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Οἱ καλούμενοι ἁρμονικοί: The predecessors of Aristoxenus 所谓的和声:亚里士多德的训诫
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1978-01-01 DOI: 10.1017/S0068673500003990
Andrew Barker
A cursory glance at the reports of the later students of harmonic theory is enough to give a clear if perhaps artificially systematic picture of the character and relations of the major conflicting schools of thought in the first century or so A.D. In the centre of the field are the supposed followers of Aristoxenus, lined up against the forces of the so-called Pythagoreans. Each side is linked with a more or less lunatic fringe; to the right of the Pythagoreans those mathematical extremists who find no place in harmonic studies for αἴσθησις at all, and to the left of the more empirical Aristoxeneans a collection of persons known as ὀργανικοί, whose work, whatever it was, is based wholly in perception and in familiarity with the properties of musical instruments, and who find no place for theory or for the pursuit of the αἰτίαι of harmonic truths.
粗略地看一下后来研究和声论的学者们的报告,就足以清楚地(也许是人为地、系统地)描绘出公元一世纪前后各主要思想流派的特点和相互关系。在这一领域的中心,是所谓的阿里斯托克斯努斯的追随者,他们与所谓的毕达哥拉斯派的势力站在一起。每一方都或多或少地与极端分子联系在一起;在毕达哥拉斯学派的右边,是那些数学上的极端分子,他们在关于αι σθησις的和声研究中根本找不到立足之处;在比较经验主义的亚里士多德学派的左边,是一群被称为ργανικοί ί σ σθησις的人,他们的工作,不管它是什么,完全建立在感知和对乐器特性的熟悉之上,他们找不到理论的立足之处,也找不到对αι τ αι谐真理的追求。
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引用次数: 2
Wretched tales of poets: Euripides, Heracles 1340-6 诗人的悲惨故事:欧里庇得斯,赫拉克勒斯,1340- 136
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1978-01-01 DOI: 10.1017/S0068673500004004
A. Brown
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引用次数: 6
Notes on the text of Catullus 卡图卢斯的注释
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1978-01-01 DOI: 10.1017/S0068673500004053
R. Nisbet
The text of Catullus is notoriously corrupt, and though much has been healed, something remains to be done. An article may still be useful if it encourages scepticism and speculation. I have found Baehrens the best commentator for this particular purpose; for information about the manuscripts I rely on Mynors. The text printed is that of V where I wish to discuss it, but it is sometimes silently altered where I do not. Textual variants are mentioned only where they are relevant to the argument.
《卡图卢斯》的文本是出了名的腐败,尽管很多已经被治愈了,但仍有一些事情要做。如果一篇文章鼓励怀疑和猜测,它可能仍然是有用的。我发现,在这个问题上,贝伦斯是最好的评论员;关于手稿的信息,我依靠迈诺斯。印刷的文本是我希望讨论的V,但有时在我不希望讨论的地方会被默默地修改。文本变体只在与论证相关的地方被提及。
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引用次数: 8
Timon of Phlius: Pyrrhonist and satirist 菲利乌斯的丁满:皮洛斯主义者和讽刺作家
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1978-01-01 DOI: 10.1017/S0068673500004041
A. Long
The twentieth century has been so begrudging to Timon of Phlius that he could be forgiven for identifying himself with his misanthropic namesake. About a hundred and fifty of his ‘glanzenden Sillen’ (the phrase is Wilamowitz's) survive, but in Albin Lesky's Geschichte der griechischen Literatur Timon gets only a third of the space devoted to Anaximander from whom we possess one possible sentence. Serious work on Timon largely came to a stop with Hermann Diels who edited the fragments and testimonia in Poetarum philosophorum fragmenta (Berlin, 1901), a book which is as difficult to come by as the older and much fuller study of Timon by C. Wachsmuth in Sillographorum Graecorum reliquiae (Leipzig, 1885). In spite of his skilful parody of Homer and his Aristophanic versatility in language (some sixty neologisms, many of them comic formations, occur in the fragments), Timon has been ignored by those who give such generous attention to Hellenistic poetry. Many fragments raise at least one major textual difficulty. A new edition and literary study of the material is badly needed.
20世纪对菲利乌斯的丁满(Timon of Phlius)如此不情不愿,以至于他将自己与这位厌世的同名人物等同起来,这是可以原谅的。他的“glanzenden Sillen”(这个短语是Wilamowitz的)大约有150篇流传下来,但在阿尔宾·莱斯基的《文学史》中,Timon只占了阿那克西曼德的三分之一,我们从他那里得到了一个可能的句子。关于丁满的严肃研究在赫尔曼·迪尔斯(Hermann Diels)编辑了《Poetarum philosophorum fragmenta》(柏林,1901年)中的片段和证据后基本上停止了,这本书和C. Wachsmuth在《希腊遗志》(Leipzig, 1885年)中对丁满的更古老、更全面的研究一样难以获得。尽管丁满对荷马的巧妙模仿和他的阿里斯托芬式的语言多样性(大约60个新词,其中许多是喜剧形式,出现在碎片中),但那些对希腊诗歌给予如此慷慨关注的人却忽视了他。许多片段至少造成了一个主要的文本困难。迫切需要对这些材料进行新的版本和文学研究。
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引用次数: 24
Aeneas and the twins: the development of the Roman foundation legend 埃涅阿斯和双胞胎:罗马奠基传说的发展
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1975-01-01 DOI: 10.1017/S0068673500003667
T. Cornell
It is often observed that the familiar story of the origins of Rome appears to combine two distinct and incompatible legends: that of Aeneas, and that of Romulus and Remus. The first of these was in origin a development of a Greek story, with its roots in the epic tradition. Aeneas, the son of Venus and Anchises, escaped from Troy with his family and friends and after a series of adventures arrived in Italy where he founded Rome. The other story, that of Romulus and Remus, was localised in Latium. Romulus and Remus were the twin sons of the god Mars and Rea Silvia, daughter of a king of Alba Longa. On the orders of their grandfather they were cast into the Tiber. The river happened to be in flood, and when the waters receded the boat containing the infants was left high and dry at the foot of the Palatine, under a fig tree later known as the ficus Ruminalis . There they were suckled by a she-wolf, whose den was the near-by cave of the Lupercal . Rescued by shepherds, the boys grew up and after the death of Remus in suspicious circumstances Romulus founded a city on the Palatine, where his original dwelling, the casa Romuli , was preserved in later times.
人们经常观察到,关于罗马起源的熟悉故事似乎结合了两个截然不同且互不相容的传说:埃涅阿斯的传说,以及罗穆卢斯和雷穆斯的传说。第一个故事的起源是希腊故事的发展,其根源是史诗传统。埃涅阿斯,维纳斯和安奇塞斯的儿子,和他的家人和朋友逃离特洛伊,经过一系列的冒险到达意大利,并在那里建立了罗马。另一个故事,关于罗穆卢斯和雷穆斯的故事,则发生在拉提姆。罗穆卢斯和雷穆斯是马尔斯神和阿尔巴隆加国王的女儿雷亚·西尔维亚的双胞胎儿子。按照他们祖父的命令,他们被扔进台伯河。当时河水正发着洪水,当洪水退去时,载着婴儿的小船被高高挂在帕拉蒂尼山脚下的一棵无花果树下,这棵无花果树后来被称为无花果树。在那里,他们被一只母狼哺乳,母狼的巢穴是附近的狼穴。在牧羊人的救助下,男孩们长大了。雷穆斯在可疑的情况下去世后,罗穆卢斯在帕拉廷建立了一座城市,他原来的住所罗穆里之家后来被保存了下来。
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引用次数: 37
Aristotle the metic 亚里士多德
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1975-01-01 DOI: 10.1017/S0068673500003734
D. Whitehead
‘Le fondateur du Lycee etait a Athenes un meteque; cette position marginale est pour quelque chose dans son detachement et sa lucidite.’ Thus a recent and stimulating commentary upon the economic and social structure of Greek society, in a formulation of the obvious difference between Plato's participation in and Aristotle's observation of contemporary political phenomena. In one area, however, it was Aristotle rather than Plato whose experience was the more direct – that of life, over a prolonged period, as a resident alien. In this brief παίγνιον I shall pursue the Aristotelian side of this contrast along three paths: ( a ) Aristotle's exact juristic status in Athens; ( b ) the feelings aroused by his presence there; and ( c ) what he himself has to say on the subject of metics and foreigners. I advise the reader to derive what satisfaction he may from the journeys themselves, for no startling revelations await him ἐν τριπλαἴς ἁμαξιτοῖς.
Le fondateur du Lycee etait a Athenes unmeteque;小白的位置边缘倒了一层,选择了小白的分离层。这是一篇关于希腊社会经济和社会结构的最新的、令人振奋的评论,它阐述了柏拉图对当代政治现象的参与和亚里士多德对当代政治现象的观察之间的明显区别。然而,在某一方面,亚里士多德比柏拉图的经验更直接——在很长一段时间里,作为一个外来居民的生活。在这段简短的πα末梢- γνιον中,我将沿着三条路径探讨这种对比的亚里士多德方面:(a)亚里士多德在雅典的确切法律地位;(b)由于他在场而引起的感情;(c)他自己对犹太人和外国人的看法。我建议读者尽量从这些旅程中得到满足,因为没有什么惊人的启示在等着他:ν τριπλα ι ς ν μαξιτο ο ς。
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引用次数: 32
Polonius, Seneca and the Elizabethans 波洛尼乌斯,塞内加和伊丽莎白时代
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1975-01-01 DOI: 10.1017/S0068673500003679
C. D. N. Costa
It is always a useful opening to say what one is not going to talk about, so I shall start by saying that I am not going to talk about the influence of Seneca on Elizabethan tragedy. That is a topic which during the last couple of generations has probably suffered from over-exposure, and the pendulum has now swung from excessive claims for Senecan influence (ghosts, blood-and-thunder, the whole apparatus of the ‘Revenge’ play, and so forth) to the other extreme of allowing perhaps too little of Seneca in sixteenth-century tragedy – not even as much as the rhetorical features for which it seems to me he is clearly responsible. So perhaps we can give this topic a rest – a lot of books and articles have been written about it anyway. What I want to do is to explore some sixteenth-century critical attitudes to Seneca – mainly his tragedies, but his prose works will come into it as well. We shall see, I think, some interesting preoccupations which a wide-ranging and intelligent number of scholars had in what they said about Seneca – in particular, his style – and this will lead to a consideration of Polonius' well-known remark to the players in Hamlet (II. 2. 392 ff.): ‘Seneca cannot be too heavy nor Plautus too light’, and the question what precisely he meant by ‘heavy’. In doing this we shall not simply be burrowing into a rather dusty and recherche corner of literary criticism, but I think we shall be able to throw some light on wider aspects of Renaissance poetic and dramatic theory, which I am certainly not competent to discuss in detail; but I may stimulate somebody else to go further than I have done.
说些不想说的总是一个有用的开场白,所以我首先要说,我不打算谈论塞内加对伊丽莎白悲剧的影响。在过去的几代人里,这个话题可能受到了过度的关注,现在,钟摆已经从过度主张塞内加的影响(鬼魂,血腥和雷鸣,“复仇”戏剧的整个装置,等等)摇摆到另一个极端,即在16世纪的悲剧中,塞内加的影响可能太少——甚至没有他明显应该负责的修辞特征那么多。所以也许我们可以让这个话题休息一下——反正已经有很多关于它的书籍和文章了。我想做的是探索一些十六世纪对塞内加的批评态度,主要是他的悲剧,但他的散文作品也会涉及到。我认为,我们将看到一些有趣的关注,这是广泛而聪明的学者在谈论塞内加时,特别是他的风格时所关注的,这将导致我们考虑波洛尼尔斯对哈姆雷特(2)中演员的著名评论。2. “塞内加不能太重,普劳图斯也不能太轻”,以及他所说的“重”究竟是什么意思。这样做,我们就不会简单地钻到文学批评的一个相当陈旧和研究的角落里,但我认为我们将能够对文艺复兴时期诗歌和戏剧理论的更广泛方面有所了解,我当然没有能力详细讨论;但我可能会激励别人走得比我更远。
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引用次数: 2
A New Text from Asia Minor 来自小亚细亚的新文本
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1963-01-01 DOI: 10.1017/S1750270500001354
J. Reynolds
By courtesy of the owner, I publish a standard weight found in Asia Minor and now in the Collection Breusch. It is a hexagonal plaque of lead, pierced at one angle for suspension by a cord, of maximum width 0·16 m. and weight 2·6 kg. Both faces are inscribed with letters in relief, within a raised border. On face ( a ) the letters are above and on either side of a relief showing the bust of a curly-headed man facing right and carrying a caduceus over his left shoulder—certainly Hermes Agoraios, patron of the market-place. The inscription on face ( b ) is upside down to that on face ( a ). Face ( a ). Letters, c. 0·012; (See Plate I.) The final is badly formed and looks more like
受主人之托,我出版了一件在小亚细亚发现的标准砝码,现在已收录在收藏册中。它是一个六角形的铅匾,以一个角度刺穿,用绳索悬挂,最大宽度为0.16米,重量为2.6公斤。在凸起的边界内,两面都刻有浮雕字母。在(a)面,字母位于浮雕的上方和两侧,浮雕上是一个卷发男子的半身像,面朝右,左肩扛着一柄剑——肯定是赫尔墨斯·阿戈莱奥斯,市场的守护神。(b)面上的铭文与(a)面上的铭文是颠倒的。面(a)。字母,约0.012;(见板块一)最后的形状很糟糕,看起来更像
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引用次数: 0
Eunuchs in Politics in the Later Roman Empire 后罗马帝国的宦官政治
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1963-01-01 DOI: 10.1017/S1750270500001408
Keith W. Hopkins
Why Eunuchs? Primarily because they were important. No-one who has waded through the church histories of the fourth and fifth centuries or the numerous later Byzantine chronicles, or those lives of the saints which touch upon court life, can have failed to be struck by die frequent imputation that, in the Eastern Empire especially, the real power lay in the hands not of the emperor nor of his aristocrats, but of his chief eunuch; or alternatively that the corps of eunuchs as a group wielded considerable if not predominant power at court. Yet the eunuchs were barbarians by birth and slaves into the bargain. The purpose of this paper is to explain why eunuchs held so much power in the imperial and aristocratic society of Eastern Rome, to put this power in the context of the socio-political developments of the later Empire, and to analyse some of the social functions of this power. Yet here, right at the beginning, the objection might be raised that we are faced with nothing but a problem in historiography. Eunuchs might have been to Byzantine historians nothing more than women and gods were to Herodotus, convenient personal pegs to hang historical causes on.
为什么是太监?主要是因为他们很重要。凡是涉猎过四、五世纪的教会史或后来大量的拜占庭编年史,或那些涉及宫廷生活的圣徒生平的人,都不会不被一种经常出现的指责所震惊,这种指责尤其在东罗马帝国,实权不在皇帝或他的贵族手中,而在他的首席太监手中;或者,宦官作为一个群体在宫廷中拥有相当大的权力。然而,太监生来就是野蛮人,也是奴隶。本文的目的是解释为什么宦官在东罗马帝国和贵族社会中拥有如此多的权力,并将这种权力置于后期帝国社会政治发展的背景下,并分析这种权力的一些社会功能。然而,在这里,就在一开始,可能会提出反对意见,我们面临的只是一个历史编纂的问题。太监之于拜占庭历史学家,可能就像女人和神之于希罗多德一样,是方便的个人挂钩,用来把历史原因挂在上面。
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引用次数: 46
An Unpublished Funeral Oration on Anna Comnena 未发表的安娜·科米纳葬礼致辞
IF 0.2 3区 历史学 0 CLASSICS Pub Date : 1962-01-01 DOI: 10.1017/S0068673500005290
R. Browning
The Byzantinist has one advantage over the student of classical antiquity—unless the latter happens to be a papyrologist. With a little diligence and a minimum of good luck he can easily unearth unpublished texts and find himself producing an editio princeps . And however often one has turned over the leaves of a manuscript and laboriously read words which have remained unread for perhaps five centuries or more, it never loses its thrill. Yet one must admit that the advantage is less than it seems. The classical scholar's texts are usually worth reading from some point of view, while what the Byzantinist finds is so often empty rhetorical verbiage. Byzantine funeral orations are notorious for their lack of information on the life of the deceased. Yet they never tell us absolutely nothing if we read them alertly, and they are sometimes remarkably informative on the ideas and values of the times. When the subject is a major figure of medieval Greek literature about the details of whose life we are very much in the dark, even the most trifling addition to our knowledge is welcome. It is this thought which encourages me to present a hitherto unknown Byzantine writer of the middle of the twelfth century—George Tornikes, Metropolitan of Ephesus—and to dwell in particular on his funeral oration on Anna Comnena.
拜占庭学者比古典学者有一个优势——除非后者恰好是纸莎草学家。只要稍加努力,再加上一点点运气,他就能轻易地发掘出未发表的文本,并发现自己正在制作一个版本的大纲。无论一个人多么频繁地翻动手稿,费力地阅读那些也许有五个多世纪未曾读过的文字,它永远不会失去它的激情。然而,我们必须承认,这种优势并没有看上去那么明显。古典学者的文本通常从某些角度来看是值得一读的,而拜占庭主义者发现的往往是空洞的修辞措辞。拜占庭式的葬礼演讲因缺乏关于死者生活的信息而臭名昭著。然而,如果我们仔细阅读,它们绝对不会告诉我们任何东西,它们有时在时代的思想和价值观方面提供了非常丰富的信息。当主题是中世纪希腊文学中的一个重要人物,关于他的生活细节我们一无所知时,即使是最微不足道的知识也会受到欢迎。正是这种想法促使我介绍12世纪中期一位迄今为止不为人知的拜占庭作家——乔治·托尼克斯,以弗所的大都会,并特别关注他对安娜·科米纳的葬礼致辞。
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引用次数: 106
期刊
Cambridge Classical Journal
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