Le recueil Carnet Ocre de Louise Dupre, poete, romanciere, dramaturge quebecoise, et d'Anouk Van Renterghem, artiste bruxelloise, travaille sur l'experience personnelle de la recherche d'une voix poetique et creatrice enracinee au cœur de la « Terre-Ocre ». Ce recueil se distingue par l'incorporation de l'univers textuel et graphique. Chaque poeme est accompagne d'un pastel sec enrichissant et completant le texte poetique. Nous nous interessons aux strategies artistiques assurant les correspondances, les analogies et l'union de ces deux composantes principales - texte et image, dont l'ensemble fonde l'imaginaire texto-scriptural. Notre approche des « poemes-pastels » de Louise Dupre et d'Anouk Van Renterghem est essentiellement thematique/symbolique (cf. l'instance de l'imagination), tout en s'appuyant sur les outils d'analyse semantique (cf. la theorie de la mediation), musicale (cf. les effets musicaux prosodiques) et artistique (cf. la theorie du cercle chromatique, la theorie additive et soustractive des moyens artistiques). Cette etude nous a aidee a comprendre le processus de la naissance, de l'affirmation et de la renaissance de la grande voix du sujet lyrique.
魁北克诗人、小说家和剧作家路易丝·杜普雷（Louise Dupre）和布鲁塞尔艺术家阿努克·范·伦特格姆（Anouk Van Renterghem）的《卡内特·奥克雷》（Carnet Ocre）系列致力于寻找植根于“土赭石”核心的诗意和创造性声音的个人经历。本系列的特点是结合了文本和图形世界。每首诗都伴随着一种干燥的粉彩，丰富和补充了诗意文本。我们对艺术策略感兴趣，确保这两个主要组成部分——文本和图像——的对应、类比和结合，它们共同构成了文本和圣经想象的基础。我们对路易丝·杜普雷（Louise Dupre）和阿努克·范·伦特格姆（Anouk van Renterghem）的“粉彩诗”的方法基本上是主题/象征性的（参见想象的实例），同时依赖于语义分析工具（参见介导理论）、音乐分析工具（参见韵律音乐效果）和艺术分析工具。这项研究帮助我们理解了抒情主题伟大声音的诞生、肯定和重生过程。
{"title":"Poem - Text and/or Image: Louise Dupré and Anouk Van Renterghem","authors":"Hana Rozlozsniková","doi":"10.5507/RO.2020.020","DOIUrl":"https://doi.org/10.5507/RO.2020.020","url":null,"abstract":"Le recueil Carnet Ocre de Louise Dupre, poete, romanciere, dramaturge quebecoise, et d'Anouk Van Renterghem, artiste bruxelloise, travaille sur l'experience personnelle de la recherche d'une voix poetique et creatrice enracinee au cœur de la « Terre-Ocre ». Ce recueil se distingue par l'incorporation de l'univers textuel et graphique. Chaque poeme est accompagne d'un pastel sec enrichissant et completant le texte poetique. Nous nous interessons aux strategies artistiques assurant les correspondances, les analogies et l'union de ces deux composantes principales - texte et image, dont l'ensemble fonde l'imaginaire texto-scriptural. Notre approche des « poemes-pastels » de Louise Dupre et d'Anouk Van Renterghem est essentiellement thematique/symbolique (cf. l'instance de l'imagination), tout en s'appuyant sur les outils d'analyse semantique (cf. la theorie de la mediation), musicale (cf. les effets musicaux prosodiques) et artistique (cf. la theorie du cercle chromatique, la theorie additive et soustractive des moyens artistiques). Cette etude nous a aidee a comprendre le processus de la naissance, de l'affirmation et de la renaissance de la grande voix du sujet lyrique.","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43830097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A partire dalla Divina Mimesis, pubblicata postuma ma iniziata nel 1963, Pasolini cerca un diverso approccio alla letteratura, rifiutando il valore convenzionale del narratore per cercare un contatto piu diretto fra autore e lettore. Come emerge anche in Teorema e soprattutto in Petrolio, l'autorialita pasoliniana assume i caratteri di un «narratore in carne ed ossa», che non non si limiti a proporre una «macchina narrativa che funziona da sola nell'immaginazione del lettore», ma diventi un punto di riferimento concreto per un dialogo reale. Data l'abbondanza dei materiali pasoliniani, sulla scorta di quella «conoscenza per citazioni» cara a Benjamin, si e cercato di lasciar parlare soprattutto l'autore, relegando l'apporto critico al commento dei brani citati. Dall'analisi delle ultime opere narrative di Pasolini, emerge la chiara volonta di rinnovare il proprio stile narrativo non tanto in funzione estetica, ma piuttosto etica: Pasolini anzi abbandona la mimesi socioculturale del discorso libero indiretto, tipica della produzione precedente, per dare maggior spessore alla figura del se, che mentre si atteggia a narratore non cessa di essere Pier Paolo Pasolini. La via tracciata da Pasolini, sostanzialmente antisperimentale e antipoetica, se ha certo portato il suo messaggio ai vertici provocatori e comunicativi degli ultimi anni di vita, non sembra aver avuto molti sostenitori. Gli scrittori italiani si sono semmai accodati allo stile calviniano, tanto elegante e piacevole, quanto tendenzialmente astratto e in fuga dalla realta. Forse solo Saviano ha saputo riproporre, almeno in Gomorra, il «narratore in carne ed ossa» pasoliniano.
{"title":"The \"narrauthor\" of the final works of Pier Paolo Pasolini","authors":"L. Lagazzi","doi":"10.5507/RO.2020.018","DOIUrl":"https://doi.org/10.5507/RO.2020.018","url":null,"abstract":"A partire dalla Divina Mimesis, pubblicata postuma ma iniziata nel 1963, Pasolini cerca un diverso approccio alla letteratura, rifiutando il valore convenzionale del narratore per cercare un contatto piu diretto fra autore e lettore. Come emerge anche in Teorema e soprattutto in Petrolio, l'autorialita pasoliniana assume i caratteri di un «narratore in carne ed ossa», che non non si limiti a proporre una «macchina narrativa che funziona da sola nell'immaginazione del lettore», ma diventi un punto di riferimento concreto per un dialogo reale. Data l'abbondanza dei materiali pasoliniani, sulla scorta di quella «conoscenza per citazioni» cara a Benjamin, si e cercato di lasciar parlare soprattutto l'autore, relegando l'apporto critico al commento dei brani citati. Dall'analisi delle ultime opere narrative di Pasolini, emerge la chiara volonta di rinnovare il proprio stile narrativo non tanto in funzione estetica, ma piuttosto etica: Pasolini anzi abbandona la mimesi socioculturale del discorso libero indiretto, tipica della produzione precedente, per dare maggior spessore alla figura del se, che mentre si atteggia a narratore non cessa di essere Pier Paolo Pasolini. La via tracciata da Pasolini, sostanzialmente antisperimentale e antipoetica, se ha certo portato il suo messaggio ai vertici provocatori e comunicativi degli ultimi anni di vita, non sembra aver avuto molti sostenitori. Gli scrittori italiani si sono semmai accodati allo stile calviniano, tanto elegante e piacevole, quanto tendenzialmente astratto e in fuga dalla realta. Forse solo Saviano ha saputo riproporre, almeno in Gomorra, il «narratore in carne ed ossa» pasoliniano.","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48701190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Calle-Gruber, Mireille (2018), Pascal Quignard ou Les leçons de ténèbres de la littérature","authors":"Jiřina Matoušková","doi":"10.5507/RO.2020.023","DOIUrl":"https://doi.org/10.5507/RO.2020.023","url":null,"abstract":"","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48246302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bakešová, Václava (2019), Prostor a jeho obývání. Zobrazení prostoru v díle Marie Noëlové, Suzanne Renaudové, Christiane Singerové a Sylvie Germainové","authors":"Marie Voždová","doi":"10.5507/RO.2020.022","DOIUrl":"https://doi.org/10.5507/RO.2020.022","url":null,"abstract":"","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45482612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L'article intenta aprofundir en el tema dels evidencials catalans pel que sembla i segons (que) sembla i examinar les seves possibles funcions pragmatiques atenuants en el discurs. Preten trobar respostes relacionades amb l'orientacio pragmatica de l'atenuacio de les formes estudiades, amb la seva frequencia en usos escrits i orals i amb la interrelacio entre l'atenuacio i les evidencies reportatives o inferencials. L'analisi estudia mostres procedents de diversos generes a base de les quals es preten esbrinar quina es la missio atenuant dels evidencials en questio. D'una banda es fan servir converses orals tant formals com informals i, d'altra banda, s'empren enunciats que provenen de textos periodistics i de textos literaris. Tots els exemples analitzats, evidentment, son portadors del significat nuclear que es refereix a la font d'informacio que es comunica. En els contextos en els qual hi ha una potencial amenaca de les imatges personals dels parlants, el caracter evidencial de les particules discursives estudiades redueix la responsabilitat de l'emissor pel que fa al contingut del missatge que emet i aquest us es relaciona amb el fenomen de l'atenuacio linguistica. L'us de les particules estudiades es productiu sobretot en el llenguatge escrit i, a mes, sembla extraordinariament fructifer en textos cientifics i periodistics. A base de les conclusions del treball podem constatar que tant els usos reportatius com els inferencials, d'acord amb el context, es poden relacionar amb la funcio atenuant dels evidencials.
{"title":"The reducing value of the evidential particles \"pel que sembla\" and \"segons (que) sembla\" in contemporary Catalan","authors":"Lucie Rossowová","doi":"10.5507/RO.2020.014","DOIUrl":"https://doi.org/10.5507/RO.2020.014","url":null,"abstract":"L'article intenta aprofundir en el tema dels evidencials catalans pel que sembla i segons (que) sembla i examinar les seves possibles funcions pragmatiques atenuants en el discurs. Preten trobar respostes relacionades amb l'orientacio pragmatica de l'atenuacio de les formes estudiades, amb la seva frequencia en usos escrits i orals i amb la interrelacio entre l'atenuacio i les evidencies reportatives o inferencials. L'analisi estudia mostres procedents de diversos generes a base de les quals es preten esbrinar quina es la missio atenuant dels evidencials en questio. D'una banda es fan servir converses orals tant formals com informals i, d'altra banda, s'empren enunciats que provenen de textos periodistics i de textos literaris. Tots els exemples analitzats, evidentment, son portadors del significat nuclear que es refereix a la font d'informacio que es comunica. En els contextos en els qual hi ha una potencial amenaca de les imatges personals dels parlants, el caracter evidencial de les particules discursives estudiades redueix la responsabilitat de l'emissor pel que fa al contingut del missatge que emet i aquest us es relaciona amb el fenomen de l'atenuacio linguistica. L'us de les particules estudiades es productiu sobretot en el llenguatge escrit i, a mes, sembla extraordinariament fructifer en textos cientifics i periodistics. A base de les conclusions del treball podem constatar que tant els usos reportatius com els inferencials, d'acord amb el context, es poden relacionar amb la funcio atenuant dels evidencials.","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46716829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Noël, Marie - Mugnier, Abbé (2017), J'ai bien souvent de la peine avec Dieu. Correspondance","authors":"Jan Zatloukal","doi":"10.5507/RO.2020.025","DOIUrl":"https://doi.org/10.5507/RO.2020.025","url":null,"abstract":"","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45945802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Traumwissen und Traumpoetik von Dante bis Descartes","authors":"","doi":"10.14220/9783737012331","DOIUrl":"https://doi.org/10.14220/9783737012331","url":null,"abstract":"","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":"83 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77622397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Construction Grammar has brought about a significant change in the understanding of the phenomenon of idiomaticity by means of one of the major tenets of constructionist approaches, the notion of “grammatical construction”. As form-meaning pairings, such a notion allows the language to be understood as a continuum of idiomaticity. This study aims to apply the basic notions of Construction Grammar to explain the creative use of the comparative construction [ADJ com Y] used in the novel La plaça del Diamant. From the unifying approach of form and meaning of idiomatic expressions a sample of comparative constructions used by the Catalan writer is analysed by means of a corpus and phraseological dictionaries as tools which help us give a detailed panorama of speakers’ use of language. This study hence highlights the fine line between what is common and what is lexicalized, and the creative use of the idiomatic intensifying comparative construction. This line would correspond to the dynamic lexicon-grammar continuum. A detailed analysis of many constructions demonstrates that it is a highly productive construction, and such creativity is perfectly suited to the notion of entrenchment, which explains the modifications of phraseological units, as well as the creation of new ones.
{"title":"Comparisons and its variations in La plaça del Diamant from a Construction Grammar approach: between usage and creativity","authors":"Pedro Ivorra Ordines","doi":"10.5507/ro.2020.004","DOIUrl":"https://doi.org/10.5507/ro.2020.004","url":null,"abstract":"Construction Grammar has brought about a significant change in the understanding of the phenomenon of idiomaticity by means of one of the major tenets of constructionist approaches, the notion of “grammatical construction”. As form-meaning pairings, such a notion allows the language to be understood as a continuum of idiomaticity. This study aims to apply the basic notions of Construction Grammar to explain the creative use of the comparative construction [ADJ com Y] used in the novel La plaça del Diamant. From the unifying approach of form and meaning of idiomatic expressions a sample of comparative constructions used by the Catalan writer is analysed by means of a corpus and phraseological dictionaries as tools which help us give a detailed panorama of speakers’ use of language. This study hence highlights the fine line between what is common and what is lexicalized, and the creative use of the idiomatic intensifying comparative construction. This line would correspond to the dynamic lexicon-grammar continuum. A detailed analysis of many constructions demonstrates that it is a highly productive construction, and such creativity is perfectly suited to the notion of entrenchment, which explains the modifications of phraseological units, as well as the creation of new ones.","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this paper is to integrate the precepts of Construction Grammar into phraseology, for which a holistic description of the Spanish constructional idiom [a todo + INF] is provided. Constructional idioms are constructional patterns composed of certain fixed constituents and others that, although free slots, are subject to certain restrictions in terms of their combinations. The inductive methodology used to analyse these constructions is based on the assumption that frequency of use favours the creation of combinatory patterns, so that the analysis is carried out using data collected in various reference corpora, including the Spanish corpus of the TenTen family, available through the Sketch Engine program, Sketch Engine Spanish Web 2018. Such an analysis includes: the justification of its phraseological character, confirming its high degree of fixation, both formal and cognitive (entrenchment); a description of its meaning, whose core is intensification; a description of the types of verbs that prototypically fill the free slot, which mostly designate durative rather than delimited events, and the possibility of its integration into other constructions. This study confirms that an approach that encompasses both formal features and semantic and pragmatic ones and that bases the analysis on data extracted from large corpora offers more homogeneous, exhaustive, and convincing characterizations of constructional idioms, which have often been considered only from a formal perspective.
本文的目的是将构式语法的规则整合到短语学中，为西班牙构式成语[a todo + INF]提供了一个整体的描述。构式习语是由某些固定成分和其他成分组成的构式模式，尽管这些成分是自由的，但它们的组合受到一定的限制。用于分析这些结构的归纳方法是基于使用频率有利于创建组合模式的假设，因此使用从各种参考语料库中收集的数据进行分析，包括TenTen家族的西班牙语语料库，可通过Sketch Engine程序，Sketch Engine Spanish Web 2018获得。这种分析包括:对其措辞特征的论证，确认其形式和认知的高度固定(壕沟);对其意义的描述，其核心是强化;描述典型的填充空闲槽的动词类型，这些类型大多表示持续而不是限定的事件，以及它与其他结构整合的可能性。这项研究证实，一种既包含形式特征，又包含语义和语用特征的方法，并以从大型语料库中提取的数据为基础进行分析，可以提供更均匀、详尽和令人信服的构式习语特征，而这些特征通常只从形式角度考虑。
{"title":"[A todo + INF]: speed and intensification in a Spanish constructional idiom","authors":"Belén López Meirama","doi":"10.5507/ro.2020.005","DOIUrl":"https://doi.org/10.5507/ro.2020.005","url":null,"abstract":"The aim of this paper is to integrate the precepts of Construction Grammar into phraseology, for which a holistic description of the Spanish constructional idiom [a todo + INF] is provided. Constructional idioms are constructional patterns composed of certain fixed constituents and others that, although free slots, are subject to certain restrictions in terms of their combinations. The inductive methodology used to analyse these constructions is based on the assumption that frequency of use favours the creation of combinatory patterns, so that the analysis is carried out using data collected in various reference corpora, including the Spanish corpus of the TenTen family, available through the Sketch Engine program, Sketch Engine Spanish Web 2018. Such an analysis includes: the justification of its phraseological character, confirming its high degree of fixation, both formal and cognitive (entrenchment); a description of its meaning, whose core is intensification; a description of the types of verbs that prototypically fill the free slot, which mostly designate durative rather than delimited events, and the possibility of its integration into other constructions. This study confirms that an approach that encompasses both formal features and semantic and pragmatic ones and that bases the analysis on data extracted from large corpora offers more homogeneous, exhaustive, and convincing characterizations of constructional idioms, which have often been considered only from a formal perspective.","PeriodicalId":53749,"journal":{"name":"Romanica Olomucensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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