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Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.22
Other| October 01 2023 About the Authors Journal of Animal Ethics (2023) 13 (2): 229–232. https://doi.org/10.5406/21601267.13.2.22 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation About the Authors. Journal of Animal Ethics 1 October 2023; 13 (2): 229–232. doi: https://doi.org/10.5406/21601267.13.2.22 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Animal Ethics Search Advanced Search MARIS BECK is a doctoral candidate in the Faculty of Science, School of Geosciences at the University of Sydney in Australia. She has professional experience as a corporate consultant and company director. Her qualifications include a master's in international politics (University of Melbourne), awarded with dean's honors; a diploma of government investigations (Australian Security Academy); and the foundations of directorship (Australian Institute of Company Directors). Research interests include: business-based approaches to animal studies and racehorse welfare. Email: maris.beck@sydney.edu.auLAUREN BESTWICK recently gained her BA in history from Worcester College, University of Oxford. She is an alumnus of the Oxford University Society for Animal Ethics. Research interests include: early modern Britain and Europe. Email: lbestwick8001@gmail.comCINI BRETZLAFF-HOLSTEIN is a professor of social work and director of the online BSW program at Trinity Christian College in Palos Heights, Illinois, and a licensed social worker in the state of Illinois. Bretzlaff-Holstein is a... You do not currently have access to this content.
其他| October 01 2023 About Authors Journal of Animal Ethics(2023) 13(2): 229-232。https://doi.org/10.5406/21601267.13.2.22查看图标查看文章内容图和表视频音频补充数据同行评审共享图标共享Facebook Twitter LinkedIn电子邮件工具图标工具权限引用图标引用搜索网站引文关于作者。动物伦理学杂志2023年10月1日;13(2): 229-232。doi: https://doi.org/10.5406/21601267.13.2.22下载引用文件:Zotero参考资料管理器EasyBib Bookends Mendeley论文EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有学术出版集体伊利诺伊大学出版社动物伦理杂志搜索高级搜索MARIS BECK是澳大利亚悉尼大学地球科学学院科学学院的博士候选人。她有担任企业顾问和公司董事的专业经验。她的学历包括:获得墨尔本大学国际政治硕士学位,并获得院长荣誉;政府调查文凭(澳大利亚安全学院);董事资格的基础(澳大利亚公司董事协会)。研究兴趣包括:基于商业的动物研究方法和赛马福利。邮箱:maris.beck@sydney.edu.auLAUREN BESTWICK最近在牛津大学伍斯特学院获得了历史学学士学位。她是牛津大学动物伦理协会的校友。研究兴趣包括:近代早期英国和欧洲。电邮地址:lbestwick8001@gmail.comCINI BRETZLAFF-HOLSTEIN是伊利诺斯州帕洛斯海茨圣三一基督教学院的社会工作教授和在线BSW项目主任,也是伊利诺斯州的一名有执照的社会工作者。Bretzlaff-Holstein是…您目前没有访问此内容的权限。
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引用次数: 0
Art, Ethics and the Human-Animal Relationship 艺术、伦理与人与动物的关系
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.12
Keri Cronin
This work is a welcome addition to the growing list of scholarly books that take seriously the ways that representations of nonhuman animals have significant and important implications when it comes to larger issues around the treatment of the other animals we share the planet with. One of the many strengths of this book is that it offers concrete and detailed examples of ways that art historians can critically engage with these issues, looking beyond the obvious and expected methodologies and examples.A second and equally important strength is Johnson's acknowledgment of the many ways that animal bodies have a direct material connection to art history. Pigments, materials, adhesives, and the very surface upon which many images appear frequently include “ingredients” derived from animal bodies. Johnson's discussion of William Merritt Chase's 19th-century paintings of fish, for instance, is exemplary because woven into the analysis of the pictures is a stark reminder of how glazes and glues used in art have long been derived from the bodies of fish. As I have written elsewhere, art history is animal history, and yet you would be forgiven for not knowing this based on the majority of writing about art. Johnson's work here is a notable example of how we must consider these types of material aspects of art in any analysis that aims to think critically about the representation of animals.The representation of animals in art, of course, has a long and complex history. One need not look too long through art history survey textbooks to find depictions of nonhuman animals. And yet, until very recently, critical discussions about the ethics of representing these beings have been largely absent from the discipline of art history. Art, as Johnson argues, can tell us much about the dominant ways of thinking about nonhuman animals in a given time or place. Johnson's analysis also makes clear the slippery nature of meaning when it comes to art and art history. As she writes, images that once were considered “merely representational” can now be understood as “morally instrumental” (p. 2) when viewed through a lens that does not take for granted the presence of nonhuman animals in art.The climate emergency and COVID-19 pandemic have underscored how urgent it is to critically examine our relationships with other species. Some may question how exploring art from previous centuries can contribute to this important work in the present. What, in other words, is the relevance of a painting from the 17th or 18th century in our contemporary context? The answer to this question is one of Johnson's key points, namely that in many cases, the legacy of previous ways of representing and thinking about nonhuman animals remains firmly entrenched today. In other words, to change the way we interact with animals in the present requires us to be diligent in tracing the roots of these dominant ideologies as they have grown up through such entities as religious doctrines, philosophy
这本书是越来越多的学术书籍的一个受欢迎的补充,这些书籍严肃地对待非人类动物的表现方式,当涉及到与我们共享地球的其他动物的待遇等更大的问题时,具有重要的意义。这本书的众多优势之一是,它提供了具体而详细的例子,艺术史学家可以批判性地参与这些问题,超越明显的和预期的方法和例子。第二个也是同样重要的优点是,约翰逊承认动物的身体在许多方面与艺术史有着直接的物质联系。颜料、材料、粘合剂以及许多图像经常出现的表面都包含来自动物身体的“成分”。例如,约翰逊对威廉·梅里特·蔡斯(William Merritt Chase) 19世纪的鱼画的讨论是典型的,因为对这些画的分析清楚地提醒人们,艺术中使用的釉料和胶水长期以来是如何来自鱼的身体的。正如我在其他地方所写的,艺术史是动物的历史,然而,基于大多数关于艺术的文章,你可能不知道这一点,这是可以原谅的。约翰逊在这里的作品是一个值得注意的例子,说明我们必须在任何旨在批判性地思考动物表现的分析中考虑艺术的这些物质方面。当然,动物在艺术中的表现有着悠久而复杂的历史。人们不需要在艺术史调查教科书中寻找对非人类动物的描绘。然而,直到最近,关于表现这些生物的伦理的批判性讨论在艺术史学科中基本上是缺席的。约翰逊认为,艺术可以告诉我们,在特定的时间或地点,人们对非人类动物的主要思维方式。约翰逊的分析也清楚地表明,当涉及到艺术和艺术史时,意义的本质是狡猾的。正如她所写的,曾经被认为“仅仅是代表性的”图像,现在可以被理解为“道德工具”(第2页),当通过一个镜头来看时,不认为非人类动物在艺术中的存在是理所当然的。气候紧急情况和COVID-19大流行突显了批判性地审视我们与其他物种的关系是多么紧迫。有些人可能会质疑,探索前几个世纪的艺术如何能对当前的这项重要工作做出贡献。换句话说,一幅17或18世纪的画作在我们当代的语境中有什么意义?这个问题的答案是约翰逊的关键观点之一,即在许多情况下,以前表现和思考非人类动物的方式的遗产今天仍然根深蒂固。换句话说,要改变我们现在与动物互动的方式,就需要我们勤奋地追踪这些主导意识形态的根源,因为它们是通过宗教教义、哲学、政治和艺术风格等实体成长起来的。约翰逊在这本书中探索的例子表明,物种主义和人类中心主义是如何通过欧洲艺术史上的广泛例子得以延续(有时也受到挑战)的。虽然约翰逊承认她在书中详细阐述的每个例子都存在差异和具体背景,但她也令人信服地认为,有一些共同的线索使这些案例研究能够很好地结合在一起。其中包括在欧洲历史上,某些非人类动物作为“美好生活”的象征之间日益紧张的关系,在这个时期,人们对虐待动物的担忧也在增加。我发现约翰逊的书中特别重要的一点是,她扩展了目前存在于艺术史和动物研究交叉领域的对话类型。例如,她包括了一章关于猫的表现,这是一个受欢迎的文献补充,因为很少有学术文本认真考虑以前时代猫图片的复杂性。近年来出版了一些优秀的文本,考虑了猫在当代数字视觉文化中的描绘方式(例如,参见杰西卡·马多克斯(Jessica Maddox)的新书《互联网是给猫的》(the Internet Is for cats)),但是,在很大程度上,关于以前历史时期非人类动物表现的学术研究往往掩盖了对猫的描绘,而倾向于马和狗等动物。然而,这种对猫的描绘的批判性分析特别说明了表现如何对那些在艺术中呈现的血肉关系产生现实世界的影响。约翰逊在猫的这一部分中借鉴了许多艺术家的作品——阿尔布雷希特·德·<s:1>勒、老扬·勃鲁盖尔、彼得·保罗·鲁本斯、列奥纳多·达·芬奇和伦勃朗·范·莱因,仅举几例。 当然,虽然这些艺术家都在不同的背景下工作,但他们对猫的表现在这个分析中将他们联系起来。猫在欧洲艺术史上具有复杂的象征意义,经常作为邪恶的视觉表现和“威胁人物的化身”;正如约翰逊所说,“许多艺术家塑造了公众对猫被征服的想象”(第29页)。然而,也有许多艺术家的例子——主要是在文艺复兴和巴洛克艺术史的背景下——采取了截然不同的方法,强调“猫天生的优雅、优雅、耐心和冷静的品质”(第44页)。约翰逊考虑了伊甸园的表现,这些画提供了一种独特的神学课程和关于自由生活和驯养动物的文化观念的混合。正如约翰逊解释的那样,猫经常出现在这类艺术中,作为“不道德行为的象征”(第29页)。约翰逊将这种具有代表性的比喻与对待真正有血有肉的猫联系起来,并指出其后果“对动物本身来说是可怕的”。换句话说,通过将猫等同于罪恶,这些动物通常存在于“人类关注”的领域之外(第29页)。然而,与此同时,约翰逊注意到猫很容易在“野生”和“家养”之间游走——无论是在现实生活中还是在绘画的视觉表现中——这使得它们的分类变得相当棘手。艺术,伦理和人与动物关系的同一部分讨论了大型猫科动物(狮子,老虎等)和小型猫科动物(家猫)的表现,因为它们通常在这类艺术作品中被忽略。然而,约翰逊提出的一个特别引人注目的观点是,尽管在这本书中分析的基督教意象中有大量这两种类型的猫,但圣经中没有直接提到小猫。这些动物的象征意义在这些视觉描绘中有了更深的含义。正如Johnson所指出的,“也许它们在圣经叙事中的缺席是由于小猫与人类的关系不明确”(第30页)。它们都是受人喜爱的伴侣,并且顽固地抵制控制它们的努力,导致了复杂且经常相互矛盾的象征主义——这提醒我们,对艺术的视觉分析必须始终伴随着深刻的语境分析。同样,在“高级时装中的美德与罪恶”一章中,约翰逊在现有的关于在时装中使用动物和动物身体部位的讨论的基础上,又为对话增加了新的视角和例子。在这里,她考虑了穿着由特定类型的动物身体制成的产品如何成为奢侈品的象征,以及这种分类如何似乎否定了对动物福利和人道待遇的关注。“食用和运输动物,”约翰逊写道,“至少经历了对它们的福利的粗略的伦理关注”,而用于时尚服装的动物“在思想和实践中被随意丢弃,成为人类贪婪的商品”(第71页)。在《艺术、伦理和人与动物的关系》的这一部分中,约翰逊审视了基督教价值观与人类身体装饰之间存在的紧张关系,这种紧张关系超出了仅仅是生存所必需的。换句话说,当取走动物的生命是为了时尚装饰和奢侈品时,与为了保暖和保护而取走动物的生命是否应该有不同的判断?英国讽刺艺术家约翰·科莱(John Collet)在18世纪创作的一幅版画就是一个令人心酸的例子,说明了一些人对为了个人装饰而夺走生命感到不安。在这幅极其丰富的画面中(《受惊的羽毛集市》,1772年),我们看到鸵鸟在追逐两个帽子上戴着大鸵鸟羽毛的女人。对这些鸟的仔细检查表明,它们被拔了毛,拔去了羽毛,用来做女帽。在科莱翻转桌子的场景中,鸵鸟们不会容忍这一点,去追求属于他们的东西。虽然科莱以他的讽刺而闻名,这幅版画为鸟类提供了美味报复的可视化,但这幅作品的核心争论是一个非常严肃的争论,尤其是对于那些为了时尚而牺牲的非人类动物。这种形象发挥了重要作用,特别是当动物福利运动开始获得牵引力时。正如约翰逊所写,“诸如此类的道德谩骂扩展了对动物的道德待遇的讽刺叙述”(第74页)。事实上,在动物保护组织的出版物中,这种讽刺的形象由来已久。就像第一章关于猫的情况一样,这本书的时尚部分的优势之一是考虑动物(以及它们总是联系在一起的表现形式),而不是在艺术史或动物研究文本中通常处理。 虽然其他学者也讨论过“杀
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引用次数: 0
Kiska: In Memoriam 基斯卡:纪念
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.01
Editorial| October 01 2023 Kiska: In Memoriam Journal of Animal Ethics (2023) 13 (2): v–vi. https://doi.org/10.5406/21601267.13.2.01 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Kiska: In Memoriam. Journal of Animal Ethics 1 October 2023; 13 (2): v–vi. doi: https://doi.org/10.5406/21601267.13.2.01 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Animal Ethics Search Advanced Search On March 10, 2023, MarineLand Canada announced the death of Kiska the orca. She was the last orca held captive in Canada. Referred to as the “world's loneliest orca” Kiska had lived alone in her tank for the last 12 years after more than 4 decades in captivity. She was captured in 1979 in the North Atlantic Ocean. During 40 years of captivity, she had birthed five calves, none of whom survived. She died of a bacterial infection at the estimated age of 47 (Trethewey, 2023).Orcas are highly intelligent, socially complex, autonomous animals who possess large, elaborate brains. Scientific evidence has shown “unequivocally that flourishing is impossible for cetaceans [whales and dolphins] in captivity. Cetacean nature and captivity are fundamentally incompatible” (Marino, 2018, p. 208). Video footage of Kiska revealed the zoochosis behavior induced by captivity as “repetitive and lethargic. When not swimming in slow circles or... You do not currently have access to this content.
社论| 2023年10月1日基斯卡:纪念动物伦理学杂志(2023)13 (2):v-vi。https://doi.org/10.5406/21601267.13.2.01查看图标查看文章内容图和表视频音频补充数据同行评审共享图标共享Facebook Twitter LinkedIn电子邮件工具图标工具权限引用图标引用搜索网站引文基斯卡:在纪念。动物伦理学杂志2023年10月1日;13 (2): v-vi。doi: https://doi.org/10.5406/21601267.13.2.01下载引用文件:Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有学术出版集体伊利诺伊大学出版社动物伦理杂志搜索高级搜索2023年3月10日,加拿大海洋保护区宣布逆鲸Kiska死亡。她是加拿大最后一只被囚禁的虎鲸。被称为“世界上最孤独的逆戟鲸”的Kiska在被囚禁了40多年后,在过去的12年里一直独自生活在她的水箱里。她于1979年在北大西洋被捕获。在40年的囚禁中,她生了五只幼崽,但没有一只存活下来。她死于细菌感染,估计享年47岁(Trethewey, 2023)。逆戟鲸是高度聪明、社交复杂、自主的动物,它们拥有庞大而精致的大脑。科学证据表明,“毫无疑问,圈养的鲸类动物(鲸鱼和海豚)不可能繁衍生息。鲸类动物的本性和圈养从根本上是不相容的”(马里诺,2018年,第208页)。基斯卡的视频片段显示,圈养引起的动物病行为是“重复和嗜睡的”。当你不游慢圈或…您目前没有访问此内容的权限。
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引用次数: 0
Red Gold: The Managed Extinction of the Giant Bluefin Tuna 红金:巨型蓝鳍金枪鱼的管理灭绝
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.11
Rebecca Jenkins
On its face, Telesca's nonfiction work on tuna extinction has little in common with Alan Furst's novel of the same name. How could a nonfiction book concerning the extinction of the great bluefin tuna have anything in common with a fictional story of a corrupt and shadowy underworld during the French Resistance? However, upon closer examination, Telesca's exploration into the International Commission for the Conservation of Atlantic Tuna (ICCAT) uncovers some shared themes: secrecy and lack of transparency, internationalism, greed, law, injustice, inequality, morality, and ethics. Telesca's book sadly deals with facts and not fiction.Bluefin tuna are known as “red gold” as a result of the exorbitant price their ruby-colored flesh is traded for in the sushi economy. The bluefin is not a typical fish in that she is warm-blooded. That's why her meat is red. Just one bluefin tuna from the Pacific sold for a record of US$3.1 million at Tokyo's Tsukiji marketplace in January 2019 (Telesca, 2021, p. 10). But as Telesca emphasizes, she is much more than a commodity. Bluefin are the largest tunas and can live up to 40 years. They migrate across all oceans and can dive deeper than 3,000 feet. We now know, because of modern scientific research, that it is extremely likely that they are more like us than we once thought—sentient creatures who experience pain, suffering, and pleasure in ways similar to other animals, like us. As the late Professor Victoria Braithwaite (2010) wrote: “I have argued that there is as much evidence that fish feel pain and suffer as there is for birds and mammals—and more than there is for human neonates and preterm babies” (p. 153). And yet, the bluefin tuna's commodification, slaughter, and species journey toward extinction continues today.Red Gold is a dense but worthwhile read that explores the history and current status of the bluefin tuna trade, the limits of environmental activism in this area, the mistakes of fisheries science, and a confrontation of the sixth extinction we are currently living in. Telesca makes the case that despite the endangered status of this tuna, the ICCAT has not failed its institutional mission, but rather it is succeeding in its mission under international law. Its mission is not the preservation or conservation of aquatic animals but rather to maximize fishing in order to grow national economies. Telesca posits that in order to address this issue, we need more than just institutional reform alone, such as a more holistic reform of the dominant attitudes toward fishing in our cultures.Despite stringent restrictions on journalists’ access to ICCAT talks, ICCAT accredited the Institute for Public Knowledge at New York University to become an observer in 2010. In this capacity, the author spent three years attending various ICCAT meetings and another two years interviewing some 40 ICCAT representatives. Archival materials and news media accounts supplemented hard-to-get data based on first-person, on-
这本书给动物伦理学家对“管理”动物的国际条约的理解和洞察是非常重要的知识。在动物保护界,有时甚至是动物保护界,有时有人建议,更多的国际条约,比如这本书的主题,ICCAT,可能是迈向一个更好地保护动物免受灭绝、痛苦和剥削的世界的关键策略。然而,本书可以解读为,动物商品地位的更根本转变可能是任何此类条约实现上述目标的必要先决条件。诸如《保护动物公约》委员会提出的努力,试图应对这些紧张局势(Favre, 2016;1988)。《红色黄金》是一本关于复杂主题的复杂书籍。它强调了在我们这个以人类为中心的世界里,非人类和水生动物所面临的许多问题,作者称之为“采掘资本主义”(Telesca, 2020年,第10页)。对于这个问题,作者没有提供简单的银弹解决方案。然而,作者确实提供了一个相互关联的解决方案的复杂网络。这些解决方案主要基于我们的主导文化需要思考并从根本上改变我们对其他动物的个人和集体态度,以“共同关心和管理共同的星球”(Gaworecki & Telesca, 2021)。
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引用次数: 0
Game: Animals, Video Games, and Humanity 游戏:动物、电子游戏和人性
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.20
Randy Malamud
Tom Tyler opens his quirkily engaging book discussing how a (relatively) ancient video game, Nintendo's 1984 Duck Hunt, provided gamers with “a pleasant emulation, at one remove or more, of the pleasures to be had shooting animals” (p. 1). It has always been difficult for me to understand the pleasures of shooting actual living animals, and I have similar (though less intense) feelings about shooting digital animals (including human animals). If it's probably not as bad as actually killing living creatures, still . . . why do it? Doesn't the gamed simulation somehow glorify or reify the literal violence it apes? Does it cultivate a taste for shooting, maiming, murdering? Or might it, as some believe, perhaps provide a release-hatch, satisfying that base desire without actually massacring living creatures, proving a harmless outlet for the male human need to show his own skill and acuity by opening fire on living targets and destroying as many of them as possible? But in any case, isn't there something more constructive we could all be doing with our time and media?I began reading Game: Animals, Video Games, and Humanity in a mood of cranky resistance to its premise that video games embodied some salient and worthy fields for anthrozoological exploration. But I also had a lurking suspicion that Tyler would surprise and seduce me as he did in his previous monograph Ciferae: A Bestiary in Five Fingers (University of Minnesota Press, 2012), where his rich multidisciplinary discussions undergirded a dazzling investigation of humans, other animals, hands (which humans do not have a monopoly on!), and the history of consciousness predicated—until Tyler gets his deconstructive chops into it—upon exceptionalist human supremacy shining against a dim backdrop of negligible, marginalized animality.And indeed, after an opening gambit leaves the reader spattered with the figurative viscera of dead ducks, Tyler launches into a baker's dozen of essays, mostly previously published individually and effectively woven together here, examining “some of the complex ways in which players of video games have been invited to encounter, understand, and engage animals” (p. 3). OK, I'm game. Game on.Game explores how the digital discourse at hand has “articulated or elided differences between individual animals, or between species or entire classes of animal” (p. 3). How are the featured animals presented? How are they contextualized as quarry/objects/resources? And crucially, Tyler asks, returning to his interest from Ciferae of interspecies contiguities and constructed disruptions, “how have games imagined, addressed or suppressed the differences and similarities that are supposed to pertain between animals and human beings?” (p. 3).The clever video games are created by clever human designers for clever human consumers. But Tyler wonders, subversively, whether other animals might help us humans understand how to play the games—“the conditions that qualify as winning or lo
Tyler报告说,前卫的游戏设计师Ian Bogost写道,像《farmville》这样的游戏很有趣!在讨论Bogost所揭示的虚无主义的荒诞主义时,泰勒将“把动物当作密码”与卡罗尔·亚当斯(Carol Adams)关于动物是“缺席的指涉物”的观点联系起来,后者否认了动物的个体存在,通过减轻罪恶感,诱导肉食者认为动物不存在:牛排或汉堡、排骨或香肠,而不是牛和猪,从而使它们成熟到可以被屠宰。泰勒解释了玩Pong游戏的猩猩,玩Pig Chase游戏的猪,玩Cat Cat Revolution游戏的猫,还有一只名叫Crunch的长胡子蜥蜴,她在玩Ant catcher游戏时用舌头碾碎了虚拟的昆虫——这是真的!这类活动通常是为圈养动物准备的:动物园管理员认为电子游戏是他们的囚犯“无限丰富的机会”。在Tyler的显微镜下,一个更奇怪的游戏比喻是粪便。在一篇名为“全是胡扯!”副标题是“为什么你应该对垃圾和其他很多东西充满热情”(第90页),泰勒仔细考虑了吃豆人角色在迷宫中蹦蹦跳跳时对樱桃、草莓等东西的永不满足的消耗,然后提出了一个极其明智的问题(我在学生会把装满硬币的行李箱塞进吃豆人游戏机的那些年里从未想过要问这个问题),“他们的食物去哪儿了?”如果游戏是一个资本主义消费的模式,那么它的“必然结果……”同样重要的排泄问题?(第91页)。泰勒亲切地安排了一次以大便为主题的电子游戏之旅。有时排泄物是人类的,比如《毁灭公爵》游戏中的粪便幽默,《模拟城市》中的下水道,以及《南方公园:真理之杖》中的排便化身。但粪便更多来自其他动物:在《猎人:荒野的呼唤》中,粪便帮助玩家追踪猎物,而在《怪物猎人:世界》中,以“粪便舱”形式出现的弹药会让怪物逃跑,在这里,一个特别狡猾的战士会成为粪堆大师。在Ōkami,同样,“爆炸有效的‘棕色狂怒’战斗技术”(第92页)武器化动物粪便。在伴侣动物模拟游戏《Nitendogs + Cats》中,动物粪便是一件烦人的事情,玩家必须清理并打包他们的动物同伴的粪便。在一款名为《Zoo Tycoon》的商业管理游戏中,这项任务“变成了清理大象、狒狒、斑马和许多其他生物的无休止的责任”。(从这个游戏中得到的实际教训可能是,我们不应该有动物园,但这可能是另一本书。)在《Farming Simulator》、《Survival Evolved》和《Don't Starve》等游戏中出现了更多关于粪便的人类动物学迭代,在这些游戏中,动物粪便的作用是提高作物产量,从而促进胜利。在《屎壳郎》(游戏邦注:这是《吃豆人》的翻版)中,玩家在导航过程中“一边吞食豆子,一边躲避大量屎壳郎”。当玩家咀嚼圆点时,甲虫会“留下一串小小的红色粪便”(第93页),甲虫会发现并吞食这些粪便,并将它们直接引向角色。“如果其中一只屎壳郎抓住了你,游戏就会以嘲弄的、合成的‘我们抓住你了!’”(第94页)。有趣,但正如泰勒指出的那样,不准确。在游戏中,名义上的“贪婪的对手是一个严重的威胁,通过你的粪便跟踪你,如果成功,会导致你立即死亡”(第102页)。事实上,生活在从雨林到沙漠栖息地的7000种蜣螂中,没有一种“能快速跟踪粪便的痕迹,也没有一种能致命地恐吓粪便的制造者”(第103页)。它们在寻找粪便的过程中所做的事情非常有趣,在我看来,它们可能会制作出更好、更有生态价值(也就是更准确)的一系列视频游戏:有些动物会把粪便做成球,需要的时候它们会把球滚出去藏起来;有些人在粪便下面挖洞,把大块的粪便推进去;有些偷其他甲虫的粪便;还有一些就在粪便所在的地方安顿下来,对我来说,这似乎是阻力最小的道路,如果我转世为屎壳郎,我可能会选择这条路。Game出色地展示了关于动物的电子游戏如何提供了教育和反思人类与动物相遇的机会——这是有教育意义的时刻——但也有可能放大偏见和虚假信息。泰勒的作品从视频屏幕奇妙地推断出其他动物的生存条件、文化结构和命运。
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引用次数: 1
Wagner's Animal Ethics and Its Debt to Schopenhauer 瓦格纳的《动物伦理学》及其对叔本华的影响
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.07
Laura Langone
Abstract Richard Wagner's animal ethics is an underresearched issue within Wagner scholarship. In this article, I aim to fill this gap. In particular, I will demonstrate that, by drawing on Schopenhauer's philosophy, Wagner indicated a path to elaborate an animal ethics. First, I will reconstruct Schopenhauer's animal ethics, showing how it was deeply imbued with tenets of Brahmanism and Buddhism. Second, I will deal with Wagner's animal ethics, illustrating its indebtedness to Schopenhauer.
理查德·瓦格纳的动物伦理学是瓦格纳学术研究中一个未被充分研究的问题。在本文中,我打算填补这一空白。特别是,我将证明,通过借鉴叔本华的哲学,瓦格纳指出了一条详细阐述动物伦理学的道路。首先,我将重建叔本华的动物伦理学,展示它是如何深深浸透了婆罗门教和佛教的教义。其次,我将处理瓦格纳的动物伦理,说明其亏欠叔本华。
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引用次数: 0
Was fehlt uns, wenn uns die Tiere fehlen? Eine theologische Spurensuche [What Do We Lack When We Lack Animals? A Theological Search for Traces] 如果我们看不到动物我们怎么了?神学鉴别?(我们在动物家做什么?)寻求线索的神学
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.16
Kurt Remele
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引用次数: 0
Sustainability Policy and the Stage of Divine Play: Hindu Philosophy at the Nexus of Animal Welfare, Environment, and Sustainable Development 可持续性政策和神圣游戏的舞台:印度哲学在动物福利,环境和可持续发展的关系
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.08
Wolf Gordon Clifton
Abstract International policy frameworks can influence values and ideals by promoting a common conception of societal good, a domain overlapping with the traditional concerns of religion. Animal welfare has begun to receive attention in the UN environmental and sustainable development policy. This article explores the potential for Hindu religious communities and organizations to contribute to the creation and implementation of policy on animal welfare and the environment. The article centers on a discussion of the UN Environment Assembly's March 2022 resolution on the Animal Welfare—Environment—Sustainable Development Nexus and the traditional Hindu concepts of līlā (divine play), ahiṃsā (harmlessness), and sevā (service).
国际政策框架可以通过促进社会福利的共同概念来影响价值观和理想,这是一个与宗教传统关切重叠的领域。动物福利已经开始受到联合国环境和可持续发展政策的关注。本文探讨了印度宗教团体和组织在制定和实施动物福利和环境政策方面的潜力。这篇文章主要讨论了联合国环境大会2022年3月关于动物福利-环境-可持续发展关系的决议,以及传统的印度教概念l(神圣的游戏)、ahiṃsā(无害)和sevha(服务)。
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引用次数: 0
Ethical Veganism as Quiet Resistance 伦理纯素食主义是无声的抵抗
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.09
Nancy M. Williams
Abstract In this article, I will argue that ethical veganism can be understood as a form of quietism, as a quiet retreat from a world burdened by human moral failings and animal suffering. I will also show how this retreat, although quiet in nature, is both a legitimate and valuable form of genuine resistance to animal oppression. Positing ethical veganism as a form of sociopolitical resistance to animal exploitation is not new, but thinking of it as a quietist retreat and a legitimate and valuable form of quiet resistance is a different matter.
在这篇文章中,我将论证伦理纯素食主义可以被理解为一种静寂主义,作为一种从人类道德缺陷和动物痛苦负担的世界中安静地撤退。我还将展示这个静修,虽然在大自然中是安静的,但却是一种合法而有价值的抵抗动物压迫的形式。将道德素食主义作为一种社会政治抵抗动物剥削的形式并不新鲜,但将其视为一种安静主义者的撤退和一种合法而有价值的安静抵抗形式则是另一回事。
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引用次数: 0
Unnatural Companions: Rethinking Our Love of Pets in an Age of Wildlife Extinction 非自然的伴侣:在野生动物灭绝的时代重新思考我们对宠物的爱
Pub Date : 2023-10-01 DOI: 10.5406/21601267.13.2.13
Joan E. Schaffner
In Unnatural Companions: Rethinking Our Love of Pets in an Age of Wildlife Extinction, Peter Christie, an award-winning science journalist, blames “pets” and the “pet industry” for replacing the role of nature in human experience and devastating free-living animal populations and attributes this to our misplaced biophilia. Christie explains that “biophilia,” popularized by Edward O. Wilson, “is the innately emotional affiliation of human beings to other living organisms” (p. 16). Wilson believed that biophilia would be the foundation for our interest in and desire to protect nature. However, instead of protecting nature, humans found another outlet for our biophilia—companion animals. Noting that the number of dogs and cats in the United States has doubled in the past 50 years while the number of free-ranging backboned creatures has halved, Christie details how our love of companion animals is contributing to the greatest environmental crisis faced by the global ecosystem. For Christie, the irony is that “pet owners”—the very folks destroying the planet—are the same folks who tend to care about animals and thus are the people the planet needs to save it. Thus, the need for Unnatural Companions—to create awareness about how companion animal keeping is threatening free-living animals vital to our planet and place a call to action for companion keepers to step up for nature.Christie's background as a conservationist is evident throughout as he makes clear that what is truly valuable is nature—viewed at the species level, not at an individual animal—and that we must end our fascination with “pets” who are destroying it. Each chapter details the destruction companion animals have on nature through interviews with a variety of individuals, from Peter Marra, a conservation scientist described as an animal lover while arguing for the eradication of all free-roaming cats in his book Cat Wars, to Tom Rahill, a contractor hired to kill Burmese pythons in the Florida Everglades.Chapter 3, “Cat War Battles,” begins with the familiar conservationist story that pits cats against birds. Christie recounts as “science” Marra's oft-cited estimates of the billions of birds and small mammals allegedly killed by cats annually in the United States to support the eradication of all free-roaming cats while characterizing those who challenge these estimates and seek humane, nonlethal methods for managing the free-roaming cat population as an “organized misinformation campaign that's influencing conservation policy . . . [and] undermining efforts to stop the devastation. . . . [P]ro-cat people have discovered an endless well of faith in their cause . . . as a tool they pit against science” (p. 63). Further, Christie notes that even “man's best friend” holds “the number three spot after cats and rodents as the world's most damaging invasive mammalian predators” (p. 58). It is disappointing that Christie opens, uncritically, with the age-old cat versus bird battle and demoni
在《非自然的伴侣:在野生动物灭绝的时代重新思考我们对宠物的爱》一书中,获奖的科学记者彼得·克里斯蒂(Peter Christie)指责“宠物”和“宠物产业”取代了自然在人类生活中的作用,破坏了自由生活的动物数量,并将其归咎于我们错误的亲生物情结。克里斯蒂解释说,爱德华·o·威尔逊(Edward O. Wilson)推广的“亲生命”(biophilia),“是人类对其他生物的一种天生的情感联系”(第16页)。威尔逊相信,热爱生命将成为我们对自然的兴趣和保护自然的愿望的基础。然而,人类并没有保护自然,而是找到了另一个发泄我们对生物的喜爱的途径——伴侣动物。克里斯蒂指出,在过去的50年里,美国的狗和猫的数量翻了一番,而自由放养的脊椎动物的数量却减少了一半,他详细介绍了我们对伴侣动物的热爱是如何导致全球生态系统面临的最大环境危机的。对克里斯蒂来说,具有讽刺意味的是,“宠物主人”——那些正在破坏地球的人——正是那些倾向于关心动物的人,因此是拯救地球所需要的人。因此,我们需要非自然伴侣——让人们意识到饲养伴侣动物是如何威胁到对我们星球至关重要的自由生活的动物,并呼吁伴侣饲养者采取行动,保护自然。克里斯蒂作为环保主义者的背景贯穿始终,他清楚地表明,真正有价值的是自然——从物种的角度来看,而不是从单个动物的角度来看——我们必须结束对破坏自然的“宠物”的迷恋。每一章都通过采访不同的人详细描述了伴侣动物对自然的破坏,从彼得·马拉(Peter Marra)到汤姆·拉希尔(Tom Rahill),他是一名保护科学家,在他的书《猫之战》(Cat Wars)中主张消灭所有自由漫游的猫,他被描述为一名动物爱好者,他是一名承包商,受雇在佛罗里达大沼泽地(Everglades)杀死缅甸蟒蛇。第三章,“猫大战”,以一个熟悉的动物保护主义者的故事开始:猫和鸟之间的战争。克里斯蒂将马拉经常被引用的关于美国每年有数十亿只鸟类和小型哺乳动物被猫杀死的估计描述为“科学”,以支持根除所有自由漫游的猫,同时将那些挑战这些估计并寻求人道、非致命方法来管理自由漫游的猫的人描述为“有组织的错误信息运动,正在影响保护政策……破坏阻止破坏的努力. . . .反猫族发现了对他们事业的无尽信心……作为一种工具,他们反对科学”(第63页)。此外,克里斯蒂还指出,即使是“人类最好的朋友”,也是“仅次于猫和啮齿动物的世界上最具破坏性的入侵性哺乳动物捕食者”(第58页)。令人失望的是,克里斯蒂不加批判地以古老的猫与鸟之战开场,并将家猫和狗妖魔化为入侵性掠食者。此外,克里斯蒂没有区分从“宠物店”(可能来自“宠物工厂”)或饲养员那里“购买”狗或猫的“宠物主人”和那些从收容所或救援机构收养无家可归动物的人。这些人导致了数量的增加和经常虐待的繁殖条件。接下来,克里斯蒂的目标是外来动物贸易,这种贸易鼓励诱捕、运输和出售自由放养的动物,以服务于“宠物市场”,并在动物逃跑或被“主人”释放时将非本地物种引入环境。克里斯蒂指出,三分之一的自由放养鸟类受到动物贸易的影响,对这些和其他外来动物的诱捕导致了它们自然栖息地的灭绝。此外,管理“野生动物”贸易的国际条约《濒危野生动植物种国际贸易公约》未能充分保护濒危物种,而非法动物贸易的规模至少是合法贸易的三分之一。而且,一旦被购买,这些外来物种的入侵会摧毁本土动物,它们会直接杀死本土动物,还会引入本土物种无法抵御的疾病。克里斯蒂讲述的关于野生动物贸易危害的故事令人信服;然而,佳士得未能将家养猫狗的饲养与外来动物的饲养区分开来,也没有承认对外来动物个体的严重伤害,这些动物的家应该在它们的自然栖息地,而不是在笼子、水族馆或公寓里,这令人沮丧。此外,针对这些“入侵掠食者”提出的解决方案是杀死它们,拉希尔可以说是美化了这种杀戮,他解释说,他的美国退伍军人团队在失去了在军队中找到的同志情谊和目标感后,在杀死大沼泽地蟒蛇中找到了解脱、目标感和冒险。 最后,克里斯蒂建议我们更好地规范贸易,缩小非法运输动物的差距,而不是提议禁止外来动物贸易。在第七章中,克里斯蒂详细描述了“宠物食品工业”,特别是使用大量生肉和鱼的高端食品制造商,是如何给自然造成灾难的。克里斯蒂叙述说,农业正在以无数的方式伤害自由生活的动物,包括将自然栖息地变成农田,杀死那些捕食农场动物的动物,消耗的水比其他任何人类用途都要多,同时也污染了同样的水。此外,过度捕捞供自由生活的动物食用的饲料鱼种群可以追溯到伴侣动物食品,因为从海洋中捕捞的每七船鱼中就有一船被用来喂养我们的伴侣动物。这一章非常有力,针对的是对人类、动物和环境健康的最大威胁之一,即工业农业综合体。然而,值得注意的是,我们没有考虑到饲养和屠宰用于食用的农场动物所受到的伤害,也没有认识到,尽管优质的伴侣动物食品可能会加剧农业造成的虐待和破坏,但除非人类转向更多的植物性饮食,否则无论有没有我们的伴侣,这种破坏都将继续下去。接下来,克里斯蒂将伴侣动物饲养者在动物身上花费的大量资源与政府在保护自然方面花费的少量资源进行了比较。他指出,世界各地的伴侣动物饲养者在动物身上花费的资金是各国为保护生物多样性所花资金总和的四倍多。然而,尚不清楚这种支出上的差异如何支持克里斯蒂的假设,即我们的同伴正在摧毁我们的星球,因为他承认“没有任何迹象表明,花在宠物身上的钱是以牺牲野生动物的钱为代价的”(第162页)。尽管克里斯蒂认为,如果照顾伴侣的人明白“金钱买不到爱,但它可以帮助人们在一个没有生物多样性的世界里保持孤独”(第173页),他们可能更有可能敦促政府加大对保护动物的支出,或者可能为保护动物的努力捐款,而不是把钱花在他们的伴侣动物身上。在倒数第二章中,克里斯蒂探讨了我们错位的生命爱好所带来的意想不到的好处。家狗,以前被认为是大自然的噩梦,可以极大地帮助保护工作,因为它们敏锐的嗅觉,例如,可以嗅出斑马贻贝,破坏蒙大拿湖泊的非本地软体动物,而守护犬可以用来保护猎物免受捕食者的攻击,而不是用枪,陷阱或毒药杀死它们。克里斯蒂甚至发现了外来动物贸易的一线希望,他指出,在原生栖息地几乎灭绝的自由放养的动物在非原生栖息地繁衍生息,而外来动物通过激发与它们互动的人们对动物的兴趣,并为研究提供了动物来源,有助于保护那些不再生活在自然界中的物种。虽然听到我们的犬类同伴的积极属性和对非致命管理方法的认可令人耳目一新,但克里斯蒂再次令人失望的是,他以人类为中心,专注于为人类服务的外来动物贸易的好处,包括促进研究和保护物种,即使是在个体动物被圈养而不是生活在自然家园的情况下。最后,克里斯蒂回到了我们对生命的热爱,以及我们如何将我们错位的生命热爱转变为帮助自由生活的动物。他认为,与其关注伴侣动物饲养者和环保主义者之间的分歧,我们更需要关注我们的共同目标,对自然的困境和市场的补救转型有更深刻的认识。了解了我们的同伴和伴随的食品工业所造成的危害,我们可以改变我们的行为,以限制我们的同伴对自由生活的动物的负面影响,用我们的钱包投票,以引起“宠物行业”的注意。这最后的行动呼吁是一个令人惊喜的关注弥合动物倡导者和保护主义者之间的差距。最终,认识到我们作为伴侣动物的照顾者和保护主义者的行为的后果,并遵循保护所有动物生命的道德规范,将为所有人带来更美好的未来。
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Journal of applied animal ethics research
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