Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2022-9-50-61
M. Odesskiy
The article is devoted to the “Slavic idea” of the writer of the 17th century Juraj Križanić. Being a Croat by birth, he worked in various states and in Moscow. Here he wrote the fundamental essay “Politics”. Using the late Russian historical compilations, Juraj Križanić formulated specific version of the “Slavic idea”. To realize the “Slavic idea”, the Russian state must be powerful. To be powerful, it must adhere to isolationism. In the article, the author seeks to prove that this version of the “Slavic idea” was influenced by the Moscow picture of the world.
{"title":"BETWEEN THE “SLAVIC IDEA” AND THE MOSCOW PICTURE OF THE WORLD: THE CASE OF JURAI KRIŽANIĆ","authors":"M. Odesskiy","doi":"10.28995/2686-7249-2022-9-50-61","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-9-50-61","url":null,"abstract":"The article is devoted to the “Slavic idea” of the writer of the 17th century Juraj Križanić. Being a Croat by birth, he worked in various states and in Moscow. Here he wrote the fundamental essay “Politics”. Using the late Russian historical compilations, Juraj Križanić formulated specific version of the “Slavic idea”. To realize the “Slavic idea”, the Russian state must be powerful. To be powerful, it must adhere to isolationism. In the article, the author seeks to prove that this version of the “Slavic idea” was influenced by the Moscow picture of the world.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134549577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2019-9-47-51
P. P. Nikulin
{"title":"NECROLOGUE IN THE NEWSPAPER AS A MODERN JOURNALISTIC GENRE","authors":"P. P. Nikulin","doi":"10.28995/2686-7249-2019-9-47-51","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-9-47-51","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132093373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2022-7-211-224
S. Yatsenko
The golden handle of the Early Sarmatian mirror from Mayerovskii III east from Volga River has an image of a goddess and two horses. The details of iconography of this personage and accompanying animals, their analogues in the Scythian and Sarmatian times are analyzed. Functionally close to her are the Scythian Snake-footed Goddess and the Yuezhi goddess on the headdress in grave 3 of Tillya Tepe. The analogues of this personage in recent times were Dzerassa in the epic of the Alans-Ossetians and Jestak of Kalash people. In the 2nd - 1st cc. BCE the Sarmatians of the European Steppe had three variants of its iconographic embodiment. Against this background, the iconography of the goddess from Mayerovskii III due to the change of ethnopolitical dominance in the region of her find is in many ways unique and it had no continuation.
{"title":"SARMATIAN GODDESS WITH TWO HORSES","authors":"S. Yatsenko","doi":"10.28995/2686-7249-2022-7-211-224","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-7-211-224","url":null,"abstract":"The golden handle of the Early Sarmatian mirror from Mayerovskii III east from Volga River has an image of a goddess and two horses. The details of iconography of this personage and accompanying animals, their analogues in the Scythian and Sarmatian times are analyzed. Functionally close to her are the Scythian Snake-footed Goddess and the Yuezhi goddess on the headdress in grave 3 of Tillya Tepe. The analogues of this personage in recent times were Dzerassa in the epic of the Alans-Ossetians and Jestak of Kalash people. In the 2nd - 1st cc. BCE the Sarmatians of the European Steppe had three variants of its iconographic embodiment. Against this background, the iconography of the goddess from Mayerovskii III due to the change of ethnopolitical dominance in the region of her find is in many ways unique and it had no continuation.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133413320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2022-5-23-47
Artyom O. Badeev
This article provides an overview of the main features of the Shughni system of demonstratives and their deictic functions. The study is based on the fieldwork data, namely an experiment during which the informants responded with Shughni demonstratives. The data obtained are presented in the form of tables with subsequent discussion. The study uses diverse theoretic approaches: on the one hand, a bicentric approach to deixis, examining it through the relations of the participants in a speech act, on the other hand, the idea of the opposition between person- and distance-oriented systems following the mainstream thinking about deixis as remoteness from deictic center, that is, the speaker. In this vein, this article seeks to combine the achievements of both. As a result, an updated understanding of the variability of Shughni demonstratives is provided.
{"title":"VARIABILITY IN THE USAGE OF DEMONSTRATIVES IN SHUGHNI","authors":"Artyom O. Badeev","doi":"10.28995/2686-7249-2022-5-23-47","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-5-23-47","url":null,"abstract":"This article provides an overview of the main features of the Shughni system of demonstratives and their deictic functions. The study is based on the fieldwork data, namely an experiment during which the informants responded with Shughni demonstratives. The data obtained are presented in the form of tables with subsequent discussion. The study uses diverse theoretic approaches: on the one hand, a bicentric approach to deixis, examining it through the relations of the participants in a speech act, on the other hand, the idea of the opposition between person- and distance-oriented systems following the mainstream thinking about deixis as remoteness from deictic center, that is, the speaker. In this vein, this article seeks to combine the achievements of both. As a result, an updated understanding of the variability of Shughni demonstratives is provided.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132567772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2019-1-218-230
Ekaterina I. Tarakanova
{"title":"THE RUCHELLAI CHAPEL IN THE FLORENTINE CHURCH OF SAN PANCRAZIO: BETWEEN PRIVATE AND PUBLIC","authors":"Ekaterina I. Tarakanova","doi":"10.28995/2686-7249-2019-1-218-230","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-1-218-230","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"208 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133212640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2019-3-21-38
Anna Gerstein
{"title":"PUBLIC PERFORMANCES DERIDING, THE PSEUDO-RULER. BETWEEN THE FUNNY AND SERIOUS","authors":"Anna Gerstein","doi":"10.28995/2686-7249-2019-3-21-38","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-3-21-38","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122212142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2022-8-182-192
V. Zabotkina
The article deals with the problem of personality creativity within the framework of the dichotomy “language VS communication”, which is built into the triad “language – creativity – cognition”. This triad is analyzed in two dimensions: from the point of view of the creativity of the language system; from the point of view of the creativity of a linguistic personality. Models and cognitive mechanisms of creativity are presented. Along with analogy and inference, there are three types of the main mechanism of creativity– deviations: pragmatic (distortion of the sign-user relationship); semantic (distortion of the sign-referent relationship); conceptual (distortion of the relationship between the conceptual structures of the original and new values). Pragmatic deviation plays a special role in the process of creative development of new meanings. The question of the boundaries of deviation and what imposes restrictions on the development of new creative meanings is considered. We prove that the limitations on the development of new creative meanings of the word are imposed by the conceptual structure of the original meaning of the word. Based on the latest achievements of Russian and foreign cognitive science, we analyze the structure of the mental lexicon as the main component that plays a leading role in creativity. The connection between creativity and the threat of manipulation is indicated. It is proved that linguistic creativity can lead to the creation of ambiguity (obscurity), which can lead to manipulation. The prospects for further research in the field of creativity are determined, namely, a cross-cultural approach to this phenomenon.
{"title":"PERSONALITY CREATIVITY IN LANGUAGE AND COMMUNICATION","authors":"V. Zabotkina","doi":"10.28995/2686-7249-2022-8-182-192","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-8-182-192","url":null,"abstract":"The article deals with the problem of personality creativity within the framework of the dichotomy “language VS communication”, which is built into the triad “language – creativity – cognition”. This triad is analyzed in two dimensions: from the point of view of the creativity of the language system; from the point of view of the creativity of a linguistic personality. Models and cognitive mechanisms of creativity are presented. Along with analogy and inference, there are three types of the main mechanism of creativity– deviations: pragmatic (distortion of the sign-user relationship); semantic (distortion of the sign-referent relationship); conceptual (distortion of the relationship between the conceptual structures of the original and new values). Pragmatic deviation plays a special role in the process of creative development of new meanings. The question of the boundaries of deviation and what imposes restrictions on the development of new creative meanings is considered. We prove that the limitations on the development of new creative meanings of the word are imposed by the conceptual structure of the original meaning of the word. Based on the latest achievements of Russian and foreign cognitive science, we analyze the structure of the mental lexicon as the main component that plays a leading role in creativity. The connection between creativity and the threat of manipulation is indicated. It is proved that linguistic creativity can lead to the creation of ambiguity (obscurity), which can lead to manipulation. The prospects for further research in the field of creativity are determined, namely, a cross-cultural approach to this phenomenon.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120947339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2023-2-88-101
L. Sukina
The article deals with a rather rare for Russian art of the 17th century story of the Seven Sacraments. Its source was the engravings of the printing house of the Kyev Pechersk Lavra, which were among the book “projects” of the head of the Kyiv Metropolis of the Constantinople Orthodox Church, Petro Mohyla (1632–1647). A few images of that motif have long been known to researchers, but the origin of its variations has not been revealed. The issue is studied on the examples of two icons of the last quarter of the 17th century “Crucifixion with the Seven Sacraments”. Their distinguishing feature is the depicting the optional for all Christians sacrament of marriage in the foreground. The author of the article suggests that the creation of such an iconography was associated with the marriage of Tsar Feodor Alekseyevich. The development of baroque aesthetics also prompted artists to combine elements of different iconographic schemes in one composition and create a complicated version of the Life-Giving Tree with scenes of the seven Sacraments and the Passion of Jesus cycle. They used several literary and visual sources. The surviving samples of such a composition demonstrate the variability of its iconography and the creative nature of the work of Russian icon painters in the 17th century, who could create completely independent works on the same subject with pronounced individual characteristics.
{"title":"THE MOTIF OF THE “SEVEN SACRAMENTS” IN RUSSIAN ART OF THE 17TH CENTURY AND ITS BOOK SOURCE","authors":"L. Sukina","doi":"10.28995/2686-7249-2023-2-88-101","DOIUrl":"https://doi.org/10.28995/2686-7249-2023-2-88-101","url":null,"abstract":"The article deals with a rather rare for Russian art of the 17th century story of the Seven Sacraments. Its source was the engravings of the printing house of the Kyev Pechersk Lavra, which were among the book “projects” of the head of the Kyiv Metropolis of the Constantinople Orthodox Church, Petro Mohyla (1632–1647). A few images of that motif have long been known to researchers, but the origin of its variations has not been revealed. The issue is studied on the examples of two icons of the last quarter of the 17th century “Crucifixion with the Seven Sacraments”. Their distinguishing feature is the depicting the optional for all Christians sacrament of marriage in the foreground. The author of the article suggests that the creation of such an iconography was associated with the marriage of Tsar Feodor Alekseyevich. The development of baroque aesthetics also prompted artists to combine elements of different iconographic schemes in one composition and create a complicated version of the Life-Giving Tree with scenes of the seven Sacraments and the Passion of Jesus cycle. They used several literary and visual sources. The surviving samples of such a composition demonstrate the variability of its iconography and the creative nature of the work of Russian icon painters in the 17th century, who could create completely independent works on the same subject with pronounced individual characteristics.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"304 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116226973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2021-3-84-91
Z. Stankovich
The article examines the issue of internal dialogue possibility as a way to oneself in the form of literary self-reflection on the material of V. Tsoi’s and I. Kormil’tsev’s works. For that purpose, a comparative analysis of the songs’ texts “Ya – asfal’t” by V. Tsoi and “Nikomunikabelnost” by I. Kormil’tsev is carried out. The lyrical subjects of both authors use such “auxiliary means” as letter (Tsoi) and telephone (Kormil’tsev) in order to reach internal dialog. It is revealed that those means of communication and contact with oneself create an effect of maximal defamiliarization, the ability to look at oneself as at different subject and thus enter the space of self-reflection which is a characteristic feature of Russian rock poetry’s authors worldview. Both poets somehow raise the issue of loneliness. The lyrical subject of Tsoi is closed in his own world where he plays various life roles but at the same time he thinks about the possibility of access to other people. Kormil’tsev’s text, on the contrary, presents excessive communication with other individuals which ultimately hampers the internal dialogue of the lyrical subject. Hence the hero gets into a tragic situation: he has no time and opportunity to communicate with himself but also no desire to open his soul to abstract interlocutors. The self-reflection attempt in the work of Tsoi can be considered largely successful, while the lyrical subject of Kormil’tsev despite repeated efforts can not establish contact with himself.
{"title":"THE ASPIRATION FOR INTERNAL DIALOGUE AS LYRICAL SUBJECTS’ SELF-REFLECTION FORM IN WORKS OF V. TSOI AND I. KORMIL’TSEV","authors":"Z. Stankovich","doi":"10.28995/2686-7249-2021-3-84-91","DOIUrl":"https://doi.org/10.28995/2686-7249-2021-3-84-91","url":null,"abstract":"The article examines the issue of internal dialogue possibility as a way to oneself in the form of literary self-reflection on the material of V. Tsoi’s and I. Kormil’tsev’s works. For that purpose, a comparative analysis of the songs’ texts “Ya – asfal’t” by V. Tsoi and “Nikomunikabelnost” by I. Kormil’tsev is carried out. The lyrical subjects of both authors use such “auxiliary means” as letter (Tsoi) and telephone (Kormil’tsev) in order to reach internal dialog. It is revealed that those means of communication and contact with oneself create an effect of maximal defamiliarization, the ability to look at oneself as at different subject and thus enter the space of self-reflection which is a characteristic feature of Russian rock poetry’s authors worldview. Both poets somehow raise the issue of loneliness. The lyrical subject of Tsoi is closed in his own world where he plays various life roles but at the same time he thinks about the possibility of access to other people. Kormil’tsev’s text, on the contrary, presents excessive communication with other individuals which ultimately hampers the internal dialogue of the lyrical subject. Hence the hero gets into a tragic situation: he has no time and opportunity to communicate with himself but also no desire to open his soul to abstract interlocutors. The self-reflection attempt in the work of Tsoi can be considered largely successful, while the lyrical subject of Kormil’tsev despite repeated efforts can not establish contact with himself.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116057203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2019-6-10-23
Yurii B. Orlitskii
{"title":"THE RHYTHMIC ORIGINALITY OF THE OSIP MANDELSTAM CYCLE \"ARMENIA\"","authors":"Yurii B. Orlitskii","doi":"10.28995/2686-7249-2019-6-10-23","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-6-10-23","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116207843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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