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Illuminating a Hidden Site 照亮一个隐藏的遗址
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.53
M. Padua
This study was provoked by the recent detection of 541 unmarked burials signifying the recovery of the African American Burial Ground (AABG) on the grounds of Woodland Cemetery (WC) at Clemson University, South Carolina. A case study analysis of this coexistent sacred burial ground, initially for enslaved individuals of African descent interred during the pre-emancipation plantation era, seeks answers to fundamental questions: Was Clemson University aware of the AABG’s existence, and why did it take so long to act on preserving this sacred ground, historically known to the local descendant community? This study reveals that Clemson University’s negligence and cultural erasure during the 20th century has in the present day given way to an institutional commitment to truth-telling brought on by student activism and concerns about long-standing social inequities. The recovery of the AABG aligns with and contributes to work on “Black Geographies” and “Black Landscapes” (Woods, 2000; McKittrick & Woods, 2007; Boone, 2020; Hood 2020). The study examines the national reckoning among universities as they consider the legacy of slavery at their institutions and navigate justice (Wilder, 2014; Harris, et al., 2019). This research draws upon the author’s larger study on South Carolina’s landscape legacy and the synthesis of novel typologies beyond the normative classification of cultural landscapes (Padua, 2020). The commemoration of the AABG on campus is explored as a potential “reconciliatory landscape” conceptualized through the lens of “retrospective justice” drawn from the human rights literature (Russell, 2003; Roth, 2004). Status-quo attitudes are questioned as disruption to the norm instigates change and asserts social justice.
这项研究是由最近在南卡罗来纳州克莱姆森大学伍德兰公墓(WC)发现的541个无标记墓地引发的,这些墓地标志着非裔美国人墓地(AABG)的恢复。对这个共存的神圣墓地的案例研究分析,最初是为解放前种植园时代埋葬的非洲裔被奴役者提供的,旨在寻找根本问题的答案:克莱姆森大学是否意识到AABG的存在,以及为什么花了这么长时间才采取行动来保护这个历史上为当地后裔社区所知的圣地?这项研究表明,克莱姆森大学在20世纪的疏忽和文化抹杀,在今天已经让位于学生激进主义和对长期社会不平等的担忧所带来的对讲真话的制度承诺。AABG的恢复符合并有助于“黑人地理”和“黑人景观”的工作(Woods,2000;McKittrick和Woods,2007;Boone,2020;Hood 2020)。这项研究考察了大学在考虑奴隶制在其机构中的遗留问题并伸张正义时的国家清算(Wilder,2014;Harris等人,2019)。这项研究借鉴了作者对南卡罗来纳州景观遗产的更大规模研究,以及对文化景观规范分类之外的小说类型学的综合(Padua,2020)。校园内对AABG的纪念被探索为一种潜在的“和解景观”,通过从人权文献中提取的“追溯性正义”的视角进行概念化(Russell,2003;Roth,2004)。现状态度受到质疑,因为对规范的破坏会引发变革并维护社会正义。
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引用次数: 0
Transdisciplinarity and Boundary Work for Landscape Architecture Scholars 园林学者的跨学科性与边界工作
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.1
J. Nassauer
To substantively advance sustainability and equity, landscape architecture scholars must reform our own scholarly norms. To increase the influence of our discipline and offer practitioners and communities more relevant knowledge and tools, we can build on our strong tradition of transdisciplinary work to: 1) more credibly affect and be informed by knowledge in other socio-environmental disciplines that study landscapes and communities, and 2) confront our own “two cultures” problem in which science may be misunderstood as limiting creative excellence. To achieve these aims, I suggest we employ the landscape as a transdisciplinary boundary object—recognizing that all landscapes function within dynamic multiscalar socio-environmental systems, and viewing both commonplace and unique landscapes as essential objects of our scholarship. Doing this presents opportunities for individual scholars to serially specialize in different areas of landscape inquiry, teaching and learning from colleagues and communities throughout our careers, and to be credible leaders of transdisciplinary science. It also offers a conceptual frame for activating boundary work between the two cultures within our own discipline. Importantly, it also helps us to be more fully prepared to teach future practitioners to use landscape science in design and planning, empowering the profession to support communities in advancing sustainability and equity.
为了实质性地促进可持续性和公平性,景观建筑学者必须改革我们自己的学术规范。为了增加我们学科的影响力,并为从业者和社区提供更多相关的知识和工具,我们可以在跨学科工作的强大传统基础上:1)更可信地影响和了解其他研究景观和社区的社会环境学科的知识,以及2)面对我们自己的“两种文化”问题,在这种问题中,科学可能被误解为限制了卓越的创造性。为了实现这些目标,我建议我们将景观作为一个跨学科的边界对象——认识到所有景观都在动态的多尺度社会环境系统中发挥作用,并将常见和独特的景观视为我们学术的重要对象。这样做为个别学者提供了机会,在我们的职业生涯中,他们可以连续专门从事景观调查、教学和向同事和社区学习的不同领域,并成为跨学科科学的可信领导者。它还为在我们自己的学科中激活两种文化之间的边界工作提供了一个概念框架。重要的是,这也有助于我们为教未来的从业者在设计和规划中使用景观科学做好更充分的准备,使该行业能够支持社区推进可持续性和公平性。
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引用次数: 1
Editor’s Letter 编者的信
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.iv
James LaGro
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引用次数: 0
Guerrillas in Our Midst 我们中间的游击队
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.77
Sue Abbey
Ad hoc urbanism—activities performed in public space that fall outside of the officially sanctioned uses of that space—is usually met with regulations that attempt to control or criminalize the offending actions, which de Certeau (1984) has called “‘waste products’ of a functionalist administration” (p. 94). But unsanctioned improvisatory use patterns can convey information about what people require of their public places. Instead of dismissing these uses as undesirable and erasing them from public view, landscape architects can instead reframe them as justifications for expanding or altering programs to create public spaces that provide commons to a diverse citizenry for the purposes of living, regenerating community, and asserting civic rights and responsibilities. Using news stories, case studies, and field observations, this article investigates examples of ad hoc urbanism to explore how landscape architects might accommodate their embedded meanings and expand the functionality and fairness of urban design.
特别的城市化——在公共空间中进行的不属于该空间的官方批准用途的活动——通常会遇到试图控制或将违规行为定为犯罪的法规,de Certeau(1984)称之为“功能主义管理的‘废物’”(第94页)。但未经批准的临时使用模式可以传达人们对公共场所的需求。与其将这些用途视为不受欢迎的,并从公众视野中抹去,景观设计师可以将它们重新定义为扩展或改变项目的理由,以创建公共空间,为不同的公民提供公共空间,以实现生活、社区再生和维护公民权利和责任的目的。本文通过新闻报道、案例研究和实地观察,研究了临时城市主义的例子,探讨景观设计师如何适应其隐含的含义,扩展城市设计的功能性和公平性。
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引用次数: 0
Cultivating Creativity 培养创造力
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.139
B. Sullivan
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引用次数: 0
Using Senses of Place to Help Communities Navigate Place Disruption and Uncertainty 利用地点感帮助社区应对地点混乱和不确定性
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.37
L. Manzo, Daniel R. Williams, Andrés Di Masso, C. M. Raymond, N. Gulsrud
Uncertainty and change are the hallmarks of contemporary life. Global climate change, ecological regime shifts, and urban transformations catalyze new levels of socio-spatial precarity. Exacerbated by political and economic conditions, accelerating change and uncertainty have disrupted people-place relationships and created anxiety around real and perceived place loss and threat. In this article, we outline the potential of senses of place—both pluralized and politicized—to generate new possibilities for thinking, acting, and designing in response to disruption. Three different case studies demonstrate how senses of place can guide us through disruption. For each case, we examine the nature of the disruption/place change, describe how senses of place are involved in the disruption, and consider the role of landscape architecture in helping communities respond. Together, these cases demonstrate that a deeper understanding of senses of place offers a way to respond to disruptions that enables new beginnings to unfold, facilitates the coproduction of knowledge, and supports socio-spatial justice.
不确定性和变化是当代生活的特征。全球气候变化、生态制度转变和城市转型催化了社会空间不稳定的新水平。由于政治和经济条件的加剧,不断加速的变化和不确定性扰乱了人们与地方的关系,并引发了人们对真实和感知的地方损失和威胁的焦虑。在这篇文章中,我们概述了地方感的潜力——既有多元化的,也有政治化的——为应对破坏而产生思考、行动和设计的新可能性。三个不同的案例研究展示了地方感如何引导我们度过混乱。对于每种情况,我们都会检查破坏/地点变化的性质,描述地方感是如何参与破坏的,并考虑景观建筑在帮助社区应对中的作用。总之,这些案例表明,对地方感的更深入理解提供了一种应对干扰的方式,使新的开端得以展开,促进知识的共同生产,并支持社会空间正义。
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引用次数: 2
Plants in Design 设计中的植物
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.145
N. Serrano
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引用次数: 0
Against the Anthropocene 反对人类世
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.140
T. Eisenman
that advances design pedagogy and practice amid the messy, inarticulate amusement park ride that is creativity and design education today. Designers and instructors alike can feel lost in the rapidly degrading environment and digitizing world in which we are focused on quickly arriving at “the correct answer.” Here Professor Robertson asks us to slow down and take the time to find out for ourselves what the most important questions and problems are and what answers and options are available for solving them. Emeritus Professor Robertson gave tirelessly to develop and test practices in creative thought and expression throughout his tenure in the Department of Landscape Architecture at the University of Washington. He has used his masterful skills in collage and wordsmithing to wrap up his knowledge and experience in this reflective and expressive text, including the beautifully crafted collages and notes that adds authenticity and a unique textural quality to our relationship with the author. Art, iteration, and play are too easily overlooked or even lost in our rapid simplification of design methods and processes, but ironically, they are critical to success. Professor Robertson’s book begs for a revolution. Throughout these pages, Professor Robertson encourages us to break the rules, color outside the lines, and ultimately enhance our life and our learning through an authentic and creative design process. After surviving colliding and multifaceted crises over the past few years, the idea of working to develop more “fluid” or “sovereign” minds may seem elusive to many educators. In these challenging times, Cultivating Creativity comes as a rare and timely gift from an expert in both mindfulness and whimsy. Design leaders and educators would do well to keep this book on hand for discovering endless ideas and opportunities for enriching group and classroom experiences, student learning outcomes, discussions, and personal creative and design identity.
这推动了设计教学和实践,而今天的创意和设计教育是混乱的,难以表达的游乐园。设计师和教师都可能在快速退化的环境和数字化的世界中感到迷失,在这个世界中,我们专注于快速找到“正确答案”。在这里,罗伯逊教授要求我们放慢脚步,花点时间自己找出最重要的问题和问题是什么,以及解决这些问题的答案和选择是什么。在华盛顿大学风景园林系任职期间,名誉教授罗伯逊不知疲倦地开发和测试了创造性思维和表达的实践。他利用自己在拼贴画和文字制作方面的精湛技能,将自己的知识和经验总结在这个反射性和表现力的文本中,包括精心制作的拼贴画和笔记,为我们与作者的关系增添了真实性和独特的质感。在我们快速简化设计方法和流程的过程中,美术、迭代和玩法很容易被忽视,甚至被忽略,但具有讽刺意味的是,它们却是成功的关键。罗伯逊教授的书呼吁一场革命。在这些页面中,罗伯逊教授鼓励我们打破规则,在线条之外着色,最终通过真实和创造性的设计过程提高我们的生活和学习。在经历了过去几年的冲突和多方面的危机之后,对许多教育工作者来说,努力培养更多“流动”或“自主”思维的想法似乎难以捉摸。在这个充满挑战的时代,培养创造力是一份罕见而及时的礼物,来自一位专注和奇思妙想方面的专家。设计领导者和教育工作者会很好地将这本书放在手边,以发现丰富小组和课堂经验,学生学习成果,讨论以及个人创意和设计身份的无尽想法和机会。
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引用次数: 0
Cyclical City 循环城市
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.142
R. Smardon
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引用次数: 0
Teaching Design as an Infinite Game 教学设计是一种无限游戏
IF 0.5 0 ARCHITECTURE Pub Date : 2023-05-01 DOI: 10.3368/lj.42.1.91
Noah Billig, T. Kjer
This article posits that resiliency and adaptation in landscape architecture studio projects must plan for changes and feedback loops. With this premise in mind, the article evaluates a landscape architecture design studio focused on designing and planning adaptive landscapes that are part of the Los Angeles River and its surrounding neighborhoods. Students were charged with planning for change over time and designing multiple scenarios that assume various forms and vagaries in management, care, environmental conditions, and policies, while also connecting to community needs. Their designs were guides that envisioned a range of possibilities—feedback loops creating environmental and social resiliencies that provide value over time. The studio and this article build on Joan Woodward’s (2008) work suggesting several shifts in landscape design practice for progressing toward resilient landscapes that accommodate surprise and disruption. The case study methods evaluating the studio approach included external and internal reviews of students’ work, student written reflections regarding the course, and instructors’ reflections on the work. Some reviewers felt the paucity of final state perspective renderings in some students’ work equated to diminished design rigor. Some students pushed back on the studio’s interdisciplinary scope, but others looked beyond fixed design solutions, giving entire systems deep consideration by considering how to provide economic resiliency toolkits and adopt best practices that could unfold and adapt over time based on a particular neighborhood’s needs and desires. Overall, the studio serves as a model for teaching that advances Woodward’s concepts and promotes her goal of seeing design as an infinite rather than finite game (Carse, 1986; Woodward, 2008).
本文认为,景观建筑工作室项目的弹性和适应性必须规划变化和反馈循环。考虑到这一前提,本文评估了一家景观建筑设计工作室,该工作室专注于设计和规划洛杉矶河及其周边社区的适应性景观。学生们负责规划随着时间的推移而发生的变化,并设计多种场景,这些场景在管理、护理、环境条件和政策方面具有各种形式和变幻莫测的特点,同时也与社区需求相联系。他们的设计是设想一系列可能性的指南——创造环境和社会弹性的反馈循环,随着时间的推移提供价值。该工作室和本文以Joan Woodward(2008)的作品为基础,提出了景观设计实践中的几个转变,以适应惊喜和破坏的弹性景观。评估工作室方法的案例研究方法包括对学生作业的外部和内部评论,学生对课程的书面反思,以及教师对工作的反思。一些评论者认为在一些学生的作品中缺乏最终状态透视渲染等同于降低了设计的严谨性。一些学生将工作室的跨学科范围推后,但其他人则超越了固定的设计解决方案,通过考虑如何提供经济弹性工具包并采用最佳实践来深入考虑整个系统,并根据特定社区的需求和愿望随着时间的推移展开和适应。总的来说,该工作室充当了一个教学模式,推进了Woodward的概念,并促进了她将设计视为无限而非有限游戏的目标(Carse, 1986;伍德沃德,2008)。
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引用次数: 0
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Landscape Journal
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