vienna World’s Fair 纪念性书籍:1873年维也纳世界博览会上的奥斯曼建筑
Q4 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/17561310.2020.1827769
M. Roberts, Samuel Williams
With the objective of demonstrating the superiority of Ottoman architecture and bringing to world attention the masters of this art and their outstanding works as seen in the glorious mosques in Constantinople, Adrianople and Bursa, Your Excellency has requested permission to publish a work in three languages, Turkish, French and German, together with illustrations, destined to serve as a basis for modern architects.
为了展示奥斯曼建筑的优越性,让世界关注这门艺术的大师们及其在君士坦丁堡、阿德里安堡和布尔萨辉煌的清真寺中的杰出作品,阁下请求允许出版土耳其语、法语和德语三种语言的作品,并附上插图,注定要成为现代建筑师的基础。
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引用次数: 0
Translation 翻译
Q4 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/17561310.2020.1827773
Gay McAuley
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引用次数: 0
‘Concept’ Art and Conceptual Aspects “概念”艺术和概念方面
Q4 Arts and Humanities Pub Date : 2021-01-17 DOI: 10.1080/17561310.2020.1876822
Simón Marchán Fiz, Isabel Adey
Abstract Del arte objetual al arte de concepto by Simón Marchán Fiz has been called one of the most important books on contemporary published in Spanish in the 1970s. This chapter from the book gives a broad yet detailed survey of the genealogy, philosophy and practice of Conceptual art in the US and Europe in the 1960s and early 1970sd.
Simón Marchán Fiz的《概念艺术》被称为20世纪70年代以西班牙语出版的最重要的当代书籍之一。该书的这一章对20世纪60年代和70年代初美国和欧洲概念艺术的谱系、哲学和实践进行了广泛而详细的调查。
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引用次数: 0
Body Art: Paradigms of Transformation in Contemporary Art 人体艺术:当代艺术转型的范式
Q4 Arts and Humanities Pub Date : 2021-01-17 DOI: 10.1080/17561310.2020.1876828
P. Režek, Eva Spišiaková
Abstract This text by the Czech philosopher and art theorist Petr Rezek investigates the phenomenology of Body art and the resulting issues of aesthetic boundaries and the intersection of art object and “real reality.” The principal focus of the study is the sculpture of George Segal.
本文由捷克哲学家和艺术理论家彼得·雷泽克(Petr Rezek)研究了人体艺术的现象学,以及由此产生的美学边界和艺术对象与“真实现实”的交集问题。书房的主要焦点是乔治·西格尔的雕塑。
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引用次数: 0
Pop Art and Anglo-American Art Criticism: Against Bourgeois Propaganda in the Sphere of Art 波普艺术与英美艺术批评:反对艺术领域的资产阶级宣传
Q4 Arts and Humanities Pub Date : 2021-01-16 DOI: 10.1080/17561310.2020.1876830
T. Yureva, C. Lodder
Abstract Based on her reading of the survey of Pop Art, edited by Lucy Lippard (1966) and the Time-Life book American Painting 1900 − 1970 (1971), the Soviet art historian Tatyana Yureva analyzes US Pop art, seeing in it a perfectly comprehensible movement of 1960s postmodernism, emerging from the local political culture with its own precise rules and well-defined creative aspirations. Although firmly grounded on a Marxist analysis, her account served to introduce US Pop art to the Soviet Russian public and confirmed the broadening interests of the Russian readers on the eve of perestroika.
苏联艺术史学家Tatyana Yureva通过阅读Lucy Lippard编辑的《波普艺术概览》(1966)和Time-Life出版的《美国绘画1900 - 1970》(1971)对美国波普艺术进行了分析,认为它是一种完全可以理解的20世纪60年代后现代主义运动,它从当地政治文化中产生,具有自己精确的规则和明确的创作愿望。尽管她的描述坚定地建立在马克思主义分析的基础上,但她将美国波普艺术介绍给了苏联公众,并证实了苏联读者在改革前夕不断扩大的兴趣。
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引用次数: 0
Imagination conquers the Earth 想象力征服地球
Q4 Arts and Humanities Pub Date : 2021-01-15 DOI: 10.1080/17561310.2020.1876816
T. Trini, L. Byatt
Abstract This text addresses the reception in Italy of American Post-minimalist experiments such as Earth art, Antiform, and Process Art. Trini describes the Earthworks by Walter De Maria, Claes Oldenburg, Robert Smithson, Dennis Oppenheim, Robert Morris, Michael Heizer, and the exhibition Earthworks, held at Virginia Dwan Gallery, New York, 1968.
摘要本文介绍了美国后极简主义实验在意大利的接受情况,如地球艺术、Antiform和过程艺术。Trini描述了Walter De Maria、Claes Oldenburg、Robert Smithson、Dennis Oppenheim、Robert Morris、Michael Heizer的地球作品,以及1968年在纽约弗吉尼亚Dwan画廊举行的地球作品展览。
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引用次数: 0
The American Poster 美国海报
Q4 Arts and Humanities Pub Date : 2021-01-15 DOI: 10.1080/17561310.2020.1876823
I. Mereuţă, Jozefína Komporaly
Abstract A short review of an exhibition of contemporary US posters held at the American Library, Bucharest, in 1975. The works on display are praised by the author, Iulian Mereuţă, both for their innovate qualities and technical accomplishment.
简要回顾1975年在布加勒斯特美国图书馆举办的当代美国海报展。展出的作品受到作者尤莲Mereuţă的赞扬,因为他们的创新品质和技术修养。
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引用次数: 0
Excavating the Mural of Paradise by Lee Jung-Seob 挖掘李正燮的天堂壁画
Q4 Arts and Humanities Pub Date : 2020-10-01 DOI: 10.1080/17561310.2020.1899430
J. Lee
Abstract Lee Jung-Seob (1916–1956) cultivated his artistic talent in the dynamic and progressive environment of Pyongyang and Tokyo during the Japanese colonial period (1910–45), presenting expressionistic paintings of bulls, experimental tinfoil drawings, and playful illustrations, filled with animistic symbolism and Surrealist local style. He always yearned to paint a large-scale masterpiece like a mural but could not achieve this goal in the turmoil of the Korean War (1950–53) and its aftermath. This paper explores the seeds and traces of Lee’s unfulfilled desire to create a monumental mural painting in the context of global art in modern Korea.
李廷燮(1916 ~ 1956年)在日本殖民时期(1910 ~ 1945年)的平壤和东京,在充满活力和进步的环境中培养了自己的艺术才能。他创作了表现主义的公牛画、实验性的锡纸画、充满万物有灵象征主义和超现实主义地方风格的俏皮插图。他一直渴望画出像壁画一样的大型杰作,但在6•25战争(1950 ~ 1953年)的动荡和余波中未能实现这一目标。本文探讨了李在现代韩国全球艺术背景下创作一幅不朽壁画的未实现愿望的种子和痕迹。
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引用次数: 1
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Art in Translation
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