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Cultural unit blue in the Old Testament 旧约中的文化单位蓝色
Pub Date : 2023-05-31 DOI: 10.1515/lass-2023-2001
Mony Almalech
Abstract The paper describes and analyzes the full presence of blue in the Old Testament – in Hebrew and translations. The interdisciplinary approach includes the treatment of color as a cultural unit according to of Eco’s idea, lexical and contextual semantics, distinguishing visual and verbal color languages. The interface between verbal and visual color language is the prototype. Prototypes are universal natural visual objects – sky, sea, fire, blood, the sun at noon, all plants, light, milk, snow, darkness, and coal and have evolved into cultural units (Eco 1996 [1985]) in all cultures and languages. Basic Color Terms (BCT – blue), Prototype Terms (PT – sky and sea), Rivals Terms of prototypes (RT – sapphire, blue skins), Terms for Basic Features of the Prototypes (TBFP – breadth, infinite, boundless) are examined. Translation is a criterion for semiotic value, cultural and linguistic context. Norm of Test of Free Word-Associations is a source of non-color (secondary) meanings of verbal colors. Test results allow us to flesh out the hidden links ‘prototype color─most typical feature of the prototype─secondary meanings of color’ in text and visual culture. The secondary cultural meanings of BCTs and RTs are specified in color compounds. The color blue tehèlet is used in most cases in synergy (not in opposition) with the other three colors in a tetrad: purple argamàn─scarlet tolàat shanì─linen shesh. Analysis on the synergic relations is performed. The same applies to duads blue-linen, blue-purple, blue skins-scarlet, blue skins-red skins. Color compounds are elements of the Priestly Code, therefore a hypothesis on compounds at semiotic axes is developed. The PT sky is involved in religious heritage. Themes as Hebrew substitute shamàim for the Tetragrammaton, the Hierarchy of heavens complete the areas of cultural unit blue in the Old Testament.
摘要本文描述和分析了蓝色在旧约希伯来文和译本中的全面存在。跨学科方法包括根据艾柯的思想将颜色作为一个文化单位来处理,词汇和语境语义,区分视觉和言语颜色语言。语言和视觉色彩语言之间的界面是原型。原型是普遍的自然视觉对象——天空、海洋、火、血、正午的太阳、所有植物、光、牛奶、雪、黑暗和煤,并已在所有文化和语言中演变成文化单位(Eco 1996[1985])。基本颜色术语(BCT -蓝色),原型术语(PT -天空和海洋),原型的对手术语(RT -蓝宝石,蓝色皮肤),原型的基本特征术语(TBFP -宽度,无限,无限)。翻译是符号学价值、文化和语言语境的标准。自由词联想测验规范是语言颜色的非颜色(次要)意义的来源。测试结果让我们充实了文本和视觉文化中隐藏的“原型颜色──原型最典型的特征──颜色的次要意义”。bct和rt的次要文化含义在颜色化合物中指定。在大多数情况下,蓝色tehhlet与其他三种颜色(紫色argamàn─鲜红色tolàat shanì─亚麻色)在四分体中协同(而不是对立)使用。并对协同关系进行了分析。蓝麻衣,蓝紫色衣,蓝皮和朱红色衣,蓝皮和红皮衣也是如此。颜色化合物是祭司密码的元素,因此提出了符号轴上化合物的假设。PT天空与宗教遗产有关。主题作为希伯来语的替代物shamàim代替了四层结构,天堂的等级制度完成了旧约中蓝色文化单位的区域。
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引用次数: 0
A skeptic’s guide to “intercultural communication”—debunking the “intercultural” and rethinking “culture” 怀疑论者的“跨文化交际”指南——拆穿“跨文化”,反思“文化”
Pub Date : 2023-05-15 DOI: 10.1515/lass-2023-0014
Hongbing Yu
Abstract Starting with a critique of so-called intercultural communication, the present paper contests and challenges the prevalent and dominant essentialist views of “culture”. It is exposed that these views have a detrimental underlying logic that is both destructive and self-destructive. Instead, the paper proposes a radically new idea of culture, a minimalist approach supported by insights gleaned from contemporary semiotic inquiry. In this approach, culture is defined as a biological instinct to acquire information through modeling, that is, learning by models. This instinct is at work, or is realized, in specific acts of such modeling, resulting in cultural practices and cultural artifacts. In the case of humanity, a cultural practice is anything a human does that can be modeled by another human and a cultural artifact is any object that humans make and can model. The paper argues it is imperative to keep in mind that when we deal with the “intercultural”, we are only dealing with concrete yet different cultural practices or cultural artifacts. This is an effective way to completely refute essentialism. In a sense, the paper is meant to be a wake-up call, instead of a fighting talk. Its main objective is not to negate or obliterate the field of “intercultural communication”, among others, but rather to save them from themselves—a true and worthy field of “intercultural communication” is a field against essentialism, instead of an accessory to essentialism, whether the commission is “before the fact” or “after the fact”.
本文从对所谓的跨文化交际的批判开始,对流行的、占主导地位的“文化”本质主义观点提出了质疑和挑战。它暴露了这些观点有一个有害的潜在逻辑,既具有破坏性又具有自我破坏性。相反,本文提出了一种全新的文化观念,一种从当代符号学研究中收集到的见解支持的极简主义方法。在这种方法中,文化被定义为一种通过建模获取信息的生物本能,即通过模型学习。这种本能在这种建模的具体行为中起作用,或者被实现,从而产生文化实践和文化产物。在人类的情况下,文化实践是人类可以被另一个人模仿的任何事情,文化工件是人类制造并可以建模的任何物体。本文认为,必须记住,当我们处理“跨文化”时,我们只处理具体但不同的文化实践或文化制品。这是彻底驳倒本质论的有效途径。从某种意义上说,这篇论文是一个警钟,而不是一场战斗。它的主要目的不是否定或抹杀“跨文化传播”领域,而是将其从自身中拯救出来——真正有价值的“跨文化传播”领域是一个反对本质主义的领域,而不是本质主义的附属品,无论该委员会是“在事实之前”还是“在事实之后”。
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引用次数: 0
Biosemiotics and Peirce 生物符号学和皮尔斯
Pub Date : 2023-05-12 DOI: 10.1515/lass-2023-0011
Tony Jappy
Abstract Peirce’s final statements on the sign were consigned in various ways over a hundred years ago as a form of logic, a branch of the science of enquiry based upon observation. This means inevitably that some parts of the theory will have been contested or considered superseded by more recent pronouncements on cognitive activity in general, both within and without the field of semiotics. Two such areas that have been host to innovative developments concern central preoccupations of the entire Peircean edifice: the basic unit of semiotics and its function, and ways of looking. First, following Thomas Sebeok’s pioneering integration of semiotics and the biological theories of Jakob von Uexküll, biosemiotics, it is claimed, has espoused a Peircean approach to the definitions of sign and semiosis. Second, observation involves the relation between the observer and the object observed, and, as a theoretical consequence, the relation between an organism and its environment, von Uexküll’s Umwelt. In view of the importance accorded Peircean semiotic theory in this more recent science, the paper compares and contrasts aspects of the later theory with the earlier, and concludes that there are significant theoretical differences between the two conceptions of the sign and its theoretical implications.
一百多年前,皮尔斯关于符号的最后陈述以各种方式被视为逻辑的一种形式,是基于观察的探索科学的一个分支。这不可避免地意味着,该理论的某些部分将受到质疑,或者被符号学领域内外关于认知活动的最新声明所取代。两个这样的领域已经成为创新发展的主体,涉及整个佩尔海大厦的中心关注点:符号学的基本单位及其功能,以及观察的方式。首先,继Thomas Sebeok开创性地将符号学与Jakob von uexk的生物学理论整合之后,生物符号学被认为支持了一种对符号和符号学定义的peirean方法。其次,观察涉及到观察者和被观察对象之间的关系,作为一个理论结果,也涉及到有机体和它的环境之间的关系。鉴于佩尔琴符号学理论在这门较新的科学中的重要性,本文比较和对比了佩尔琴符号学理论与佩尔琴符号学理论的各个方面,并得出结论,佩尔琴符号学理论与佩尔琴符号学理论之间存在着显著的理论差异。
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引用次数: 1
“The soro-soke [speak up] generation”: multimodality and appraisal choices in selected #EndSars civil protest-related memes in Nigeria “soro-soke[大声疾呼]的一代”:尼日利亚#EndSars民间抗议相关模因的多模态与评价选择
Pub Date : 2023-05-04 DOI: 10.1515/lass-2022-0016
S. O. Okesola, Oluwabunmi O. Oyebode
Abstract This paper explores the deployment of multimodal elements as appraisal resources in #Endsars civil unrest-related memes in Nigerian social media space (WhatsApp and Twitter) to express affective meanings and intersubjective positioning. The study investigates how both verbal and non-verbal elements are deployed as appraisal resources to evaluate the trajectory of the protest. The data, which comprise thirty purposively selected Internet memes, collected between October and December, 2020, were analysed qualitatively. The study shows that the meme producers, through the use of multimodal concepts such as symbolic, analytical, action, reactional processes, offer and salience, among others, project various expressions of affect, judgement and appreciation of things to create important narratives in the memes. Thus, the verbal elements are graded/upscaled through the non-verbal elements in the memes to evoke specific reactions, positive/negative, which signal intersubjective positioning about the protest and relevant social actors. The study concludes that meme producers effectively utilize multimodal elements to interrogate various expressions of attitude and intersubjective opinions that Nigerians made about the protest and its management by the Nigerian government.
摘要本文探讨了在尼日利亚社交媒体空间(WhatsApp和Twitter)中,多模态元素作为评价资源在#Endsars内乱相关模因中的部署,以表达情感意义和主体间定位。该研究探讨了语言和非语言元素如何作为评估资源来评估抗议的轨迹。这些数据包括在2020年10月至12月期间收集的30个有目的选择的网络模因,并进行了定性分析。研究表明,模因生产者通过使用多模态概念,如符号、分析、行动、反应过程、提供和显著性等,投射出对事物的各种情感表达、判断和欣赏,从而在模因中创造出重要的叙事。因此,语言元素通过模因中的非语言元素被分级/升级,以唤起特定的反应,积极/消极,这表明了对抗议和相关社会行动者的主体间定位。研究的结论是,模因生产者有效地利用多模态元素来质问尼日利亚人对抗议活动及其政府管理的各种态度表达和主体间意见。
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引用次数: 1
Visual representation of ASUU strikes in Nigeria: a semiotic analysis of cartoons in selected Nigerian newspapers 尼日利亚ASUU罢工的视觉表现:对精选尼日利亚报纸漫画的符号学分析
Pub Date : 2023-04-18 DOI: 10.1515/lass-2023-0006
Peter Oyewole Makinde
Abstract Until recently, the study of language and meaning of cartoons, the media discourses they generate, and their analysis as a creative means of exploring meaning-making processes as semiotic resources have not received much scholarly attention in Nigeria. Although cartoons that involve the use of satire and humour as visual representations of reality have gained prominence across many media platforms in Nigeria, only a few scholars have examined this from a social semiotics perspective. This has created a gap in the literature, thus creating room for a paradigm shift in the field of social semiotics. This study explores the semiotics of cartoons in selected Nigerian newspapers to examine the meaning-making resources employed in the visual representation of ASUU strikes in Nigeria. The study, therefore, examines how cartoonists manipulate symbols, signs, and other semiotic resources to convey specific meanings through visual and textual representations. The study adopts a qualitative research design; data comprising cartoons sourced from selected Vanguard Newspapers and websites are analyzed using Kress and Van Leeuwen’s visual semiotics and interpreted from the standpoints of Halliday’s Systematic Functional Linguistics (SFL) approach and O’Halloran’s position on metaphorical constructions of meaning. Here, metaphorical manipulation and representation of visual elements in the selected cartoons are interrogated. Findings from the study show the use of semiotic resources in the portrayer of reality in the context of the seemingly intractable ASUU strikes and their consequences on academic activities in Nigeria. This scholarly intervention deserves attention as it significantly contributes to the field of social semiotics through its visual representation in portraying challenges faced by the educational systems in Nigeria vis-à-vis poor government funding.
直到最近,对漫画的语言和意义的研究,它们产生的媒体话语,以及它们作为一种探索作为符号学资源的意义制造过程的创造性手段的分析,在尼日利亚还没有得到太多的学术关注。尽管将讽刺和幽默作为现实的视觉表现的漫画在尼日利亚的许多媒体平台上获得了突出地位,但只有少数学者从社会符号学的角度对此进行了研究。这在文献中创造了一个空白,从而为社会符号学领域的范式转变创造了空间。本研究探讨了尼日利亚报纸漫画的符号学,以检验在尼日利亚ASUU罢工的视觉表现中所使用的意义制造资源。因此,该研究考察了漫画家如何操纵符号、符号和其他符号学资源,通过视觉和文本表现来传达特定的含义。本研究采用定性研究设计;本文采用Kress和Van Leeuwen的视觉符号学对精选的先锋报纸和网站上的漫画数据进行了分析,并从韩礼德的系统功能语言学(SFL)方法和奥哈洛伦关于意义隐喻结构的观点进行了解释。在这里,隐喻的操作和视觉元素的表现在选定的漫画被询问。研究结果表明,在看似棘手的ASUU罢工及其对尼日利亚学术活动的影响的背景下,在描绘现实时使用了符号学资源。这种学术干预值得关注,因为它通过描绘尼日利亚教育系统面临的挑战(-à-vis政府资金不足)的视觉表现,为社会符号学领域做出了重大贡献。
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引用次数: 0
The main tasks of a semiotics of artificial intelligence. 一个符号学人工智能的主要任务。
Pub Date : 2023-03-28 DOI: 10.1515/lass-2022-0006
Massimo Leone

The article indicates the essential tasks of a semiotics of artificial intelligence: studying the way it simulates the expression of intelligence; the way it produces content that is creatively endowed; the ideological assumptions of artificial intelligence within the culture that produces it. Artificial intelligence is, from a semiotic point of view, the predominant technology of fakery in the current era. On the strength of its studies on the false, semiotics can therefore also be applied to the analysis of the fake that, in increasingly sophisticated forms, is produced through artificial intelligence and through the deep learning of neural networks. The article focuses on the adversarial ones, trying to highlight their ideological assumptions and cultural developments, which seem to indicate the entry of human societies and cultures into the 'realm of the absolute fake'.

文章指出了人工智能符号学的基本任务:研究人工智能模拟智能表达的方式;它产生具有创造性的内容的方式;在产生人工智能的文化中,人工智能的意识形态假设。从符号学的角度来看,人工智能是当今时代的主要伪造技术。基于对虚假的研究,符号学因此也可以应用于对虚假的分析,这些虚假的形式越来越复杂,是通过人工智能和神经网络的深度学习产生的。本文的重点是对抗性的,试图突出他们的意识形态假设和文化发展,这似乎表明人类社会和文化进入了“绝对虚假的领域”。
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引用次数: 0
The intertextuality of argumentation: a semiotic approach to academic writing in higher education 论证的互文性:高等教育学术写作的符号学方法
Pub Date : 2023-03-01 DOI: 10.1515/lass-2022-0013
James Ma
Abstract The importance of argumentation in academic writing, while historically recognised, has arguably lost prominence alongside the rapid expansion of higher education since the early 1990s in the UK. This has been exacerbated by an increasingly prevalent technological intervention in teaching and learning processes. With this as a background, this article presents a semiotic analysis of student dissertation extracts to illustrate the role of intertextuality in governing interpretative, evaluative, and concluding propositions in argumentation. Each proposition is perceived as indexed to syntactical compositionality by which a previous proposition elicits a present one that awaits a future one, thus forming a line of argument. The analysis teases out what is at stake concerning the interdependence of signifying codes in textual relations and functions. This brings into view a network of sign actions that lends itself to instances of signification in mediating and coordinating propositions in argumentation. The article concludes with reflection on the medium of English as a lingua franca for studies in higher education, highlighting a semiotic understanding of the intertextuality of argumentation in academic writing.
论文在学术写作中的重要性,虽然历史上得到认可,但自20世纪90年代初以来,随着英国高等教育的快速扩张,可以说已经失去了突出地位。教学过程中越来越普遍的技术干预加剧了这种情况。以此为背景,本文对学生论文摘要进行符号学分析,以说明互文性在论证中控制解释性、评价性和结论性命题中的作用。每个命题都被认为是与句法组合性相关联的,通过句法组合性,一个先前的命题引出一个等待未来命题的现在命题,从而形成一条论证线。分析梳理了在文本关系和功能中所指代码相互依赖的利害关系。这使人们看到了一个符号行为网络,它使自己成为在论证中调解和协调命题的意义实例。文章最后反思了英语作为高等教育研究的通用语的媒介,强调了对学术写作中论证互文性的符号学理解。
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引用次数: 1
Frontmatter 头版头条
Pub Date : 2023-03-01 DOI: 10.1515/lass-2023-frontmatter1
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引用次数: 0
The origin and development of pragmatics as a study of meaning: semiotic perspective 语用学研究意义的起源与发展:符号学视角
Pub Date : 2023-03-01 DOI: 10.1515/lass-2023-0002
Min Niu
Abstract Pragmatics has grown into a flourishing independent academic discipline. Undefined and unsolved are, nevertheless, such confusing and controversial concerns in its evolution as research boundaries and uncertain definition. Some academics view Austin᾽s Speech Act Theory to be the birth of pragmatics, which certainly confines pragmatics to the field of linguistics and hence limits its study scope. This assertion is incongruous with Morris’ primary objective of proposing the word pragmatics from the standpoint of semiotics, inspired by Peirce. This research intends to investigate pragmatics from the perspective of linguistic philosophy and semiotics and argues that pragmatics derives and develops from Peirce’s pragmatist semiotics and Morris’ behavioral semiotics. Pragmatics is the exertion of the “interpretant” in Pierce’s Semiotics. Clearly, it is one of the three branches of Morris’s semiotics that investigates the relationship between signs and sign users. The meaning of signs is derived from the interpretation of sign users. Pierce’s pragmatism or pragmaticism is the intellectual foundation of pragmatics. As its research objective, it focuses on the relationship between meaning and context, i.e., the illocutionary meaning not covered by the study of semantics. Its primary methodology is based on logical reasoning.
语用学已经发展成为一门蓬勃发展的独立学科。然而,未定义和未解决在其演变过程中是研究边界和定义不确定等令人困惑和争议的问题。一些学者认为Austin的言语行为理论是语用学的诞生,这无疑将语用学局限于语言学领域,从而限制了它的研究范围。这一主张与莫里斯受皮尔斯启发,从符号学的角度提出语用学这个词的主要目标是不一致的。本文拟从语言哲学和符号学的角度对语用学进行考察,认为语用学是皮尔斯的实用主义符号学和莫里斯的行为符号学的衍生和发展。语用学是皮尔斯符号学中“解释者”的运用。显然,它是莫里斯符号学的三个分支之一,研究符号和符号使用者之间的关系。符号的意义来源于符号使用者的解释。皮尔斯的实用主义或语用主义是语用学的思想基础。它的研究目标是意义与语境的关系,即语义学研究范围之外的言外意义。它的主要方法论是基于逻辑推理。
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引用次数: 0
Cultural unit red in the Old Testament 旧约中的文化单位
Pub Date : 2023-02-13 DOI: 10.1515/lass-2022-2010
Mony Almalech
Abstract The paper describes and analyzes the full presence of red in the Old Testament – in Hebrew and translations. The approach is interdisciplinary, which includes: the treatment of color as a cultural unit, according to the idea of Umberto Eco; lexical and contextual semantics; examining Basic Color Terms (BCT – adjective, noun, verb), Prototype Terms (PT blood and fire), Rival Terms of Prototypes (RT), e.g. ruby; Ters for Basic Features of the Prototypes (TBFP burn); translation as a criterion and semiotic value; semiotic osmosis (semio-osmosis) as a process that aims equivalence between Hebrew PT and TBFP; semio-osmosis and accommodation; cultural and linguistic context; the interplay of old information (topic/theme) – new information (focus/rheme); rhizome of Hebrew root Aleph-Dalet-Mem deriving untranslatable set of words; well-structured and always translatable terms for PTs. Some links between the Old and New Testaments based on red color are explicit.
摘要本文描述并分析了《旧约》中“红色”一词在希伯来语及其翻译中的充分存在。这种方法是跨学科的,其中包括:根据Umberto Eco的想法,将颜色作为一种文化单位来处理;词汇和语境语义;检查基本颜色术语(BCT -形容词,名词,动词),原型术语(PT血和火),原型的竞争术语(RT),如红宝石;原型机基本特征测试(TBFP燃烧);翻译的标准与符号学价值符号渗透(半渗透)是一个旨在希伯来语PT和TBFP之间等效的过程;半渗透调节;文化和语言背景;旧信息(话题/主题)-新信息(焦点/主题)的相互作用;希伯来词根Aleph-Dalet-Mem的根茎,派生出一组不可译的词;结构良好且始终可翻译的PTs术语。一些基于红色的旧约和新约之间的联系是明确的。
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引用次数: 1
期刊
Language and semiotic studies
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