Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.22
Other| October 01 2023 About the Authors Journal of Animal Ethics (2023) 13 (2): 229–232. https://doi.org/10.5406/21601267.13.2.22 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation About the Authors. Journal of Animal Ethics 1 October 2023; 13 (2): 229–232. doi: https://doi.org/10.5406/21601267.13.2.22 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Animal Ethics Search Advanced Search MARIS BECK is a doctoral candidate in the Faculty of Science, School of Geosciences at the University of Sydney in Australia. She has professional experience as a corporate consultant and company director. Her qualifications include a master's in international politics (University of Melbourne), awarded with dean's honors; a diploma of government investigations (Australian Security Academy); and the foundations of directorship (Australian Institute of Company Directors). Research interests include: business-based approaches to animal studies and racehorse welfare. Email: maris.beck@sydney.edu.auLAUREN BESTWICK recently gained her BA in history from Worcester College, University of Oxford. She is an alumnus of the Oxford University Society for Animal Ethics. Research interests include: early modern Britain and Europe. Email: lbestwick8001@gmail.comCINI BRETZLAFF-HOLSTEIN is a professor of social work and director of the online BSW program at Trinity Christian College in Palos Heights, Illinois, and a licensed social worker in the state of Illinois. Bretzlaff-Holstein is a... You do not currently have access to this content.
其他| October 01 2023 About Authors Journal of Animal Ethics(2023) 13(2): 229-232。https://doi.org/10.5406/21601267.13.2.22查看图标查看文章内容图和表视频音频补充数据同行评审共享图标共享Facebook Twitter LinkedIn电子邮件工具图标工具权限引用图标引用搜索网站引文关于作者。动物伦理学杂志2023年10月1日;13(2): 229-232。doi: https://doi.org/10.5406/21601267.13.2.22下载引用文件:Zotero参考资料管理器EasyBib Bookends Mendeley论文EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有学术出版集体伊利诺伊大学出版社动物伦理杂志搜索高级搜索MARIS BECK是澳大利亚悉尼大学地球科学学院科学学院的博士候选人。她有担任企业顾问和公司董事的专业经验。她的学历包括:获得墨尔本大学国际政治硕士学位,并获得院长荣誉;政府调查文凭(澳大利亚安全学院);董事资格的基础(澳大利亚公司董事协会)。研究兴趣包括:基于商业的动物研究方法和赛马福利。邮箱:maris.beck@sydney.edu.auLAUREN BESTWICK最近在牛津大学伍斯特学院获得了历史学学士学位。她是牛津大学动物伦理协会的校友。研究兴趣包括:近代早期英国和欧洲。电邮地址:lbestwick8001@gmail.comCINI BRETZLAFF-HOLSTEIN是伊利诺斯州帕洛斯海茨圣三一基督教学院的社会工作教授和在线BSW项目主任,也是伊利诺斯州的一名有执照的社会工作者。Bretzlaff-Holstein是…您目前没有访问此内容的权限。
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Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.12
Keri Cronin
This work is a welcome addition to the growing list of scholarly books that take seriously the ways that representations of nonhuman animals have significant and important implications when it comes to larger issues around the treatment of the other animals we share the planet with. One of the many strengths of this book is that it offers concrete and detailed examples of ways that art historians can critically engage with these issues, looking beyond the obvious and expected methodologies and examples.A second and equally important strength is Johnson's acknowledgment of the many ways that animal bodies have a direct material connection to art history. Pigments, materials, adhesives, and the very surface upon which many images appear frequently include “ingredients” derived from animal bodies. Johnson's discussion of William Merritt Chase's 19th-century paintings of fish, for instance, is exemplary because woven into the analysis of the pictures is a stark reminder of how glazes and glues used in art have long been derived from the bodies of fish. As I have written elsewhere, art history is animal history, and yet you would be forgiven for not knowing this based on the majority of writing about art. Johnson's work here is a notable example of how we must consider these types of material aspects of art in any analysis that aims to think critically about the representation of animals.The representation of animals in art, of course, has a long and complex history. One need not look too long through art history survey textbooks to find depictions of nonhuman animals. And yet, until very recently, critical discussions about the ethics of representing these beings have been largely absent from the discipline of art history. Art, as Johnson argues, can tell us much about the dominant ways of thinking about nonhuman animals in a given time or place. Johnson's analysis also makes clear the slippery nature of meaning when it comes to art and art history. As she writes, images that once were considered “merely representational” can now be understood as “morally instrumental” (p. 2) when viewed through a lens that does not take for granted the presence of nonhuman animals in art.The climate emergency and COVID-19 pandemic have underscored how urgent it is to critically examine our relationships with other species. Some may question how exploring art from previous centuries can contribute to this important work in the present. What, in other words, is the relevance of a painting from the 17th or 18th century in our contemporary context? The answer to this question is one of Johnson's key points, namely that in many cases, the legacy of previous ways of representing and thinking about nonhuman animals remains firmly entrenched today. In other words, to change the way we interact with animals in the present requires us to be diligent in tracing the roots of these dominant ideologies as they have grown up through such entities as religious doctrines, philosophy
这本书是越来越多的学术书籍的一个受欢迎的补充,这些书籍严肃地对待非人类动物的表现方式,当涉及到与我们共享地球的其他动物的待遇等更大的问题时,具有重要的意义。这本书的众多优势之一是,它提供了具体而详细的例子,艺术史学家可以批判性地参与这些问题,超越明显的和预期的方法和例子。第二个也是同样重要的优点是,约翰逊承认动物的身体在许多方面与艺术史有着直接的物质联系。颜料、材料、粘合剂以及许多图像经常出现的表面都包含来自动物身体的“成分”。例如,约翰逊对威廉·梅里特·蔡斯(William Merritt Chase) 19世纪的鱼画的讨论是典型的,因为对这些画的分析清楚地提醒人们,艺术中使用的釉料和胶水长期以来是如何来自鱼的身体的。正如我在其他地方所写的,艺术史是动物的历史,然而,基于大多数关于艺术的文章,你可能不知道这一点,这是可以原谅的。约翰逊在这里的作品是一个值得注意的例子,说明我们必须在任何旨在批判性地思考动物表现的分析中考虑艺术的这些物质方面。当然,动物在艺术中的表现有着悠久而复杂的历史。人们不需要在艺术史调查教科书中寻找对非人类动物的描绘。然而,直到最近,关于表现这些生物的伦理的批判性讨论在艺术史学科中基本上是缺席的。约翰逊认为,艺术可以告诉我们,在特定的时间或地点,人们对非人类动物的主要思维方式。约翰逊的分析也清楚地表明,当涉及到艺术和艺术史时,意义的本质是狡猾的。正如她所写的,曾经被认为“仅仅是代表性的”图像,现在可以被理解为“道德工具”(第2页),当通过一个镜头来看时,不认为非人类动物在艺术中的存在是理所当然的。气候紧急情况和COVID-19大流行突显了批判性地审视我们与其他物种的关系是多么紧迫。有些人可能会质疑,探索前几个世纪的艺术如何能对当前的这项重要工作做出贡献。换句话说,一幅17或18世纪的画作在我们当代的语境中有什么意义?这个问题的答案是约翰逊的关键观点之一,即在许多情况下,以前表现和思考非人类动物的方式的遗产今天仍然根深蒂固。换句话说,要改变我们现在与动物互动的方式,就需要我们勤奋地追踪这些主导意识形态的根源,因为它们是通过宗教教义、哲学、政治和艺术风格等实体成长起来的。约翰逊在这本书中探索的例子表明,物种主义和人类中心主义是如何通过欧洲艺术史上的广泛例子得以延续(有时也受到挑战)的。虽然约翰逊承认她在书中详细阐述的每个例子都存在差异和具体背景,但她也令人信服地认为,有一些共同的线索使这些案例研究能够很好地结合在一起。其中包括在欧洲历史上,某些非人类动物作为“美好生活”的象征之间日益紧张的关系,在这个时期,人们对虐待动物的担忧也在增加。我发现约翰逊的书中特别重要的一点是,她扩展了目前存在于艺术史和动物研究交叉领域的对话类型。例如,她包括了一章关于猫的表现,这是一个受欢迎的文献补充,因为很少有学术文本认真考虑以前时代猫图片的复杂性。近年来出版了一些优秀的文本,考虑了猫在当代数字视觉文化中的描绘方式(例如,参见杰西卡·马多克斯(Jessica Maddox)的新书《互联网是给猫的》(the Internet Is for cats)),但是,在很大程度上,关于以前历史时期非人类动物表现的学术研究往往掩盖了对猫的描绘,而倾向于马和狗等动物。然而,这种对猫的描绘的批判性分析特别说明了表现如何对那些在艺术中呈现的血肉关系产生现实世界的影响。约翰逊在猫的这一部分中借鉴了许多艺术家的作品——阿尔布雷希特·德·<s:1>勒、老扬·勃鲁盖尔、彼得·保罗·鲁本斯、列奥纳多·达·芬奇和伦勃朗·范·莱因,仅举几例。 当然,虽然这些艺术家都在不同的背景下工作,但他们对猫的表现在这个分析中将他们联系起来。猫在欧洲艺术史上具有复杂的象征意义,经常作为邪恶的视觉表现和“威胁人物的化身”;正如约翰逊所说,“许多艺术家塑造了公众对猫被征服的想象”(第29页)。然而,也有许多艺术家的例子——主要是在文艺复兴和巴洛克艺术史的背景下——采取了截然不同的方法,强调“猫天生的优雅、优雅、耐心和冷静的品质”(第44页)。约翰逊考虑了伊甸园的表现,这些画提供了一种独特的神学课程和关于自由生活和驯养动物的文化观念的混合。正如约翰逊解释的那样,猫经常出现在这类艺术中,作为“不道德行为的象征”(第29页)。约翰逊将这种具有代表性的比喻与对待真正有血有肉的猫联系起来,并指出其后果“对动物本身来说是可怕的”。换句话说,通过将猫等同于罪恶,这些动物通常存在于“人类关注”的领域之外(第29页)。然而,与此同时,约翰逊注意到猫很容易在“野生”和“家养”之间游走——无论是在现实生活中还是在绘画的视觉表现中——这使得它们的分类变得相当棘手。艺术,伦理和人与动物关系的同一部分讨论了大型猫科动物(狮子,老虎等)和小型猫科动物(家猫)的表现,因为它们通常在这类艺术作品中被忽略。然而,约翰逊提出的一个特别引人注目的观点是,尽管在这本书中分析的基督教意象中有大量这两种类型的猫,但圣经中没有直接提到小猫。这些动物的象征意义在这些视觉描绘中有了更深的含义。正如Johnson所指出的,“也许它们在圣经叙事中的缺席是由于小猫与人类的关系不明确”(第30页)。它们都是受人喜爱的伴侣,并且顽固地抵制控制它们的努力,导致了复杂且经常相互矛盾的象征主义——这提醒我们,对艺术的视觉分析必须始终伴随着深刻的语境分析。同样,在“高级时装中的美德与罪恶”一章中,约翰逊在现有的关于在时装中使用动物和动物身体部位的讨论的基础上,又为对话增加了新的视角和例子。在这里,她考虑了穿着由特定类型的动物身体制成的产品如何成为奢侈品的象征,以及这种分类如何似乎否定了对动物福利和人道待遇的关注。“食用和运输动物,”约翰逊写道,“至少经历了对它们的福利的粗略的伦理关注”,而用于时尚服装的动物“在思想和实践中被随意丢弃,成为人类贪婪的商品”(第71页)。在《艺术、伦理和人与动物的关系》的这一部分中,约翰逊审视了基督教价值观与人类身体装饰之间存在的紧张关系,这种紧张关系超出了仅仅是生存所必需的。换句话说,当取走动物的生命是为了时尚装饰和奢侈品时,与为了保暖和保护而取走动物的生命是否应该有不同的判断?英国讽刺艺术家约翰·科莱(John Collet)在18世纪创作的一幅版画就是一个令人心酸的例子,说明了一些人对为了个人装饰而夺走生命感到不安。在这幅极其丰富的画面中(《受惊的羽毛集市》,1772年),我们看到鸵鸟在追逐两个帽子上戴着大鸵鸟羽毛的女人。对这些鸟的仔细检查表明,它们被拔了毛,拔去了羽毛,用来做女帽。在科莱翻转桌子的场景中,鸵鸟们不会容忍这一点,去追求属于他们的东西。虽然科莱以他的讽刺而闻名,这幅版画为鸟类提供了美味报复的可视化,但这幅作品的核心争论是一个非常严肃的争论,尤其是对于那些为了时尚而牺牲的非人类动物。这种形象发挥了重要作用,特别是当动物福利运动开始获得牵引力时。正如约翰逊所写,“诸如此类的道德谩骂扩展了对动物的道德待遇的讽刺叙述”(第74页)。事实上,在动物保护组织的出版物中,这种讽刺的形象由来已久。就像第一章关于猫的情况一样,这本书的时尚部分的优势之一是考虑动物(以及它们总是联系在一起的表现形式),而不是在艺术史或动物研究文本中通常处理。 虽然其他学者也讨论过“杀
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Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.01
Editorial| October 01 2023 Kiska: In Memoriam Journal of Animal Ethics (2023) 13 (2): v–vi. https://doi.org/10.5406/21601267.13.2.01 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Kiska: In Memoriam. Journal of Animal Ethics 1 October 2023; 13 (2): v–vi. doi: https://doi.org/10.5406/21601267.13.2.01 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Animal Ethics Search Advanced Search On March 10, 2023, MarineLand Canada announced the death of Kiska the orca. She was the last orca held captive in Canada. Referred to as the “world's loneliest orca” Kiska had lived alone in her tank for the last 12 years after more than 4 decades in captivity. She was captured in 1979 in the North Atlantic Ocean. During 40 years of captivity, she had birthed five calves, none of whom survived. She died of a bacterial infection at the estimated age of 47 (Trethewey, 2023).Orcas are highly intelligent, socially complex, autonomous animals who possess large, elaborate brains. Scientific evidence has shown “unequivocally that flourishing is impossible for cetaceans [whales and dolphins] in captivity. Cetacean nature and captivity are fundamentally incompatible” (Marino, 2018, p. 208). Video footage of Kiska revealed the zoochosis behavior induced by captivity as “repetitive and lethargic. When not swimming in slow circles or... You do not currently have access to this content.
{"title":"Kiska: In Memoriam","authors":"","doi":"10.5406/21601267.13.2.01","DOIUrl":"https://doi.org/10.5406/21601267.13.2.01","url":null,"abstract":"Editorial| October 01 2023 Kiska: In Memoriam Journal of Animal Ethics (2023) 13 (2): v–vi. https://doi.org/10.5406/21601267.13.2.01 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Kiska: In Memoriam. Journal of Animal Ethics 1 October 2023; 13 (2): v–vi. doi: https://doi.org/10.5406/21601267.13.2.01 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Animal Ethics Search Advanced Search On March 10, 2023, MarineLand Canada announced the death of Kiska the orca. She was the last orca held captive in Canada. Referred to as the “world's loneliest orca” Kiska had lived alone in her tank for the last 12 years after more than 4 decades in captivity. She was captured in 1979 in the North Atlantic Ocean. During 40 years of captivity, she had birthed five calves, none of whom survived. She died of a bacterial infection at the estimated age of 47 (Trethewey, 2023).Orcas are highly intelligent, socially complex, autonomous animals who possess large, elaborate brains. Scientific evidence has shown “unequivocally that flourishing is impossible for cetaceans [whales and dolphins] in captivity. Cetacean nature and captivity are fundamentally incompatible” (Marino, 2018, p. 208). Video footage of Kiska revealed the zoochosis behavior induced by captivity as “repetitive and lethargic. When not swimming in slow circles or... You do not currently have access to this content.","PeriodicalId":73601,"journal":{"name":"Journal of applied animal ethics research","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136206360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.11
Rebecca Jenkins
On its face, Telesca's nonfiction work on tuna extinction has little in common with Alan Furst's novel of the same name. How could a nonfiction book concerning the extinction of the great bluefin tuna have anything in common with a fictional story of a corrupt and shadowy underworld during the French Resistance? However, upon closer examination, Telesca's exploration into the International Commission for the Conservation of Atlantic Tuna (ICCAT) uncovers some shared themes: secrecy and lack of transparency, internationalism, greed, law, injustice, inequality, morality, and ethics. Telesca's book sadly deals with facts and not fiction.Bluefin tuna are known as “red gold” as a result of the exorbitant price their ruby-colored flesh is traded for in the sushi economy. The bluefin is not a typical fish in that she is warm-blooded. That's why her meat is red. Just one bluefin tuna from the Pacific sold for a record of US$3.1 million at Tokyo's Tsukiji marketplace in January 2019 (Telesca, 2021, p. 10). But as Telesca emphasizes, she is much more than a commodity. Bluefin are the largest tunas and can live up to 40 years. They migrate across all oceans and can dive deeper than 3,000 feet. We now know, because of modern scientific research, that it is extremely likely that they are more like us than we once thought—sentient creatures who experience pain, suffering, and pleasure in ways similar to other animals, like us. As the late Professor Victoria Braithwaite (2010) wrote: “I have argued that there is as much evidence that fish feel pain and suffer as there is for birds and mammals—and more than there is for human neonates and preterm babies” (p. 153). And yet, the bluefin tuna's commodification, slaughter, and species journey toward extinction continues today.Red Gold is a dense but worthwhile read that explores the history and current status of the bluefin tuna trade, the limits of environmental activism in this area, the mistakes of fisheries science, and a confrontation of the sixth extinction we are currently living in. Telesca makes the case that despite the endangered status of this tuna, the ICCAT has not failed its institutional mission, but rather it is succeeding in its mission under international law. Its mission is not the preservation or conservation of aquatic animals but rather to maximize fishing in order to grow national economies. Telesca posits that in order to address this issue, we need more than just institutional reform alone, such as a more holistic reform of the dominant attitudes toward fishing in our cultures.Despite stringent restrictions on journalists’ access to ICCAT talks, ICCAT accredited the Institute for Public Knowledge at New York University to become an observer in 2010. In this capacity, the author spent three years attending various ICCAT meetings and another two years interviewing some 40 ICCAT representatives. Archival materials and news media accounts supplemented hard-to-get data based on first-person, on-
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Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.20
Randy Malamud
Tom Tyler opens his quirkily engaging book discussing how a (relatively) ancient video game, Nintendo's 1984 Duck Hunt, provided gamers with “a pleasant emulation, at one remove or more, of the pleasures to be had shooting animals” (p. 1). It has always been difficult for me to understand the pleasures of shooting actual living animals, and I have similar (though less intense) feelings about shooting digital animals (including human animals). If it's probably not as bad as actually killing living creatures, still . . . why do it? Doesn't the gamed simulation somehow glorify or reify the literal violence it apes? Does it cultivate a taste for shooting, maiming, murdering? Or might it, as some believe, perhaps provide a release-hatch, satisfying that base desire without actually massacring living creatures, proving a harmless outlet for the male human need to show his own skill and acuity by opening fire on living targets and destroying as many of them as possible? But in any case, isn't there something more constructive we could all be doing with our time and media?I began reading Game: Animals, Video Games, and Humanity in a mood of cranky resistance to its premise that video games embodied some salient and worthy fields for anthrozoological exploration. But I also had a lurking suspicion that Tyler would surprise and seduce me as he did in his previous monograph Ciferae: A Bestiary in Five Fingers (University of Minnesota Press, 2012), where his rich multidisciplinary discussions undergirded a dazzling investigation of humans, other animals, hands (which humans do not have a monopoly on!), and the history of consciousness predicated—until Tyler gets his deconstructive chops into it—upon exceptionalist human supremacy shining against a dim backdrop of negligible, marginalized animality.And indeed, after an opening gambit leaves the reader spattered with the figurative viscera of dead ducks, Tyler launches into a baker's dozen of essays, mostly previously published individually and effectively woven together here, examining “some of the complex ways in which players of video games have been invited to encounter, understand, and engage animals” (p. 3). OK, I'm game. Game on.Game explores how the digital discourse at hand has “articulated or elided differences between individual animals, or between species or entire classes of animal” (p. 3). How are the featured animals presented? How are they contextualized as quarry/objects/resources? And crucially, Tyler asks, returning to his interest from Ciferae of interspecies contiguities and constructed disruptions, “how have games imagined, addressed or suppressed the differences and similarities that are supposed to pertain between animals and human beings?” (p. 3).The clever video games are created by clever human designers for clever human consumers. But Tyler wonders, subversively, whether other animals might help us humans understand how to play the games—“the conditions that qualify as winning or lo
{"title":"Game: Animals, Video Games, and Humanity","authors":"Randy Malamud","doi":"10.5406/21601267.13.2.20","DOIUrl":"https://doi.org/10.5406/21601267.13.2.20","url":null,"abstract":"Tom Tyler opens his quirkily engaging book discussing how a (relatively) ancient video game, Nintendo's 1984 Duck Hunt, provided gamers with “a pleasant emulation, at one remove or more, of the pleasures to be had shooting animals” (p. 1). It has always been difficult for me to understand the pleasures of shooting actual living animals, and I have similar (though less intense) feelings about shooting digital animals (including human animals). If it's probably not as bad as actually killing living creatures, still . . . why do it? Doesn't the gamed simulation somehow glorify or reify the literal violence it apes? Does it cultivate a taste for shooting, maiming, murdering? Or might it, as some believe, perhaps provide a release-hatch, satisfying that base desire without actually massacring living creatures, proving a harmless outlet for the male human need to show his own skill and acuity by opening fire on living targets and destroying as many of them as possible? But in any case, isn't there something more constructive we could all be doing with our time and media?I began reading Game: Animals, Video Games, and Humanity in a mood of cranky resistance to its premise that video games embodied some salient and worthy fields for anthrozoological exploration. But I also had a lurking suspicion that Tyler would surprise and seduce me as he did in his previous monograph Ciferae: A Bestiary in Five Fingers (University of Minnesota Press, 2012), where his rich multidisciplinary discussions undergirded a dazzling investigation of humans, other animals, hands (which humans do not have a monopoly on!), and the history of consciousness predicated—until Tyler gets his deconstructive chops into it—upon exceptionalist human supremacy shining against a dim backdrop of negligible, marginalized animality.And indeed, after an opening gambit leaves the reader spattered with the figurative viscera of dead ducks, Tyler launches into a baker's dozen of essays, mostly previously published individually and effectively woven together here, examining “some of the complex ways in which players of video games have been invited to encounter, understand, and engage animals” (p. 3). OK, I'm game. Game on.Game explores how the digital discourse at hand has “articulated or elided differences between individual animals, or between species or entire classes of animal” (p. 3). How are the featured animals presented? How are they contextualized as quarry/objects/resources? And crucially, Tyler asks, returning to his interest from Ciferae of interspecies contiguities and constructed disruptions, “how have games imagined, addressed or suppressed the differences and similarities that are supposed to pertain between animals and human beings?” (p. 3).The clever video games are created by clever human designers for clever human consumers. But Tyler wonders, subversively, whether other animals might help us humans understand how to play the games—“the conditions that qualify as winning or lo","PeriodicalId":73601,"journal":{"name":"Journal of applied animal ethics research","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136203791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.07
Laura Langone
Abstract Richard Wagner's animal ethics is an underresearched issue within Wagner scholarship. In this article, I aim to fill this gap. In particular, I will demonstrate that, by drawing on Schopenhauer's philosophy, Wagner indicated a path to elaborate an animal ethics. First, I will reconstruct Schopenhauer's animal ethics, showing how it was deeply imbued with tenets of Brahmanism and Buddhism. Second, I will deal with Wagner's animal ethics, illustrating its indebtedness to Schopenhauer.
{"title":"Wagner's Animal Ethics and Its Debt to Schopenhauer","authors":"Laura Langone","doi":"10.5406/21601267.13.2.07","DOIUrl":"https://doi.org/10.5406/21601267.13.2.07","url":null,"abstract":"Abstract Richard Wagner's animal ethics is an underresearched issue within Wagner scholarship. In this article, I aim to fill this gap. In particular, I will demonstrate that, by drawing on Schopenhauer's philosophy, Wagner indicated a path to elaborate an animal ethics. First, I will reconstruct Schopenhauer's animal ethics, showing how it was deeply imbued with tenets of Brahmanism and Buddhism. Second, I will deal with Wagner's animal ethics, illustrating its indebtedness to Schopenhauer.","PeriodicalId":73601,"journal":{"name":"Journal of applied animal ethics research","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136203792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.16
Kurt Remele
{"title":"<i>Was fehlt uns, wenn uns die Tiere fehlen? Eine theologische Spurensuche</i> [What Do We Lack When We Lack Animals? A Theological Search for Traces]","authors":"Kurt Remele","doi":"10.5406/21601267.13.2.16","DOIUrl":"https://doi.org/10.5406/21601267.13.2.16","url":null,"abstract":"","PeriodicalId":73601,"journal":{"name":"Journal of applied animal ethics research","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136206362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.08
Wolf Gordon Clifton
Abstract International policy frameworks can influence values and ideals by promoting a common conception of societal good, a domain overlapping with the traditional concerns of religion. Animal welfare has begun to receive attention in the UN environmental and sustainable development policy. This article explores the potential for Hindu religious communities and organizations to contribute to the creation and implementation of policy on animal welfare and the environment. The article centers on a discussion of the UN Environment Assembly's March 2022 resolution on the Animal Welfare—Environment—Sustainable Development Nexus and the traditional Hindu concepts of līlā (divine play), ahiṃsā (harmlessness), and sevā (service).
{"title":"Sustainability Policy and the Stage of Divine Play: Hindu Philosophy at the Nexus of Animal Welfare, Environment, and Sustainable Development","authors":"Wolf Gordon Clifton","doi":"10.5406/21601267.13.2.08","DOIUrl":"https://doi.org/10.5406/21601267.13.2.08","url":null,"abstract":"Abstract International policy frameworks can influence values and ideals by promoting a common conception of societal good, a domain overlapping with the traditional concerns of religion. Animal welfare has begun to receive attention in the UN environmental and sustainable development policy. This article explores the potential for Hindu religious communities and organizations to contribute to the creation and implementation of policy on animal welfare and the environment. The article centers on a discussion of the UN Environment Assembly's March 2022 resolution on the Animal Welfare—Environment—Sustainable Development Nexus and the traditional Hindu concepts of līlā (divine play), ahiṃsā (harmlessness), and sevā (service).","PeriodicalId":73601,"journal":{"name":"Journal of applied animal ethics research","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136203794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.09
Nancy M. Williams
Abstract In this article, I will argue that ethical veganism can be understood as a form of quietism, as a quiet retreat from a world burdened by human moral failings and animal suffering. I will also show how this retreat, although quiet in nature, is both a legitimate and valuable form of genuine resistance to animal oppression. Positing ethical veganism as a form of sociopolitical resistance to animal exploitation is not new, but thinking of it as a quietist retreat and a legitimate and valuable form of quiet resistance is a different matter.
{"title":"Ethical Veganism as Quiet Resistance","authors":"Nancy M. Williams","doi":"10.5406/21601267.13.2.09","DOIUrl":"https://doi.org/10.5406/21601267.13.2.09","url":null,"abstract":"Abstract In this article, I will argue that ethical veganism can be understood as a form of quietism, as a quiet retreat from a world burdened by human moral failings and animal suffering. I will also show how this retreat, although quiet in nature, is both a legitimate and valuable form of genuine resistance to animal oppression. Positing ethical veganism as a form of sociopolitical resistance to animal exploitation is not new, but thinking of it as a quietist retreat and a legitimate and valuable form of quiet resistance is a different matter.","PeriodicalId":73601,"journal":{"name":"Journal of applied animal ethics research","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136204147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.5406/21601267.13.2.13
Joan E. Schaffner
In Unnatural Companions: Rethinking Our Love of Pets in an Age of Wildlife Extinction, Peter Christie, an award-winning science journalist, blames “pets” and the “pet industry” for replacing the role of nature in human experience and devastating free-living animal populations and attributes this to our misplaced biophilia. Christie explains that “biophilia,” popularized by Edward O. Wilson, “is the innately emotional affiliation of human beings to other living organisms” (p. 16). Wilson believed that biophilia would be the foundation for our interest in and desire to protect nature. However, instead of protecting nature, humans found another outlet for our biophilia—companion animals. Noting that the number of dogs and cats in the United States has doubled in the past 50 years while the number of free-ranging backboned creatures has halved, Christie details how our love of companion animals is contributing to the greatest environmental crisis faced by the global ecosystem. For Christie, the irony is that “pet owners”—the very folks destroying the planet—are the same folks who tend to care about animals and thus are the people the planet needs to save it. Thus, the need for Unnatural Companions—to create awareness about how companion animal keeping is threatening free-living animals vital to our planet and place a call to action for companion keepers to step up for nature.Christie's background as a conservationist is evident throughout as he makes clear that what is truly valuable is nature—viewed at the species level, not at an individual animal—and that we must end our fascination with “pets” who are destroying it. Each chapter details the destruction companion animals have on nature through interviews with a variety of individuals, from Peter Marra, a conservation scientist described as an animal lover while arguing for the eradication of all free-roaming cats in his book Cat Wars, to Tom Rahill, a contractor hired to kill Burmese pythons in the Florida Everglades.Chapter 3, “Cat War Battles,” begins with the familiar conservationist story that pits cats against birds. Christie recounts as “science” Marra's oft-cited estimates of the billions of birds and small mammals allegedly killed by cats annually in the United States to support the eradication of all free-roaming cats while characterizing those who challenge these estimates and seek humane, nonlethal methods for managing the free-roaming cat population as an “organized misinformation campaign that's influencing conservation policy . . . [and] undermining efforts to stop the devastation. . . . [P]ro-cat people have discovered an endless well of faith in their cause . . . as a tool they pit against science” (p. 63). Further, Christie notes that even “man's best friend” holds “the number three spot after cats and rodents as the world's most damaging invasive mammalian predators” (p. 58). It is disappointing that Christie opens, uncritically, with the age-old cat versus bird battle and demoni
{"title":"Unnatural Companions: Rethinking Our Love of Pets in an Age of Wildlife Extinction","authors":"Joan E. Schaffner","doi":"10.5406/21601267.13.2.13","DOIUrl":"https://doi.org/10.5406/21601267.13.2.13","url":null,"abstract":"In Unnatural Companions: Rethinking Our Love of Pets in an Age of Wildlife Extinction, Peter Christie, an award-winning science journalist, blames “pets” and the “pet industry” for replacing the role of nature in human experience and devastating free-living animal populations and attributes this to our misplaced biophilia. Christie explains that “biophilia,” popularized by Edward O. Wilson, “is the innately emotional affiliation of human beings to other living organisms” (p. 16). Wilson believed that biophilia would be the foundation for our interest in and desire to protect nature. However, instead of protecting nature, humans found another outlet for our biophilia—companion animals. Noting that the number of dogs and cats in the United States has doubled in the past 50 years while the number of free-ranging backboned creatures has halved, Christie details how our love of companion animals is contributing to the greatest environmental crisis faced by the global ecosystem. For Christie, the irony is that “pet owners”—the very folks destroying the planet—are the same folks who tend to care about animals and thus are the people the planet needs to save it. Thus, the need for Unnatural Companions—to create awareness about how companion animal keeping is threatening free-living animals vital to our planet and place a call to action for companion keepers to step up for nature.Christie's background as a conservationist is evident throughout as he makes clear that what is truly valuable is nature—viewed at the species level, not at an individual animal—and that we must end our fascination with “pets” who are destroying it. Each chapter details the destruction companion animals have on nature through interviews with a variety of individuals, from Peter Marra, a conservation scientist described as an animal lover while arguing for the eradication of all free-roaming cats in his book Cat Wars, to Tom Rahill, a contractor hired to kill Burmese pythons in the Florida Everglades.Chapter 3, “Cat War Battles,” begins with the familiar conservationist story that pits cats against birds. Christie recounts as “science” Marra's oft-cited estimates of the billions of birds and small mammals allegedly killed by cats annually in the United States to support the eradication of all free-roaming cats while characterizing those who challenge these estimates and seek humane, nonlethal methods for managing the free-roaming cat population as an “organized misinformation campaign that's influencing conservation policy . . . [and] undermining efforts to stop the devastation. . . . [P]ro-cat people have discovered an endless well of faith in their cause . . . as a tool they pit against science” (p. 63). Further, Christie notes that even “man's best friend” holds “the number three spot after cats and rodents as the world's most damaging invasive mammalian predators” (p. 58). It is disappointing that Christie opens, uncritically, with the age-old cat versus bird battle and demoni","PeriodicalId":73601,"journal":{"name":"Journal of applied animal ethics research","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136206359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}