Abstract This paper addresses the interrelation between AI and language studies in the (digital) humanities in the context of knowledge exchange economies. We propose a three-dimensional semiotic model (pyramid) that includes AI as an active agent in meaning-creation into the sign system of communication and test its validity on autocompletion and predictive texting. We, therefore, analyzed 360 million tweets on COVID-19 over a period of 2 years and focused on the time-dependent shift of language use in the positive and negative extremes correlating to significant external events. The data suggest that digital language use has significantly changed over the course of the pandemic. Feedback loops are created between AI, utterance, and external reality that fossilize preconceived notions into textual isoglosses by suggesting and completing text entries. We thus argue that AI subtly changes the perception of reality by influencing the choice of wording. To mitigate the impact of AI in meaning-creation, we highlight the structural precautions undertaken by providers; we argue, however, that the (digital) humanities may re-emphasize their intrinsic value within the economy of knowledge exchange according to the subject-specific insights they may provide for language use and AI.
{"title":"Toward a semiotic pyramid: language studies, AI, and knowledge exchange economy","authors":"Felix Poschinger, R. Coon","doi":"10.1515/lass-2023-0016","DOIUrl":"https://doi.org/10.1515/lass-2023-0016","url":null,"abstract":"Abstract This paper addresses the interrelation between AI and language studies in the (digital) humanities in the context of knowledge exchange economies. We propose a three-dimensional semiotic model (pyramid) that includes AI as an active agent in meaning-creation into the sign system of communication and test its validity on autocompletion and predictive texting. We, therefore, analyzed 360 million tweets on COVID-19 over a period of 2 years and focused on the time-dependent shift of language use in the positive and negative extremes correlating to significant external events. The data suggest that digital language use has significantly changed over the course of the pandemic. Feedback loops are created between AI, utterance, and external reality that fossilize preconceived notions into textual isoglosses by suggesting and completing text entries. We thus argue that AI subtly changes the perception of reality by influencing the choice of wording. To mitigate the impact of AI in meaning-creation, we highlight the structural precautions undertaken by providers; we argue, however, that the (digital) humanities may re-emphasize their intrinsic value within the economy of knowledge exchange according to the subject-specific insights they may provide for language use and AI.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89200173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The Eye in the Door is one of the masterpieces of Pat Barker, a famous contemporary British female writer. In this novel the image of the Panopticon stands out because of its high frequency and detailed descriptions, and it also becomes the key to the interpretation of the novel because of its relation to the fates of many characters and its metaphorical meanings. From the perspective of semiotics, this paper makes a progressive interpretation of this imagery symbol from three aspects: the features of the Panopticon in the surface sense, the surveillance function and power mechanism of the Panopticon in the deeper sense, and the Panopticon as the metaphor of the British society during the First World War in the social and cultural sense, then points out that the imagery symbol of the Panopticon is the encoding and embodiment of the writer’s ideas. Through this imagery symbol, the writer criticizes the disciplinary characteristics and totalitarian tendency of the British society during the First World War and expresses her reflection on the First World War and its causes.
{"title":"An interpretation of the imagery symbol of the Panopticon in The Eye in the Door","authors":"Yansheng Zhu","doi":"10.1515/lass-2023-0023","DOIUrl":"https://doi.org/10.1515/lass-2023-0023","url":null,"abstract":"Abstract The Eye in the Door is one of the masterpieces of Pat Barker, a famous contemporary British female writer. In this novel the image of the Panopticon stands out because of its high frequency and detailed descriptions, and it also becomes the key to the interpretation of the novel because of its relation to the fates of many characters and its metaphorical meanings. From the perspective of semiotics, this paper makes a progressive interpretation of this imagery symbol from three aspects: the features of the Panopticon in the surface sense, the surveillance function and power mechanism of the Panopticon in the deeper sense, and the Panopticon as the metaphor of the British society during the First World War in the social and cultural sense, then points out that the imagery symbol of the Panopticon is the encoding and embodiment of the writer’s ideas. Through this imagery symbol, the writer criticizes the disciplinary characteristics and totalitarian tendency of the British society during the First World War and expresses her reflection on the First World War and its causes.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72801238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Catchwords, as important social and cultural symbols, are the barometer of a country’s society and culture. In China, various catchwords are coined and used every year by Chinese people, especially the young. Of these catchwords, one particular type that expresses despondency or Sangness is increasingly gaining scholarly attention. This study takes a socio-linguistic approach to investigating the most frequently used Sangness-related Chinese catchwords in the past ten years. By examining the annual top ten catchwords selected by Biting Words and Chewing Words between 2013 and 2022, it finds that the most frequently used Sangness-related Chinese catchwords in the past decade have been (1) Ge You Slouch, (2) feeling awful and wanting to cry, (3) Buddha-like, (4) 996 work schedule, (5) life is too hard for me, (6) laborer, (7) involution, (8) lying flat, and (9) mental internal friction. These catchwords mainly serve the functions of deconstructing mainstream values, expressing self-mockery, and seeking value recognition. The development of these Sangness-related catchwords is characterized by an increasing diversity and a stronger applicability.
{"title":"Linguistic expressions of despondency: an investigation of Sangness-related Chinese catchwords","authors":"Yehui Song, Junkai Xue, Yali Ma, Junhua Mo","doi":"10.1515/lass-2023-0020","DOIUrl":"https://doi.org/10.1515/lass-2023-0020","url":null,"abstract":"Abstract Catchwords, as important social and cultural symbols, are the barometer of a country’s society and culture. In China, various catchwords are coined and used every year by Chinese people, especially the young. Of these catchwords, one particular type that expresses despondency or Sangness is increasingly gaining scholarly attention. This study takes a socio-linguistic approach to investigating the most frequently used Sangness-related Chinese catchwords in the past ten years. By examining the annual top ten catchwords selected by Biting Words and Chewing Words between 2013 and 2022, it finds that the most frequently used Sangness-related Chinese catchwords in the past decade have been (1) Ge You Slouch, (2) feeling awful and wanting to cry, (3) Buddha-like, (4) 996 work schedule, (5) life is too hard for me, (6) laborer, (7) involution, (8) lying flat, and (9) mental internal friction. These catchwords mainly serve the functions of deconstructing mainstream values, expressing self-mockery, and seeking value recognition. The development of these Sangness-related catchwords is characterized by an increasing diversity and a stronger applicability.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87850740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Victoria Welby introduces the concept of “Significs” as a methodology that could bridge the various sciences, theoretical trends, and practices in human experience. “Sense”, “meaning”, and “significance” are the three terms in her most important meaning triad. The first level of meaning, ‘sense’ refers to the generation of meaning processes in terms of organic life and perception. Welby hypothesizes that the organic dimension of sense and its human dimension are closely intertwined. She theorized the need for “plastic language” in a biological sense, which she equated with pragmatic, ethic and aesthetic sense: the relation between word and context could be similar to the one between the organism and its environment. The plastic dimension of verbal language and signs in general is necessary for adaptation, development, and expressivity. A century later Elisabeth Schussler and James Wandersee introduce the concept of “plant blindness” which is a human tendency to ignore, in all “senses”, plant species. Plants are different in all aspects from animals: they are not even considered “individuals”. In the etymological sense “individual” means “not divisible”. Plants are “morphologically” divisible. In this presentation I intend to compare these two concepts and analyse their consequences.
{"title":"Human sense and plant blindness","authors":"Dario Dellino","doi":"10.1515/lass-2023-0017","DOIUrl":"https://doi.org/10.1515/lass-2023-0017","url":null,"abstract":"Abstract Victoria Welby introduces the concept of “Significs” as a methodology that could bridge the various sciences, theoretical trends, and practices in human experience. “Sense”, “meaning”, and “significance” are the three terms in her most important meaning triad. The first level of meaning, ‘sense’ refers to the generation of meaning processes in terms of organic life and perception. Welby hypothesizes that the organic dimension of sense and its human dimension are closely intertwined. She theorized the need for “plastic language” in a biological sense, which she equated with pragmatic, ethic and aesthetic sense: the relation between word and context could be similar to the one between the organism and its environment. The plastic dimension of verbal language and signs in general is necessary for adaptation, development, and expressivity. A century later Elisabeth Schussler and James Wandersee introduce the concept of “plant blindness” which is a human tendency to ignore, in all “senses”, plant species. Plants are different in all aspects from animals: they are not even considered “individuals”. In the etymological sense “individual” means “not divisible”. Plants are “morphologically” divisible. In this presentation I intend to compare these two concepts and analyse their consequences.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87944679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This paper extends Nartey’s model of Positive Discourse Analysis (PDA), examining the visual metaphors (VM) in the representations of Islamic identity. The paper highlights how hand-drawings operate as a positive discourse resisting negative accusations in hegemonic discourses about Islam. This PDA study is an intellectual proximity between semiotics, VMs and cultural studies. Through the constructed framework, I argue that PDA can utilize VMs to construct/construe homogeneity and inclusiveness. Through the findings of this study, we can construe the imageries as a reflection of the physical and cultural environments whose cognition is attained by examining how semiotic signs reflect and are reflected by conscious awareness and perception. A major criticism of PDA is its lack of contextual framing, that’s why this paper provides a contextual framing mixing semiotic visuality and the sociocultural construal of discursive representation of Muslim identity. The interpretation of the findings is contextualized after the adaptation of the philosophical view of Molyneux’s question, the issue of blindness from birth, and the capability of seeing things properly if someone, hypothetically, gains his sight again.
{"title":"Recovering from cultural blindness: multimodal Positive Discourse Analysis of metaphors in hand-drawn sketches about Islam","authors":"May S. El-Falaky","doi":"10.1515/lass-2023-0005","DOIUrl":"https://doi.org/10.1515/lass-2023-0005","url":null,"abstract":"Abstract This paper extends Nartey’s model of Positive Discourse Analysis (PDA), examining the visual metaphors (VM) in the representations of Islamic identity. The paper highlights how hand-drawings operate as a positive discourse resisting negative accusations in hegemonic discourses about Islam. This PDA study is an intellectual proximity between semiotics, VMs and cultural studies. Through the constructed framework, I argue that PDA can utilize VMs to construct/construe homogeneity and inclusiveness. Through the findings of this study, we can construe the imageries as a reflection of the physical and cultural environments whose cognition is attained by examining how semiotic signs reflect and are reflected by conscious awareness and perception. A major criticism of PDA is its lack of contextual framing, that’s why this paper provides a contextual framing mixing semiotic visuality and the sociocultural construal of discursive representation of Muslim identity. The interpretation of the findings is contextualized after the adaptation of the philosophical view of Molyneux’s question, the issue of blindness from birth, and the capability of seeing things properly if someone, hypothetically, gains his sight again.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74610089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Innovative uses of punctuation in online communication have become increasingly visible in research and public awareness since the 2000s, whereas studies on the innovative use of tildes (“∼”) in digital use remain scarce. Drawing on a data set of 543 Chinese WeChat messages with sentence-final tildes, this article investigates the uses and functions of innovative tildes in online communication using quantitative data and follow-up interviews. The findings suggest that: (1) The innovative tildes are deployed in messages implying sounds and performing speech acts in online communication, and they are more frequently used in speech acts (e.g., expressives and directives in particular). (2) The innovative tildes convey sound extension, i.e., to compensate for the loss of audio information in online communication and reproduce elongated sounds; pragmatic function, i.e., to enhance or mitigate the illocutionary forces of speech acts; and entertaining function, i.e., to make messages informal, vivid, joyful, and interesting. (3) The innovative tildes are pragmalicalized as a result of their semiotic features and politeness motivation of messengers for maintaining rapport and achieving successful online communication.
{"title":"Digital tildes (“∼”) may convey more: analyzing innovative uses of tildes in Chinese WeChat messages","authors":"Huan Xu, Dengshan Xia","doi":"10.1515/lass-2023-0009","DOIUrl":"https://doi.org/10.1515/lass-2023-0009","url":null,"abstract":"Abstract Innovative uses of punctuation in online communication have become increasingly visible in research and public awareness since the 2000s, whereas studies on the innovative use of tildes (“∼”) in digital use remain scarce. Drawing on a data set of 543 Chinese WeChat messages with sentence-final tildes, this article investigates the uses and functions of innovative tildes in online communication using quantitative data and follow-up interviews. The findings suggest that: (1) The innovative tildes are deployed in messages implying sounds and performing speech acts in online communication, and they are more frequently used in speech acts (e.g., expressives and directives in particular). (2) The innovative tildes convey sound extension, i.e., to compensate for the loss of audio information in online communication and reproduce elongated sounds; pragmatic function, i.e., to enhance or mitigate the illocutionary forces of speech acts; and entertaining function, i.e., to make messages informal, vivid, joyful, and interesting. (3) The innovative tildes are pragmalicalized as a result of their semiotic features and politeness motivation of messengers for maintaining rapport and achieving successful online communication.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88989009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract What kind of actions or reactions can sudden good news elicit in the experiencer? How can these actions/reactions be cognitively interpreted by others? Is there a nexus between social realities and the gospel? Using these questions as a spark, this article critically examines the cultural conceptualisations in Ijo Odi, a Yoruba gospel ballad by Elijah Akintunde. Drawing insights from Cultural Linguistics, this study argues that cultural symbols and structures (schemas, categories, and metaphors) are deployed in gospel music to capture the message of liberation from socio-economic challenges. Specifically, DANCE and DEAFNESS are mapped to express the kind of PERPLEXITY and ABSURDITY that characterise reaction to SUDDEN PLEASANT NEWS. The song also invokes cognitive schemas and cultural memories of dance, cultural class categories and metaphorization of dance and its internalized network of cognitive associations in the Yoruba world view to project the message of prosperity as a miracle. The study concludes that language is firmly grounded in cultural cognition and the complex socio-economic lives of Nigerians can be captured in the negotiation of spirituality in gospel songs. Future research may explore how the artistic performance of other music genres equally evoke cultural imageries in communicating other diverse issues.
{"title":"Cultural conceptulisations in Elijah Akintunde’s Yoruba ballad gospel song Ijo Odi ‘Dance of the Deaf’","authors":"Rotimi Taiwo, Mayowa Fawunmi, Ajibola Ogundare","doi":"10.1515/lass-2023-0010","DOIUrl":"https://doi.org/10.1515/lass-2023-0010","url":null,"abstract":"Abstract What kind of actions or reactions can sudden good news elicit in the experiencer? How can these actions/reactions be cognitively interpreted by others? Is there a nexus between social realities and the gospel? Using these questions as a spark, this article critically examines the cultural conceptualisations in Ijo Odi, a Yoruba gospel ballad by Elijah Akintunde. Drawing insights from Cultural Linguistics, this study argues that cultural symbols and structures (schemas, categories, and metaphors) are deployed in gospel music to capture the message of liberation from socio-economic challenges. Specifically, DANCE and DEAFNESS are mapped to express the kind of PERPLEXITY and ABSURDITY that characterise reaction to SUDDEN PLEASANT NEWS. The song also invokes cognitive schemas and cultural memories of dance, cultural class categories and metaphorization of dance and its internalized network of cognitive associations in the Yoruba world view to project the message of prosperity as a miracle. The study concludes that language is firmly grounded in cultural cognition and the complex socio-economic lives of Nigerians can be captured in the negotiation of spirituality in gospel songs. Future research may explore how the artistic performance of other music genres equally evoke cultural imageries in communicating other diverse issues.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89080525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This study examines the persuasive strategies in selected animated advertisement videos by Piggyvest, the first and one of the fastest-growing online savings platforms in Nigeria, whose modus operandi is quite different from those of the conventional banking system. Drawing insights from Kress and van Leeuwen’s (2006. Reading images: The grammar of visual design, 2nd edn. New York: Routledge) Multimodal Discourse Analytic framework, 12 samples of Piggyvest’s animated videos (for advertisements) were randomly sampled out of the 30 videos initially purposively sampled. Findings reveal metaphorisation of financial management and discipline, playing around gender-related ideas on finances, foregrounding of aspirations and financial decisions, depiction of cognitive strength and weakness on money matters, and striking a connection between money and relationships are persuasive strategies deployed in the animated advertisement videos by Piggyvest to appeal to their target audience.
{"title":"A multimodal analysis of Piggyvest’s animated advertisement videos","authors":"Toluwani Deborah Odedeyi, T. Ajayi","doi":"10.1515/lass-2023-0013","DOIUrl":"https://doi.org/10.1515/lass-2023-0013","url":null,"abstract":"Abstract This study examines the persuasive strategies in selected animated advertisement videos by Piggyvest, the first and one of the fastest-growing online savings platforms in Nigeria, whose modus operandi is quite different from those of the conventional banking system. Drawing insights from Kress and van Leeuwen’s (2006. Reading images: The grammar of visual design, 2nd edn. New York: Routledge) Multimodal Discourse Analytic framework, 12 samples of Piggyvest’s animated videos (for advertisements) were randomly sampled out of the 30 videos initially purposively sampled. Findings reveal metaphorisation of financial management and discipline, playing around gender-related ideas on finances, foregrounding of aspirations and financial decisions, depiction of cognitive strength and weakness on money matters, and striking a connection between money and relationships are persuasive strategies deployed in the animated advertisement videos by Piggyvest to appeal to their target audience.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82999351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Semantic predictability is one of the important factors that influence word processing and recognition. Based on the SPaM paradigm (Self-paced reading + Masked priming), the present study explores the influence of semantic predictability on TL effects in Chinese and English. The findings show that in both languages, internal and final transpositions produce priming effect in low-predictability preceding and following contexts as well as in high-predictability following contexts. From the perspective of priming magnitude, internal transposition produces greater priming effect than final transposition in English, while in Chinese, final transposition produces greater priming effect than internal transposition. In high-predictability preceding contexts, internal and final transpositions reveal significant priming effect and initial transposition produces close-to-significant-level priming effect in English, while in Chinese, no significant priming effect is observed in initial, internal or final transpositions.
{"title":"The influence of semantic predictability on transposition effects in Chinese and English","authors":"Feng Wang, Guanjie Jia, Yun Wang","doi":"10.1515/lass-2023-2002","DOIUrl":"https://doi.org/10.1515/lass-2023-2002","url":null,"abstract":"Abstract Semantic predictability is one of the important factors that influence word processing and recognition. Based on the SPaM paradigm (Self-paced reading + Masked priming), the present study explores the influence of semantic predictability on TL effects in Chinese and English. The findings show that in both languages, internal and final transpositions produce priming effect in low-predictability preceding and following contexts as well as in high-predictability following contexts. From the perspective of priming magnitude, internal transposition produces greater priming effect than final transposition in English, while in Chinese, final transposition produces greater priming effect than internal transposition. In high-predictability preceding contexts, internal and final transpositions reveal significant priming effect and initial transposition produces close-to-significant-level priming effect in English, while in Chinese, no significant priming effect is observed in initial, internal or final transpositions.","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76026125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1515/lass-2023-frontmatter2
{"title":"Frontmatter","authors":"","doi":"10.1515/lass-2023-frontmatter2","DOIUrl":"https://doi.org/10.1515/lass-2023-frontmatter2","url":null,"abstract":"","PeriodicalId":74056,"journal":{"name":"Language and semiotic studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136173191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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