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Power, Violence, and the Paradox of Founding in John Ford’s The Man Who Shot Liberty Valance: An Arendtian Approach 权力,暴力和约翰·福特的《枪杀自由的人:阿伦特的方法》中的建国悖论
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i6.111052
Russell L. Dees
John Ford’s The Man Who Shot Liberty Valance is widely regarded as one of his best and darkest films and as a deep meditation on the American foundation myth. This article examines issues raised by John Ford’s film through distinctions Hannah Arendt developed between ‘power’ and ‘violence’ in her 1969 essay “On Violence” and through her analysis of foundation myths in her 1963 book On Revolution and places them in a broader context of political philosophy. Through this conceptual apparatus, we may gain new insight into the way John Ford’s film grapples with issues of law and politics. Moreover, the film provides concrete illustrations of some of the more abstract concepts in Hannah Arendt’s writings.
约翰·福特的《枪杀自由·瓦朗斯的人》被广泛认为是他最好、最黑暗的电影之一,也是对美国建国神话的深刻思考。本文通过汉娜·阿伦特在1969年的文章《论暴力》中对“权力”和“暴力”的区分,以及她在1963年的著作《论革命》中对基础神话的分析,探讨了约翰·福特电影中提出的问题,并将它们置于更广泛的政治哲学背景下。通过这个概念装置,我们可以对约翰·福特的电影如何处理法律和政治问题获得新的见解。此外,这部电影为汉娜·阿伦特作品中一些更抽象的概念提供了具体的例证。
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引用次数: 0
Lawyers in Opera: The Transformation of the Legal Profession 歌剧中的律师:法律职业的转型
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i5.111080
Inger Høedt-Rasmussen, Lise-Lotte Nielsen
For centuries lawyers, broadly understood as judges, notaries, legal officials and private practicing lawyers, have played important roles in society and been members of a strong profession possessing privileges. Also in operas, from the Italian Commedia dell’arte, ‘Il dottore’, to recent lawyer figures, judges, notaries, lawyers, courtrooms, prisons and legal cultures are exposed. These conditions have influenced the reputation of lawyers. This article contributes with reflections about lawyers’ identity through a fruitful inspiring collaboration between an opera singer and a legal scholar. At three levels of analysis, this explorative study searches for connections between societal requirements (what to do), professional requirements (how to act) and legal and ethical expectations of specific lawyer-like behaviour, morality and good citizenship (who to be). The article brings into a dialogue the world of law and the world of opera and compares the construction of lawyer identities in society with different lawyer roles in opera.
几个世纪以来,律师,广泛地理解为法官、公证人、法律官员和私人执业律师,在社会中发挥着重要作用,是一个拥有特权的强大职业的成员。同样在歌剧中,从意大利的艺术喜剧《医生》到最近的律师人物,法官、公证人、律师、法庭、监狱和法律文化都被曝光。这些情况影响了律师的声誉。本文通过一位歌剧演唱家和一位法律学者富有成效的合作,对律师的身份进行了反思。在三个层次的分析中,这个探索性研究寻找社会要求(做什么)、专业要求(如何行动)和特定律师行为、道德和良好公民(成为谁)的法律和道德期望之间的联系。本文将法律世界与歌剧世界进行了对话,并比较了律师在歌剧中的不同角色对社会中律师身份的建构。
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引用次数: 0
Literary Lessons in Law: Legal Culture in a Changing Welfare State 法律文学课程:变化中的福利国家的法律文化
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i5.111079
Helle Blomquist
Can literary fiction provide a specifically advantageous framework for discussions about law and legal culture in an increasingly diverse society? This study addresses the challenges that some aspects of postmodernity pose to legal culture and legal thinking in the Danish welfare state. Showing how literature can take an open space in public debate I venture into an analysis of two Danish literary creations – the poem ‘The Coffee Break Team’ [Da: Kaffeholdet. My translation] from 2013 and a novel Pelle, The Conqueror, written 1907-10. As a third dimension a small sample of students is inquired about the poem. They are studying to become welfare state professionals and hence bearers of the relation between the state and its citizens. I discuss my literature samples against changes that have taken place in the Danish nation building project involving inclusion or exclusion of groups of the population. In a concluding section I balance my findings in relation to the initial question and place them within the law and literature tradition.
在一个日益多样化的社会中,文学小说能否为讨论法律和法律文化提供一个特别有利的框架?本研究解决了后现代的某些方面对丹麦福利国家的法律文化和法律思想的挑战。为了展示文学如何在公共辩论中占据一个开放的空间,我冒险分析了两首丹麦文学作品——诗歌《咖啡休息小组》。我的翻译]从2013年和小说小佩,征服者,写于1907-10年。作为第三个维度,一个小样本的学生被问及这首诗。他们正在学习成为福利国家的专业人员,从而成为国家与公民之间关系的承担者。我讨论了我的文献样本,以反对丹麦国家建设项目中发生的变化,这些变化涉及对人口群体的包容或排斥。在结论部分,我将我的发现与最初的问题进行了平衡,并将它们置于法律和文学传统之中。
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引用次数: 11
We Need to Talk About the Cultural Commons: Some Musings on Rhizomatic Jurisprudence and Access to Art 我们需要谈论文化公地:关于根茎法学和艺术获取的一些思考
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i6.111056
Merima Bruncevic
No abstract
没有抽象的
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引用次数: 0
Gender and the Legal Profession in Bangladesh: Achievements and Challenges 孟加拉国的性别与法律职业:成就与挑战
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i3.111105
Ridwanul Hoque
The history of women entering the legal profession in Bangladesh is quite recent. This is not surprising. Even in Western societies, with liberal cultural ideologies as regards gender-equality, women had to fight a lot to create a space for themselves in the legal profession. In the US case of Bradwell v. State of Illinois (1872), for example, the Supreme Court refused to allow a married woman into legal practice, arguing that 'the paramount destiny' of women is to fulfill the noble office of 'wife and mother'. Women in Bangladesh aspiring to enter the legal profession never faced such overt 'official' hurdles from the fellows of the same profession. Rather, a number of social, religious, professional, environmental and ideological factors have often stood, in various degrees, in their way. The Constitution of Bangladesh categorically prohibits discrimination based, among others, on sex. By contrast, it imposes a duty on the state to promote women's participation in every sphere of public life. Nevertheless, it is argued in this paper, Bangladeshi women in various walks of the legal profession continue to face implicit gender discrimination. There are factors that both dissuade women from choosing law as a profession and retard the career of those who are already in the profession. This paper brings into light and examines the factors that are arguably responsible for the hidden discrimination against women in the legal profession. For the purpose of this paper, the term 'legal profession' is used to mean legal practice in courts and elsewhere and the profession in the judiciary.
孟加拉国妇女进入法律界的历史是最近才有的。这并不奇怪。即使在崇尚性别平等的自由文化意识形态的西方社会,女性也必须付出很大努力才能在法律职业中为自己创造一个空间。例如,在美国布拉德韦尔诉伊利诺伊州案(1872年)中,最高法院拒绝允许已婚妇女从事法律工作,认为妇女的“最高命运”是履行“妻子和母亲”的崇高职责。渴望进入法律行业的孟加拉国女性从未面临过来自同一行业同行的如此公开的“官方”障碍。相反,一些社会、宗教、专业、环境和意识形态因素往往在不同程度上阻碍了它们的发展。孟加拉国《宪法》明确禁止基于性别等方面的歧视。相比之下,它规定国家有责任促进妇女参与公共生活的各个领域。然而,本文认为,孟加拉国妇女在各行各业的法律专业继续面临隐性性别歧视。有一些因素既阻碍了妇女选择法律作为职业,又阻碍了已经从事这一职业的妇女的职业发展。本文揭示并研究了可能导致法律职业中对妇女的隐性歧视的因素。就本文而言,“法律专业”一词指的是法院和其他地方的法律实务,以及司法部门的专业。
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引用次数: 0
Book Review: Pakistan’s Experience with Formal Law: An Alien Justice 书评:《巴基斯坦的形式法经验:一种外来的正义》
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i6.111063
S. T. Madsen
No abstract
没有抽象的
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引用次数: 22
Afghanistan: Corruption and Injustice in the Judicial System 阿富汗:司法系统中的腐败和不公正
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i2.111121
Antonio De Lauri
No abstract
没有抽象的
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引用次数: 0
Spatial Justice and Street Art 空间正义与街头艺术
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i5.111084
Peter Bengtsen, M. Arvidsson
This article presents the notion of spatial justice as a way of considering the relationship between law and street art in a manner beyond the legal/illegal dichotomy. Through a series of empirical examples, it is demonstrated how street art literally takes a place already taken and imposes itself in an already appropriated urban public space. Street art thus redefines the space in contestation to law. However, street art is ephemeral and its taking of space is not permanent. Street art points to an alternative spatial definition, one of spatial justice, before – and, indeed, while – withdrawing from the space it occupies. Street art creates a rupture in the lawscape which makes explicit the presence and claims of law, thereby also making the need for law’s other – justice – pronounced. The question of relationality between law and street art which we bring forth in the present article plays itself out as a production of space and spatial justice in an exchange of place-taking, withdrawal and pronounciation. Spatial justice, as we perceive it here, is thus a way of thinking about law and street art not simply as polar opposites, but rather as co-dependent and bound together in an ongoing process of oscillation, mutual reinforcement and creativity.
本文提出了空间正义的概念,以一种超越合法/非法二分法的方式来考虑法律与街头艺术之间的关系。通过一系列的实证例子,展示了街头艺术是如何在一个已经占有的城市公共空间中占据已经占有的地方,并将自己强加于一个已经占有的城市公共空间。因此,街头艺术重新定义了与法律抗争的空间。然而,街头艺术是短暂的,它对空间的占据也不是永久的。街头艺术指出了另一种空间定义,一种空间正义的定义,在它从所占据的空间中退出之前——实际上是在退出的同时。街头艺术在法律景观中创造了一个断裂,它使法律的存在和主张变得明确,从而也使对法律的他者——正义——的需要变得明显。我们在这篇文章中提出的法律和街头艺术之间的关系问题,作为一种空间和空间正义的产物,在一种发生、退出和宣告的交换中发挥了作用。空间正义,正如我们在这里所理解的那样,是一种思考法律和街头艺术的方式,而不仅仅是两极对立,而是在一个持续的振荡、相互强化和创造力的过程中相互依赖和联系在一起。
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引用次数: 10
Understanding Daughter’s Traditional Share in Patrimony Sisters and Wives in the Pakistani Punjab 了解女儿在巴基斯坦旁遮普的传统遗产份额——姐妹和妻子
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i1.111131
M. Chaudhary
No abstract
没有抽象的
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引用次数: 0
Vernacular Anti-Corruption: Rural Experiments with Agendas of Good Governance 乡土反腐:善治议程下的农村实验
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i2.111123
G. Hatzfeldt
No abstract
没有抽象的
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NAVEIÑ REET: Nordic Journal of Law and Social Research
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