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NAVEIÑ REET: Nordic Journal of Law and Social Research最新文献

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‘Urf’ And Custom In Common Law And Islamic Law: Common Law Marriage, Zawag Orfi And Zawaj Misyar 普通法和伊斯兰法中的“Urf”和习俗:普通法婚姻,扎瓦格·奥菲和扎瓦吉·米萨尔
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i1.111130
M. Masud
No abstract
没有抽象的
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引用次数: 0
Lawyers? Women? Women Lawyers in Zimbabwe? 律师?女人?津巴布韦的女律师?
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i3.111103
J. Stewart
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引用次数: 3
Flying Kites in Pakistan: Turbulences in Theory and Practice 巴基斯坦放风筝:理论与实践的动荡
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i1.111132
W. Menski
No abstract
没有抽象的
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引用次数: 2
Legal and Musical Interpretation – On the historical and systematic elements in the interpretation of law and music 法律和音乐的解释-在法律和音乐的解释历史和系统的因素
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i6.111058
Qi Xiong, Jie Fan
Law and music have inner links in their logical structure and both of them need “interpretation” owing to the “gap” between symbolic system and performance as well as between past and present. In the realms of both Western law and Western music, there are different attitudes towards “loyalty” to historical “authenticity”. On comparing the historical elements in law and music, it becomes clear that subjective historical interpretation is not useless in law and objective interpretation can be acceptable in music under some circumstances as in law. The wisdom from music can also be helpful for legal interpretation in the sense that, if an interpretation seems at first glance “superfluous” in the legal system, this does not necessarily mean it is redundant and must be avoided. On the contrary, it might be a hint that it is an “attentional” provision, which has its own value in the legal system, just like attentional symbols in music, which can be important reminders to performers. Finally, between Chinese traditional music and legal practice, there is an “inner link”, although the formality and completeness of the symbolic systems are no longer common features of the two disciplines.
法律与音乐在逻辑结构上有着内在的联系,由于符号系统与表演之间、过去与现在之间的“鸿沟”,两者都需要“解读”。无论是在西方法律领域还是在西方音乐领域,对于“忠于”历史的“真实性”都有不同的态度。通过对法律和音乐中的历史因素的比较,可以清楚地看出,主观的历史解释在法律中并非无用,客观的解释在某些情况下在音乐中也是可以接受的。从某种意义上说,音乐的智慧也可以帮助法律解释,如果一种解释在法律体系中乍一看似乎是“多余的”,这并不一定意味着它是多余的,必须避免。相反,这可能是一种暗示,它是一种“注意”条款,在法律制度中有其自身的价值,就像音乐中的注意符号一样,可以对表演者起到重要的提醒作用。最后,中国传统音乐与法律实践之间存在着“内在联系”,尽管符号系统的形式性和完整性不再是这两个学科的共同特征。
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引用次数: 0
Human Rights in ‘Controlling and Combating Corruption’: The ‘Uselessness of Good Ideas?’-- Synoptic Remarks “控制和打击腐败”中的人权:“好主意无用?”——概括性评论
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i2.111118
U. Baxi
No abstract
没有抽象的
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引用次数: 0
Women Lawyers on TV – the British Experience 电视上的女律师——英国的经验
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i5.111083
P. Robson
This paper examines the portrayal on British television of women as protagonists in TV dramas and how this has altered in the past half century. It focuses particularly on two series which follow the fortunes of two Junior barristers and their career paths, each over two separate series. Harriet Peterson and Martha Costello are both women lawyers who appear on behalf of clients in the courts. The barrister branch of the legal profession in England and Wales has always been regarded as the more prestigious branch of the profession from which, traditionally, judges have been selected. The characters are experienced and successful. They have reached that crucial time when they are hoping to be selected as Queen’s Counsel. This step into the top echelon of the elite branch of the split British legal profession is a major marker in a lawyer’s career. It is from the ranks of Q.C.s that the senior judiciary are chosen and where possible fame lies. This paper looks at their contrasting experiences - the context of women lawyers , the style and nature of the work they are shown as undertaking, the characterisation of the legal profession and in particular the principal protagonists. It also provides the crucial context in which these series were produced. It takes note of the ways in which their male counterparts are portrayed in comparable series The major thing which separates the struggles of Peterson and Costello is the passage of time of some 40 years. The paper explores what changes are found in the way the first and second women lawyer major protagonist appear and the context for these changes. In amongst an extensive roster of drama series centred on lawyers, it should be noted that the series Justice with Harriet Peterson ran between 1971 and 1974 and that of Silk with Martha Costello between 2011 and 2014.1  This is a long gap which requires to be looked at in some depth.
本文考察了英国电视剧中女性主角的形象,以及在过去半个世纪中这种形象的变化。它特别关注两个系列,分别在两个独立的系列中讲述两个初级律师的命运和他们的职业道路。哈里特·彼得森和玛莎·科斯特洛都是在法庭上代表客户出庭的女律师。在英格兰和威尔士,法律职业的律师分支一直被认为是该职业中更有声望的分支,传统上,法官是从这个分支中选出的。人物都是经验丰富的成功人士。他们已经到了希望被选为女王法律顾问的关键时刻。进入分裂的英国法律界精英分支的最高梯队是律师职业生涯的一个重要标志。高级司法人员正是从qc的队伍中选出来的,他们的名声也可能由此而来。本文着眼于她们的不同经历——女律师的背景,她们所从事的工作的风格和性质,法律职业的特征,特别是主要角色。它还提供了制作这些系列的关键背景。它注意到在类似的系列中,他们的男性同伴的描绘方式。彼得森和科斯特洛的斗争的主要区别是大约40年的时间流逝。本文探讨了第一位和第二位女律师主角的出现方式发生了哪些变化,以及这些变化的背景。在众多以律师为中心的电视剧中,值得注意的是,哈丽特·彼得森主演的《正义》系列在1971年至1974年播出,玛莎·科斯特洛主演的《丝绸》系列在2011年至2014年播出。这是一个很长的间隔,需要深入研究。
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引用次数: 3
Book Review: Subversion and Sympathy – Gender, Law, and the British Novel 书评:颠覆与同情——性别、法律与英国小说
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i5.111087
Marya Akhtar
The purpose of the book is according to the introduction by the editors to “reinvigorate the law-and-literature movement by displaying a range of ways in which literature and law can illuminate one another and in which the conversation between them can illuminate deeper human issues with which both disciplines are concerned. It makes a substantive contribution, by shedding light on a range of gender-related issues, ranging from inheritance to money lending to illegitimacy; but it also makes a methodological contribution, displaying (and discussing) a range of perspectives that exemplify the breadth and range of this interdisciplinary area of scholarship [...].”
根据编辑的介绍,这本书的目的是“通过展示文学和法律相互阐明的一系列方式,以及它们之间的对话可以阐明这两个学科所关注的更深层次的人类问题,从而重振法律与文学运动。”它作出了实质性的贡献,阐明了一系列与性别有关的问题,从继承到贷款到非法;但它也做出了方法论上的贡献,展示(和讨论)了一系列的观点,这些观点体现了这一跨学科学术领域的广度和范围。”
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引用次数: 0
Corruption in Pakistani Courts in the Light of Local Cultural Context: The Case Study of the Pakistani Punjab 地方文化背景下的巴基斯坦法院腐败:巴基斯坦旁遮普省的案例研究
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i2.111120
Azam Chaudhary
No abstract
没有抽象的
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引用次数: 0
“The Frontier is where the Jews Live”: A Case of Israeli “Democratic Colonialism” “边境是犹太人居住的地方”:以色列“民主殖民主义”案例
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i1.111135
N. Perugini
No abstract
没有抽象的
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引用次数: 2
Witnessing Francoism: Ethics of Non-violence in Guillermo del Toro’s Pan’s Labyrinth 目睹佛朗哥主义:吉尔莫·德尔·托罗的《潘神的迷宫》中的非暴力伦理
Pub Date : 2015-12-01 DOI: 10.7146/nnjlsr.v0i6.111049
Mónica López Lerma
No abstract
没有抽象的
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引用次数: 0
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NAVEIÑ REET: Nordic Journal of Law and Social Research
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