Archiwum rodzinne Mochnackich odziedziczone przez Marte Ławacz zawiera korespondencje, dokumenty, notatki, numery prasy, wspomnienia oraz testamenty. Wszystkie jednostki archiwalne dotyczą bezpośrednio rodziny Mochnackich, nie byly wcześniej znane w calości (z wyjątkiem fragmentow z prasy), stanowią cenne źrodlo do dziejow rodu, dokumentują zycie codzienne, uzupelniają takze w znaczący sposob wiedze o ostatnim okresie zycia Kamila i Maurycego Mochnackich, powstancach i politykach z okresu wojny polsko-rosyjskiej 1831 roku. Niektore dokumenty są w zlym stanie i są malo czytelne, bedą trudne do odtworzenia. Inne, zwlaszcza sygnowane przez Marie Mochnacką, zachowaly sie w dobrym stanie. Bardzo cenne są zwlaszcza listy Antoniego Walewskiego i Stefana Dembowskiego przyslane do rodzicow po śmierci Maurycego. W artykule przedstawiono rejestr jednostek archiwalnych, ktory nie jest jeszcze dokladnie i w pelni opracowany, stąd tez mogą w nim wystąpic zmiany w dalszej fazie opracowywania zbioru.
{"title":"Nieznane archiwum rodzinne Mochnackich","authors":"Mirosław Strzyżewski","doi":"10.12775/se.2019.0016","DOIUrl":"https://doi.org/10.12775/se.2019.0016","url":null,"abstract":"Archiwum rodzinne Mochnackich odziedziczone przez Marte Ławacz zawiera korespondencje, dokumenty, notatki, numery prasy, wspomnienia oraz testamenty. Wszystkie jednostki archiwalne dotyczą bezpośrednio rodziny Mochnackich, nie byly wcześniej znane w calości (z wyjątkiem fragmentow z prasy), stanowią cenne źrodlo do dziejow rodu, dokumentują zycie codzienne, uzupelniają takze w znaczący sposob wiedze o ostatnim okresie zycia Kamila i Maurycego Mochnackich, powstancach i politykach z okresu wojny polsko-rosyjskiej 1831 roku. Niektore dokumenty są w zlym stanie i są malo czytelne, bedą trudne do odtworzenia. Inne, zwlaszcza sygnowane przez Marie Mochnacką, zachowaly sie w dobrym stanie. Bardzo cenne są zwlaszcza listy Antoniego Walewskiego i Stefana Dembowskiego przyslane do rodzicow po śmierci Maurycego. W artykule przedstawiono rejestr jednostek archiwalnych, ktory nie jest jeszcze dokladnie i w pelni opracowany, stąd tez mogą w nim wystąpic zmiany w dalszej fazie opracowywania zbioru.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86633416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Artykul podejmuje problematyke literackości epistolarnej tworczości Chopina, związkow z kulturą literacką epoki, wybranych listow, a nade wszystko tzw. Dziennika stuttgarckiego . Kompozytor, ktoremu nawet odmawiano literackiej oglady, jawi sie tymczasem jako wrazliwy na slowo i umiejący wyrazac sie poprzez jezyk romantyczny podmiot przezywający, ktory swoj świat wewnetrzny przekladal nie tylko na kompozycje muzyczne, ale tez objawial przez slowo pisane. Analiza wariantow korespondencji, brulionow listow, a takze wspomnianego dzienniczka pozwalają formulowac teze o dopelnianiu muzyki slowem, ktorym poslugiwal sie Chopin biegle i z literacką pasją.
{"title":"Chopin intymny… Kilka refleksji o Dzienniku stuttgarckim kompozytora","authors":"Ewa Hoffmann-Piotrowska","doi":"10.12775/se.2019.0004","DOIUrl":"https://doi.org/10.12775/se.2019.0004","url":null,"abstract":"Artykul podejmuje problematyke literackości epistolarnej tworczości Chopina, związkow z kulturą literacką epoki, wybranych listow, a nade wszystko tzw. Dziennika stuttgarckiego . Kompozytor, ktoremu nawet odmawiano literackiej oglady, jawi sie tymczasem jako wrazliwy na slowo i umiejący wyrazac sie poprzez jezyk romantyczny podmiot przezywający, ktory swoj świat wewnetrzny przekladal nie tylko na kompozycje muzyczne, ale tez objawial przez slowo pisane. Analiza wariantow korespondencji, brulionow listow, a takze wspomnianego dzienniczka pozwalają formulowac teze o dopelnianiu muzyki slowem, ktorym poslugiwal sie Chopin biegle i z literacką pasją.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74637816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article concerns “private” Orzeszkowa, who in the rich correspondence with publishers reveals her views on: writer’s sovereignty, possible concessions to publishers and “upgrading” the works included in new, collective, editions. The letters also contain valuable information on the origins of novel and negotiations conducted by Orzeszkowa in relations to publishing her subsequent works. Among the surviving letters addressed in years 1864–1910 to, among others, Jozef Sikorski, Gebethner and Wolff, Franciszek Salezy Lewental, Erazm Piltz, Stanislaw Posner, the ones selected for analysis were the ones addressed to: Jozef Sikorski and Franciszek Salomon Lewental (with the focus being largely on the correspondence addressed to Sikorski). The correspondence is the most accurate manifestation of Orzeszkowa’s personality and her maturing, it reveals the background of conflicts over the work’s final form, and amazes with the young author’s uncompromising attitude and courage.
这篇文章涉及“私人的”Orzeszkowa，她在与出版商的大量通信中揭示了她对以下问题的看法:作家的主权，对出版商可能做出的让步，以及在新的、集体的版本中“升级”作品。这些信件还包含了关于小说起源的宝贵信息，以及奥尔热什科娃为出版其后续作品所进行的谈判。在1864-1910年间写给Jozef Sikorski, Gebethner and Wolff, Franciszek Salezy lewendal, Erazm Piltz, Stanislaw Posner等人的幸存信件中，选择用于分析的是写给Jozef Sikorski和Franciszek Salomon lewendal的信件(重点主要放在写给Sikorski的信件上)。这些书信是奥塞什科娃个性与成熟的最准确体现，它揭示了作品最终形成的矛盾背景，也让人惊叹于这位年轻作家不妥协的态度和勇气。
{"title":"Orzeszkowa prywatnie. Droga ku suwerenności na podstawie korespondencji z wydawcami","authors":"E. Skorupa","doi":"10.12775/se.2019.0013","DOIUrl":"https://doi.org/10.12775/se.2019.0013","url":null,"abstract":"The article concerns “private” Orzeszkowa, who in the rich correspondence with publishers reveals her views on: writer’s sovereignty, possible concessions to publishers and “upgrading” the works included in new, collective, editions. The letters also contain valuable information on the origins of novel and negotiations conducted by Orzeszkowa in relations to publishing her subsequent works. Among the surviving letters addressed in years 1864–1910 to, among others, Jozef Sikorski, Gebethner and Wolff, Franciszek Salezy Lewental, Erazm Piltz, Stanislaw Posner, the ones selected for analysis were the ones addressed to: Jozef Sikorski and Franciszek Salomon Lewental (with the focus being largely on the correspondence addressed to Sikorski). The correspondence is the most accurate manifestation of Orzeszkowa’s personality and her maturing, it reveals the background of conflicts over the work’s final form, and amazes with the young author’s uncompromising attitude and courage.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72796574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author analyzes the meaning and functioning in the editorial practice of the public-private category on the example of the travel correspondence of Henryk Sienkiewicz and his private letters. She presents two manners of using personal correspondence by editors, and relates them to the growing awareness of the existence of copyrights.
{"title":"Prywatne i publiczne. Sienkiewiczowskie korespondencje podróżnicze z perspektywy edytora i historyka literatury","authors":"Jolanta Sztachelska","doi":"10.12775/se.2019.0010","DOIUrl":"https://doi.org/10.12775/se.2019.0010","url":null,"abstract":"The author analyzes the meaning and functioning in the editorial practice of the public-private category on the example of the travel correspondence of Henryk Sienkiewicz and his private letters. She presents two manners of using personal correspondence by editors, and relates them to the growing awareness of the existence of copyrights.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78966578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article concerns posthumous collective editions of Norwid’s “writings”, which also contains letters. The editions, which also served the purpose of “discovering” the poet, reveal the problematic status (between “writings” and “compositions”) of epistolaries, provided to the public nearly at the same time and according to the same principles as literary works. What is more, the manuscript nature of a large part of Norwid’s legacy and almost simultaneous release of both stricte literary texts and private writings, determined the manner of functioning of the latter in scholarly reception. Their genre specificity was usually recognized by treating letter fragments as a direct expression of the poet’s views, a recording of his thoughts. However, when interest was shown in letters as a separate domain of Norwid’s activity, raising at the same time, among others, the issue of the structure of epistolar subject, their editorial form significantly influenced the results of analysis, as the letters were read as a whole, a coherent, consequently structured unity. Reading letters as letters – utterances which are situation – or event-related – would first require a destruction of their book-like form.
{"title":"„Pisma” czy „dzieła”? O edycjach epistolografii Norwida w wydaniach zbiorowych","authors":"Elżbieta Dąbrowicz","doi":"10.12775/se.2019.0006","DOIUrl":"https://doi.org/10.12775/se.2019.0006","url":null,"abstract":"The article concerns posthumous collective editions of Norwid’s “writings”, which also contains letters. The editions, which also served the purpose of “discovering” the poet, reveal the problematic status (between “writings” and “compositions”) of epistolaries, provided to the public nearly at the same time and according to the same principles as literary works. What is more, the manuscript nature of a large part of Norwid’s legacy and almost simultaneous release of both stricte literary texts and private writings, determined the manner of functioning of the latter in scholarly reception. Their genre specificity was usually recognized by treating letter fragments as a direct expression of the poet’s views, a recording of his thoughts. However, when interest was shown in letters as a separate domain of Norwid’s activity, raising at the same time, among others, the issue of the structure of epistolar subject, their editorial form significantly influenced the results of analysis, as the letters were read as a whole, a coherent, consequently structured unity. Reading letters as letters – utterances which are situation – or event-related – would first require a destruction of their book-like form.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75320355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article is a critical edition of two epithalamniums by Jan Karol Dachnowski, a Baroque minorum gentium poet, so far unpublished as a whole. Epos nuptiale was included in Talamodia , published in 1620, whereas Hymen weselny ( Wedding anthem ) could be found in Filantropia from 1631. Both texts show strong affiliations with the Antiquity. The former is based on Claudian’s Epithalamium dictum Palladio et Celerine , while the latter was inspired by Fragment 44 , attributed to Sappho. The edition includes a critical apparatus and explanations.
这篇文章是对扬·卡罗尔·达克诺夫斯基(Jan Karol Dachnowski)的两篇颂词的评论版，扬·卡罗尔·达克诺夫斯基是一位巴洛克时期的小众诗人，迄今尚未作为一个整体发表。Epos nuptiale收录在1620年出版的Talamodia中，而Hymen weselny(婚礼颂歌)可以在1631年的Filantropia中找到。这两个文本都显示了与古代的强烈联系。前者是根据克劳狄翁的《帕拉第奥和塞勒琳的上谕》改编的，而后者的灵感来自于被认为是萨福的《残篇》第44篇。这一版本包括一个重要的工具和解释。
{"title":"Jana Karola Dachnowskiego Epos nuptiale oraz Hymen weselny","authors":"Sylwia Kawska","doi":"10.12775/SE.2018.0024","DOIUrl":"https://doi.org/10.12775/SE.2018.0024","url":null,"abstract":"The article is a critical edition of two epithalamniums by Jan Karol Dachnowski, a Baroque minorum gentium poet, so far unpublished as a whole. Epos nuptiale was included in Talamodia , published in 1620, whereas Hymen weselny ( Wedding anthem ) could be found in Filantropia from 1631. Both texts show strong affiliations with the Antiquity. The former is based on Claudian’s Epithalamium dictum Palladio et Celerine , while the latter was inspired by Fragment 44 , attributed to Sappho. The edition includes a critical apparatus and explanations.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77688213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nieznany wiersz Sebastiana Fabiana Klonowica","authors":"Grażyna Łabęcka-Jóźwiakowska","doi":"10.12775/SE.2018.0025","DOIUrl":"https://doi.org/10.12775/SE.2018.0025","url":null,"abstract":"","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78340067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wileńska poezja okolicznościowa doby stanisławowskiej. Od projektu antologii do problemów edycji","authors":"Regina Jakubėnas","doi":"10.12775/SE.2018.0016","DOIUrl":"https://doi.org/10.12775/SE.2018.0016","url":null,"abstract":"","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73931718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nieznana korespondencja Adama Naruszewicza","authors":"Magdalena Bober-Jankowska","doi":"10.12775/SE.2018.0026","DOIUrl":"https://doi.org/10.12775/SE.2018.0026","url":null,"abstract":"","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90552188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of the paper is to present the most important findings of the editor made during the preparation of publication of four initial books of lyrics published in Poezyje Franciszka Dionizego Kniaźnina reką wlasną pisane ( Franiszek Dionizy Kniaźnin’s Poetries, Written in His Own Hand ), or the so-called Pulawy Manuscript (Rekopis Pulawski). The findings in question concern: the messages and archetypes of the poems from Kniaźnin’s manuscript, published earlier in “Zabawy Przyjemne i Pozyteczne” (“Pleasurable and Useful Entertainments”), ephemera and three collections authored by the poet, namely Erotyki ( Erotic Poems ) from 1779, Wiersze ( Poems ) from 1783 and Poezje. Edycja zupelna ( Poetries. Complete Edition ) from 1787; dating of the works and determining the reasons behind their creation; the presence of translations in the autograph and the author’s notes that relate to them; the choice of addressees; and finally, references to authentic places and events connected with the everyday life of the Czartoryski family or those important for all the citizens of the Republic of Poland, which Kniaźnin included in his text.
本文的目的是介绍编辑在准备出版四本最初的歌词书期间所做的最重要的发现，这些发现发表在《Franiszek Dionizego Kniaźnin 's poems, Written in His Own Hand》或所谓的《普拉维手稿》(Rekopis Pulawski)中。所讨论的发现涉及:Kniaźnin手稿中的诗歌的信息和原型，早些时候发表在“Zabawy Przyjemne i Pozyteczne”(“愉悦和有用的娱乐”)，短暂的和诗人创作的三部诗集，即1779年的Erotyki(情色诗歌)，1783年的wierze(诗歌)和Poezje。Edycja zupelna(诗歌)完整版)从1787年;确定作品的年代和创作原因;亲笔签名中翻译的存在以及与之相关的作者注释;收信人的选择;最后，参考与恰尔托雷斯基家族日常生活有关的真实地点和事件，或对波兰共和国所有公民重要的地方和事件，Kniaźnin包括在他的文本中。
{"title":"Liryki z czterech początkowych ksiąg Poezyj Franciszka Dionizego Kniaźnina ręką własną pisanych – z ustaleń edytora","authors":"B. Bednarek","doi":"10.12775/SE.2018.0019","DOIUrl":"https://doi.org/10.12775/SE.2018.0019","url":null,"abstract":"The aim of the paper is to present the most important findings of the editor made during the preparation of publication of four initial books of lyrics published in Poezyje Franciszka Dionizego Kniaźnina reką wlasną pisane ( Franiszek Dionizy Kniaźnin’s Poetries, Written in His Own Hand ), or the so-called Pulawy Manuscript (Rekopis Pulawski). The findings in question concern: the messages and archetypes of the poems from Kniaźnin’s manuscript, published earlier in “Zabawy Przyjemne i Pozyteczne” (“Pleasurable and Useful Entertainments”), ephemera and three collections authored by the poet, namely Erotyki ( Erotic Poems ) from 1779, Wiersze ( Poems ) from 1783 and Poezje. Edycja zupelna ( Poetries. Complete Edition ) from 1787; dating of the works and determining the reasons behind their creation; the presence of translations in the autograph and the author’s notes that relate to them; the choice of addressees; and finally, references to authentic places and events connected with the everyday life of the Czartoryski family or those important for all the citizens of the Republic of Poland, which Kniaźnin included in his text.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84609255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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