Pub Date : 2021-06-01DOI: 10.29393/atat523-412afgv30412
Albert Ferrer Orts, Estefania Ferrer del Río, Josep-Marí Gómez i Lozano
{"title":"¿Gótico versus renacimiento? Una aproximación a la ornamentación “a la romana” en el reino de Valencia: ca. 1447-1564","authors":"Albert Ferrer Orts, Estefania Ferrer del Río, Josep-Marí Gómez i Lozano","doi":"10.29393/atat523-412afgv30412","DOIUrl":"https://doi.org/10.29393/atat523-412afgv30412","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87209876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/at524-15jcac10015
Javier Cuevas del Barrio
This article proposes a critical review of Mary Matthews Gedo’s Psychoiconographic method through her confrontation with authors such as Rosalind Krauss, Didi-Huberman regarding the uses of psychoanalytical theory in art history and criticism. This critical analysis will allow us to differ-entiate some uses of psychoanalysis that derive in psycho-iconography from other uses derived from the reception of Lacanian psychoanalysis in the context of American art criticism by authors linked to the journal October such as Krauss and Foster. Despite some methodological successes, such as the use of psychoanalytical concepts in the analysis of images from an oneiric elaboration process, the critical approach will focus on two specific aspects: the excessive importance given to children’s traumatic experi-ences in Picasso’s artistic production in paintings such as Guernica, and the excessive “interpretive furor” of the artist’s private life in works such as La Vie or Old Guitarist .
{"title":"Una aproximación crítica al método psicoiconográfico de Mary Matthews Gedo a través de los textos sobre Picasso","authors":"Javier Cuevas del Barrio","doi":"10.29393/at524-15jcac10015","DOIUrl":"https://doi.org/10.29393/at524-15jcac10015","url":null,"abstract":"This article proposes a critical review of Mary Matthews Gedo’s Psychoiconographic method through her confrontation with authors such as Rosalind Krauss, Didi-Huberman regarding the uses of psychoanalytical theory in art history and criticism. This critical analysis will allow us to differ-entiate some uses of psychoanalysis that derive in psycho-iconography from other uses derived from the reception of Lacanian psychoanalysis in the context of American art criticism by authors linked to the journal October such as Krauss and Foster. Despite some methodological successes, such as the use of psychoanalytical concepts in the analysis of images from an oneiric elaboration process, the critical approach will focus on two specific aspects: the excessive importance given to children’s traumatic experi-ences in Picasso’s artistic production in paintings such as Guernica, and the excessive “interpretive furor” of the artist’s private life in works such as La Vie or Old Guitarist .","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78037086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/at524-9jmtt10009
Jorge Alejandro Molina Jara
: The purpose of this investigation is to study how La Pincoya settlement is born between the years 1967-1970, by analysing the social imaginary of the squatting (the appropriation) that would give origin to it. Our hypothesis is that La Pincoya is born from diverse settlements, being the Pablo Neruda one the settlement and in the oral history, since it analyses the storytelling and the memory of the protagonists.
{"title":"¿Toma de terrenos? La población La Pincoya y el imaginario en torno a sus orígenes (1967-1970)","authors":"Jorge Alejandro Molina Jara","doi":"10.29393/at524-9jmtt10009","DOIUrl":"https://doi.org/10.29393/at524-9jmtt10009","url":null,"abstract":": The purpose of this investigation is to study how La Pincoya settlement is born between the years 1967-1970, by analysing the social imaginary of the squatting (the appropriation) that would give origin to it. Our hypothesis is that La Pincoya is born from diverse settlements, being the Pablo Neruda one the settlement and in the oral history, since it analyses the storytelling and the memory of the protagonists.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"2012 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87841971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-425mttc40425
Mónica Torres-Cajas, Adriana Lara-Velarde, Danilo Yépez-Oviedo, E. Heredia-Arboleda
: Th e students’ learning results are closely related to the quality of teachers. Consequently, teaching practice implies a continuous search of the results it produces. Th e quality education policies in higher education institutions should be directed to transform the culture of performance evaluation into peer evaluation; trying to over-come the resistance it generates in many educational environments, especially those that are not linked to this culture. Th is bibliographic research aims to develop a dis-cussion about a process of co-evaluation to favor the improvement of the teacher and the educational institution, through a practical four-stage process: Pre Observation, Observation, Post Observation and Critical Refection that encourages new ways to facilitate knowledge. desarrollar una discusión sobre un proceso de co-evaluación para favorecer la mejora del profesor y la institución educativa. A través de un proceso práctico de cuatro etapas: Pre Observación, Observación, Post Observación y Refexión Crítica que aliente nuevas formas de facilitar el conocimiento.
学生的学习效果与教师的素质密切相关。。因此，教学实践意味着对其产生的结果的不断探索。高校素质教育政策应引导绩效评价文化向同行评价文化转变;试图克服它在许多教育环境中产生的阻力，特别是那些与这种文化没有联系的环境。本文的书目研究旨在通过一个实用的四阶段过程:前观察、观察、后观察和批判性反思，鼓励新的方法来促进知识的发展，从而探讨一个有利于教师和教育机构改进的共同评估过程。通过institución教育，通过co-evaluación对教授的荣誉给予支持的联合国进程。1 .在处理过程中通过电子邮件和电子邮件práctico:前Observación、Observación、后Observación和Refexión Crítica que aliente nuevas formas de facilitar conconimiento。
{"title":"Teacher Coassessment Process in Higher Education","authors":"Mónica Torres-Cajas, Adriana Lara-Velarde, Danilo Yépez-Oviedo, E. Heredia-Arboleda","doi":"10.29393/atat523-425mttc40425","DOIUrl":"https://doi.org/10.29393/atat523-425mttc40425","url":null,"abstract":": Th e students’ learning results are closely related to the quality of teachers. Consequently, teaching practice implies a continuous search of the results it produces. Th e quality education policies in higher education institutions should be directed to transform the culture of performance evaluation into peer evaluation; trying to over-come the resistance it generates in many educational environments, especially those that are not linked to this culture. Th is bibliographic research aims to develop a dis-cussion about a process of co-evaluation to favor the improvement of the teacher and the educational institution, through a practical four-stage process: Pre Observation, Observation, Post Observation and Critical Refection that encourages new ways to facilitate knowledge. desarrollar una discusión sobre un proceso de co-evaluación para favorecer la mejora del profesor y la institución educativa. A través de un proceso práctico de cuatro etapas: Pre Observación, Observación, Post Observación y Refexión Crítica que aliente nuevas formas de facilitar el conocimiento.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"109 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88583314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-424mrrs20424
Mirliana Ramírez-Pereira, Adela Montero Vega
{"title":"Representaciones sociales sobre género en actores relevantes, vinculadas con la despenalización de la interrupción del embarazo en Chile","authors":"Mirliana Ramírez-Pereira, Adela Montero Vega","doi":"10.29393/atat523-424mrrs20424","DOIUrl":"https://doi.org/10.29393/atat523-424mrrs20424","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90232583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-431achj10431
Alejandra Costamagna
E la noche del 22 de diciembre de 1914 en el Teatro Santiago, en la esquina de Alameda con calle 18. Estamos en la premiación de los primeros Juegos Florales de Santiago, organizados por la Sociedad de Artistas y Escritores de Chile, que preside entonces Manuel Magallanes Moure. Una ceremonia selecta, a la que asiste el mismísimo presidente de la República, Ramón Barros Luco. La máxima distinción, la Flor Natural, ha recaído en Sonetos de la muerte, de una tal Lucila Godoy Alcayaga, de 25 años, que ha fi rmado sus versos como Gabriela Mistral. Pero la poeta no llega a la ceremonia. Aunque dicen que sí está esa noche en el teatro, pero que se oculta en la galería y toma apuntes, calladita en un rincón, observándolo todo. ¿Y qué es todo? ¿En qué consiste la ceremonia? Pues bien, el ganador debe elegir a la Reina de la Fiesta de entre una “corte de amor” en nombre “del arte y la belleza”2. Tal cual. Gabriela Mistral debió haber elegido y coronado esa noche a una reina de belleza.
1914年12月22日晚上，在阿拉米达和第18街拐角处的圣地亚哥剧院。我们参加了由智利艺术家和作家协会组织的首届圣地亚哥花卉游戏颁奖典礼，该协会当时由曼纽尔·麦哲伦·摩尔主持。这是一个精选的仪式，共和国总统ramon Barros Luco出席了仪式。《自然之花》(La Flor Natural)是25岁的露西拉·戈多伊·阿尔卡亚加(Lucila Godoy Alcayaga)的《死亡十四行诗》(Sonetos de La muerte)，她以加布里埃拉·米斯特拉(Gabriela Mistral)的名字创作了自己的诗歌。但是诗人没有参加仪式。虽然他们说他那天晚上在剧院，但他躲在画廊里做笔记，安静地在一个角落里观察一切。这一切是什么?仪式包括什么?获胜者必须以“艺术与美丽”的名义从“爱情法庭”中选择派对女王。这样的原料。那天晚上，加布里埃拉·米斯特拉尔(Gabriela Mistral)应该选择并加冕一位选美皇后。
{"title":"Huesos y Jardines. Discurso de recepción del Premio Atenea 2019 a la Mejor Obra Literaria Narrativa por El Sistema del Tacto","authors":"Alejandra Costamagna","doi":"10.29393/atat523-431achj10431","DOIUrl":"https://doi.org/10.29393/atat523-431achj10431","url":null,"abstract":"E la noche del 22 de diciembre de 1914 en el Teatro Santiago, en la esquina de Alameda con calle 18. Estamos en la premiación de los primeros Juegos Florales de Santiago, organizados por la Sociedad de Artistas y Escritores de Chile, que preside entonces Manuel Magallanes Moure. Una ceremonia selecta, a la que asiste el mismísimo presidente de la República, Ramón Barros Luco. La máxima distinción, la Flor Natural, ha recaído en Sonetos de la muerte, de una tal Lucila Godoy Alcayaga, de 25 años, que ha fi rmado sus versos como Gabriela Mistral. Pero la poeta no llega a la ceremonia. Aunque dicen que sí está esa noche en el teatro, pero que se oculta en la galería y toma apuntes, calladita en un rincón, observándolo todo. ¿Y qué es todo? ¿En qué consiste la ceremonia? Pues bien, el ganador debe elegir a la Reina de la Fiesta de entre una “corte de amor” en nombre “del arte y la belleza”2. Tal cual. Gabriela Mistral debió haber elegido y coronado esa noche a una reina de belleza.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88889334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-413ncqt10413
Noemi Cinelli
: Th e article provides new data about the Neapolitan painter Alessandro Ciccarelli, in particular about his Italian phase, which coincided with his academic education between Naples and Rome, and with his participation in the exhibitions car-ried out in both cities between 1830 and 1843.We will analyze the work Abandoned Philoctetes of the Capodimonte Museum in Naples, we will bring it face to face with the other version of the MNBA in Santiago and we will demonstrate the origin from the classic inspiration that permeated his theories and his canvas.
{"title":"“Le qualita tutte personali e troppo ardite di quelle pitture erano di esempio pericoloso”. Alessandro Ciccarelli en Italia y el Filoctetes abandonado (1830-1843)","authors":"Noemi Cinelli","doi":"10.29393/atat523-413ncqt10413","DOIUrl":"https://doi.org/10.29393/atat523-413ncqt10413","url":null,"abstract":": Th e article provides new data about the Neapolitan painter Alessandro Ciccarelli, in particular about his Italian phase, which coincided with his academic education between Naples and Rome, and with his participation in the exhibitions car-ried out in both cities between 1830 and 1843.We will analyze the work Abandoned Philoctetes of the Capodimonte Museum in Naples, we will bring it face to face with the other version of the MNBA in Santiago and we will demonstrate the origin from the classic inspiration that permeated his theories and his canvas.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73389719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/at524-11rhpc30011
Rodrigo Herrera Ojeda, María Isabel López Meza, María Fernanda Morales Ortiz
Not without struggle, contemporary heritagization processes in Chile show a shift from traditional perspectives – functional to the nation state discourse and the pp. 195-217 * Artículo elaborado a partir del proyecto de investigación FONDECYT Regular N°1190992, “Escenarios probables de preservación o pérdida del patrimonio construido en proceso de conflicto social; el caso del patrimonio textil de Tomé”. Investigadora responsable: María Isabel López. ** Doctor en Antropología Social y Cultural, Director de Vinculación Social de la Vicerrectoría de Relaciones Institucionales y Vinculación con el Medio (VRIM), Universidad de Concepción, Concepción, Chile. Correo electrónico: rherrerao@udec.cl. Orcid: https://orcid.org/0000-0002-8750-8936 *** Doctora en Desarrollo Urbano Sostenible, Universidad Politécnica de Madrid, académica Depto. Planificación y Diseño Urbano y Directora del Magíster en Patrimonio Arquitectónico y Urbano, Facultad de Arquitectura, Construcción y Diseño, Universidad del Bío-Bío, Concepción, Chile. Correo electrónico: mlopez@ubiobio.cl. Orcid: https://orcid.org/0000-0002-0942-9722 **** Magíster en Patrimonio Arquitectónico y Urbano. Programa de Interculturalidad (UCO 1995), Universidad de Concepción, Concepción, Chile. Correo electrónico: mariafmorales@gmail. com. Orcid: https://orcid.org/0000-0002-3859-1729
Not without斗争当代heritagization processes in智利show a shift from传统视角—functional to the nation state discourse and the pp. 195-217 *条编制定期研究项目的N°1190992,“场景可能建造的遗产保护或丧失社会冲突的过程;以tome的纺织遗产为例。”首席研究员:maria Isabel lopez。**社会和文化人类学博士，机构关系和与环境的联系副校长(VRIM)， concepcion大学，智利。电子邮件:rherrerao@udec.cl。Orcid: https://orcid.org/0000-0002-8750-8936 ***马德里理工大学可持续城市发展博士，学术系。智利大学建筑、建设与设计学院建筑与城市遗产规划与设计硕士，concepcion。电子邮件:mlopez@ubiobio.cl。Orcid: https://orcid.org/0000-0002-0942-9722 ****建筑与城市遗产硕士。跨文化项目(UCO 1995)， concepcion大学，concepcion，智利。电子邮件:mariafmorales@gmail。com。Orcid: https://orcid.org/0000-0002-3859-1729
{"title":"Procesos contemporáneos de activación patrimonial: tensiones, disputas y consensos entre las comunidades, el caso de Bellavista en Tomé, Chile","authors":"Rodrigo Herrera Ojeda, María Isabel López Meza, María Fernanda Morales Ortiz","doi":"10.29393/at524-11rhpc30011","DOIUrl":"https://doi.org/10.29393/at524-11rhpc30011","url":null,"abstract":"Not without struggle, contemporary heritagization processes in Chile show a shift from traditional perspectives – functional to the nation state discourse and the pp. 195-217 * Artículo elaborado a partir del proyecto de investigación FONDECYT Regular N°1190992, “Escenarios probables de preservación o pérdida del patrimonio construido en proceso de conflicto social; el caso del patrimonio textil de Tomé”. Investigadora responsable: María Isabel López. ** Doctor en Antropología Social y Cultural, Director de Vinculación Social de la Vicerrectoría de Relaciones Institucionales y Vinculación con el Medio (VRIM), Universidad de Concepción, Concepción, Chile. Correo electrónico: rherrerao@udec.cl. Orcid: https://orcid.org/0000-0002-8750-8936 *** Doctora en Desarrollo Urbano Sostenible, Universidad Politécnica de Madrid, académica Depto. Planificación y Diseño Urbano y Directora del Magíster en Patrimonio Arquitectónico y Urbano, Facultad de Arquitectura, Construcción y Diseño, Universidad del Bío-Bío, Concepción, Chile. Correo electrónico: mlopez@ubiobio.cl. Orcid: https://orcid.org/0000-0002-0942-9722 **** Magíster en Patrimonio Arquitectónico y Urbano. Programa de Interculturalidad (UCO 1995), Universidad de Concepción, Concepción, Chile. Correo electrónico: mariafmorales@gmail. com. Orcid: https://orcid.org/0000-0002-3859-1729","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79589663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-418iodi10418
Ivan Obando Camino
{"title":"El desarrollo institucional del personal administrativo del Congreso Nacional en el Chile post-autoritario: ¿superposición institucional o trayectoria dependiente?","authors":"Ivan Obando Camino","doi":"10.29393/atat523-418iodi10418","DOIUrl":"https://doi.org/10.29393/atat523-418iodi10418","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86534277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.29393/atat523-411tpic10411
Tomás Peters
Resumen: Este artículo describe y analiza las trayectorias del consumo cultural de las/os chilenas/os desde la creación del Consejo Nacional de la Cultura y las Artes en 2003 hasta 2017. Por una parte, presenta una breve revisión histórica de las políticas culturales en Chile y establece los principios que defi nen el acceso cultural como una estrategia de política pública. Por otra, y usando las cuatro encuestas implementadas por el CNCA, el artículo describe las principales trayectorias y mutaciones del acceso a las artes en Chile. En tercer lugar, usando un análisis de correspondencias múltiples de la Encuesta de Participación Cultural 2017, este artículo presenta un análisis de cluster con los actuales perfi les del consumo cultural de las/os chilenas/os. Este análisis identifi có cuatro perfi les: alto acceso (15%), acceso medio (20%), acceso bajo (27%) y acceso muy bajo (37%). Al igual que en estudios previos desarrollados en el campo, no hay evidencia de cambios estructurales en la estratifi cación del consumo cultural en Chile en la última década. Abstract: Th is paper describes and analyses the cultural consumption trajectories of Chilean people from the creation of the National Council of Culture and the Arts (NCCA) in 2003, using a multiple correspondence analysis of the 2017 Survey of Cultural Participation in Chile, this paper describes a cluster analysis with the current profiles of Chileans cultural consumers. The analysis identifies four profiles: high access (15%), middle access (20%), low access (27%) and very low access (37%). According to previous research developed in the field, there is no evidence of structural changes in the stratification of cultural consumption in Chile in the last decade.
摘要:本文描述和分析了智利国家文化和艺术委员会从2003年成立到2017年的文化消费轨迹。本文对智利文化政策进行了简要的历史回顾，并确立了将文化获取定义为公共政策战略的原则。另一方面，本文利用CNCA实施的四项调查，描述了智利艺术获取的主要轨迹和变化。第三，本文利用2017年文化参与调查的多重对应分析，对智利文化消费的当前概况进行了聚类分析。该分析确定了四种情况:高访问(15%)、中访问(20%)、低访问(27%)和非常低访问(37%)。与该领域以前的研究一样，没有证据表明智利在过去十年中文化消费的分层发生了结构性变化。Abstract: Th是文件描述和非洲《货真价实的文化消费trajectories people from the creation of the National Council of Culture and the条(NCCA) in 2003年,using a multiple correspondence analysis of the 2017年文化调查Participation in this paper的智利cluster analysis with the current profiles of Chileans文化消费者。分析确定了四种情况:高准入(15%)、中准入(20%)、低准入(27%)和极低准入(37%)。根据该领域以前的研究，没有证据表明智利在过去十年中文化消费的分层发生了结构性变化。
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