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Review of Making Livable Worlds: Afro-Puerto Rican Women Building Environmental Justice by Hilda Lloréns (University of Washington Press) 《创造宜居世界:非裔波多黎各妇女建设环境正义》一书书评,希尔达·洛尔萨姆斯著(华盛顿大学出版社)
Pub Date : 2023-01-01 DOI: 10.25158/l12.1.17
Donna Elizabeth Hayles
This review examines Hilda Lloréns’s research into the role that Afro-Puerto Rican women play in advocating for environmental justice and building a sustainable environment in the Puerto Rican archipelago, particularly after the devastation left behind by Hurricanes Irma and Maria in 2017, and the subsequent catastrophic effects of COVID-19 in 2020. Lloréns shows that Afro-Puerto Rican women are able to survive in the face of racial and ecological discriminations and marginalizations, and their survival is emblematic of Puerto Rico’s own survival. The author devotes the entirety of her book to show that as an "ethnographer of home," as she calls herself, it is essential for people to create livable worlds within which they can survive. Survival in the midst of catastrophic climate change is difficult, Lloréns argues, primarily because Puerto Ricans are often on the receiving end of austerity measures that make their existence tenuous, at best. These austerity measures typically come after a climatic event, and result in limited access to clean water, food, electricity, healthcare, housing, and education, which only serve to exacerbate the desperation that many on the island feel. While this desperation was widespread across the island after the hurricanes in 2017, residents in the southeastern region of the island (predominantly Afro-Puerto Ricans) were even more affected. Lloréns shows how these people used their limited resources to cull an existence out of a seemingly hostile land and create a community that sustained them. Lloréns draws on personal experiences, the experiences of her family, ethnography, anthropology, and interviews to show how vital it is to examine Puerto Rico not as a homogenous space but rather as a heterogeneous one with its unique complexities. And by centering the work and experiences of Black Puerto Ricans, Lloréns gives voice to a group that is largely left on the margins of society, but who demonstrates the importance of building community as a sustaining entity.
本综述审查了希尔达·罗尔梅斯关于非裔波多黎各妇女在波多黎各群岛倡导环境正义和建设可持续环境方面发挥作用的研究,特别是在2017年飓风“伊尔玛”和“玛丽亚”造成破坏以及随后在2020年2019冠状病毒病造成灾难性影响之后。llorsamans表明,非裔波多黎各妇女能够在种族和生态歧视和边缘化面前生存下来,她们的生存象征着波多黎各自身的生存。作者用整本书来表明,作为一个“家园的人种学家”,她称自己为“家园的人种学家”,人们必须创造一个可以生存的宜居世界。在灾难性的气候变化中生存是困难的,llorsamans认为,主要是因为波多黎各人经常处于紧缩措施的接收端,这使他们的生存充其量是脆弱的。这些紧缩措施通常发生在气候事件之后,导致获得清洁水、食物、电力、医疗保健、住房和教育的机会有限,这只会加剧岛上许多人的绝望情绪。尽管2017年飓风过后,这种绝望情绪在全岛普遍存在,但该岛东南部地区的居民(主要是非洲裔波多黎各人)受到的影响更大。《洛尔萨姆斯》展示了这些人如何利用他们有限的资源,在一片看似充满敌意的土地上生存下来,并建立了一个维持他们生存的社区。llorsamens以个人经历、家庭经历、民族志、人类学和访谈为依据,说明检视波多黎各的重要性,不是将其视为同质空间,而是将其视为具有独特复杂性的异质空间。通过以波多黎各黑人的工作和经历为中心,llorsamens为一个在很大程度上处于社会边缘的群体发出了声音,但他们证明了建立社区作为一个可持续实体的重要性。
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引用次数: 0
Review of Vulgar Beauty: Acting Chinese in the Global Sensorium by Mila Zuo (Duke University Press) 《俗美评论:全球感官中的中国表演》左米拉著(杜克大学出版社)
Pub Date : 2023-01-01 DOI: 10.25158/l12.1.23
E. N. Schmoll
In 'Vulgar Beauty: Acting Chinese in the Global Sensorium,' Mila Zuo examines how female Chinese actors perform "vulgar beauty" as a way of "worlding" to create community and belonging through affective shocks, and specifically, to produce feelings of Chineseness. By using the sense of taste, and specifically the flavors bitter, salty, pungent, sweet, and sour, as a framework, Zuo delves into close readings of television and cinematic case studies to look at the different ways vulgar beauty is deployed by these actors. In its analysis, this book offers a reconceptualization of feminine beauty outside of white western dictates and suggests that (vulgar) beauty can be utilized as a potentially disruptive and transformative force, specifically in destabilizing racial and patriarchal power structures.
在《庸俗之美:在全球感官中演绎中国人》一书中,左米拉(Mila Zuo)探讨了中国女演员如何将“庸俗之美”作为一种“世界”的方式,通过情感冲击创造社区和归属感,特别是产生中国人的感觉。左以味觉,特别是苦、咸、辣、甜、酸的味道为框架,深入研究了电视和电影案例研究,看看这些演员如何以不同的方式展现庸俗的美。在它的分析中,这本书提供了一种在西方白人支配之外的女性美的重新概念化,并表明(庸俗的)美可以被用作一种潜在的破坏性和变革性力量,特别是在破坏种族和父权权力结构的稳定方面。
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引用次数: 0
Review of Fates of the Performative: From the Linguistic Turn to the New Materialism by Jeffrey T. Nealon (University of Minnesota Press) 《行为的命运:从语言学转向新唯物主义》杰弗里·t·尼隆著(明尼苏达大学出版社)
Pub Date : 2023-01-01 DOI: 10.25158/l12.1.16
Abigail Culpepper
Jeffrey T. Nealon’s 'Fates of the Performative: From the Linguistic Turn to the New Materialism' crafts a history of performativity within contemporary theoretical thought. Through the structure of a genealogy, Nealon examines the nascence of performativity and its intersection with biopolitics and neoliberalism to predict not only the future of the performative, but also to imagine new avenues of criticism within the humanities.
杰弗里·t·尼隆的《行为的命运:从语言学转向新唯物主义》在当代理论思想中书写了行为的历史。通过谱系的结构,Nealon考察了表演性的诞生及其与生命政治和新自由主义的交集,不仅预测了表演性的未来,而且还想象了人文学科批评的新途径。
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引用次数: 0
Roundtable 圆桌会议
Pub Date : 2022-12-01 DOI: 10.25158/l11.2.15
S. Chatterjee, K. Grossman, R. Jobson, Kristen Kowlessar, River Rossi
This roundtable shares the first-hand experiences of five crip, disabled, Mad, and/or neurodivergent doctoral students navigating academia in so-called Canada during the COVID-19 pandemic. While we discuss and theorize our experiences of ableism, structural oppression, and inaccessibility in the academy, we also highlight the world-building experiences of solidarity that have emerged for us in crip community, and in particular among fellow crip graduate students. We consider the ways that crip students open up potential for new ways of learning and being by challenging dominant norms of academic productivity, and we also consider what is lost when these students are pushed out of academic spaces. By engaging in 'collective refusal' of the conditions that harm disabled and otherwise marginalized students, new possibilities emerge for connection, community, and radical change. The virtual conversation transcribed here took place over Discord, email, and Google Docs in autumn of 2021 and early winter 2022. This piece embraces multi-tonality, that is, a range of different voices and ways of writing, speaking, and communicating. It is a conversational piece that intentionally blends varied approaches to knowledge-sharing: polemic, citationally-grounded, and personal anecdotes drawn from our diverse lived experiences. There are a number of different themes woven throughout the text, including anecdotes and personal history, solidarity, ableism in the academy, pessimism/failure, community/interdependence/intimacy, and utopia/futurity/demands for the future. While not intended to provide policy guidance or step-by-step instructions for changing academic culture, we also begin to sketch out some of our dreams for an alternative future for disabled scholars. We discuss imagined futures and possibilities, and ask, is a truly crip and/or accessible academic institution possible?
本次圆桌会议分享了五名瘸子、残疾人、疯子和/或神经分化博士生在2019冠状病毒病大流行期间在所谓的加拿大学术界导航的第一手经验。当我们讨论和理论化我们在学术界的残疾歧视、结构性压迫和难以接近的经历时,我们也强调了在残废社区中,特别是在残废研究生中,为我们出现的团结一致的世界建设经验。我们考虑到,弱智学生通过挑战学术生产力的主流规范,开辟了新的学习和生存方式的潜力,我们也考虑到,当这些学生被赶出学术空间时,我们失去了什么。通过参与“集体拒绝”伤害残疾和边缘化学生的条件,新的可能性出现了联系,社区和彻底的改变。这里记录的虚拟对话发生在2021年秋天和2022年初冬的Discord、电子邮件和b谷歌Docs上。这部作品包含了多调性,即一系列不同的声音和写作、说话和交流的方式。这是一篇对话式的文章,它有意地融合了各种知识共享的方法:辩论式的、以引文为基础的,以及从我们不同的生活经历中汲取的个人轶事。全书贯穿了许多不同的主题,包括轶事和个人经历、团结、学术界的残疾歧视、悲观/失败、社区/相互依存/亲密,以及乌托邦/未来/对未来的需求。虽然不打算为改变学术文化提供政策指导或一步一步的指导,但我们也开始勾勒出我们对残疾学者的另一种未来的一些梦想。我们讨论想象中的未来和可能性,并问,一个真正蹩脚和/或平易近人的学术机构是可能的吗?
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引用次数: 0
“Companionship and a Little Fun”: Investigating Working Women’s Leisure Aboard a Hudson River Steamboat, July 1919 “陪伴和一点乐趣”:调查哈德逊河汽船上职业妇女的休闲,1919年7月
Pub Date : 2022-12-01 DOI: 10.25158/l11.2.4
Austin Gallas
This article provides an in-depth consideration of a single report penned on the night of July 27, 1919 by a private detective employed by New York City's Committee of Fourteen (1905–1932), an influential anti-vice and police reform organization. A close reading of the undercover sleuth's account, which details his experiences, subjective judgments, and general observations regarding moral and social conditions while aboard the Benjamin B. Odell, a palatial Hudson River steamboat, enables us to enrich our grasp of the courtship and pleasure-seeking practices popular among working women and men active in New York City's heterosocial and largely segregated amusement landscape during the so-called 'Red Summer.' Specifically, the report reveals how wage-earning women articulated femininity and sought individual freedoms, companionship, pleasure, and romance via Hudson River steamboat excursions. The relatively unsupervised atmosphere of such trips was appealing to some working women because it represented an affordable way to attain companionship, prohibited forms of amusement and entertainment, and sexual gratification, a way that sidestepped many of the reputational hazards typically associated with the search for such goods among mainland leisure spaces. Such opportunities were particularly valuable given the crackdowns on public sexuality and late-night amusement spaces that had followed America's entry into World War I in 1917 and the advent of 'wartime prohibition' on July 1, 1919. The article also supplies important contextual information required for proper appreciation of the investigation report in question, including a discussion of the methods and goals of the Committee of Fourteen and a brief overview of prior efforts by Progressive Era urban moral authorities to uncover and control 'white slavery,' gambling, and other 'vices' witnessed aboard steamboat excursions operating in and around New York, Chicago, and other coastal cities.
这篇文章对1919年7月27日晚上的一份报告进行了深入的思考,该报告是由纽约市十四人委员会(1905-1932)雇佣的一名私家侦探撰写的,该委员会是一个有影响力的反恶习和警察改革组织。仔细阅读这位卧底侦探的描述,详细描述了他在哈德逊河上一艘富丽堂皇的轮船本杰明·b·奥德尔号上的经历、主观判断和对道德和社会状况的总体观察,使我们能够丰富我们对所谓的“红色夏天”期间活跃在纽约市异性恋和很大程度上隔离的娱乐景观中的职业女性和男性的求爱和寻求快乐的做法的把握。具体来说,该报告揭示了工薪女性如何通过哈德逊河汽船游览来表达女性气质,寻求个人自由、陪伴、快乐和浪漫。这种相对无监管的旅行氛围对一些职业女性很有吸引力,因为它代表了一种经济实惠的方式,可以获得陪伴、被禁止的娱乐和娱乐形式,以及性满足,这种方式避开了在大陆休闲场所寻找此类商品通常会带来的许多声誉风险。鉴于1917年美国加入第一次世界大战以及1919年7月1日“战时禁酒令”的出台,公共性行为和深夜娱乐场所受到了严厉打击,这样的机会尤为宝贵。这篇文章还提供了正确理解调查报告所需的重要背景信息,包括对十四人委员会的方法和目标的讨论,以及对进步时代城市道德当局先前为揭露和控制“白奴”、赌博和其他“恶习”所做的努力的简要概述。这些“恶习”是在纽约、芝加哥和其他沿海城市及其周边地区的汽船游览中目睹的。
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引用次数: 0
Security Blanket 安全保障
Pub Date : 2022-12-01 DOI: 10.25158/l11.2.20
Rebecca M. Long
This article presents neuroqueer knitting as a cripistemological practice in the context of the COVID-19 pandemic, during which the author realized that knitting was part of how they moved through trauma. Tracing the process of making a blanket during part of the pandemic, a time in which they were also relocating, the author argues that knitting offers a knowledge-making practice aligned with their autistic ways of being in the world. Treating this blanket as theoretical material, the author uses it to challenge ableist ideas of autistic people as lacking the capacity to narrate their experiences. Instead, this blanket is used to reflect alternative modes of knowing that document the author's continued existence and survival in moments of trauma and upheaval.
本文将神经酷儿编织作为COVID-19大流行背景下的一种cripistemological实践,在此期间,作者意识到编织是他们如何度过创伤的一部分。作者追溯了在大流行期间制作毯子的过程,当时他们也在搬迁,作者认为,编织提供了一种与他们在世界上自闭的生活方式相一致的知识创造实践。将这条毯子作为理论材料,作者用它来挑战自闭症患者缺乏叙述自己经历的能力的能力主义观点。相反,这条毯子被用来反映另一种认知模式,即记录作者在创伤和动荡时刻的持续存在和生存。
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引用次数: 0
Watchmen, Copaganda, and Abolition Futurities in US Television 美国电视中的守望者、政治宣传和废奴主义
Pub Date : 2022-12-01 DOI: 10.25158/l11.2.2
Jessica Hatrick, Olivia González
Through this article, we examine the history and conventions of copaganda in the United States, and critically consider how HBO's Watchmen has responded to and represented the historical relationship between policing and white supremacy. We argue that while Watchmen works to explicitly critique the history of white supremacist violence in US policing, the show reproduces several copaganda conventions. Watchmen depicts central law enforcement characters who commit violence as heroes, uplifts the main police character as an eventually almighty arbiter of justice, portrays white supremacist law enforcement characters as anomalous individual infiltrators (a.k.a. 'bad apples'), and was created in collaboration with various members of law enforcement. After presenting this case study in contemporary copaganda, we consider how science fiction series can more meaningfully respond to the movement for police and prison abolition through representing abolitionist futures.
通过这篇文章,我们考察了美国政治宣传的历史和惯例,并批判性地思考了HBO的《守望者》是如何回应和代表警察与白人至上主义之间的历史关系的。我们认为,虽然《守望者》明确批评了美国警察中白人至上主义暴力的历史,但这部剧再现了几个宣传惯例。《守望者》将实施暴力的核心执法角色描绘成英雄,将主要的警察角色提升为最终全能的正义仲裁者,将白人至上主义执法角色描绘成异常的个人渗透者(又名恐怖分子)。“坏苹果”),并与执法部门的不同成员合作创建。在当代政治宣传中展示了这个案例研究之后,我们考虑科幻系列如何通过代表废奴主义者的未来来更有意义地回应废除警察和监狱的运动。
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引用次数: 0
assembly required 装配要求
Pub Date : 2022-12-01 DOI: 10.1021/cen-v081n002.p004
Sav Schlauderaff
This piece stitches and layers together a mix of photographs, poetry, and reflections to tell a story—my story—of c-PTSD, grief, (chosen) family, and my constant yearning to exist fully as myself.
这幅作品将照片、诗歌和反思拼接在一起,讲述了一个故事——我的故事——关于创伤后应激障碍、悲伤、(选择的)家庭,以及我一直渴望完整地作为自己存在的故事。
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引用次数: 0
Personal Protective Purple Daikon Equipment 紫色白萝卜个人防护装备
Pub Date : 2022-12-01 DOI: 10.25158/l11.2.11
Julie Dind
During the Spring semester 2020, I took an art class at the Rhode Island School of Design. 'Personal Protective Purple Daikon Equipment: A Handbook' was my final project for the class. Part zine, part Zoom performance experiment, part autistic meltdown, the project bears witness to my anger, isolation and fear during the lockdown. It is both a commentary on academia and the constant demand to 'make use' of every experience—to continue academic life as usual even during a pandemic that saw so many disabled people die—as well as a handbook for making one's own Personal Protective Purple Daikon Equipment (PPPDE) at home and an absurdist manifesto. As a research-creation project, the Personal Protective Purple Daikon Equipment offers a snapshot of a moment in (crip) time, that of the first state-sanctioned lockdown and of the early days of the pandemic.
在2020年春季学期,我参加了罗德岛设计学院的艺术课。《紫白萝卜个人防护装备手册》是我给这门课布置的期末作业。部分是zine,部分是Zoom的表演实验,部分是自闭症的崩溃,这个项目见证了我在封锁期间的愤怒,孤立和恐惧。这本书既是对学术界的评论,也是对“利用”每一次经历的不断要求——即使在一场导致许多残疾人死亡的大流行期间,也要像往常一样继续学术生活——的评论,也是一本在家制作自己的个人防护紫甘蓝装备(PPPDE)的手册,也是一份荒诞主义宣言。作为一个研究创造项目,个人防护紫色白萝卜设备提供了一个(非常)时间的快照,即第一次国家批准的封锁和大流行的早期。
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引用次数: 0
Coalition-In-Progress Coalition-In-Progress
Pub Date : 2022-12-01 DOI: 10.25158/l11.2.9
Erin Kuri, Antoinette, A. K., B. Chase, C. Scott, Doreen Kalifer, H. Dougall, Marie, Nicholas Herd, P. A. I., P. S., R., S. Simone, C. Jones, A. F. Schormans
For institutional survivors and their younger peers labelled/with intellectual disability, the COVID-19 pandemic and its related lockdowns carry over past experiences under government-directed isolation and mandatory medical interventions. The sudden convergence of past and present necropolitical ableism in labeled persons' lives colours this crisis, as we—a group of survivors, younger labeled people (who have not lived in institutions), and researcher/allies—attempt to simply stay in touch amid digital divides that cut off our once vibrant, interdependent in-person activities. No longer able to gather, and with limited Internet (or no) access, we resist social abandonment through phone calls. During phone conversations we discuss the affective contours of this time: grief over the past, loss of agency, restrictive rules in group homes, the dynamics of protest, fear sparked by public health orders, and a mix of anxiety and hope about the future. Taking this telephone-based dialogue as evidence of our lives in these times, we present a brief body of collectively written found poetry, a form of poetic inquiry composed of phone call snippets. This piece, coauthored by twenty members of the 'DiStory: Disability Then and Now' project in Toronto, Canada, offers a snapshot of coalition-in-process, keeping in touch amid a crisis that threatens our togetherness and—for some more than others—our lives. Following Braidotti, we couch this found poetry in a brief commentary on our slow, in-progress attempt to 'co-construct a different platform of becoming' with one another amid a divergence of historical and contemporary inequities.
对于机构幸存者和被贴上智力残疾标签的年轻人来说,2019冠状病毒病大流行及其相关的封锁延续了过去在政府指导下的隔离和强制性医疗干预下的经历。在被贴上标签的人的生活中,过去和现在的死亡政治残疾症的突然融合为这场危机增添了色彩,因为我们——一群幸存者,年轻的被贴上标签的人(没有在机构里生活过),以及研究人员/盟友——试图在数字鸿沟中保持联系,这些鸿沟切断了我们曾经充满活力、相互依存的面对面活动。不能再聚在一起,上网受限(或没有),我们通过打电话来抵制社交遗弃。在电话交谈中,我们讨论了这段时间的情感轮廓:对过去的悲伤,丧失能动性,集体之家的限制性规则,抗议的动态,公共卫生秩序引发的恐惧,以及对未来的焦虑和希望的混合。以这种基于电话的对话作为我们在这个时代生活的证据,我们呈现了一个简短的集体创作的诗歌,这是一种由电话片段组成的诗歌探究形式。这篇文章是由加拿大多伦多“disstory: Disability Then and Now”项目的20名成员共同撰写的,它提供了一个正在进行中的联盟的快照,在危机中保持联系,威胁着我们的团结,对一些人来说,威胁着我们的生活。在Braidotti之后,我们将这一发现的诗意用一篇简短的评论来表达,评论我们在历史和当代不平等的分歧中彼此“共同构建一个不同的成长平台”的缓慢、正在进行的尝试。
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引用次数: 0
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Amyotrophic Lateral Sclerosis
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