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The Position & Predicament of Transgenders in Dattani’s Seven Steps Around the Fire: A Critical Analysis 位置&巴达尼《绕火七步》中跨性别者的困境:批判性分析
Pub Date : 2023-06-01 DOI: 10.34293/english.v11i3.6222
Mary Raymer
In the play Seven Steps around the Fire, Mahesh Dattani, a renowned playwright, portrays the deplorable position of Hijras (Eunuchs) in Indian society and his efforts to heighten the consciousness of the existential pain that these people endure as a result of prejudice in their daily lives. The goal is to evaluate how the Hijra community and the so-called sophisticated and biologically legitimate community, or the typical male and female in society, relate to one another. In the current inflexible societal framework, where their existence is neither recognised nor respected, Dattani's play Seven Steps around the Fire unpretentiously strives to disclose the additional efforts and additional changes the Hijras are needed to do in order for them to sustain themselves. Because of those limitations, they are compelled to live a life of insignificance, devoid of the status and acceptance that so-called normal males and girls naturally enjoy. Readers are moved by the play's description of the eunuchs' pitiful living conditions and are left with a deep wish to see injustice and prejudice eradicated from society. The play's tight-knit plots and supportive structure educate everyone about the Hijras' human rights, which are equal to those of other people and include the same fundamental freedoms. It exposes the appalling circumstances of the eunuchs, whose lives have been rendered meaningless by the ruling class (females/males) of society. The eunuchs are forced to live in a virtual world of humanity devoid of equality, cultural space, respect, and acknowledgment because they are given the freedom to impose their own cultural norms on this deprived class. This research paper deals with all these deliberations.
著名剧作家Mahesh Dattani在戏剧《绕火七步》(Seven Steps around the Fire)中描绘了海吉拉(Hijras)在印度社会中的悲惨地位,并努力提高人们对这些人在日常生活中因偏见而承受的生存痛苦的意识。目的是评估海吉拉群体和所谓的复杂的和生理上合法的群体,或者社会中典型的男性和女性,是如何相互联系的。在当前僵化的社会框架中,他们的存在既不被承认也不被尊重,Dattani的戏剧《围绕火的七步》谦逊地努力揭示海吉拉为了维持自己所需要做的额外努力和额外的改变。由于这些限制,他们被迫过着微不足道的生活,缺乏所谓正常男女自然享有的地位和接受。读者被剧中对宦官悲惨生活状况的描写所感动,并深深希望看到社会上消除不公正和偏见。该剧紧凑的情节和支持性的结构让每个人都了解了海吉拉人的人权,他们和其他人一样享有平等的人权,包括同样的基本自由。它揭露了宦官的可怕处境,他们的生活被社会的统治阶级(女性/男性)变得毫无意义。太监们被迫生活在一个没有平等、没有文化空间、没有尊重、没有认可的虚拟的人性世界里,因为他们被赋予了把自己的文化规范强加给这个被剥夺阶级的自由。这篇研究论文涉及所有这些考虑。
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引用次数: 0
Eco Consciousness in Dr. Daisaku Ikeda’s Short Stories 池田大作短篇小说中的生态意识
Pub Date : 2023-06-01 DOI: 10.34293/english.v11i3.6227
R. S. Lakshmi, John W.Whitehead
The relationship between man and the environment is of mutual dependence. They are one indivisible entity. Man can develop his life only by living in harmony with the natural environment. The harmonious co-existence of man and nature is imperative. Unfortunately in this age of science and technology, human beings have failed to understand their inevitable dependence on nature. Dr. Daisaku Ikeda, expresses the intrinsic value of nature through his short stories to children. By sensitizing children to environmental issues, Dr.Ikeda tries to rechannel and amplify their energy toward a revolution that can bring peace and harmony to the entire world. In his opinion, the eco-consciousness in children can invoke spirituality in them and that can lead to the cessation of man-made disasters. The best way to solve the environmental crisis is to teach the coming generations about the fundamental value of nature. Dr.Ikeda’s stories are bundled with elements that make children happy as well as thoughtful.
人与环境的关系是相互依存的。他们是一个不可分割的整体。人只有与自然环境和谐相处,才能发展自己的生命。人与自然和谐共处势在必行。不幸的是,在这个科技时代,人类未能理解他们对自然的不可避免的依赖。池田大作博士通过他的短篇小说向孩子们表达了自然的内在价值。通过提高儿童对环境问题的敏感度,池田博士试图重新引导和扩大他们的能量,使他们能够为整个世界带来和平与和谐。在他看来,儿童的生态意识可以激发他们的灵性,从而导致人为灾难的停止。解决环境危机的最好办法是教育下一代关于自然的基本价值。池田博士的故事充满了让孩子们既快乐又深思的元素。
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引用次数: 0
Yemeni Folk Literature: An Investigation of the History of Oral Poetry 也门民间文学:口述诗歌历史调查
Pub Date : 2023-06-01 DOI: 10.34293/english.v11i3.6228
Mubarak Altwaiji
The present article examines Yemeni folk heritage history and the many cultural and historical influences on Yemeni folklore and folk poetry. It explains how folk literature is passed down from one generation to the next, how it plays a significant role in transmitting the experience of the nation, and how these genres are relevant to modern life based on studies of folk literature scholars like Walter J. Ong, William John Thoms, Hardy Campbell, Michael Zwettler, and James Wynbrandt. The two most captivating types of oral poetry are Zamil and Sung Poetry. This study introduces much-needed criteria for research on a nation’s varied legacy inherited from other cultures and countries. In order to adequately describe contemporary Yemeni folk literature, it is also helpful for readers to be acquainted with the nation’s past.
本文考察了也门民间遗产的历史和也门民间传说和民间诗歌的许多文化和历史影响。它以Walter J. Ong、William John Thoms、Hardy Campbell、Michael Zwettler和James Wynbrandt等民间文学学者的研究为基础,解释了民间文学是如何代代相传的,它如何在传递民族经验方面发挥重要作用,以及这些类型如何与现代生活相关。两种最迷人的口头诗歌是赞美诗和颂诗。这项研究为研究一个民族从其他文化和国家继承的各种遗产引入了急需的标准。为了充分描述当代也门民间文学,对读者了解这个国家的过去也很有帮助。
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引用次数: 0
Object Relations : Insights of Eros and Thanatos in the Selected Novels of Khaled Hosseini 客体关系:卡勒德·胡赛尼小说选集中爱神与塔纳托斯的洞察
Pub Date : 2023-06-01 DOI: 10.34293/english.v11i3.6196
Anu Murugan, S. Boopathi
Discourse of human instincts is an ever challenging notion in psychology. These challenges paved a way for new exploration. One of the significant endeavour on Object Relation Theory is Melanie Kleinian model of psychical development, is the infant seen as coming into the world with life and death instincts. Phantasy, Projection,Introjection, Sadism, Epistemophilia, Reparation, Symbolism in which Klein sees life and death instincts in the human condition. Literature provides a rich platform to explore human psyche since ancient times. Khaled Hosseini’s works are one of such entity to explore human instincts. His two novels, The Kite Runner and A Thousand Splendid Suns’s characters Mariam, Amir, Hassan, Sorob, Soroya , and Ali had experienced bitter childhood days in their past. The characters of Hosseini’s have suffered from Post-traumatic stress disorder (PTSD) which haunts them throughout. The present study focuses on how the Eros and Thanatos frame the personality of selected characters with the fear of their past and to constrain their purpose in life.
人类本能话语在心理学中一直是一个具有挑战性的概念。这些挑战为新的探索铺平了道路。客体关系理论的一个重要成果是Melanie Kleinian的心理发展模型,婴儿被视为带着生与死的本能来到这个世界。幻想,投射,内省,施虐,认识论,补偿,象征主义,克莱因在其中看到了人类条件下的生与死本能。自古以来,文学为探索人类心灵提供了丰富的平台。卡勒德·侯赛尼的作品是探索人类本能的实体之一。他的两部小说《追风筝的人》和《灿烂的一千个太阳》中的人物玛丽亚姆、阿米尔、哈桑、索罗布、索罗雅和阿里都曾经历过痛苦的童年。侯赛尼笔下的人物都患有创伤后应激障碍(PTSD),这种疾病一直困扰着他们。目前的研究重点是厄洛斯和塔纳托斯如何用对过去的恐惧来塑造选定角色的个性,并限制他们的生活目标。
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引用次数: 0
Arundhati Roy’s Critique of Big Projects: An Eco-critical Perspective 阿兰达蒂·罗伊对大项目的批判:生态批判的视角
Pub Date : 2023-06-01 DOI: 10.34293/english.v11i3.6234
V. Nageswara Rao, E. Dileep
The present article endeavors to analyze Arundhati Roy’s critique of big dams and projects. An attempt is made to bring home various dimensions and commitments that inform her critique of the big dams which cause more damage and devastation than serving the needs of the people at large. The primary focus is on Ms. Roy’s participation in the Narmada Bachao Andolan which is an Indian resistance movement that tries to prevent building of large dams, reservoirs and power plants. As the building of projects may lead to evacuation of villages and to lose immovable properties numerous environmentalists, humanists, activists and other personalities also have condemned the government for the decisions and implementations. Arundhati Roy is one among them who raises awareness of dangers of massive dams, of resulting forced relocation of people and of damage to environment. The present article is going to discuss the tireless and selfless service of Arundhati Roy and the NBA to tens of thousands of farmers, Adivasis and common people who are participating in the protest to oppose the aforementioned large structures constructed by the Narmada Valley Development Authority (NVDA). In conclusion, the article also attempts to bring out the various aspects and convictions that informed Roy’s critique of big projects.
本文试图分析阿兰达蒂·罗伊对大型水坝和工程的批评。她试图从不同的维度和承诺出发,批判那些造成更多破坏和破坏的大坝,而不是满足广大人民的需求。主要的焦点是罗伊女士参与的Narmada Bachao Andolan,这是一个印度抵抗运动,试图阻止建造大型水坝、水库和发电厂。由于项目的建设可能会导致村庄的疏散和不动产的损失,许多环保主义者、人文主义者、活动家和其他人士也谴责了政府的决定和实施。阿兰达蒂·罗伊(Arundhati Roy)就是其中之一,他让人们意识到大规模水坝的危险,以及由此导致的被迫搬迁和对环境的破坏。本文将讨论Arundhati Roy和NBA对数万名农民、原住民和普通民众的不懈无私服务,这些人参加抗议活动,反对上述由纳尔马达河谷发展局(NVDA)建造的大型建筑。总之,本文还试图提出罗伊对大型项目的批评的各个方面和信念。
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引用次数: 0
Couth Cadence 温文尔雅的节奏
Pub Date : 2023-06-01 DOI: 10.34293/english.v11i3.6223
JS Kawin Inbatamizh
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引用次数: 0
Genealogy and Cultural Versatility in Amit Chaudhuri’s A New World Amit Chaudhuri的《新世界》中的宗谱和文化多样性
Pub Date : 2023-03-01 DOI: 10.34293/english.v11i2.6104
G. Aruna, E.D Punitha Jothi
The paper attempts to critically analyse the representation of cultural versatility about tradition, rituals, family, class and identities through the lens of Amit Chaudhuri’s novel A New World. By shedding light on culturally significant locations like Kolkata’s streets and markets as well as cultural components like cuisine and music in Bengali society, he hopes to study and re-examine the city’s past while portraying its present. The Indian immigrant Jayojit Chatterjee and his son Bonny’s hybridised sense of identity, dislocation, and alienation would be further discussed in Genealogy and Cultural Versatility. A New World does not substantively explore the struggle to conquer life in his new world. Instead, the novel is a celebration of the old world Jayojit has left behind.
本文试图通过阿米特·乔杜里的小说《新世界》来批判性地分析关于传统、仪式、家庭、阶级和身份的文化多样性的表现。通过揭示加尔各答的街道和市场等具有重要文化意义的地点,以及孟加拉社会的美食和音乐等文化组成部分,他希望研究和重新审视这座城市的过去,同时描绘它的现在。印度移民Jayojit Chatterjee和他的儿子Bonny混杂的身份、错位和疏离感将在《家谱和文化多样性》中进一步讨论。《新世界》并没有实质性地探讨在他的新世界中征服生活的斗争。相反,这部小说是对Jayojit抛弃的旧世界的庆祝。
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引用次数: 0
Amitav Ghosh’s The Glass Palace and Orhan Pamuk’s My Name is Red: A Comparison 阿米塔夫·高希的《玻璃宫殿》和奥尔罕·帕慕克的《我的名字是红色:一个比较》
Pub Date : 2023-03-01 DOI: 10.34293/english.v11i2.6101
V. Keerthi Rajalakshmi, K. Sankar
The paper aims to form a comprehensive and in-depth study of the theme of multiculturalism as portrayed within the selected novels of Orhan Pamuk and Amitav Ghosh. The reputed Indian novelist Amitav Ghosh has carved a distinct segment for himself within the world of fiction even as Orhan Pamuk who writes exquisite novels won the Nobel award. Pamuk’s work often touches on the deep rooted tensions of spiritual conflict between East and West, tradition and modernism or secularism. Loss of identity occurs in an alien land within the novel owing to the colonial impact within the postcolonial context. These are the ideas that involve relationship between individuals belonging to the identical or to different communities that sometimes transgress and transcend the shadow lines of political borders. Depicting meticulously the lives of Indian diaspora in Burma, this novel has taken a lot of time for Ghosh, travelling between the boundaries of south Asian countries as to incorporate the events of this novel. Ghosh tells the story of colonizer-colonized relationship through the temporal and spatial journeys of his characters. Pamuk and Ghosh talkabout the national identity, oppression, diaspora, exile and a host of such factors which influence the construction of a nation. Both as novelists deals with culture, nationality, tradition, the conflict between the east and the west, communication, defending individual’s rights of expression and belief and arguing against religious and nationalism.
本文旨在对奥尔罕·帕慕克和阿米塔夫·高什的小说中所描绘的多元文化主义主题进行全面而深入的研究。著名的印度小说家阿米塔夫·高什在小文界留下了自己独特的一席之地,就像奥尔罕·帕慕克获得诺贝尔文学奖一样。帕慕克的作品经常触及东西方、传统与现代主义或世俗主义之间根深蒂固的精神冲突。由于后殖民语境下的殖民影响,小说中的身份丧失发生在异乡。这些思想涉及属于同一或不同社区的个人之间的关系,有时会越过并超越政治边界的阴影线。这部小说细致地描绘了印度侨民在缅甸的生活,高希花了很多时间在南亚国家的边界之间旅行,以融入这部小说的事件。高希通过人物的时空之旅,讲述了殖民者与被殖民者之间的关系。帕慕克和高希探讨了民族认同、压迫、流散、流亡等一系列影响民族建构的因素。作为小说家,两者都涉及文化、民族、传统、东西方冲突、交流、捍卫个人的表达和信仰权利以及反对宗教和民族主义。
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引用次数: 0
Postcolonial Female Subalternity in Mahesh Dattani’s Tara Mahesh Dattani《度母》中的后殖民女性次等性
Pub Date : 2023-03-01 DOI: 10.34293/english.v11i2.5792
G. Jeyalakshmi
Mahesh Dattani, one of the greatest dramatists of the contemporary age, focuses especially on the suppressed or the less-privileged people. He is not only a dramatist but also an actor and director. He deals with sensational issues like homosexuality, gay relationship, taboos, the position of women, and the hijra community. In Tara, Dattani has vehemently attacked the prevailing socio-cultural system in India, which poses several kinds of limitations, confinement, compulsions, and coercion to female children. They are not permitted either to act freely or to think freely. Tara is also the victim of such a sociocultural system. Being a disabled girl she faces prolonged suffering, humiliation, and subsequently death. Dattani wants to uphold the rights and dignity of women and to bring about equality between men and women.
Mahesh Dattani是当代最伟大的剧作家之一,他特别关注受压迫或弱势群体。他不仅是剧作家,还是演员兼导演。他处理了一些耸人听闻的问题,比如同性恋、同性恋关系、禁忌、女性的地位和希吉拉社区。在《度母》中,Dattani强烈抨击了印度主流的社会文化体系,这种体系对女性儿童提出了几种限制、监禁、强迫和胁迫。他们既不能自由行动,也不能自由思考。度母也是这种社会文化体系的受害者。作为一个残疾女孩,她面临着长期的痛苦、羞辱和随后的死亡。Dattani希望维护妇女的权利和尊严,实现男女平等。
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引用次数: 0
Various Categories of Nostalgia in the Work The Debut by Anita Brookner 安妮塔·布鲁克纳作品《初次登场》中的各种怀旧类型
Pub Date : 2023-03-01 DOI: 10.34293/english.v11i2.5953
A. Shanmugaraja
The emotion of nostalgia is universal as far as the opinions of researchers and theorists are concerned. There is not a single individual in the world who is devoid of the feeling of nostalgia. It is a psychological phenomenon, and every individual in the world has been influenced by the feeling. It has distinct definitions based on worldwide experiments. The literature published in psychology, pathology, social science, humanities, science, etc. in the world puts on record different definitions of this complex emotion. Though earlier it was considered a disease, today it is simply a sentiment associated with the past. Throughout the novel The Debut the protagonist, Dr. Ruth Weiss, looks back on her life at the age of forty. Brookner’s use of the flashback techniqueis important from a nostalgic point of view. Her early days’ memories connected to her parents, her grandmother, her school, and teachers remain bitter-sweet. Her childhood memories of family responsibilities, disillusionment with love, feelings of insecurity in the outside world, the loss of loved ones, and so on are all associated with nostalgia. Ruth is mostly nostalgic about her grandmother, and the death of her grandmother seems to be the end of the source of the unselfish love and comfort. Her speechless condition at the death of her grandmother speaks volumes about her psychological state. Though her mother seems harsh, her father is soft on her. The novel explores the daughter-father relationship, friendship, and love. She fails to win the love of Richard and Duplesis, but manages to marry Roddy. But she remains lonely, serving her aged father afterthe death of Roddy. The other characters, Helen, George, Sally, Molly, Roddy, Mr. Dunlop, etc., are also projected as nostalgic figures on different occasions.
从研究者和理论家的观点来看,怀旧情绪是普遍存在的。世界上没有一个人没有怀旧之情。这是一种心理现象,世界上的每一个人都受到过这种感觉的影响。根据世界范围内的实验,它有不同的定义。世界上发表在心理学、病理学、社会科学、人文科学、科学等方面的文献记载了对这种复杂情感的不同定义。虽然早些时候它被认为是一种疾病,但今天它只是一种与过去有关的情绪。在小说《处女作》中,主人公露丝·韦斯博士回顾了她四十岁时的生活。从怀旧的角度来看,布鲁克纳对闪回技术的使用是很重要的。她早年与父母、祖母、学校和老师有关的记忆仍然苦乐参半。她对家庭责任的童年记忆、对爱情的幻灭、对外部世界的不安全感、失去亲人等等,都与怀旧有关。露丝最怀念的是她的祖母,祖母的离世似乎结束了她无私的爱和安慰的源泉。祖母去世时她说不出话来的样子充分说明了她的心理状态。虽然她母亲看起来很严厉,但她父亲对她很温柔。小说探讨了父女关系、友谊和爱情。她没能赢得理查德和杜普莱辛的爱,但成功地嫁给了罗迪。但她仍然孤独,在罗迪死后服侍她年迈的父亲。其他角色,海伦、乔治、莎莉、莫莉、罗迪、邓洛普先生等,在不同的场合也被投射成怀旧的人物。
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引用次数: 0
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Shanlax International Journal of English
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