Pub Date : 2021-06-01DOI: 10.29393/at524-22mild10022
M. A. Illanes
{"title":"Las luchas por la dignidad: la Historia. Discurso de recepción del Premio Atenea 2020, a la mejor obra de humanidades y ciencias sociales, por Movimiento en la Tierra. Luchas campesinas, resistencia patronal y política social agraria. Chile, 1927-1947","authors":"M. A. Illanes","doi":"10.29393/at524-22mild10022","DOIUrl":"https://doi.org/10.29393/at524-22mild10022","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"14 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83537361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-414asca20414
A. Sedeño-Valdellós, Virginia Guarinos
Resumen: Este trabajo de investigación se enmarca, de un modo interdisciplinar, entre los estudios del cuerpo, la tecnología y los discursos audiovisuales. Se centra en el análisis del videoclip musical como formato/género. Dentro de él, los trabajos sobre corporeidad se han centrado tradicionalmente en la representación del cuerpo humano como elemento expuesto a la mirada, como objeto de consumo visual integrante de una puesta en escena, pero rara vez como un elemento en el complejo entramado que componen realización, tecnología y sonido, como parte de los productos mainstream En ese sentido, existen, aun no siendo comunes, una serie de técnicas y recursos audiovisuales que son puestos en práctica en numerosos vídeos musicales para componer fórmulas de síncresis músico-visual. En defi nitiva, en el artículo se analiza un corpus de videoclips a través del análisis textual, para tratar de localizar las técnicas de realización y de representación espacio-temporal, que permiten la audiovisualización de la presencia corporal de los miembros del grupo, con el objetivo de incrementar una identifi cación y fruición espectatorial: imitación y analogía, audiovisualización de parámetros musicales, texto escrito y juegos con el espacio son algunos de estos recursos del cuerpo audiovisualizado en el videoclip. Abstract: Th is research work is developed within a interdisciplinary framework among the studies of the body, technology and audiovisual discourses. It focuses on the analysis of the music video as format and genre. In this genre, works on corporeality have traditionally focused on the representation of the human body as an element ex-posed to the gaze, as an object of visual consumption that is part of a staging, but rarely as an element in the complex framework that make up fi lmmaking, technology and sound, as part of mainstream products. In this sense, there are, although not common, a series of audiovisual techniques and resources that are put into practice in numerous music videos to compose formulas for music-visual syncrisis. In sum, the article ana-lyzes a corpus of music video through textual analysis, trying to identify the techniques of realization and spatial-temporal representation, which allow the audiovisual presen-tation of the body presence of the members of the group, with the aim of increasing identification and enjoyment in the spectators: imitation and analogy, audiovisual visu-alization of musical parameters, texts and games with space are some of these resources of the audio-visualized body in the contemporary music video.
摘要:本研究以跨学科的方式，在身体研究、技术和视听话语之间建立了联系。重点分析音乐视频的格式/类型。在他的心中,工作传统上集中关注了关于有形代表作为人体暴露在视觉看,消费对象组成一个纪录,但很少有人像元素在化合物组成结构,实现技术、音频和mainstream产品在这方面的一部分、一般的存在,是还没有一系列的技术和视听资源被应用于许多音乐视频，以组成音乐-视觉联合公式。在defi nitiva,该条款分析总结视频通过文本分析,定位和实现技术的代表,使得audiovisualización肢体存在,目的是增加一个小组成员identifi cación和享受espectatorial:模仿和类比，音乐参数的视听化，书面文本和空间游戏是视频剪辑中视听身体的一些资源。摘要:Th is研究工作是在人体、技术和视听话语研究的跨学科框架内进行的。它的the analysis of the music video格式和性别。In this性别,works on corporeality traditionally聚焦the representation of the human body as an element ex-posed to the gaze,视觉消费as an object of that is part of a试运行,但罕见as an element In the complex framework that make up fi lmmaking technology and sound, as part of mainstream products。在这方面，虽然并不常见，但在大量的音乐视频中，有一系列的视听技术和资源被付诸实践，以制定音乐-视觉融合的公式。In sum, the条ana-lyzes语料库of music video通过文本分析,trying to查明技术实现和视听spatial-temporal representation, which allow the presen-tation of the body在场of the group,吸入with the aim of日增识别and enjoyment In the spectators:音乐参数、文本和空间游戏的模仿和类比、视听可视化是当代音乐视频中视听形象化身体的一些资源。
{"title":"El cuerpo audiovisualizado en la realización del vídeo musical contemporáneo","authors":"A. Sedeño-Valdellós, Virginia Guarinos","doi":"10.29393/atat523-414asca20414","DOIUrl":"https://doi.org/10.29393/atat523-414asca20414","url":null,"abstract":"Resumen: Este trabajo de investigación se enmarca, de un modo interdisciplinar, entre los estudios del cuerpo, la tecnología y los discursos audiovisuales. Se centra en el análisis del videoclip musical como formato/género. Dentro de él, los trabajos sobre corporeidad se han centrado tradicionalmente en la representación del cuerpo humano como elemento expuesto a la mirada, como objeto de consumo visual integrante de una puesta en escena, pero rara vez como un elemento en el complejo entramado que componen realización, tecnología y sonido, como parte de los productos mainstream En ese sentido, existen, aun no siendo comunes, una serie de técnicas y recursos audiovisuales que son puestos en práctica en numerosos vídeos musicales para componer fórmulas de síncresis músico-visual. En defi nitiva, en el artículo se analiza un corpus de videoclips a través del análisis textual, para tratar de localizar las técnicas de realización y de representación espacio-temporal, que permiten la audiovisualización de la presencia corporal de los miembros del grupo, con el objetivo de incrementar una identifi cación y fruición espectatorial: imitación y analogía, audiovisualización de parámetros musicales, texto escrito y juegos con el espacio son algunos de estos recursos del cuerpo audiovisualizado en el videoclip. Abstract: Th is research work is developed within a interdisciplinary framework among the studies of the body, technology and audiovisual discourses. It focuses on the analysis of the music video as format and genre. In this genre, works on corporeality have traditionally focused on the representation of the human body as an element ex-posed to the gaze, as an object of visual consumption that is part of a staging, but rarely as an element in the complex framework that make up fi lmmaking, technology and sound, as part of mainstream products. In this sense, there are, although not common, a series of audiovisual techniques and resources that are put into practice in numerous music videos to compose formulas for music-visual syncrisis. In sum, the article ana-lyzes a corpus of music video through textual analysis, trying to identify the techniques of realization and spatial-temporal representation, which allow the audiovisual presen-tation of the body presence of the members of the group, with the aim of increasing identification and enjoyment in the spectators: imitation and analogy, audiovisual visu-alization of musical parameters, texts and games with space are some of these resources of the audio-visualized body in the contemporary music video.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85527969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-426cgam10426
C. Pichón
{"title":"Amorós, Mario. Rapa Nui. Una herida en el océano","authors":"C. Pichón","doi":"10.29393/atat523-426cgam10426","DOIUrl":"https://doi.org/10.29393/atat523-426cgam10426","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72866458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/at524-14apce10014
Alejandra Palafox Menegazzi
{"title":"Construcción de una etiología de la violación en los discursos de la medicina legal y la criminología chilena (1900-1950)","authors":"Alejandra Palafox Menegazzi","doi":"10.29393/at524-14apce10014","DOIUrl":"https://doi.org/10.29393/at524-14apce10014","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75405546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-427frrs10427
Froilán José Ramos Rodríguez
{"title":"Rothkegel Santiago, Luis. Proceso de Profesionalización de los ejércitos de Argentina y Chile Período 1895-1938","authors":"Froilán José Ramos Rodríguez","doi":"10.29393/atat523-427frrs10427","DOIUrl":"https://doi.org/10.29393/atat523-427frrs10427","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77875354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/at524-12daec10012
Diego Arango López
: This article studies the criminal definition of arson and the problem of its verification in the criminal courts of Valparaíso from 1868 to 1906. I argue that incor-porating arson into the Chilean criminal law entailed difficulties both because of its definition and the difficulties for collecting and analyzing evidence. Fires, according this research are daily events that progressively and case by case bases, reveal charac-teristic processes of the society in which they occur. This article intends to contribute to a scarce historiographical discussion in Chile and not to the current methodology on judicial verification of arson, therefore it is based on two types of sources. On the one hand, the judicial summaries for criminal arson recovered in the criminal judicial file of Valparaíso. And on the other, the official documents corresponding to the criminal definition of arson are used with their theoretical supports. Finally, the article allows us to observe the specific difficulties that the definition of arson entailed and, above all, the problems of the systematization of judicial proving procedures.
{"title":"La evidencia en cenizas. Definir y comprobar el delito de incendio. Valparaíso, Chile, 1874-1906","authors":"Diego Arango López","doi":"10.29393/at524-12daec10012","DOIUrl":"https://doi.org/10.29393/at524-12daec10012","url":null,"abstract":": This article studies the criminal definition of arson and the problem of its verification in the criminal courts of Valparaíso from 1868 to 1906. I argue that incor-porating arson into the Chilean criminal law entailed difficulties both because of its definition and the difficulties for collecting and analyzing evidence. Fires, according this research are daily events that progressively and case by case bases, reveal charac-teristic processes of the society in which they occur. This article intends to contribute to a scarce historiographical discussion in Chile and not to the current methodology on judicial verification of arson, therefore it is based on two types of sources. On the one hand, the judicial summaries for criminal arson recovered in the criminal judicial file of Valparaíso. And on the other, the official documents corresponding to the criminal definition of arson are used with their theoretical supports. Finally, the article allows us to observe the specific difficulties that the definition of arson entailed and, above all, the problems of the systematization of judicial proving procedures.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"88 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74670047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-415fnes10415
F. Martín
{"title":"La economía, entre subsistema funcional, constitución ética y reificación. Las miradas de Habermas, Honneth y Postone","authors":"F. Martín","doi":"10.29393/atat523-415fnes10415","DOIUrl":"https://doi.org/10.29393/atat523-415fnes10415","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84374912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/at524-6vvaf10006
Valentina Verbal
Resumen: componentes Abstract: This work studies two fundamental components in Mario Góngora’s political thought that his commentators have tended to overlook or at least minimize: anti-liberalism and Catholic fascism. The author maintains that while anti-liberalism represents the reactionary facet or dimension of Góngora’s thought, Catholic fascism represents the propositional facet or political dimension of his thought. Furthermore, this article seeks to verify the presence of these components throughout Góngora’s in-tellectual life.
{"title":"Antiliberalismo y fascismo católico. Las dos caras del pensamiento político de Mario Góngora","authors":"Valentina Verbal","doi":"10.29393/at524-6vvaf10006","DOIUrl":"https://doi.org/10.29393/at524-6vvaf10006","url":null,"abstract":"Resumen: componentes Abstract: This work studies two fundamental components in Mario Góngora’s political thought that his commentators have tended to overlook or at least minimize: anti-liberalism and Catholic fascism. The author maintains that while anti-liberalism represents the reactionary facet or dimension of Góngora’s thought, Catholic fascism represents the propositional facet or political dimension of his thought. Furthermore, this article seeks to verify the presence of these components throughout Góngora’s in-tellectual life.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89698651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-17DOI: 10.29393/at522-96ucrg20096
Raúl González Meyer, Francisca Márquez
Autonomy, public commitment, critical force, trans-disciplinarity and openness to other knowledge constitute the notions that organize the problematic vision of this article on today’s university. Argumentative logic structures these matters sequentially, analyzing the difficulties and challenges that contemporary universities face today within a market context, of weakening of its public role and of the diversity of knowledge struggling for recognition. These referential notions are discussed as central components of a broad normative framework for today’s universities. These are elements that would contribute to facing the university challenges in a vulnerable and financially besieged continent, of trans-nationalization, weakening management of its natural resources, technological dependence, weak democracies, multiple inequalities and increasing processes of discontent and social demands.
{"title":"Universidad: crítica para la autonomía, vocación pública y saberes otros","authors":"Raúl González Meyer, Francisca Márquez","doi":"10.29393/at522-96ucrg20096","DOIUrl":"https://doi.org/10.29393/at522-96ucrg20096","url":null,"abstract":"Autonomy, public commitment, critical force, trans-disciplinarity and openness to other knowledge constitute the notions that organize the problematic vision of this article on today’s university. Argumentative logic structures these matters sequentially, analyzing the difficulties and challenges that contemporary universities face today within a market context, of weakening of its public role and of the diversity of knowledge struggling for recognition. These referential notions are discussed as central components of a broad normative framework for today’s universities. These are elements that would contribute to facing the university challenges in a vulnerable and financially besieged continent, of trans-nationalization, weakening management of its natural resources, technological dependence, weak democracies, multiple inequalities and increasing processes of discontent and social demands.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77686828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.29393/at522-115dppl10115
P. Lastra
{"title":"Discurso del Sr. Pedro Lastra","authors":"P. Lastra","doi":"10.29393/at522-115dppl10115","DOIUrl":"https://doi.org/10.29393/at522-115dppl10115","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"76 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84221947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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