Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2021-7-114-140
Yana E. Kanevskaya, D. Feldman
The article considers the history of the term “wrecking.” The study allows describing and analyzing political events which the chosen terms correlate with. The authors manage to trace the functions of the term “wrecking” at different historical times, as well as to establish a connection between the function of the term and the political tasks of the leadership.
{"title":"WHERE THE PAST GOES. THE HISTORY OF THE TERM “WRECKING”","authors":"Yana E. Kanevskaya, D. Feldman","doi":"10.28995/2686-7249-2021-7-114-140","DOIUrl":"https://doi.org/10.28995/2686-7249-2021-7-114-140","url":null,"abstract":"The article considers the history of the term “wrecking.” The study allows describing and analyzing political events which the chosen terms correlate with. The authors manage to trace the functions of the term “wrecking” at different historical times, as well as to establish a connection between the function of the term and the political tasks of the leadership.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121561428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2023-1-146-154
O. Malinkovskaya
The article presents the characteristics of the books and publications by Professor Irina E. Danilova (Art History), that were exhibited in the reading room of the research library of the Pushkin State Museum of Fine Arts and were devoted to the 100-anniversary of the author. It also contains some episodes from I.E. Danilova’s biography, her role in the scientific activities of the Pushkin Museum from the late 1960’s to the early 2000’s and her pedagogical achievements at the Russian State University of Humanities.
{"title":"ON THE EXHIBITION OF THE PUBLICATIONS BY IRINA E. DANILOVA IN THE RESEARCH LIBRARY OF THE PUSHKIN STATE MUSEUM OF FINE ARTS","authors":"O. Malinkovskaya","doi":"10.28995/2686-7249-2023-1-146-154","DOIUrl":"https://doi.org/10.28995/2686-7249-2023-1-146-154","url":null,"abstract":"The article presents the characteristics of the books and publications by Professor Irina E. Danilova (Art History), that were exhibited in the reading room of the research library of the Pushkin State Museum of Fine Arts and were devoted to the 100-anniversary of the author. It also contains some episodes from I.E. Danilova’s biography, her role in the scientific activities of the Pushkin Museum from the late 1960’s to the early 2000’s and her pedagogical achievements at the Russian State University of Humanities.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125710121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2023-2-10-31
Dmitrii I. Antonov
The article discusses votive gifts that are relevant to the contemporary Russian temple environment. The rapid revival and spread of the votive tradition in post–Soviet Russia is one of the most striking phenomena of religious culture in recent decades (along with practices related to the appropriative strategy and the active spread of “Orthodox nomadism”, pilgrimage tourism). The variety of gifts and related practices, discussions around that phenomenon, and different options for its moderation by clerics and church workers indicate that the tradition has turned out to be one of the most lively and in demand; it is relevant among different social groups – parishioners, pilgrims, occasional visitors to churches. The author reviews modern offerings, typologizes votive gifts (characteristic and rare, which have spread since the 1990s and have appeared in recent years), analyzes their connection with the icons being gifted. The focus of attention is also on the attitude of clerics and church workers to offerings; on the practice of distributing gifts in the church space (storage, hanging etc.). The analysis is based on interviews collected in 2018–2022s in the churches in dozens of cities in different regions of Russia
{"title":"VOTIVE GIFTS IN PRESENT-DAY RUSSIA. RELIGIOUS PRACTICE IN THE DYNAMICS OF ITS DEVELOPMENT","authors":"Dmitrii I. Antonov","doi":"10.28995/2686-7249-2023-2-10-31","DOIUrl":"https://doi.org/10.28995/2686-7249-2023-2-10-31","url":null,"abstract":"The article discusses votive gifts that are relevant to the contemporary Russian temple environment. The rapid revival and spread of the votive tradition in post–Soviet Russia is one of the most striking phenomena of religious culture in recent decades (along with practices related to the appropriative strategy and the active spread of “Orthodox nomadism”, pilgrimage tourism). The variety of gifts and related practices, discussions around that phenomenon, and different options for its moderation by clerics and church workers indicate that the tradition has turned out to be one of the most lively and in demand; it is relevant among different social groups – parishioners, pilgrims, occasional visitors to churches. The author reviews modern offerings, typologizes votive gifts (characteristic and rare, which have spread since the 1990s and have appeared in recent years), analyzes their connection with the icons being gifted. The focus of attention is also on the attitude of clerics and church workers to offerings; on the practice of distributing gifts in the church space (storage, hanging etc.). The analysis is based on interviews collected in 2018–2022s in the churches in dozens of cities in different regions of Russia","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126816857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2020-3-65-82
A. Seregina
The religious culture of the English Catholic community was transformed in the 16th–17th cc. and a local Catholic culture emerged, in many ways different from the model prescribed by the Tridentine norms. One reason for that divergence was the loss of traditional sacred loci – churches, monasteries, shrines etc. during the years of the Reformation. In the post-Reformation period, English Catholics were to re-interpret the sacred geography of the country, and of its capital. The article looks into one aspect of this process – the emergence of new pilgrimage sites. A new sacral locus (which sacred status for long time was been a subject of conflict) appeared in London. That was Tyburn – the dishonorable place where traitors had been executed since the 12th c., and a site, which Catholics begun to see in late 16th early 17th cc. as a place of martyrdom, and, consequently, a pilgrimage destination. The author discusses pilgrimage the forms of pilgrimages that existed in conditions of a complete ban on the practice itself (since 1559), their political and religious contexts, as well as particular ways to describe pilgrimages to Tyburn. It is concluded that a small number oof references to such pilgrimages can be explained both by the character of the religious culture of the English Catholics as a minority culture, which used public gestures sparingly, and by conscious efforts at editing of the texts produced by Catholic missionaries. The latter could not control the laity’s devotional practices, but could instead define the image of England’s Catholic culture and its practices that was seen by contemporaries and descendants.
{"title":"THE TYBURN TREE: CATHOLIC PILGRIMAGES IN PROTESTANT LONDON IN THE 17TH C.","authors":"A. Seregina","doi":"10.28995/2686-7249-2020-3-65-82","DOIUrl":"https://doi.org/10.28995/2686-7249-2020-3-65-82","url":null,"abstract":"The religious culture of the English Catholic community was transformed in the 16th–17th cc. and a local Catholic culture emerged, in many ways different from the model prescribed by the Tridentine norms. One reason for that divergence was the loss of traditional sacred loci – churches, monasteries, shrines etc. during the years of the Reformation. In the post-Reformation period, English Catholics were to re-interpret the sacred geography of the country, and of its capital. The article looks into one aspect of this process – the emergence of new pilgrimage sites. A new sacral locus (which sacred status for long time was been a subject of conflict) appeared in London. That was Tyburn – the dishonorable place where traitors had been executed since the 12th c., and a site, which Catholics begun to see in late 16th early 17th cc. as a place of martyrdom, and, consequently, a pilgrimage destination. The author discusses pilgrimage the forms of pilgrimages that existed in conditions of a complete ban on the practice itself (since 1559), their political and religious contexts, as well as particular ways to describe pilgrimages to Tyburn. It is concluded that a small number oof references to such pilgrimages can be explained both by the character of the religious culture of the English Catholics as a minority culture, which used public gestures sparingly, and by conscious efforts at editing of the texts produced by Catholic missionaries. The latter could not control the laity’s devotional practices, but could instead define the image of England’s Catholic culture and its practices that was seen by contemporaries and descendants.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"231 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114153153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2022-7-123-137
E. Artemova
The article deals with the socio-cultural peculiarities of the perception of the German writer Max Dreyer in Russia in the beginning of the 20th century. The research focuses on the theatrical discourse in the magazines and newspapers of Moscow and St. Petersburg. The study showed that the author, little known today, enjoyed wide popularity in Russia at the beginning of the 20th century. His plays were performed in many theaters, both in the capital and in regions. A quick and lively response to foreign theatrical novelties and their transfer to the Russian stage was a general cultural trend of the era. This is the era of the rise of public interest in the theater and in contemporary Russian and Western drama novelties. The vector of socio-cultural development is what predetermined the demand for the German playwright in Russia. In Germany Dreyer’s most popular play was “The Trial Candidate”, in Russia, “The Seventeen Year Olds”. One of the most important factors in its success was that Dreyer’s work fell in line with major trends and preferences in the theatrical repertoire. His interest in the question of women, the problems of contradiction between dream and reality, the theme of a pure soul suffering from lies and social conventions was common
{"title":"RECEPTION OF MAX DREYER’S DRAMA IN THE RUSSIAN CULTURE IN THE EARLY 20TH CENTURY (1900-1914)","authors":"E. Artemova","doi":"10.28995/2686-7249-2022-7-123-137","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-7-123-137","url":null,"abstract":"The article deals with the socio-cultural peculiarities of the perception of the German writer Max Dreyer in Russia in the beginning of the 20th century. The research focuses on the theatrical discourse in the magazines and newspapers of Moscow and St. Petersburg. The study showed that the author, little known today, enjoyed wide popularity in Russia at the beginning of the 20th century. His plays were performed in many theaters, both in the capital and in regions. A quick and lively response to foreign theatrical novelties and their transfer to the Russian stage was a general cultural trend of the era. This is the era of the rise of public interest in the theater and in contemporary Russian and Western drama novelties. The vector of socio-cultural development is what predetermined the demand for the German playwright in Russia. In Germany Dreyer’s most popular play was “The Trial Candidate”, in Russia, “The Seventeen Year Olds”. One of the most important factors in its success was that Dreyer’s work fell in line with major trends and preferences in the theatrical repertoire. His interest in the question of women, the problems of contradiction between dream and reality, the theme of a pure soul suffering from lies and social conventions was common","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"36 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116247678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2022-6-59-69
Elena A. Maryakhina
The article considers the semantics of space formed by the system of object-details and sonosphearic elements in the finale part of Anton Chekhov’s The Cherry Orchard. The theatrical version of the play created at the Moscow State Theater “Lenkom” (dir. Mark Zakharov) became a starting point for the analysis of the literary text. Detail is studied as regards the formation of motifs involved in constructing the spatial organization of the artistic world, as well as an element of the material world that constructs a space in a certain way. Such characteristics of place as narrowness, length, isolation, “verticalization” or ‘horizontalization”, as well as the properties of its boundaries create a semantic field for the world of objects and things, in which Firs finds himself at the end of the play. The contextual analysis of the world of things makes it possible to identify the role of certain characteristics in the topos of the house and estate, the semantics of their transformation, and to assess the role of details in creating the meanings associated with the ontological sphere and its change and in unfolding that meaning in the character and the reader (spectator)’s minds. The significance of the transformation of the place in the final scene makes it possible to trace the connection between the inner state of the character and the “state” of the house itself and read the play’s final scene in terms of the connection between man and place.
{"title":"SEMANTICS OF TRANSFORMATION OF LITERARY SPACE IN THE FINAL SCENE OF “THE CHERRY ORCHARD” BY ANTON CHEKHOV. THE ROLE OF DETAIL","authors":"Elena A. Maryakhina","doi":"10.28995/2686-7249-2022-6-59-69","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-6-59-69","url":null,"abstract":"The article considers the semantics of space formed by the system of object-details and sonosphearic elements in the finale part of Anton Chekhov’s The Cherry Orchard. The theatrical version of the play created at the Moscow State Theater “Lenkom” (dir. Mark Zakharov) became a starting point for the analysis of the literary text. Detail is studied as regards the formation of motifs involved in constructing the spatial organization of the artistic world, as well as an element of the material world that constructs a space in a certain way. Such characteristics of place as narrowness, length, isolation, “verticalization” or ‘horizontalization”, as well as the properties of its boundaries create a semantic field for the world of objects and things, in which Firs finds himself at the end of the play. The contextual analysis of the world of things makes it possible to identify the role of certain characteristics in the topos of the house and estate, the semantics of their transformation, and to assess the role of details in creating the meanings associated with the ontological sphere and its change and in unfolding that meaning in the character and the reader (spectator)’s minds. The significance of the transformation of the place in the final scene makes it possible to trace the connection between the inner state of the character and the “state” of the house itself and read the play’s final scene in terms of the connection between man and place.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115297202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2022-6-39-48
Y. V. Podkovyrin
The object of research in the proposed article is the semantic organization of a dramatic work. The subject of the study is the peculiarities of updating the meaning in a dramatic work, due to its generic specifics. The specifics of artistic meaning are described in this article with the concept of incarnation (implementation). At the same time, the article reveals not theological, but aesthetic (based on the works of Bakhtin of the 1920s) and the hermeneutic content of the above concept. The article focuses on identifying the generic features of incarnation of meaning in works of both classical and modern drama. The scientific novelty of the article is determined by the fact that for the first time (through the concept of incarnation) it reveals the generic features of updating the meaning in a dramatic work, namely: 1) emphasis on the process of transition of the meaning of the characters’ being from the mode of possibility to the mode of reality; 2) placing in the center of the world of drama a character who is in a situation of making a choice of his own life meaning from a range of possible options for its implementing; 3) artistic understanding of the characters life as a limited horizon for the implementation of semantic possibilities, as indicated by the specifics of the image of time (as conditional “now”, unfinished present) and space (as limited and visible conditional “here”); 4) in a non-classical drama, the connection of incarnation of meaning with the image of characters throwing “their being at opportunity” (Heidegger) is mainly not in the space of interpersonal communication, but in the spheres of consciousness and/or language
{"title":"INCARNATION OF MEANING IN A DRAMATIC WORK","authors":"Y. V. Podkovyrin","doi":"10.28995/2686-7249-2022-6-39-48","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-6-39-48","url":null,"abstract":"The object of research in the proposed article is the semantic organization of a dramatic work. The subject of the study is the peculiarities of updating the meaning in a dramatic work, due to its generic specifics. The specifics of artistic meaning are described in this article with the concept of incarnation (implementation). At the same time, the article reveals not theological, but aesthetic (based on the works of Bakhtin of the 1920s) and the hermeneutic content of the above concept. The article focuses on identifying the generic features of incarnation of meaning in works of both classical and modern drama. The scientific novelty of the article is determined by the fact that for the first time (through the concept of incarnation) it reveals the generic features of updating the meaning in a dramatic work, namely: 1) emphasis on the process of transition of the meaning of the characters’ being from the mode of possibility to the mode of reality; 2) placing in the center of the world of drama a character who is in a situation of making a choice of his own life meaning from a range of possible options for its implementing; 3) artistic understanding of the characters life as a limited horizon for the implementation of semantic possibilities, as indicated by the specifics of the image of time (as conditional “now”, unfinished present) and space (as limited and visible conditional “here”); 4) in a non-classical drama, the connection of incarnation of meaning with the image of characters throwing “their being at opportunity” (Heidegger) is mainly not in the space of interpersonal communication, but in the spheres of consciousness and/or language","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123880859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2019-1-124-136
M. I. Yakovleva
{"title":"THE IMPACT OF CLOISONNÉ ENAMELS ON ARTISTIC FEATURES OF THE MICROMOSAIC ICONS OF THE EARLY PALAEOLOGAN PERIOD","authors":"M. I. Yakovleva","doi":"10.28995/2686-7249-2019-1-124-136","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-1-124-136","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"27 10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116721066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2686-7249-2019-6-152-160
O. V. Demidov
{"title":"O.E. MANDELSTAM IN THE READING OF A.B. MARIENGOF","authors":"O. V. Demidov","doi":"10.28995/2686-7249-2019-6-152-160","DOIUrl":"https://doi.org/10.28995/2686-7249-2019-6-152-160","url":null,"abstract":"","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131592616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：