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Contact zone: ethnohistorical notes on the relationship between kings and tribes in Middle India 接触地带:中印度国王与部落关系的民族史学笔记
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-11-30 DOI: 10.18874/AE.73.1-2.12
Burkhard Schnepel
This article discusses political and ritual aspects of indigeneity in the former jungle kingdoms of southern and northern Orissa. It will ask whether “tribal” principles of authority and sociopolitical organization do or do not differ from “royal” ones, and argue that the dichotomy, which is often taken for granted, between states and stateless societies must be questioned. In place of using this dichotomy, this article identifies a “contact zone” in which acephalous segmentary lineage societies and kingdoms existed side by side and were interconnected in mutually reinforcing ways. But how can such aggregations of two apparently different forms of political organization, with their concomitant ideologies, be understood as forming a unitary whole? How was the relationship between the royal principles of rule and authority of the Hindu kind, on the one hand, and the tribal principles of rule and authority on the other, viewed and practically pursued by the indigenous, and sometimes exegenous, actors themselves?
本文讨论了奥里萨邦南部和北部前丛林王国土著的政治和仪式方面。书中会问,权威和社会政治组织的“部落”原则是否与“王室”原则不同,并提出,必须质疑国家与无国家社会之间经常被视为理所当然的二分法。在使用这种二分法的地方,这篇文章确定了一个“接触区”,其中头类分段谱系社会和王国并排存在,并以相互加强的方式相互联系。但是,两种明显不同的政治组织形式,以及它们相伴随的意识形态,如何能被理解为形成一个统一的整体呢?一方面,印度王室的统治原则和权威,另一方面,部落的统治原则和权威,是如何被土著,有时是外来的行为者所看待和实践的?
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引用次数: 1
Ethnographies of States and Tribes in Highland Odisha (SPECIAL ISSUE : The Bison and the Horn : Indigeneity, Performance, and the State of India) 奥里萨邦高原各州和部落的民族志(特刊:野牛和角:土著,表现和印度的状态)
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-11-30 DOI: 10.18874/AE.73.1-2.13
G. Pfeffer
In this article, I introduce the discrepancies between official and ethnographic views on conditions in the highlands of the province of Odisha, the western and tribal half of the province. For tactical reasons, the colonial government joined it with the Hindu coastal zone, even though Odisha’s borders cut through several major tribal territories with millions of inhabitants. Amazingly, very little field research has been conducted in these highlands, and the major anthropological schools have almost entirely neglected them. For millennia, empires or petty kingdoms have tried in vain to subjugate the highlanders, but during the last decades major industrial ventures by national and international trusts have entered the hills. Numerous state efforts at “development” have amounted to the transformation of free cultivators with a local religion into Hindu untouchables in slums. However, most of the unique tribal social structures continue to exist, though “education,” as the major state effort, tries to undo them.
在这篇文章中,我介绍了官方和民族志对奥里萨邦高地,该省西部和部落的一半的情况的不同看法。出于战术原因,殖民政府将奥里萨邦与印度教沿海地区合并在一起,尽管奥里萨邦的边界穿过了几个拥有数百万居民的主要部落地区。令人惊讶的是,在这些高地进行的实地研究很少,而主要的人类学学校几乎完全忽视了它们。几千年来,帝国或小王国试图征服高地人都是徒劳的,但在过去的几十年里,国家和国际信托公司的主要工业企业已经进入了山区。国家在“发展”方面的无数努力,相当于把信奉当地宗教的自由耕种者变成贫民窟里的贱民——印度教。然而,大多数独特的部落社会结构继续存在,尽管“教育”作为国家的主要努力,试图消除它们。
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引用次数: 2
Dimensions of Indigeneity in Highland Odisha, India 印度奥里萨邦高地土著的维度
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-06-30 DOI: 10.18874/AE.73.1-2.03
P. Berger
This article describes and analyzes forms of indigeneity with reference to a highland community in Odisha called Gadaba. Three types of indigeneity are distinguished: indigenous indigeneity, ascribed indigeneity, and claimed indigeneity. The first concerns local sacrificial practices through which indigeneity is constructed. Significantly, this type of indigeneity is local, symmetric, relational, and the Gadaba are themselves the creators of this representation. Different forms of ascribed indigeneity, by contrast, assign indigeneity to the Gadaba unilaterally, and the relationship between those who ascribe and the Gadaba is asymmetrical and monolithic. The third type of indigeneity is as yet in a nascent state as only a few Gadaba voice an indigenous identity in the larger political field of the state, and no cultural performances are referred to nor do political organizations exist to support such a claim.
本文以奥里萨邦的高原社区加达巴为例,对土著形式进行了描述和分析。原住民族有三种类型:原住民族、归因于的原住民族和主张的原住民族。第一个是当地的祭祀习俗,通过这些习俗,土著得以形成。值得注意的是,这种类型的土著是本地的、对称的、关系的,而Gadaba本身就是这种表现形式的创造者。相比之下,不同形式的归属土著都是单方面地将土著赋予加达巴人,归属者与加达巴人之间的关系是不对称的、整体的。第三种类型的土著尚处于萌芽状态,因为只有少数嘎达巴人在国家更大的政治领域中表达了土著身份,没有文化表演被提及,也没有政治组织存在来支持这种说法。
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引用次数: 5
Tribal and Modern Voices in South Indian Kota Society (SPECIAL ISSUE : The Bison and the Horn : Indigeneity, Performance, and the State of India) 南印度哥打社会的部落和现代声音(特刊:野牛和角:土著,表演和印度的状态)
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-06-30 DOI: 10.18874/AE.73.1-2.05
R. Wolf
The Kotas number about two thousand and live on the Nilgiri plateau in South India. Kotas refer to themselves by various terms that implicate indigenous status, including “tribals,” ādivāsīs, and “mountain peoples.” Although in some situations Kotas stress their tribal status and in others they emphasize their modernity, most do not consider these to be in opposition. The ways Kotas view themselves today in relation to their forefathers, their spirits of the dead, their gods, and tribal and non-tribal others, are in various ways discernable in Kota song texts and musical styles. Analysis of performance style and texts of Kota mourning songs, devotional songs, and popular styles provides nuanced perspectives on how Kotas position themselves socially and culturally in the contemporary world.
科塔人大约有2000人,生活在印度南部的尼尔吉里高原。科塔人用各种暗示土著身份的术语来称呼自己,包括“部落”、ādivāsīs和“山区人民”。虽然在某些情况下,科塔人强调他们的部落地位,在其他情况下,他们强调他们的现代性,但大多数人并不认为这些是对立的。科塔人今天看待自己的方式与他们的祖先,死者的灵魂,他们的神,以及部落和非部落的其他人的关系,在科塔人的歌曲文本和音乐风格中以各种方式可见。对Kota哀歌、祈祷歌和流行风格的表演风格和文本的分析,为Kota在当代世界中如何定位自己的社会和文化提供了细致入微的视角。
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引用次数: 0
Guest Editors’ Introduction: "Indigeneity, Performance, and the State in South Asia and Beyond" 客座编辑介绍:“南亚及其他地区的土著、表演与国家”
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-06-30 DOI: 10.18874/AE.73.1-2.02
R. Wolf, Frank Heidenmann
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引用次数: 3
The Social Life of an Ethnonym : The "Kattu Nayaka" of South India (SPECIAL ISSUE : The Bison and the Horn : Indigeneity, Performance, and the State of India) 一个民族的社会生活:南印度的“Kattu Nayaka”(特刊:野牛和角:土著,表演和印度的状态)
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-06-30 DOI: 10.18874/AE.73.1-2.08
N. Bird-David
In this article I trace the ironic social life of the ethnic names used for a forestdwelling people living in the Nilgiri-Wynaad in South India in various intersecting arenas: local, colonial, and postcolonial. They call themselves sonta (translatable as “own, relatives who live together”), usually prefixed by nama (our). Outsiders, such as the neighbors in their multi-ethnic region, and colonial and postcolonial administrators, have regarded them by various ethnonyms including Nayaka/Kattunayaka. I examine the meanings and politics of their appellations in this case study of the complex processes of making indigenous polities in India.
在这篇文章中,我追溯了生活在印度南部Nilgiri-Wynaad的森林居民的种族名称在各种交叉领域的讽刺社会生活:当地,殖民和后殖民。他们称自己为sonta(可翻译为“自己的,住在一起的亲戚”),通常以名字(我们的)作为前缀。外来者,如他们多民族地区的邻居,殖民和后殖民的管理者,用各种民族名称来看待他们,包括Nayaka/Kattunayaka。我检查的意义和他们的称谓的政治在这个案例研究的复杂过程,使土著政治在印度。
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引用次数: 2
Placing Indigeneity: Betta Kurumba Narratives of Territory and Clan Structure 安置土著:贝塔·库伦巴族关于领土和部族结构的叙述
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-06-30 DOI: 10.18874/AE.73.1-2.04
Gail Coelho
The Betta Kurumbas are one of more than sixteen indigenous groups of the Nilgiri-Wayanad hills of southern India, a region that, since the nineteenth century, has experienced wide-ranging cultural and political changes, including extensive immigration by people from other parts of India. This article describes the Betta Kurumbas’ view of their homeland, based on the information contained in native-language narratives in which they describe their social organization into clans and their spiritual beliefs. The narratives provide a glimpse into the Betta Kurumba perspective on the changes that have overrun the region, changes that have rendered them—along with other Nilgiri-Wayanad groups—politically and socially marginalized in their own homeland.
Betta Kurumbas是印度南部Nilgiri-Wayanad山区的16个土著群体之一,自19世纪以来,该地区经历了广泛的文化和政治变革,包括来自印度其他地区的大量移民。本文描述了Betta Kurumbas人对家园的看法,基于他们将自己的社会组织描述为氏族和他们的精神信仰的母语叙述中所包含的信息。这些叙述让我们得以一瞥贝塔·库伦巴人对这个地区发生的变化的看法,这些变化使他们——以及其他尼尔吉里-瓦亚纳德群体——在自己的家园被政治和社会边缘化。
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引用次数: 0
Fertility or Indigeneity? : Two Versions of the Santal Flower Festival (SPECIAL ISSUE : The Bison and the Horn : Indigeneity, Performance, and the State of India) 生育能力还是土著?:两个版本的圣诞花节(特刊:野牛和角:土著,表演,和印度的状态)
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-06-30 DOI: 10.18874/AE.73.1-2.09
Lea Schulte-Droesch
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引用次数: 1
Objectification and Social Aesthetics : Memoranda and the Celebration of "Badaga Day" (SPECIAL ISSUE : The Bison and the Horn : Indigeneity, Performance, and the State of India) 物化和社会美学:备忘录和“巴达加日”的庆祝活动(特刊:野牛和角:土著,表演,和印度的状态)
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-06-30 DOI: 10.18874/ae.73.1-2.06
F. Heidemann
On 15 May 1989, the Badaga, the dominant peasant community in the Nilgiri Hills, organized a huge rally and handed over a memorandum to the government. On the basis of their culture they demanded tribal status, a guaranteed price for their agricultural products, and other privileges. I shall argue that the medium of a memorandum with its textual and material form requires and fosters the process of cultural objectification. "Culture" is turned into an object and becomes a form of currency in the political process. Later, 15 May was named "Badaga Day," an annual context for self-representation. Performative acts like hoisting the Badaga flag, singing the Badaga hymn, and worshipping the bust of H. B. Ari Gowder contribute to an overall social aesthetics. Sounds, colors, proximity, and other "culturally patterned sensory experienc[s]w" (MACDOUGALL 2006, 98) contribute to the feeling of "one-ness" and underline the demand for cultural autonomy.
1989年5月15日,Nilgiri山区占主导地位的农民社区Badaga组织了一次大型集会,并向政府递交了一份备忘录。基于他们的文化,他们要求部落地位,保证农产品价格,以及其他特权。我将论证备忘录的文本和物质形式的媒介需要并促进文化客观化的过程。“文化”在政治过程中被转化为一种客体,成为一种货币形式。后来,5月15日被命名为“巴达加日”,这是一年一度的自我表达日。举巴达加旗、唱巴达加圣歌、崇拜h·b·阿里·高德半身像等表演行为有助于整体的社会美学。声音、颜色、接近和其他“文化模式的感官体验[s]w”(MACDOUGALL 2006,98)有助于“一体”的感觉,并强调了对文化自治的需求。
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引用次数: 0
The Poetics and Politics of Practical Reason Indigenous Identity, Ritual Discourse, and the Postcolonial State in the Northern Nilgiris (South India) 北尼尔吉里斯(南印度)的实践理性、土著认同、仪式话语与后殖民国家的诗学与政治
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2014-01-01 DOI: 10.18874/AE.73.1-2.07
Ulrich Demmer
This article explores how in the northern Nilgiris of South India the postcolonial state and indigenous adivasi communities imagine, perform, and negotiate ideas of a good life in ritual and political discourse, that is, how they articulate practical reason. I analyze the politics of ethics and how indigenous Jenu Kurumba and Sholega adivasi groups on the one hand and the state of Tamil Nadu on the other construct and perform their identity with respect to moral ontologies and ideas of a good life. The postcolonial Nilgiris thus appear as a political field where various articulations of ethical worlds compete with and challenge one another, while at the same time the collective actors seek to gain hegemony over other imaginations of a good life.
本文探讨了在南印度的北尼尔吉里斯,后殖民国家和土著原住民社区如何在仪式和政治话语中想象、表现和协商美好生活的想法,也就是说,他们如何阐明实践理由。我分析了伦理政治,以及土著Jenu Kurumba和Sholega addivasi群体以及泰米尔纳德邦如何在道德本体论和美好生活理念方面构建和执行他们的身份。因此,后殖民尼尔吉里斯作为一个政治领域出现,在这里,各种道德世界的表达相互竞争和挑战,同时,集体行动者寻求对其他美好生活想象的霸权。
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引用次数: 2
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Asian Ethnology
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