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Motivation and Attitudes Towards Learning a Foreign Language: A Psycho-Sociolinguistic Study on the Undergraduate Students 大学生外语学习动机与态度:一项心理-社会语言学研究
Pub Date : 2022-09-01 DOI: 10.34293/english.v10i4.5145
Md. Saiful Islam, Afsana Afrose Moon
This study focuses on the psycho-sociolinguistic aspects of Foreign Language Learning. The main questions discussed and analyzed in this study are firstly, what attitudes students actually have towards learning a foreign language and secondly, the motivating factors behind that attitude. This study has been conducted on the students of the Department of English, University of Dhaka and on the students of the Department of English University of Information Technology and Sciences (UITS). This paper has benefited from the quantitative method. The study examines the impact of students’ motivation and attitudes while learning a foreign language. This study also shed light on the question whether it is true that social factors have roles to play in language learning or not. It has been demonstrated that motivation has a major role to play while learning a second language. The findings of this study are analyzed in the light of previous research published in this field.
本研究的重点是外语学习的心理-社会语言学方面。在本研究中讨论和分析的主要问题是,首先,学生对学习外语的实际态度是什么,其次,这种态度背后的激励因素。本研究是在达卡大学英语系和信息技术与科学大学英语系的学生中进行的。本文得益于定量方法。这项研究考察了学生学习外语的动机和态度的影响。这项研究也揭示了社会因素是否在语言学习中起作用的问题。研究表明,动机在学习第二语言时起着重要作用。本研究的结果是根据该领域先前发表的研究进行分析的。
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引用次数: 0
Suggested Introductory English Lit. Course 建议入门英语文学课程
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4759
G. Dohal
While teaching, a clear course plan will enable a teacher to present the assigned course in a smooth and effective way. It’s not enough to know the text you’re going to teach. As an experienced teacher, I introduce this introductory suggested course plan as a model that might be adopted and modified according to the surrounding circumstances a teacher may find her/himself in. Many factors can interfere and cause changes, such as the time limit, the number of students, their level, and so on. As a result, rather than leaving everything to chance, I present this course plan, hoping that colleagues and readers will think about it and consider utilizing it.
在教学过程中,明确的课程计划可以使教师顺利有效地呈现所分配的课程。只知道你要教的内容是不够的。作为一名经验丰富的教师,我将这个介绍性建议课程计划作为一种模式,教师可以根据自己所处的环境来采用和修改。许多因素会干扰并导致变化,例如时间限制、学生人数、他们的水平等等。因此,我提出了这个课程计划,希望同事和读者能够思考并考虑使用它,而不是听凭运气。
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引用次数: 0
The Femininity of Food in “A Kitchen in the Corner of the House” 《屋角的厨房》中食物的女性气质
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4683
T. Sridevi
Ambai’s “A Kitchen in the Corner of The House” signifies the place and position of a woman in a household which is confined in one corner of the house as ‘Kitchen’. There are some stereotypes who still believe that the terms kitchen, cooking, washing, nurturing, raising the kids and cleaning belong to the women. Hence, it is evident that house-keeping and child-rearing well describes a woman’s identity and fertility. A woman is believed to be physically delicate and exhibit kindness. But often her kindness is mistaken as weakness and subjugates her as a life-time slave in the name of marriage. Though a man has been assigned to play the role for upholding moral values and work as engineers, a woman is imprisoned in the corner of the house as portrayed in the short story “A Kitchen in the corner of the House”. This paper analyses the relativity of food and femininity; and how it remains closely connected even in the 21st century.
Ambai的“房子角落里的厨房”象征着一个女人在一个家庭中的位置和地位,这个家庭被限制在房子的一个角落里,作为“厨房”。有一些刻板印象仍然认为厨房、做饭、洗衣、养育、抚养孩子和打扫卫生属于女性。因此,持家和养育孩子显然很好地描述了女性的身份和生育能力。女人被认为是身体纤弱,表现出善良。但她的善良常常被误解为软弱,并以婚姻的名义使她成为终身的奴隶。在短篇小说《屋角的厨房》中,虽然一个男人被指派去扮演维护道德价值观和工程师的角色,但一个女人却被囚禁在房子的角落里。本文分析了食物与女性气质的相对性;以及即使在21世纪,它如何保持紧密联系。
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引用次数: 0
Marriage and Child Birth: Paradigms of ‘Social Imaginary’ in Githa Hariharan’s ‘The Thousand Faces of Night’ 婚姻与生育:吉塔·哈里哈兰《黑夜的千面》中的“社会想象”范式
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4714
Sinsy Siddiq
Marriage in Indian concept is undoubtedly knotted with chastity and fulfillment of duties towards spouses. A persistent view of the society inclines these so- called virtues solely to women- the gender that plays the role of ‘relationship savior’ in most of the marriages. Githa Hariharan, an  editor and well known Indian writer in her first novel ‘The Thousand Faces of Night’,  chose to position women in an arena of idealizing themselves as perfect married off ladies in the society. The three central figures of the novel, Devi, her Amma, Sita and Grandmother are seen in different sequences speaking and performing acts of ‘dharma’ or duties to life. in relation to the enactment of their corresponding roles such as wife, daughter in law , mother and numerous other which does not fall under the roof of marital bonds. Devi’s grandmother takes her through flights of mythical stories and seals her within the walls of trust and fidelity in a married life. The female central character ponders over each story narrated to her by her grandmother and hears mind voices thus placing herself in a world of Social Imaginary. The imaginary (or social imaginary) is the set of values, institutions, laws, and symbols through which people imagine their social whole. It is common to the members of a particular social group and the corresponding society.
在印度人的观念中,婚姻无疑与贞洁和履行对配偶的义务联系在一起。一种根深蒂固的社会观点认为,这些所谓的美德只属于女性——在大多数婚姻中,女性扮演着“关系救世主”的角色。Githa Hariharan是一名编辑和著名的印度作家,在她的第一部小说《千面之夜》中,她选择将女性定位在一个理想化的舞台上,把自己定位为社会上完美的已婚女性。小说的三个中心人物,黛维,她的妈妈,西达和祖母,以不同的顺序出现,讲述和履行“达摩”或对生活的责任。在制定她们相应的角色方面,如妻子、媳妇、母亲和许多其他不属于婚姻关系的人。黛维的祖母带着她读了一大堆神话故事,把她禁锢在婚姻生活的信任和忠诚之中。女主人公思考着祖母给她讲述的每一个故事,听到心灵的声音,将自己置身于一个社会想象的世界。想象(或社会想象)是一套价值观、制度、法律和符号,人们通过它们来想象他们的社会整体。它是一个特定社会群体和相应社会的成员所共有的。
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引用次数: 0
A Comprehensive Analysis of Steinbeck’s Cup of Gold 《斯坦贝克的金杯》综合分析
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4682
R. Prabha, S. Sudha
Steinbeck Cup of Gold begins by page two to discuss Morgan’s early career and plans for capturing Panama. He provides general background for his specific story of Morgan; the century old struggle between Spain and England for the new world and the colonization of their possessions in the West Indies. The rest of the story describes the gathering of the forces, the invasion, the looting and destruction of the city, and Morgan’s meeting and parting with the lady in InfraRed. Cup of Gold is the first work known for thematic structure, character, symbols and imagery. This article explores the detailed analysis of Cup of Gold as aseminal novel.
斯坦贝克金杯从第二页开始讨论摩根早期的职业生涯和占领巴拿马的计划。他为摩根的具体故事提供了总体背景;西班牙和英国为争夺新世界而进行的长达一个世纪的斗争以及他们在西印度群岛的殖民地化。故事的其余部分描述了军队的集结、入侵、对城市的掠夺和破坏,以及摩根与《红外线》中那位女士的相遇和离别。《金杯》是第一部以主题结构、人物、象征和意象著称的作品。本文对《金杯》作为一部女性小说进行了详细的分析。
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引用次数: 0
A Pluralistic Analysis of Women’s Plight in Vasanth’s ‘Sivaranjiniyum Innum Sila Pengalum (2021)’ 瓦桑特《Sivaranjiniyum Innum Sila Pengalum》(2021)中女性困境的多元分析
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4744
A. Selvaraja
“You know her as a mother, daughter, sister, wife, daughter-in-law. But seldom as a woman ... And maybe never as a human.” (Goyal)These above lines are true. Men do not understand woman and they blame it on women saying, women are difficult to understand. Down the ages, the plight of woman in our country remains the same, while the scenario is differently presented in the media. The truth is woman are still victimised at the hands of this patriarchal society. Director Vasanth’s Sivaranjiniyum Innum Sila Pengalum (2021) is one of the exceptional cases. The movie portrays the plight of woman, true to the core. The movie takes its origin from literature. Amidst the commercial masala films, this anthology movie is a laurel on the head of Tamil Cinema. The movie touches upon various aspects of womens’ issues and how are they dealt with. It also presents how they end up as victims and most significantly, it shows how the fake scenario is constructed brilliantly to cloud people’s vision from seeing what is truly happening in reality. This paper is an attempt to touch upon the pluralistic aspects that is present throughout the movie and to ponder over those issues.
“你知道她是一位母亲、女儿、姐妹、妻子、儿媳。但很少作为一个女人……也许作为人类永远不会。(戈亚尔)以上这些都是真的。男人不理解女人,他们把这归咎于女人说,女人很难理解。古往今来,我国妇女的困境一直没有改变,只是媒体上的报道有所不同。事实是,女性仍然是这个男权社会的受害者。瓦桑特导演的《Sivaranjiniyum Innum Sila Pengalum》(2021)就是一个例外。这部电影真实地描绘了女性的困境。这部电影来源于文学作品。在商业马萨拉电影中,这部选集电影是泰米尔电影头上的桂冠。这部电影触及了妇女问题的各个方面,以及她们是如何处理的。它还展示了他们是如何最终成为受害者的,最重要的是,它展示了虚假的场景是如何被巧妙地构建起来,蒙蔽了人们的视野,使他们看不到现实中真正发生的事情。本文试图触及贯穿整部电影的多元化方面,并对这些问题进行思考。
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引用次数: 0
Tradition: Trauma in Alice Walker’s Possessing the Secret Joy 传统:爱丽丝·沃克《拥有秘密的快乐》中的创伤
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4914
Geetanjali Birtia
Tradition, culture, religion all these are too much cling to human life and society. Traditions, cultures include some events, customs, rituals of the society. Most of the society of different countries set many events, customs and rituals to be performed by women. And when it is about African American women, who have been discriminated throughout ages for their race class and gender. The women are underrated, marginalized in the society. They are treated as slaves under go many struggles i.e. race, class, gender discrimination. These women are deprived of their basic rights. By maintaining the values of the tradition these women forget the value of their own Life, Identity and Body. They have been affected psychologically and also faces trauma. To bring all the truth behind the traditions and to emancipate these women, some African-American women writers come to the front and make these African-American women realise about their self-esteem, selfhood through their writers. They paved way for the liberation of African-American women. Among the praiseworthy writers Alice Walker is another, who is not only a writer, but also an activist. She rises voice for the betterment and settlement of subjugated women. This paper brings light on the horrible practice of Female Genital Mutilation in Alice Walker’s Possessing the Secret of Joy. Removing female genital parts for the pleasure of man and in the name of tradition which brings trauma to the African women.
传统,文化,宗教,所有这些都太依附于人类生活和社会。传统、文化包括社会的一些事件、习俗和仪式。不同国家的大多数社会都设定了许多由妇女执行的事件、习俗和仪式。当涉及到非洲裔美国妇女时,她们一直因种族阶级和性别而受到歧视。女性被低估了,被社会边缘化了。他们在许多斗争中被视为奴隶,即种族、阶级、性别歧视。这些妇女的基本权利被剥夺了。通过维护传统的价值观,这些女性忘记了自己的生命、身份和身体的价值。他们在心理上受到了影响,也面临着创伤。为了揭示传统背后的真相,解放这些女性,一些非裔美国女性作家挺身而出,通过她们的作品让这些非裔美国女性意识到她们的自尊和自我。他们为非裔美国妇女的解放铺平了道路。在值得称赞的作家中,爱丽丝·沃克是另一位,她不仅是一位作家,还是一位活动家。她为被压迫妇女的改善和解决问题而大声疾呼。本文揭示了爱丽丝·沃克的《拥有快乐的秘密》中女性生殖器切割的可怕做法。为了男人的快乐,以传统的名义切除女性生殖器,这给非洲妇女带来了创伤。
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引用次数: 1
Quest for Identity and Search for Roots in Bharati Mukherjee’s Jasmine 在巴拉蒂·慕克吉的《茉莉花》中寻找身份和根源
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4946
R. Suganya
Bharati Mukherjee, the author of six novels, two collections of short stories, and a smattering of nonfiction works,reflects personal experience in crossing cultural boundaries in her almost all writings.The state of exile, a sense of loss, the pain of separation, anddisorientation makeBharati Mukherjee’s novel, Jasmine "a quest for identity and search for the roots” in an alien land. This paper discusses how the protagonist of the novel, undergoes several transformations during her life journey in America, which results in a fluid state of identity.
巴拉蒂·慕克吉(Bharati Mukherjee)是六部小说、两部短篇小说集和少量非虚构作品的作者,她在几乎所有的作品中都反映了跨越文化界限的个人经历。流亡的状态、失落感、分离的痛苦和迷失的方向,使巴拉蒂·慕克吉的小说《茉莉花》成为在异乡“对身份的追求和对根源的寻找”。本文探讨了小说主人公在美国的人生旅程中经历了几次转变,从而导致了她身份的流动状态。
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引用次数: 0
Thematic Analysis in Beatrice Mosionier’s Novel ‘April Raintree’ 比阿特丽斯·莫西耶小说《四月雨树》的主题分析
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4938
S. Udhayakumar
Beatrice Mosionier’s debut novel In Search of April Raintree reveals much of her own traumatic experience that she has beautifully framed with realistic depictions. It not only deals with her personal life but also it implicitly deals with the life of many Canadian women who experience similar kind of issues in the Canadian multicultural society. The most common issues are racism, alcoholism, prostitution, and other social challenges that have been strongly voiced by Mosionier in the novel. Moreover, social oppression and individual transformation have been framed parallel in the novel to highlight the conflict part of the novel. Further, the central characters of the novel, the twin sisters April and Cheryl Raintree’s two different perspectives of life indicate a clear message of victimization by all the oppressive powers. Further, the difference in the attitude of the two sisters, their determination and resolution gain a prime importance in the plot of the novel. Hence, a thematic study upon these matters would give a detailed outlook to the novel.
比阿特丽斯·莫西耶的处女作《寻找四月雨树》揭示了她自己的许多创伤经历,并用现实主义的描写精美地构建了框架。它不仅描写了她的个人生活,也含蓄地描写了许多在加拿大多元文化社会中经历着类似问题的加拿大女性的生活。最常见的问题是种族主义、酗酒、卖淫和其他社会挑战,这些都是莫西尼尔在小说中强烈表达的。此外,小说将社会压迫与个人转型并驾并驱,突出了小说的冲突部分。此外,小说的中心人物,双胞胎姐妹艾普丽尔和谢丽尔·雷恩特里的两种不同的人生观表明了一个明确的信息,即所有压迫力量的受害者。此外,两姐妹态度的不同,她们的决心和决心在小说情节中占有重要地位。因此,对这些问题的专题研究将使这部小说有一个详细的前景。
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引用次数: 0
Beliefs Overshadow on the Social Issues Potrayed in the Novel The Man From Chinnamasta by Indira Goswami 英迪拉·戈斯瓦米的小说《来自中国的人》所描绘的社会问题的信仰阴影
Pub Date : 2022-06-01 DOI: 10.34293/english.v10i3.4880
B. Veeramani
Dr. Indira Goswami (Mamoni Raisom Goswami) is one of the leading writers of the India today. She has won the Jnanpith Award for the year 2000, which is the highest literary award of India today. She belongs to the family of Sattra adhikars (Head of Vaisnava monastery) of South Kamrup in Assam. Her father, Late Uma Kanta Goswami, was an economist, who worked as the Director of Public Instruction of the Government of Assam. Indira did her schooling in Guwahati and Shillong. She has written eighteen novels, and several hundreds of short stories. Her novels and short stories have been translated into many Indian and Foreign languages. She tries to write from her direct experiences of her life. She only moulds her experiences with her imagination. Her novel The Man from Chinnamasta is a story of sacrifice. In this novel she portrays the picture of ancient India and the practice of animal sacrifice. Religion has been always a major preoccupation in the novels of Indira Goswami, especially the practices of orthodox Hinduism, the author was born and brought up in the midst of these cultural practices and was aware of its violence and cruelties. The story is set in pre- independent British India, particularly around the ancient Kamakhya temple in Assam.
英迪拉·戈斯瓦米博士(Mamoni Raisom Goswami)是当今印度的主要作家之一。她获得了2000年的詹皮斯奖,这是当今印度最高的文学奖。她属于阿萨姆邦南坎鲁普的萨特拉·阿迪卡尔家族(毗湿奴派修道院院长)。她的父亲乌玛·坎塔·戈斯瓦米(Uma Kanta Goswami)是一位经济学家,曾担任阿萨姆邦政府公共教育主任。英迪拉在古瓦哈提和西隆上学。她写了18篇长篇小说和几百篇短篇小说。她的长篇小说和短篇小说已被翻译成许多印度和外国语言。她试图从她生活中的直接经历来写作。她只是用想象塑造自己的经历。她的小说《来自中国的人》是一个关于牺牲的故事。在这部小说中,她描绘了古印度的景象和动物祭祀的习俗。宗教一直是英迪拉·戈斯瓦米小说的主要主题,尤其是正统印度教的习俗,作者在这些文化习俗中出生和长大,并意识到它的暴力和残酷。故事发生在独立前的英属印度,特别是在阿萨姆邦古老的卡马克希亚神庙周围。
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引用次数: 0
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Shanlax International Journal of English
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