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Subterranean Fanon: An Underground Theory of Radical Change by Gavin Arnall (review) 《地下法农:激进变革的地下理论》作者:加文·阿诺尔(书评)
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.5325/complitstudies.60.2.0411
Sara-Maria Sorentino
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引用次数: 0
Old Schools: Modernism, Education, and the Critique of Progress by Ramsey McGlazer (review) 《旧学派:现代主义、教育与进步批判》作者:拉姆齐·麦格莱泽
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.5325/complitstudies.60.2.0408
M. Truglio
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引用次数: 0
Premises and Problems: Essays on World Literature and Cinema by Luiza Franco Moreira (review) 前提与问题:路易莎·佛朗哥·莫雷拉世界文学与电影论文集(书评)
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0182
Rupsa Banerjee
The eight chapters present here in the essay collection Premises and Problems: Essays on World Literature and Cinema edited by Luiza
路易莎主编的散文集《前提与问题:世界文学与电影随笔》中的八章
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引用次数: 0
The American Politics of French Theory: Derrida, Deleuze, Guattari, and Foucault in Translation 法国理论的美国政治:德里达、德勒兹、瓜塔里和福柯的翻译
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0191
John Protevi
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引用次数: 0
Of Life and Death: African Cultural Worldviews and Black American Survival in Toni Morrison’s song of Solomon and Amiri Baraka’s Slave Ship 生与死:托尼·莫里森的《所罗门之歌》和阿米里·巴拉卡的《奴隶船》中的非洲文化世界观与美国黑人生存
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0073
P. Owusu
abstract:This article provides a reading of Amiri Baraka’s play, Slave Ship: A Historical Pageant (1967) and Toni Morrison’s novel, Song of Solomon (1977). It argues that in both texts, written during the racial and political unrest of 1960s and 1970s United States, threats of violence and death toward Black individuals and communities allowed the formation of unique perspectives on life and death. Fundamentally, it was the belief that death is the beginning of life in another form, rather than its end. This belief and its corresponding ideas recall African worldviews and cultural philosophies, transported to the New World by enslaved Africans, which reject death as a state of powerlessness and hold that the dead, from the realms of the afterlife, have power to change the material world. When these ideas are articulated through Black nationalist discourses, death, and particularly suicide, is presented as a form of resistance. Specifically, self-inflicted death becomes a mean through which one contend for survival. The article argues that in their characterizations and various narrative strategies, both Morrison and Baraka interrogate the usefulness of these ideas by considering them as solutions to racialized injuries and injustices of post Emancipation Back American life.
文摘:本文阅读了阿米里·巴拉卡的剧作《奴隶船:历史盛会》(1967)和托尼·莫里森的小说《所罗门之歌》(1977)。它认为,在这两本书中,都是在20世纪60年代和70年代美国种族和政治动荡期间写的,对黑人个人和社区的暴力和死亡威胁使人们对生死形成了独特的看法。从根本上讲,这是一种信念,认为死亡是生命的另一种形式的开始,而不是结束。这种信仰及其相应的思想让人想起了被奴役的非洲人带到新世界的非洲世界观和文化哲学,他们拒绝将死亡视为一种无能为力的状态,并认为死者从死后的世界中有能力改变物质世界。当这些思想通过黑人民族主义话语表达出来时,死亡,尤其是自杀,被视为一种抵抗形式。具体地说,自我造成的死亡成为一种生存手段。文章认为,在他们的人物刻画和各种叙事策略中,Morrison和Baraka都质疑这些想法的有用性,认为它们是解决解放后美国生活中种族化伤害和不公正的方法。
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引用次数: 0
Notes on Sentient Flesh 《有情肉体笔记》
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0002
Fred Moten
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引用次数: 0
Loving Sentient Flesh 深情的肉肉
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0022
J. Sacks
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引用次数: 0
Inter-imperiality: Vying Empires, Gendered Labor, and the Literary Arts of Alliance 帝国内部:竞争帝国,性别劳动和联盟的文学艺术
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0176
C. Bush
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引用次数: 0
At Penpoint: African Literatures, Postcolonial Studies, and the Cold War by Monica Popescu (review) 《在彭点:非洲文学、后殖民研究与冷战》作者:莫妮卡·波佩斯库
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0179
Cajetan Iheka
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引用次数: 0
The Revival of Pamphletary Speech in the Twenty-First Century: The Rhetoric of Reversal 二十一世纪小册子演讲的复兴:修辞的逆转
IF 0.4 3区 文学 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.5325/complitstudies.60.1.0150
A. Damerdji
abstract:Through the study of three pamphleteer authors, Renaud Camus in France, Oriana Fallaci in Italy, and Fernando Vallejo in Colombia, this article explores the impact of recent legislations against hate speech on the literary field. It determines how literature, especially pamphlets, allows the reactionary ideological offensive to attempt to circumvent the law and studies the characterizing trait of this new twenty-first century pamphlet: the rhetoric of reversal.
摘要:本文通过对法国的雷诺·加缪、意大利的奥里亚娜·法拉奇和哥伦比亚的费尔南多·瓦列霍三位小册子作者的研究,探讨了近年来反对仇恨言论的立法对文学领域的影响。它决定了文学,尤其是小册子,如何允许反动的意识形态攻势试图绕过法律,并研究了这本21世纪新小册子的特征:逆转的修辞。
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引用次数: 0
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