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Second-hand cultures in unsettled times: a commentary on charity shops, the pandemic, cost of living and environmental crises 动荡时期的二手文化:对慈善商店、大流行、生活成本和环境危机的评论
Pub Date : 2022-12-09 DOI: 10.18573/jomec.232
A. Maddrell
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引用次数: 0
‘Everything’s a pound here, come and ‘ave a look!’: Fandom and the Car Boot Sale “这里的东西都是一英镑,来看看吧!”:车迷与汽车后备箱销售
Pub Date : 2022-12-09 DOI: 10.18573/jomec.222
S. Hobbs
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引用次数: 0
Rethinking Modernity: The Construction of Modern Malaysian Society 反思现代性:马来西亚现代社会的建构
Pub Date : 2021-06-01 DOI: 10.18573/JOMEC.211
I. Aziz
This article explores the concept of 'modernity' that is often associated with the West. Using Malaysia's modernisation project as a case study, it offers insight into Malaysian modernity in the post-Mahathir era. Apart from dealing with the question of what version of modernity the Malaysian government intends to achieve, this article also highlights issues of Malaysian identity, Asian values, multiculturalism and religion. It places Malaysia in the discourse of modernity and argues that being 'modern' does not necessarily mean being 'Western'.
本文探讨了“现代性”的概念,这个概念经常与西方联系在一起。以马来西亚现代化项目为例,深入了解后马哈蒂尔时代的马来西亚现代性。除了讨论马来西亚政府打算实现什么样的现代性问题外,本文还强调了马来西亚身份、亚洲价值观、多元文化和宗教等问题。它将马来西亚置于现代性的话语中,并认为“现代”并不一定意味着“西方”。
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引用次数: 0
Book Review - Journalism, Gender and Power 书评-新闻,性别和权力
Pub Date : 2021-06-01 DOI: 10.18573/JOMEC.216
Karen Penney
Like the previous collection first published in 1998, this edition includes both topical and high-profile stories such as the #MeToo movement and Black Lives Matter but also the covert but no less damaging and harmful actions and behaviours that compound gender inequalities. With an impressive breadth of subjects, the book sets out to build on familiar research themes including the influence of media ownership and control, sexism and women’s employment to issues of politics and identities, gendered racialisation, cyber feminism and feminist discourses in a post-truth era.
与1998年首次出版的上一本合集一样,这本书既包括#MeToo运动和Black Lives Matter等热门和高调的故事,也包括加剧性别不平等的隐蔽但同样具有破坏性和有害性的行动和行为。这本书的主题广度令人印象深刻,它以人们熟悉的研究主题为基础,包括媒体所有权和控制、性别歧视和女性就业对政治和身份问题的影响、性别种族化、网络女权主义和后真相时代的女权主义话语。
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引用次数: 0
Superstar to Superhuman: Scarlett Johansson, an ‘Ideal’ Embodiment of the Posthuman Female in Science Fiction and Media? 从超级明星到超人:斯嘉丽·约翰逊是科幻小说和媒体中后人类女性的“理想”化身?
Pub Date : 2021-06-01 DOI: 10.18573/JOMEC.209
Abby Kidd
From 2013 to 2017, Hollywood actor Scarlett Johansson was the star vehicle in four unrelated science fiction films that saw her portray a posthuman female enabled by artificially intelligent technology. As such technologies become ever more ubiquitous in the world, so too are the burgeoning discourses around posthumanism and artificial intelligence, which are predominantly disseminated to non-specialists through science fiction and journalistic media. These discourses hold the power to influence our perceptions of incoming technological advancements. Therefore, it is important to gain an interdisciplinary understanding of these discourses and their intersections in order to contribute to the cultivation of a general population that is technologically literate and empowered, as well as foster productive dialogues between specialists from within and across the sciences and humanities fields. The media’s configuration of Scarlett Johansson as an ‘exceptional’ woman, often by drawing upon the lexicon of science fiction, has initiated underlying connections between the actor and posthuman figures within the genre, contributing to her perceived suitability for such roles. Despite appearing to be the ‘ideal’ candidate for posthuman female roles, Johansson’s repeated casting poses several problematic implications, particularly when taken into consideration through a feminist lens. Not only does it contribute to an agenda that establishes improbable conceptions of how artificial, posthuman entities should look and behave, but it also perpetuates retrograde notions of gender roles.
从2013年到2017年,好莱坞演员斯嘉丽·约翰逊在四部无关的科幻电影中扮演明星,在这些电影中,她扮演了一个由人工智能技术实现的后人类女性。随着这些技术在世界上变得越来越普遍,围绕后人道主义和人工智能的新兴话语也越来越普遍。这些话语主要通过科幻小说和新闻媒体传播给非专家。这些话语具有影响我们对即将到来的技术进步的看法的力量。因此,重要的是要对这些话语及其交叉点进行跨学科的理解,以便有助于培养懂技术和有能力的普通人群,并促进科学和人文领域内外专家之间的富有成效的对话。媒体将斯嘉丽·约翰逊(Scarlett Johansson)塑造成一位“杰出”的女性,通常是借鉴科幻小说的词汇,这引发了这位演员与该类型中的后人类人物之间的潜在联系,有助于她被认为适合出演这类角色。尽管约翰逊似乎是后人类女性角色的“理想”人选,但他的反复选角带来了一些问题,尤其是从女权主义的角度考虑。它不仅有助于建立一个不太可能的概念,即人造的、后人类的实体应该如何看起来和行为,而且还使性别角色的倒退观念永久化。
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引用次数: 0
Book Review - Community-Centered Journalism 书评——以社区为中心的新闻
Pub Date : 2021-06-01 DOI: 10.18573/JOMEC.213
Andy Nelmes
Most of what is written about the current crisis in journalism focuses on failed business models, massive job losses, plummeting advertising revenue in short, a national and international industry struggling to survive, let alone thrive, and the subsequent damage to democracy as it collapses. News blackholes, news deserts and zombie news coverage are real dangers in an era when fake news is on the increase and trust in journalists is deteriorating. The big question being asked by academics, industry commentators and decision-makers is: how can power be held to account if the media ceases to function and that which survives loses credibility?
大多数关于当前新闻业危机的文章都集中在失败的商业模式、大量失业、广告收入暴跌、一个国家和国际行业在生存上挣扎,更不用说繁荣了,以及随着它的崩溃而对民主的损害。在假新闻不断增加、人们对记者的信任不断恶化的时代,新闻黑洞、新闻沙漠和僵尸新闻报道是真正的危险。学者、行业评论员和决策者提出的一个大问题是:如果媒体停止运作,幸存下来的媒体失去信誉,权力如何被问责?
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引用次数: 0
Book Review - Producing British Television Drama: Local Production in a Global Era 书评-制作英国电视剧:全球化时代的本土制作
Pub Date : 2021-06-01 DOI: 10.18573/JOMEC.208
Julien Grub
Ruth McElroy and Caitriona Noonan (2019) give a holistic overview of the production of drama for public service broadcasters (PSB) in their book Producing British Television Drama. The authors present an introduction to the importance of drama for audiences, arguing that we are not in the ‘golden age’ of television anymore. The book examines four main topics. First, the changes in production of television drama on an executive level of the PSB stations. Second, it assesses the importance of local production and regional representation in a globalized TV market. Furthermore, it looks at the conditions of labour in television production. Finally, it explores the impact of drama productions on tourism of a specific region.
Ruth McElroy和Caitriona Noonan(2019)在他们的《英国电视剧制作》一书中对公共服务广播公司(PSB)的戏剧制作进行了全面概述。作者介绍了戏剧对观众的重要性,认为我们不再处于电视的“黄金时代”。这本书探讨了四个主要主题。首先,在PSB电视台的执行层面上,电视剧的制作发生了变化。其次,它评估了在全球化电视市场中本地制作和区域代表性的重要性。此外,它还考察了电视制作中的劳动条件。最后,探讨了戏剧制作对特定地区旅游业的影响。
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引用次数: 0
Editorial 社论
Pub Date : 2021-06-01 DOI: 10.18573/jomec.214
Julia Boelle, Cate Hopkins, Petra Kovačević, Andy Nelmes, Rachel Phillips
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引用次数: 0
When We Know What We Don’t Know: Uncertainty, Ignorance and Speculation in the UK Television Coverage of Airplane Disasters 当我们知道我们所不知道的:不确定性,无知和猜测在英国电视报道的飞机灾难
Pub Date : 2021-06-01 DOI: 10.18573/JOMEC.205
Julia Boelle
This article examines how the media deal with absent information by examining representations of uncertainty, ignorance and speculation in the UK television coverage of airplane disasters. Drawing on thematic and discourse analyses, the article argues that there is a development over time whereby two phases can be discerned: (1) the (initial) ignorance phase and (2) the epilogue phase. The former describes coverage that contains an absence of information. The findings show that the reporting in this phase draws on modality and speculation to counterbalance the absence of information regarding the airplane disasters. The epilogue phase factually concludes what happened and brings a form of resolution to the incidents. As a result, information is presented with more certainty than in the ignorance phase. These findings have implications for journalism studies more generally because they refine our understandings about the development of media coverage on events and situate the concepts of uncertainty, ignorance and speculation at the forefront of the discipline.
本文通过考察英国电视报道中不确定性、无知和猜测的表现,研究了媒体如何处理缺失的信息。根据主题和话语分析,文章认为,随着时间的推移,可以区分两个阶段的发展:(1)(初始)无知阶段和(2)尾声阶段。前者描述的是缺乏信息的报道。研究结果表明,这一阶段的报道利用模式和猜测来抵消有关飞机灾难信息的缺失。尾声阶段实际上总结了所发生的事情,并为事件提供了一种解决方案。因此,信息的呈现比无知阶段更加确定。这些发现对新闻研究具有更广泛的意义,因为它们改进了我们对媒体报道事件发展的理解,并将不确定性、无知和猜测的概念置于该学科的前沿。
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引用次数: 0
Newton’s Socio-technical Cradle? Web Science, the Weaponisation of Social Media, Hashtag Activism and Thailand's Postcolonial Pendulum 牛顿的社会技术摇篮?网络科学、社交媒体的武器化、标签行动主义和泰国后殖民钟摆
Pub Date : 2021-06-01 DOI: 10.18573/JOMEC.207
M. Day, Merisa Skulsuthavong
Throughout 2020 and into 2021, set against a global pandemic, Thai emancipatory activism unfolded. This paper offers a postmodernist theoretical discourse about such activism, built around the emergent discipline of Web Science. Drawing on a review of surveillance culture insights from Michel Foucault, Manuel Castells, Bruno Latour, Hans Kelsen and David Hume, and textual analysis insights from media studies, we frame acts of internalised colonisation by a powerful government. We suggest these are contested by ‘emergent postcolonialism’ via hashtag activism. As a basis for future research, we offer the theoretical model of a socio-technical political pendulum. Across it, digitally native Thais challenge internal colonialism, through counter-power drawn from the Internet as a postcolonial structure. In doing so, they propel or attract other actors. This momentum creates an emergent emancipatory society where many are still caught in the middle of shifting opinion, which is problematic to mediation. We conclude that Web Science offers a basis for educational reform in Thailand.
从2020年到2021年,在全球疫情的背景下,泰国的解放运动展开了。本文围绕新兴的网络科学学科,提供了一个关于这种激进主义的后现代主义理论论述。根据米歇尔·福柯、曼努埃尔·卡斯特尔斯、布鲁诺·拉图尔、汉斯·凯尔森和大卫·休谟对监控文化的见解,以及媒体研究的文本分析见解,我们构建了一个强大政府的内部殖民行为。我们认为,这些都是由“新兴后殖民主义”通过标签激进主义提出的。作为未来研究的基础,我们提供了社会技术政治钟摆的理论模型。在整个过程中,数字原住民泰国人通过从互联网作为后殖民结构中汲取的反力量,挑战内部殖民主义。通过这样做,他们推动或吸引其他演员。这种势头创造了一个新兴的解放社会,许多人仍然处于意见转变的中间,这对调解来说是个问题。我们的结论是,网络科学为泰国的教育改革提供了基础。
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引用次数: 3
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JOMEC journal : journalism, media and cultural studies
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