Pub Date : 2021-10-02DOI: 10.1080/17561310.2021.1951968
Gerhard Moog, Caroline Danforth
{"title":"Skins and Hides for Making Parchment: An Overview of Parchment’s Histologic Features that are Helpful when Identifying Raw Source Material","authors":"Gerhard Moog, Caroline Danforth","doi":"10.1080/17561310.2021.1951968","DOIUrl":"https://doi.org/10.1080/17561310.2021.1951968","url":null,"abstract":"","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"13 1","pages":"419 - 431"},"PeriodicalIF":0.0,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43730346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/17561310.2020.1827769
M. Roberts, Samuel Williams
With the objective of demonstrating the superiority of Ottoman architecture and bringing to world attention the masters of this art and their outstanding works as seen in the glorious mosques in Constantinople, Adrianople and Bursa, Your Excellency has requested permission to publish a work in three languages, Turkish, French and German, together with illustrations, destined to serve as a basis for modern architects.
{"title":"A Monumental Book: Ottoman Architecture at the 1873 Vienna World’s Fair","authors":"M. Roberts, Samuel Williams","doi":"10.1080/17561310.2020.1827769","DOIUrl":"https://doi.org/10.1080/17561310.2020.1827769","url":null,"abstract":"With the objective of demonstrating the superiority of Ottoman architecture and bringing to world attention the masters of this art and their outstanding works as seen in the glorious mosques in Constantinople, Adrianople and Bursa, Your Excellency has requested permission to publish a work in three languages, Turkish, French and German, together with illustrations, destined to serve as a basis for modern architects.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"13 1","pages":"2 - 33"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48738785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-17DOI: 10.1080/17561310.2020.1876822
Simón Marchán Fiz, Isabel Adey
Abstract Del arte objetual al arte de concepto by Simón Marchán Fiz has been called one of the most important books on contemporary published in Spanish in the 1970s. This chapter from the book gives a broad yet detailed survey of the genealogy, philosophy and practice of Conceptual art in the US and Europe in the 1960s and early 1970sd.
{"title":"‘Concept’ Art and Conceptual Aspects","authors":"Simón Marchán Fiz, Isabel Adey","doi":"10.1080/17561310.2020.1876822","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876822","url":null,"abstract":"Abstract Del arte objetual al arte de concepto by Simón Marchán Fiz has been called one of the most important books on contemporary published in Spanish in the 1970s. This chapter from the book gives a broad yet detailed survey of the genealogy, philosophy and practice of Conceptual art in the US and Europe in the 1960s and early 1970sd.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"314 - 340"},"PeriodicalIF":0.0,"publicationDate":"2021-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876822","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43518115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-17DOI: 10.1080/17561310.2020.1876828
P. Režek, Eva Spišiaková
Abstract This text by the Czech philosopher and art theorist Petr Rezek investigates the phenomenology of Body art and the resulting issues of aesthetic boundaries and the intersection of art object and “real reality.” The principal focus of the study is the sculpture of George Segal.
{"title":"Body Art: Paradigms of Transformation in Contemporary Art","authors":"P. Režek, Eva Spišiaková","doi":"10.1080/17561310.2020.1876828","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876828","url":null,"abstract":"Abstract This text by the Czech philosopher and art theorist Petr Rezek investigates the phenomenology of Body art and the resulting issues of aesthetic boundaries and the intersection of art object and “real reality.” The principal focus of the study is the sculpture of George Segal.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"361 - 378"},"PeriodicalIF":0.0,"publicationDate":"2021-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876828","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47253475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-16DOI: 10.1080/17561310.2020.1876830
T. Yureva, C. Lodder
Abstract Based on her reading of the survey of Pop Art, edited by Lucy Lippard (1966) and the Time-Life book American Painting 1900 − 1970 (1971), the Soviet art historian Tatyana Yureva analyzes US Pop art, seeing in it a perfectly comprehensible movement of 1960s postmodernism, emerging from the local political culture with its own precise rules and well-defined creative aspirations. Although firmly grounded on a Marxist analysis, her account served to introduce US Pop art to the Soviet Russian public and confirmed the broadening interests of the Russian readers on the eve of perestroika.
{"title":"Pop Art and Anglo-American Art Criticism: Against Bourgeois Propaganda in the Sphere of Art","authors":"T. Yureva, C. Lodder","doi":"10.1080/17561310.2020.1876830","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876830","url":null,"abstract":"Abstract Based on her reading of the survey of Pop Art, edited by Lucy Lippard (1966) and the Time-Life book American Painting 1900 − 1970 (1971), the Soviet art historian Tatyana Yureva analyzes US Pop art, seeing in it a perfectly comprehensible movement of 1960s postmodernism, emerging from the local political culture with its own precise rules and well-defined creative aspirations. Although firmly grounded on a Marxist analysis, her account served to introduce US Pop art to the Soviet Russian public and confirmed the broadening interests of the Russian readers on the eve of perestroika.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"385 - 396"},"PeriodicalIF":0.0,"publicationDate":"2021-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876830","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41715573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-15DOI: 10.1080/17561310.2020.1876816
T. Trini, L. Byatt
Abstract This text addresses the reception in Italy of American Post-minimalist experiments such as Earth art, Antiform, and Process Art. Trini describes the Earthworks by Walter De Maria, Claes Oldenburg, Robert Smithson, Dennis Oppenheim, Robert Morris, Michael Heizer, and the exhibition Earthworks, held at Virginia Dwan Gallery, New York, 1968.
摘要本文介绍了美国后极简主义实验在意大利的接受情况,如地球艺术、Antiform和过程艺术。Trini描述了Walter De Maria、Claes Oldenburg、Robert Smithson、Dennis Oppenheim、Robert Morris、Michael Heizer的地球作品,以及1968年在纽约弗吉尼亚Dwan画廊举行的地球作品展览。
{"title":"Imagination conquers the Earth","authors":"T. Trini, L. Byatt","doi":"10.1080/17561310.2020.1876816","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876816","url":null,"abstract":"Abstract This text addresses the reception in Italy of American Post-minimalist experiments such as Earth art, Antiform, and Process Art. Trini describes the Earthworks by Walter De Maria, Claes Oldenburg, Robert Smithson, Dennis Oppenheim, Robert Morris, Michael Heizer, and the exhibition Earthworks, held at Virginia Dwan Gallery, New York, 1968.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"309 - 313"},"PeriodicalIF":0.0,"publicationDate":"2021-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876816","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47645212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-15DOI: 10.1080/17561310.2020.1876823
I. Mereuţă, Jozefína Komporaly
Abstract A short review of an exhibition of contemporary US posters held at the American Library, Bucharest, in 1975. The works on display are praised by the author, Iulian Mereuţă, both for their innovate qualities and technical accomplishment.
{"title":"The American Poster","authors":"I. Mereuţă, Jozefína Komporaly","doi":"10.1080/17561310.2020.1876823","DOIUrl":"https://doi.org/10.1080/17561310.2020.1876823","url":null,"abstract":"Abstract A short review of an exhibition of contemporary US posters held at the American Library, Bucharest, in 1975. The works on display are praised by the author, Iulian Mereuţă, both for their innovate qualities and technical accomplishment.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"341 - 344"},"PeriodicalIF":0.0,"publicationDate":"2021-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876823","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44500891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.1080/17561310.2020.1899430
J. Lee
Abstract Lee Jung-Seob (1916–1956) cultivated his artistic talent in the dynamic and progressive environment of Pyongyang and Tokyo during the Japanese colonial period (1910–45), presenting expressionistic paintings of bulls, experimental tinfoil drawings, and playful illustrations, filled with animistic symbolism and Surrealist local style. He always yearned to paint a large-scale masterpiece like a mural but could not achieve this goal in the turmoil of the Korean War (1950–53) and its aftermath. This paper explores the seeds and traces of Lee’s unfulfilled desire to create a monumental mural painting in the context of global art in modern Korea.
{"title":"Excavating the Mural of Paradise by Lee Jung-Seob","authors":"J. Lee","doi":"10.1080/17561310.2020.1899430","DOIUrl":"https://doi.org/10.1080/17561310.2020.1899430","url":null,"abstract":"Abstract Lee Jung-Seob (1916–1956) cultivated his artistic talent in the dynamic and progressive environment of Pyongyang and Tokyo during the Japanese colonial period (1910–45), presenting expressionistic paintings of bulls, experimental tinfoil drawings, and playful illustrations, filled with animistic symbolism and Surrealist local style. He always yearned to paint a large-scale masterpiece like a mural but could not achieve this goal in the turmoil of the Korean War (1950–53) and its aftermath. This paper explores the seeds and traces of Lee’s unfulfilled desire to create a monumental mural painting in the context of global art in modern Korea.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"469 - 488"},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1899430","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43811010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}